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#i just felt zero motivation to produce art over the past few months
disko24x7 · 5 months
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plastic oddballs from beyond classic space [doodles]
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What the hell happened to creepypastas?
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Whether it's Gilgamesh or urban legends, the art of storytelling has been around for thousands of years. In the case of creepypastas, just replace the campfire with a computer screen.
For those that have never experienced this internet genre of storytelling, creepypastas are horror-related stories, images, or videos. The name is based off the term "copypasta" because the stories are typically copied and pasted all over the internet. 
But over the past few years, the popularity of the genre has dwindled after tragic events caused the community to reel itself back and stifle creation. 
SEE ALSO: 17 terrifying creepypastas guaranteed to keep you up at night
Despite its struggles, creepypasta hasn't quite met its own horror movie ending, but rather turned into something else. Shifting from its home in the corners of the /x/ board of 4Chan and r/NoSleep subreddit, the genre has made its way to TV screens across the country thanks to Channel Zero, a SYFY television series created by Nicholas Antosca that expands on the plot of creepypastas on the internet.
The early days of creepypasta 
Some older and popular creepypastas include Jeff the Killer, a serial killer with no eyelids and a terrifying smile who murders his family; and BEN Drowned, a story by YouTuber Alex Hall that revolves around a haunted cartridge of the video game The Legend of Zelda: Majora's Mask. 
Hall included videos of the ordeal to further enhance the creepypasta.
"I saw that a lot of creepypastas only had one element to them — the writing — and I felt that if it had a visual component as well it would make it that much more engaging," Hall wrote.
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Jadusable encountering an in-game statue that's supposed to be Ben
Image: jadusable / alex hall / youtube
BEN Drowned follows the story of a college student who goes the username Jadusable. The character buys a copy of The Legend of Zelda: Majora's Mask from a mysterious old man at a garage sale, that turned out to be haunted by a malevolent spirit named Ben. 
"The genre itself was still pretty young when I wrote it in 2010," Hall wrote. "I didn’t know what it was at the time. I saw a few creepy video game stories in the wild, and I wanted to try my hand at writing something similar. It just happened to evolve organically from there."
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A glitched version of Link that appears when Jadusable starts up a game file.
Image: jadusable / alex hall / youtube
Creepypastas get bigger—and more visual
The infamous Slender Man creature — who was birthed from a creepypasta — helped propel the community into the spotlight with his unnaturally elongated limbs and pale face lacking eyes, mouth, or a nose. Slender Man got so big that he had video games, YouTube web series, and a feature film based on him.
For content creators like Adam Rosner, making YouTube videos based on this figure was a cathartic hobby that eventually grew into a fully fleshed out web series called TribeTwelve. 
"I started making videos back in 2010," Rosner said. "That type of raw horror was something that really appealed to me. It's a lot of what creepypasta lore really is." 
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Rosner's TribeTwelve series was well received by the community. In the series, Rosner plays the role of Noah Maxwell, a college student who is being tormented by a group of evil entities known as The Collective, and of course, Slender Man.
"When I started out I didn’t have a big plan," Rosner said. "I only wanted to have a few episodes and have a joke ending. But then people started posting in forums about my stuff, and they were really into the plot and visuals of the series." 
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An image of The Collective from TribeTwelve
Image: Courtesy of adam rosner
As one of the large figures in the "Slenderverse," Rosner joined the ranks of other series creators like Marble Hornets and EveryManHYBRID, whose YouTube channels are dedicated to creating Slender Man videos. 
Creepypastas take a dark turn
In 2016, a 12-year-old girl named Katelyn Davis livestreamed her suicide on Live.me. According to a blog post Davis wrote in December 2016, she had fallen in love with the the character Ben from Hall's creepypasta. 
"I NEED his love. I NEED his warmth. It has been several months since I last spoke with him," Davis wrote. "He went by Ben Drowned. He claimed that he was the real Ben Drowned. Right now, I don’t care."
In an interview with Kotaku last year, Hall commented on the event.
"I don’t feel responsible," Hall said. "I feel like if it wasn’t my story, it would’ve been something else. Someone would have impersonated someone else or whatever, from another story, to lead her down that path or whatnot."
Davis' suicide was not the only tragedy surrounding creepypastas. Perhaps the most infamous case  came in the form of an attack by two young girls in order to appease Slender Man.
In 2014, Anissa Weier and Morgan Geyser, lured their friend Payton Leutner into the woods in Wisconsin where they stabbed her 19 times and left her to die. All of the girls involved were 12-years-old at the time of the attack.
Multiple reports during the incident highlighted the girls' obsession with the creepypasta figure as a motive. Because of this, many felt Slender Man and the creepypasta community were guilty by association.
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One of the two accused attackers in the Slender Man stabbing appearing in a courtroom hearing on Nov. 12, 2014 in Waukesha, Wis.
Image: WAUKESHA FREEMAN, CHARLES AUER/ASSOCIATED PRESS
Thankfully, Leutner survived the attack after she dragged herself to a nearby road and was found by a cyclist. She was taken to the hospital to recover from her injuries, and her attackers were tried as adults in a court. Both Weier and Geyser pleaded guilty of attempted homicide. Weier was committed  to 25 years and Geyser was committed to 40 years. Both of the teenagers are serving their sentences in psychiatric institutions. 
"The stabbing was pretty discouraging for a lot of people," Rosner explained. "It felt like a lot of media outlets were looking for someone to point a finger at, and they just didn't understand the community at all."
Considered these two tragic events both involved young children, the community was hit hard. 
Despite setbacks, creepypastas move to TV
Despite the backlash and decline in new stories, Nicholas Antosca saw potential in the genre, and revitalized the dying genre through his television show, Channel Zero. 
"We wanted to honor the genre and give it our own twist," Antosca said. "The original stories are very short and it's necessary to bring a lot of stuff into it, so we wanted to give them more life with characters and a larger plot."
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An image of "Pretzel Jack" a creature in the new season of Channel Zero
Image: courtesy of syfy
Channel Zero expands on creepypastas by using it as a platform to create an entire universe, characters, and a plot lines based off the original stories. 
The show has been received well by critics and audiences. It's slated to premiere its fourth season, Dream Door, based on a creepypasta that was posted on the NoSleep subreddit last year. All of the original authors of the creepypastas were credited and paid.
"I have faith in the genre," Acosta said. "I think as long as people have fears in the modern world, they’re going to continue to read, write, and watch this stuff."
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Image: courtesy of syfy
Will creepypastas continue to thrive?
At the moment, creepypastas are still being produced online, but not nearly at the same rate as they were previously. There also haven't been any standout creatures recently, such as Ben or Slender Man.
"I haven’t really seen too many newer ones crop up organically," Hall said. "I think a lot of the really popular ones came out in the first half of the decade and we’re waiting for the next big author out there to put their own spin on the genre."
Although the written aspect of creepypasta has declined over the past few years, the versatility of the internet has allowed it to retain its spooky value regardless of medium. 
"It has a ridiculous amount of variety," Rosner said. "The community has so much to offer and I don't think it's ever going to go away, it'll just change forms."
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Image: courtesy of syfy
Whether it's on TV, in a YouTube video, or written form, you can't escape a good urban legend or spooky story. As long as there are innovators in the community producing quality creepypasta for the internet, the genre is set to keep us up at night for more years to come.
"I’m excited to see where it goes in the future," Hall wrote. "I think there’s someone out there with an idea involving multiple mediums that’s going to set the internet on fire and I can’t wait for him or her to realize it."
WATCH: These super-realistic robots are creepy as hell
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iameverything · 4 years
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A Conversation: Lost Under Heaven
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“The Manchester duo Lost Under Heaven, or LUH, have never been keen on subtlety. Super-sized in every dimension, the music of former WU LYF leader Ellery Roberts and visual artist Ebony Hoorn sought grand answers about love and mortality by way of drastic melodies.”
First off, for people who dont know, who is Lost Under Heaven? Ebony Hoorn & Ellery James Roberts Collaborative life work.
The first time I heard of you guys was 'I&I' on the HBO show Ballers and I was hooked. I originally thought of bands like July Talk etc, where the voice coming from the person is a surprise, in a very fascinating and amazing way. Was there a moment you can remember when you (Ellery Roberts) realized you had such a unique voice? When I was young I found a cathartic uplift in singing as hard as I could, usually in response to the noise of the rest of what ever teenage band I was playing with, since then I’ve learned to control it, focus it, People always tell me my voice is unique, it’s just how it comes out, but these days I am singing quite differently, working on a softer croon. I have nothing to shout about anymore.
In regards to the previous question, whats it like to get your music featured on HBO Ballers and even Netflix 13 Reasons Why, among other content? How surreal is that? Its always strange to see a song that has quite specific meaning or ambiance to you, put in a totally different context, but that is also the beauty of creation, once you release something you never know what it may go on to inspire.
With how unique Ellery's voice is and than to be accompanied by the other beautiful voice that is Ebony, I am surprised your music isn't showing up in a lot of other content. I picture LUH having a song in a tv show as the intro in my opinion. How much longer until North American tv/movie productions start taking notice you think? Have you gotten any offers you turned down? We haven’t turned anything down, sure it would be nice to have some high level syncs, make cash flow easier and get the name out to a wider audience, but these things always come out of the blue… We enjoy narrative, atmosphere and an expansive sound in our song writing so it lends well to soundtracks. We are actually working on our first soundtrack for ‘8 days with hopper’ a feature film due in 2021, a really beautiful project that we are very excited to be a part of.
Before we dive into the bright future that is Lost Under Heaven, we gotta go back to the past. Before you (Ellery) joined Ebony for LUH, you started in a band called WU LYF, mindset wise, what was it like being in WU LYF vs LUH? And creatively how different was it? WU was a teenage jam band that got picked up on a wave of hype. I loved the creation of the record and feel it is a very genuine document of untamed youth, but after touring it for 18 months relationships soured and the joy, the fire was gone- trying to write the second record and growing in awareness to the state of the world I fell into a deep depression, I longed for a deeper life and my heart knew I needed to make a change. I broke the band up quite impulsively which I regret for it needlessly hurt those closest to me- but life moves on, wounds heal. creatively all the songs came out of 4 people jamming together for hours and hours- with LUH the process is much more focused, considered, I sit at a piano or with a guitar & write songs working with Ebony to produce them in a cinematic world of atmosphere and tension. I only miss WU LYF in the nostalgic way people miss their teenage years of wild abandon.
With endings come new beginnings.... Right before the end of WU LYFE, did you guys always know Lost Under Heaven was the next project in mind? And has it lived up to the expectations of what you pictured? Lost Under Heaven began when I moved to Amsterdam to live with Ebony, we were not really anticipating working together but it naturally came with me making music whilst she made her visual art in the same small apartment. We then started to have grande visions of what we could create together, we see LUH as a life work, ever evolving, a process thru which we can experiment with ideas and express our ever evolving level of consciousness.
You guys are just absolutely marvelous, I even went as far as calling you my favourite band of the last decade. You guys present not just new ideas, but new sounds and something I have not yet seen. You guys have such a unique vibe its insane. Have you guys ever been approached by any labels or music reps to change anything up significantly? And what do you think of artists doing that to get signed? Fortunately we both have always had a very clear idea of what we should be doing. We are ever motivated to create and have great gratitude that we are able to live this life. To be honest nobody’s ever really challenged us to change, the way in which we work is essentially D.I.Y so we just explore where ever the energy take us. We probably would benefit from some business management, but the blessing of doing everything yourself is you learn and grow at a high pace. As to other artists, each is own their own path and they have to live with themselves so I have no judgment- personally I have never compromised my art to get a wider appeal, or more success, I strive for soulful honesty- not just entertainment.
Little backstory: I was once standing on a beach somewhere in a middle of nowhere, and the beach was a temporary home, something to hide away in but it was only a band-aid of escape. In the mist of the sunset setting and nothing but ocean in the backdrop, your track Loyalty from the album Spiritual Songs for Lovers to Sing came on, and everything made sense in that moment. One of my favourite songs ever, hands down. Talk about what that song means to you guys? How did it come to be? Loyalty is one of my favorites, it was actually the first song Ebony sang on, the first time I really heard her voice- I wrote the cello part years ago, probably when I was a teenager and always had the idea to make an epic street hassle (Lou Reed) kinda record, but could never figure out how, then I came up with this guitar riff and sang along it all started to come together but I had no idea how the chorus should go, so I asked ebony to just play around and those line’s “we are going to sail away…” came out of it- perfect! yeah I love that song, we have never really been able to play it well live (with out a cello player!) so I haven’t heard it for a few years- but you made me want to revisit it now…
While we are on the topic of your first album, what was the song writing process for it vs your second album Love Hates What You Become? Would you say there was a difference creative wise between the two? Spiritual Songs was written in lots of little fragments over a couple of years (2012- 2015) I mostly wrote it on a piano and then straight into Ableton so its a lot more processed production, - Love Hates I wrote whilst we toured the 1st record in 2016- I had started playing guitar for the live band so I wrote nearly all the songs on 6 strings, I finished it up in a week in January 2017 so it was fast, focused- we produced the record with Jon Congleton in 3 weeks recorded and mixed, so it was all very fast- I felt the record to had a raw urgency, to keep us moving, keep the band on the road, but then the label stagnated the release schedule for 18 months and it kinda lost the energy, I am proud of the record- but it was quite a frustrating period, which I am happy to have behind us.
I've always wondered, with your album titles like Love Hates What You Become or  Spiritual Songs for Lovers to Sing, where do these ideas for album names come from? The Unified Field. I don’t know man, ideas arrive and you note them down and then months later they have meaning, that’s the way titles, lyrics most of what we do comes to be- I like walking around aimless, letting my mind roam, writing down anything that feels exciting
Speaking of creative, you guys recently left Mute Records to start your own label LUH International. What prompted this big change up? And in a nutshell what can we expect from these big changes? As eluded to earlier, after the release of Love Hates we had become frustrated by the slow and bloated process working within a label system can place on your creativity- We were looking for new way to work in the world with more intimacy and spontaneity, an opportunity had arisen with a de-centralised video platform called Vevue that enabled us to become financially independent for the foreseeable future- so we decided to make LUH.international formalised as an entity- to release our work, not necessarily a record label, I see it more as creative studio that will periodically make short run pressings of our projects- we are currently putting together the First, a book that consolidates our work on the Love Unite Humanity web series release via Vevue.
What advice can you give someone who would want to start up their own record label? Patience, perseverance and maintain a level of success consciousness- law of attraction vibes.
You guys are not just starting your own record label, but developing original content (and music) titled Love Unites Humanity (Episode zero here) and will be featured on the video platform Vevue. In saying all that, what does this project mean for you guys? And how will this take Lost Under Heaven onto the next level? Love Unites Humanity brings together a lot of our thoughts and experiences over the last few years, I see it as a way of articulating our world view, thru artistic expression. It also provides us a free space to experiment, creating work quickly and immediately releasing it with no middlemen, the Vevue platform enables us to directly earn from our work with it token exchange economy.  
When can Canada expect to see LUH live in concert? ah man, I have no idea, we’d love to get over to you tho- perhaps some one reading this will want to make it happen.
5 rapid fire questions, give the answer that comes to mind first If you were not called Lost Under Heaven what else would you want to be called? Ebony & Ellery James and their Famous Flames Best venue to play in? The White Hotel, Manchester Favorite current song? ROSALÍA - Juro Que  Best underrated artist? So many but my today I say, Kali Malone Favorite song that is your own? Here Our Moment Ends or Black Sun Rising
Cover photo by Chris Almeida
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kintailscape · 7 years
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Awesome Con 2017- Day 1
Friday, Day 1: I woke up about an hour later than usual and had a leisurely but efficient breakfast before heading off to the Metro. I began reading Pack Animals (Torchwood #7) by Peter Anghelides on the long ride to the Library of Congress. While walking from the metro station to the LOC building, I passed two women around my age taking photos of a group of people walking across the street, escorted by the police. I have been watching news nonstop for the past two weeks, but I didn’t recognize anyone in the group (and I’ve been watching a lot of news). Looked like it might have been a representative and her congressional aides, but I’ve no clue. Anyway, I got to the Thomas Jefferson Library of Congress Building a little before 11.
The Library of Congress put together a really neat pop-up exhibit only available for a few days, called Library of Awesome. It was filled with parts of the LOC collection, grouped by themes. It was a great reminder that the LOC preserves these parts of culture that are important to fans. The people behind me as we went through the different exhibit rooms were in the most AMAZING Wonder Woman and Black Panther outfits ever. There was also a brave young man in an amazing Fantastic Four outfit. There were so many great comics on display, I couldn’t begin to list them all. But I did take photos of some of my favorites. In one room they had clips from TV shows playing and I walked in just as Buffy was sacrificing herself (feels!), following by a clip of Doctor Who with the Tenth Doctor. It was a surreal to be standing in the largest library in the entire world, watching Buffy and Doctor Who and looking at first appearances of comic book characters in print! There was also a neat letter from Gene Roddenbery to Carl Sagan.
Milestone issues including X-Men #1 from 1963, Fantastic Four #1 from 1961, and Watchmen #1 from 1986   First appearances of Batwoman and Dick Grayson aka Robin! Kyle Jinadu & Northstar get married! Buffy on screen, popular recent media series on display Ralph Ellison collection lends its room to this exhibit Library shop even had some geeky things for purchase… including some March graphic novels
After fully enjoying the exhibit, I went out in search of food. Google said there was a Subway in a nearby building. So I headed to the James Madison Library of Congress Building. I found my way up to the cafeteria on the 6th floor. I wasn’t entirely sure I should be there, among the congressional aides and LOC staff. But the security guard seemed to have no problem with it and a very nice woman in the elevator who worked in the building gave me exact directions there. The view was wonderful, and the sushi was delicious. I read while I ate. I got a little lost trying to find my way back to the elevator, but I made it in the end. Then I headed back to the Metro to get to the Convention Center.
It was strange being back in the Convention Center only a few months after #AWP17. It was all arranged differently–our registration hall had been turned into a cool, dark, moody video gaming center! And our bookfair space was where I knew I needed to head for Awesome Con registration. I already had my badge, so I just picked up a program and headed down three floors to the exhibit hall. I had one mission for Friday: find Andrew Aydin and have him sign my copy of March. But when I got to Q1 in the Artist’s Alley, there was a woman selling lovely jewelry in his space instead. Confused, I checked the program and the signs; no changes there. I ran into a friend and chatted for a bit. Then I checked social media; apparently Mr. Aydin was not going to be able to attend due to a personal matter. Well, darn! But these things happen. Hope his family’s okay.
So I found myself with a few hours of free time before the first panel I wanted to attend. I wandered around the exhibit hall, sticking mostly to the Artist’s Alley and spending much of that time in Pride Alley, which was new to the con this year. It was a nice little LGBTQ+-friendly space with all sorts of things I wanted to buy. I ended up buying way too much fanart and a graphic novel that is just my kind of thing that I can’t wait to read. I stumbled upon Karen Hallion’s exhibit space and bought a few postcards; it was wonderful to meet her and be able to tell her how fantastic her art is, because I’ve loved it for years and have some of it on t-shirts. I also bought an Outlander book necklace with a dragonfly and a Celtic charm on it. I have ZERO free wall space at home, yet I bought at least 10 prints for myself (and a few as gifts). I even bought an original art piece (done by an artist in from South Africa) that was creative and adorable and unintentionally sexy; I NEVER see my favorite kink portrayed in art, let alone fanart, so I absolutely had to buy it. #NoRegrets!
I had some tough choices to make as far as panels. I ended up choosing so that I’d get a good variety and pack in as many as possible (lots of panel times overlapped) while still hitting the evening Stucky one I knew I definitely wanted to attend.
3:30 PM-4:15 PM Nerdiquette/Anerdomy: Geekdom in Theory & Practice A nice way to start out the con, talking about geek culture. We began with Felicia Day’s definition of a geek as someone who dares to love something unconventional and moved on to topics like marketing’s role, the nerd culture stigma, the differences between sports fans and the sorts of fans we are, and if it stops being a subculture if it gets too big. The moderator kept diving into much more critical analysis of it all, including ways of testing geekdom’s coherence. I didn’t follow every philosophical reference he was throwing out there, but I enjoyed it anyway. I found the discussion regarding reactionary exclusionism to be especially interesting, as I’d not considered the idea of geeks feeling the need to covet and protect what we are passionate about and keep it as our own because we were excluded/outsiders.
4:30 PM -5:15 PM YA Literature Today I wish I’d done more prep, because I had two of the presenting authors’ books at home and didn’t bring them! Panelists discussed a lot about the things they like about writing YA (really interesting characters with really interesting problems, can work in any genre, we have all been teenagers but we still wonder who we are) and how to increase diversity in books and creators of books. The best part: they shared info about their own works and shared book recommendations. The worst part: so many good recommendations! I feel like I need to quit my job and just read YA full-time now. For recs & notes from this panel, see my book blog.
5:30 PM-6:15 PM Following Your Bliss: How the Stories We Love Can Help Us Succeed This wasn’t exactly what I’d been looking for. Attending this felt a little like listening to a motivational speaker. Using himself as a case study and tapping heavily into Joeseph Conrad’s “Hero’s Journey,” Russell Walks attempted to inspire us to follow our bliss to find success. “Storytelling is more than just guns and bullets. It’s what we have in here,” he told us, patting his chest above his heart. I was hoping for useful, specific tips rather than inspirational sayings. But I do like the concept that we’re all on our own hero’s journeys and our friends are our goofy, supporting characters. And I can’t disagree with things like “Tell yourself this is what you’re meant to do and don’t give up!”
Afterward, I was going to stick around in the room to attend Whose Roll is it Anyway? (a sort of interactive RPG where the audience controlled the twists and turns instead of the DM), but that was cancelled. This made me shuffle my slots around a bit again. I ended up being able to snag a seat in room 144BC and staying put there for the next three panels! That was both convenient and due to the fact that that room’s programming all aligned with my interests.
6:00 PM-6:45 PM Full Spectrum: Why color in comics matters This panel had a nice balance of identifying current problems and looking at current trends/solutions. I liked the observations that, throughout history, most trendsetters in the comic industry have been indie. I also loved the helpful tip of don’t just yell when there’s something bad, start yelling about the stuff you like! Other discussion topics include: recent reaction to Marvel news (putting out Black Panther trailer then cancelling Black Panther: World Of Wakanda), the difference between making a cast diverse organically and changing characters (reskinning) to make them diverse, how the binging culture changes the way we consume comics (monthly issues vs. TPBs), and how Check Please is an awesome fan-interaction model (it is!). I also loved this comment from one of the panelists (slightly paraphrased because I was writing so quickly) “Lately, people over-complicate things. Just write human beings. Give everyone a chance and diversity automatically comes about.”
7:00 PM-7:45 PM Stop Queerbaiting, It’s Time to Be Brave One of my friends magically appeared beside me just as the panel was about to start, which was a lovely surprise. Another lovely surprise was the panel starting out with a mention of one of my favorite pairings: Wolfcrawler! The panelists were brilliant, passionate, and prepared. But they were also largely preaching to the choir. Sure, an explanation of queerbaiting was a great place to start, and explaining in detail why it’s hurtful, not brave, and insulting was important. But the majority of the presentation consisted of examples and explanations of why it’s horrible. At the very end they did manage to squeeze in a little bit about what we can do (which was mostly, consume the content of the people doing it right). So, by the end of the panel, I mostly felt frustrated and mad at some of those content creators who do this to us.
A few things I wrote down include: are the creators/producers really blind to what they’re doing?, they might think they’re doing something nice for us but they’re not, you shouldn’t have the freedom to jerk us around, we need real bravery from our allies, we deserve better, we’re desperate to see ourselves represented as a living main character, makes being gay into a joke, makes gay into a gimmick, there are no repercussions, you can’t be what you can’t see, Netflix and Chill could be Netflix and Educate. My three favorite quotes from the panel were:
“Prancing is very intimidating to the straights”
Regarding fandoms that have “invisible queers” (creators say that there are totally some queer characters in the world/universe, we just haven’t seen them yet) “SHOW US! Specifically I’m talking to J.J. Abrams about the cute one in the jacket and the cute one that gave him the jacket.”
“Albus Dumbledore is the very definition of a peekaboo queer.”
8:00 PM-8:45 PM Not Without You: Discussions and Reading from the Stucky Anthology This was easily my favorite part of the whole day. First, there was a great conversation about what makes Steve/Bucky so appealing and how each of the panelists fell in love with the pairing. It was interesting to hear that so many of them came to it because of Bucky. Second, panelists that came from all over the world specifically to be on the panel. Third, hearing slash fanfic read out loud by the writers themselves at a general con was amazing. Fourth, amazing Bucky and Cap cosplayers sitting in the front row (sorry, I don’t mean to objectify you, but you were sweet and really helped set the mood for those of us seated behind you). Also, someone mentioned a His Dark Materials AU with Stucky that I now I have to track down. I was able to buy a copy of the absolutely beautiful anthology at the end of the panel. I really wanted to stick around and have all the writers autograph it, but I knew that would take a long time and there was kind of a jumble as we reconvened in the hallway. So I ended up just heading to the next panel.
9:00 PM-9:45 PM Trekoff LIVE! -The NSFW Star Trek Comedy Show!/>I was a few minutes late, but I don’t think I missed much. This is only my second time attending a live taping of a podcast at a con, and this one was much more lively than the first. The game we played as a group was to figure out how to staff a ship of the most fuckable Star Trek villains. The hosts took us through every entry in the Star Trek franchise, pulling up both well-known and obscure villains and having the audience choose between two at a time to determine who was more fuckable. Some were easy choices and others were more difficult. There were also some pretty convincing creative arguments for and against some of the characters. I was surprised to find characters like the Borg Queen and Evil!Hoshi beating a lot of others. I was surprised characters like Q and the three-some of Kor, Koloth, and Kang didn’t go further. Benedict Cumberbatch’s Khan made it pretty far but didn’t ultimately win! Who won? I can’t even remember. You’ll have to track down the episode!
I headed home after a long, tiring day and made more progress on my book. When I had to switch trains, it took almost half an hour for the right color train to arrive. So I did get a lot read but I didn’t get home until nearly midnight (at which point I still had a load of laundry to do before bed).
Awesome Con 2017- Day 1 was originally published on The Fangirl Project
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Why Is My Macintosh OS X Crashing? Pointers to advertising Diagnosing Signs of Problem
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I have been in the free advertising and marketing enterprise for more than thirty-5 years. I have energetic customers whose paintings I need to cope with often. I also have inactive clients who unpredictably floor every so often who additionally need immediate interest.
No matter who asks, I want to be equipped, inclined and able to perform what is wanted on a second’s notice. This indicates I have to hold a complete archive of work carried out which I can get admission to always to revise, update, reference or in any other case adapt to new packages as asked.
This library of labor includes large excessive-resolution Photoshop documents which might also have had hours, days or weeks of labor committed to them to enhance original pics in a few way; big Quark files of very last text, photos and paintings composed with state-of-the-art and meticulous design, which additionally absolutely required many, many hours of setup, now not to mention customer reviews and very last revisions; extremely complex Dreamweaver internet site documents; equally concerned Flash files for astonishing internet site animations; immaculately produced vector documents of artwork created in Adobe Illustrator; a large number of numerous drop-down menus for internet site use created in Fireworks; masses of PDF documents created with Adobe Acrobat Distiller for excessive quality output; and a potpourri of different work utilizing track, movies, movies and other miscellaneous documents.
In view that thirty-5 years is a totally long time, and has spanned several technological (and now not-so-technological) eras in the method, this painting is in a ramification of formats, along with scans of older work, in addition to actual virtual files from local applications, a number of that are now obsolete or no longer produced. Having found out years in the past that looking at each keep files and work on them at the identical hard disk with constrained space can result in issues, I have resorted to always having an external difficult drive or two as extensions from my laptop gadget so I usually have plenty of open disk area for digital “percolation,” for loss of a higher time period.
My external difficult drives have covered each firewire and USB data transfer systems, the firewire being the faster and extra pricey version. And, as might be expected, whenever I have wanted a new outside drive, the capacities have extended dramatically, while mockingly the charges have not.
Over the years, I have had many different mac os official computer systems, commonly the maximum high priced, quickest and most glorified versions available. However, I presently work on an extra conservatively priced iMac the use of OS X 10.four.11, with 2.16 GHz Intel Center 2 Duo, 1 GB of RAM (memory) and an internal tough drive with 232.89 GB of storage ability. I bought this machine several years in the past, have used it almost eighteen hours or greater each day and have loved every minute of it, specifically its fantastic display. I completely intend to improve my whole device in all likelihood later this 12 months whilst the new OS X working gadget is released. I say this with complete information that such an improve would require that I additionally upgrade all the previously mentioned software packages I exploit, in order to upload as much as a pleasing, hefty, But vital, funding.
Until just about two weeks ago, I had two external tough drives connected to this device: a Firewire filled to potential which I finished using on an everyday basis as it became making a humorous noise and that I idea I ought to maintain what’s left of it; and a Western digital “My E-book,” which has approximately the same storage potential as my inner difficult power (approx. 232 GB). After some years, I have only used approximately 1/2 of its to be had space. So, while my device started to crash again and again one recent afternoon, I was deeply troubled because I did not realize what was responsible for the hassle.
I was immediately suspicious about the “My Ebook” as it had exhibited a few unsettling Symptoms over the past six months which I usually turned into capable of push aside or deny. Those included taking a long time to mount, or failure to mount in any respect on the laptop, without apparent provocation. However, with computer restarts, the pressure would mount and I chose now not to live on the incident.
In discussing the crashing occurrences with my husband, who is a retired specialized IBM technician and engineering advisor, he at once requested me what I have been doing just previous to the crash. I said I was trying to keep my work in any one of some of the programs which covered Quark, Photoshop, and others. He too felt the MyBook become the perpetrator because that turned into the target of my saved records. I stated I hadn’t even gotten to the point in which I had informed it where to keep the records so I nevertheless had my doubts that changed into the trouble.
I decided to do a little test so one can get rid of some possibilities. I conducted a Disk Application diagnostic take a look at on the internal and MyBook tough drives and each had been suggested as hassle-free, something I significantly doubted. Then I copied some of my maxima often needed documents onto my nearly empty internal tough drive and restarted my machine without turning on the MyBook. I used to be able to work and store files with none crashes. That regarded to verify to me that the MyBook turned into at fault. But why?
I shopped on-line for a brand new external tough drive and in reading and getting to know the problem, I learned that outside hard drives don’t want to be placed to sleep after which rudely awakened to unexpectedly perform a few instantaneous feature. Given that I tend to be an impatient person driven through not enough time in the day and an excessive amount of to do within the time I’ve to be had, I realized that this situation turned into a common phenomenon in my work life. In checking my machine alternatives below Electricity Saver, I noticed that my system became set to nod off if idle for more than 15 minutes (the default setup) which occurs quite regularly when the telephone earrings or I arise to attend to some other activity periodically for the duration of the day. in all likelihood as the MyBook has gotten older and slower (as all of us do as we age), it just cannot keep up with the paces I attempt to put it through. Possibly also a function of ways plenty information is at the pressure, it simply desires more time to do everything, in particular, awaken and carry out.
additionally, I examine that it can be asking a PC gadget an excessive amount of to multitask with many programs open at one time all of which might be drawing at the to be had RAM, albeit a generous quantity of it. My husband chimed in with the concept that maybe I hadn’t allotted my reminiscence well. That rang a distant bell in my thoughts…a very remote bell. I remembered the days of allocating reminiscence for every of my packages, dividing up my available RAM in line with what made experience: more for Photoshop, much less for Quark, as an instance. I realized I hadn’t finished that assignment in many years. But in gaining knowledge of the concern on Google, I fast observed that those days had been lengthy over with the appearance of OS X which mechanically allocates RAM as wished. No surprise!
So, I decided to restart my gadget with the My E-book related and attempt to limit my program utilization to separately and adjust the sleep mode to “never” permitting it to doze off. That regarded to be the magic bullet. But, with the expertise that the MyBook was growing old and possibly overwhelmed with facts, I determined to invest in a brand new outside difficult force with the goal of putting all of my most critical files on it as an additional backup.
At mac os official Mall, I found a totally affordable Fantom GreenDrive 1TB outside eSATA/USB 2.zero difficult drive with the assist of a customer service rep which turned into well suited with Home windows and OS X 10.4 or later, for approx. $50 after rebates and loose shipping, which I could not face up to. Complying with the instructions, I hooked up it into my USB hub and formatted the new hard pressure for use with OS X.
simply as with the MyBook, it recommends continually starting the hard power earlier than turning on the computer and constantly dismounting earlier than turning off the PC to avoid any harm or loss of facts. What no person seems to ever point out is that after the strength is going off because it does every time the wind blows the wrong manner wherein I stay, the PC abruptly turns off and no tough drives ever get dismounted well in the procedure. Thus far, the brand new Fantom pressure seems to disregard such events and mounts properly away without any obvious repercussions.
However, from beyond experience, I know the MyBook does not react favorably to such incidents and I recently discovered that the satisfactory manner to deal with any terrible consequences is to completely unplug the MyBook from its supply of electricity and allow it clear itself for about a 5-minute respite earlier than plugging it again in while the computer is off. I additionally locate that if I restart my laptop machine as soon as and shut it down in between starts of evolved with the external hard drives connected, as a comparable “clearing out” interlude after such an electrical outage or any crash incidents of any kind, the whole system works better ultimately.
just the use of not unusual sense has helped me to sort thru this trouble, find a solution and work on rectifying my state of affairs with the equipment I ought to work with. I’ve began up my device with the MyBook and Fantom each connected, set the sleep mode to “in no way,” waited the long term for the MyBook to mount and then judiciously dragged a lot of my documents from the old hard pressure to copy onto the new difficult force at the same time as I sleep at night so I do not annoy the gadget with multitasking demands. even as the MyBook has continued to misbehave periodically while requested to dismount after an extended consultation, once more crashing the whole system, I have been able to circulate all of my crucial files over to the brand new force and now do not need to even switch on the MyBook at all anymore. I will now work correctly on the Fantom or on my inner difficult force with more than one programs open simultaneously without any fear approximately crashes so long as I preserve my sleep mode set to “in no way.” Once I plan to be far from the computer for an extended length, I dismount the Fantom and flip it off, restore the default sleep settings and go away understanding my device might be capable of wake up After I go back without fear approximately crashing and loss of records. What a comfort!
Of route, the motivating element which eventually got me to consciousness in this hassle – the whole loss of a entire MyBook folder of a few extraordinarily essential records I have been operating on whilst my try and save a simple report brought on the latest system crash – has been a treasured lesson in confronting what is crucial when you run an enterprise: you can never have enough dependable returned-up systems!
Marilyn Bontempo, president of Mid-Hudson free advertising In view that 1975, has substantial revel in guiding business leaders, administrators, and professionals with a hit strategies for a business increase and sustenance. lengthy-time period relationships were set up with law corporations, clinical practices, pharmaceutical organizations, real property executives, and a variety of different trade, corporate and commercial specialists. Her professional writing, modifying, photographic, design and aesthetic specialties offer customers with proven methods of attaining successful branding and public image. Mid-Hudson free advertising and marketing is a top The big apple advertising on mac os official OS, marketing, internet site and photo design firm positioned in Dutchess County’s Poughkeepsie location specializing for greater than 35 years inside the creation and management of high great branding for business achievement.
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