#i never know how to tag these skghsfg

[demeterdefence]

time for more thoughts nobody asked for (quick content warning this does discuss apollo & sexual assault)

there's been a growing shift in lo from putting reasonable emotional response to things to "lol comedy" and it's ... not good. in all honesty the entire comic seems to have become a parody of itself - lazy sketches, exaggerated appendages, absolute godawful flanderization in character design - but one of the more egregious aspects is the downplaying of genuine anger and righteous frustration into some kind of 1-2 comedy punch.

under the cut for length and content

i won't say that rachel has ever handled nuance or emotional response particularly well, but in the earlier chapters, there was at least a semblance of effort. when depicting or discussing persephone's rape by apollo, rachel writes eros as being rightfully horrified by what happened to persephone, and while it's not great that the emotional catharsis is more on eros reacting to the rape instead of persephone herself, i'll admit that i really did like how eros responded and validated persephone. as someone who has also experienced sexual assault, the sense of grief, fear, and confusion surrounding the event often gaslights victims into being confused or mixed up over the reality of what happened. eros demonstrates nothing but support and love for persephone, evidenced first by noting how upset she is when she says she had sex with apollo, and then by realizing she can't even find the words to describe what happened. he's actually nothing but nurturing in the sequence.

eros recognizes a major component of the assault is not just the assault itself - persephone is blaming herself both for what happened to her, and for "losing" her virginity, which has been a key aspect of her identity for a long time. eros immediately puts himself on persephone's side, reassures her, and comforts her, and it's not done with comedy or hilarity. he is the god of love - he understands sex and desire, and he is absolutely correct that what apollo did was rape. the conversation is treated more or less pretty respectfully, and without any comedic punchline or distraction. it's two friends, one desperately needing comfort, another providing it.

something to note is that from this point on, eros is furious with apollo, and it shows. he is correct that apollo is the bad guy here, and he does not let up in that reaction. the next time we see apollo and eros in the same scene, it's when apollo has cornered persephone in the room where he raped her, backed her up against the wall, and manhandled her. this scene in particular has ... a lot of bad elements to it, but without getting into that hornet's nest, we see eros come upon the scene in time to see what's happening.

and he's not happy.

particular to note that all the gods get wrath eyes at some point or another - apollo's are golden, whereas eros' are blood red, and the standoff emphasizes this. eros immediately breaks into the room and puts himself in front of persephone, staring apollo down until he leaves.

the next time apollo and eros interact, it's right after pesephone has been charged with treason and is hiding in the underworld. now, i do have some problems with this interaction because, considering the last time eros saw the guy it was when he was threatening the girl he raped in the room he raped her in, and eros' reaction is ... fairly muted. but there's still clear disdain in there, and eros does not necessarily hide it.

the last time we see eros and apollo interact before the trial is when apollo gets hit with the arrow of hate and comes after psyche. eros takes it less than well.

ignoring the fight which turns into psyche and eros sidelining everything, the entire interaction ends with eros getting hit with an arrow from apollo after trying to stop him from killing daphne.

it's a good time to point out that by chapter 227 (MONTHS after their last interaction) both eros and psyche are confirmed to know what apollo did, that he's still terrorizing persephone, and that he tried to kill daphne and severely injured eros. psyche has been given the role of goddess in part to keep an eye on apollo. that's confirmed in the story. that's confirmed by rachel. that's confirmed by eros and psyche themselves. apollo nearly killed psyche when he attacked eros. there is a significant lack of love between the three of them. so how does eros react the next time he and apollo are together?

like at this point in the story apollo:

raped eros' friend and terrorized her, once in front of eros who had to physically stop apollo from continuing

gaslit artemis in front of him, emphasizing his abusive behaviour and reinforcing to eros that apollo would manipulate anyone to get what he wanted

tried to kill his wife in front of him

shot him with an arrow that made eros violently ill

tried to kill a nymph in front of him

plotted to kill eros' grandfather / king of the gods

threatened to kill an innocent woman if eros and psyche tried to stop him

locked eros and psyche in a magical jail

by all accounts eros should be seething to fight apollo. he should be rabid. he should be frothing at the mouth to punch the guy out. instead we get this

this is the sort of thing you say to the dude who annoys you or steals your girlfriend, not a RAPIST who tried to kill the KING and wants to establish a coup d'etat. it's just ... painted as comedic when it's anything but? even how eros is drawn is supposed to be caricature, it's exaggerated and meant to suggest humour rather than the actual serious issue that it is. take zeus and daphne and psyche out of the equation, eros still knows apollo is a rapist. he still knows apollo is obsessed with his rape victim. he has demonstrated MASSIVE rage towards apollo in the past, but now it's like the whole thing is a "haha gotcha!" rather than the very obvious implication that apollo is planning more sexual assault. even if he's worried for psyche in this scene, eros still has the power to attack apollo - he's done it twice before! he has the ability to defend himself, so why the hell is he bantering with the guy?

and this has become a reoccurring problem in lore olympus - the way it takes serious trauma and turns it into some kind of comedy now. hera standing up to kronos and deciding to find hebe? hestia has to make a quip about her smoking. demeter coming to terms that her relationship with metis might not have been perfect? gotta get a dig in about demeter's helicopter parenting. morpheus wracked with guilt for the sleep dive with hades? persephone has to take center stage. it's just acting like no one is allowed to be actually angry or grieving except persephone and hades. we haven't even gotten to see zeus deal with being impaled by his father during the battle in the underworld, and sacrificing himself for persephone??? it's the cheap and lazy sitcom formula - ending everything on a cheap laugh, rather than letting people sit with the emotions and frustrations of a situation. back when eros first finds out persephone was raped, the chapter ended on a soft, optimistic sequence; persephone finding comfort in her friendship, and feeling safe. you didn't need a joke, because there wasn't any - it acknowledged the pain persephone was in, but also let the reader know that hope and comfort could be achieved. you don't need to end on a joke or a pithy comment every time - sometimes it's just important to let the emotions be felt. watering down the anger does nothing but water down the severity of why the anger is there in the first place.

it's another demonstration of how rachel could not give a fuck about anything other than persephone and hades. the art, the narrative choices - the care and love for detail is gone. it's just as little effort as possible, and it shows in the most insulting ways.

#anti lo #anti lore olympus #lo critical #lore olympus critical #i never know how to tag these skghsfg #abuse ment / #i have been simmering on this a lot it's been in the back of my head for a while #and obviously the art and other whammos sidetracked me #but it's just another case of so called feminist rachel prioritizing cheap laughs and benefitting the abuser