#harvardfineartslibrary

[harvardfineartslib]

February is also National Embroidery Month, and we’re excited to show you some cool items we have in the Special Collections. The first one is a hand-embroidered canvas book made by Candace Hicks who collects coincidences from the books she reads and gathers them in her artists’ books and installations.

Hicks created a variant series of hand-embroidered books, copying the form and design of dime-store "composition" books. In this volume, Hicks kept a record of coincidences in the books she was reading and noted every time the word “coincidence” occurred.

Common threads : Volume 28 Hicks, Candace [Austin, Tex. : C. Hicks,] 2011. English HOLLIS number: 990128839780203941

#NationalEmbroideryMonth #Embroidery #ArtistsBooks #CandaceHicks #HarvardFineArtsLibrary #Fineartslibrary #Harvard #HarvardLibrary

[museumviews]

“She had a luminous quality – a combination of wistfulness, radiance, yearning – to set her apart and yet make everyone wish to be a part of it, to share in the childish naïveté which was so shy and yet so vibrant.” Lee Strasberg - Marilyn Monroe’s acting teacher’s Eulogy at her funeral, August 8, 1962. I learned to write in miniature style, many years ago, when I worked at the @harvardfineartslibrary, on slides that’s were being digitized. I’ve used the same technique to write Strasberg’s Eulogy for Marilyn on her veil which is extremely difficult to photograph. Untitled (Veiled MM I), Inkjet and acrylic with archival paper on canvas, 24x36 ins, 2022, courtesy #HomaTaj and @RobertFosterFineArt, part of the upcoming exhibition starting June 22-27, 2022 | 8 India St, Nantucket, MA | [email protected]. Also, on view at @HotelPippa in Nantucket Downtown Historic District | 5 Chestnut St, Nantucket, MA (at RFFA) https://www.instagram.com/p/CfB6cOkOffU/?igshid=NGJjMDIxMWI=

#Homa Taj #HomaTaj #Homa Nasab

[naoesuzuki]

Flood of 1910 in Paris. Postcards were like early social media. They captured the news and disasters, and often wars. People sent them to friends and families with their comments. #harvardfineartslibrary #waterwednesday #postcardcollection #postcard #flood #paris1910 (at Fine Arts Library, Harvard University)

#flood #paris1910 #harvardfineartslibrary #postcardcollection #waterwednesday #postcard

[imwd2030]

Happy #worldbooksday! Raise your hand if (you’re experienced/old enough to) remember using these cards at the library for research 🙋‍♀️ And, yes, I did work at the @harvardfineartslibrary , many years ago - in the late 1990’s - including during the time I received my (first) Grad Certificate in Museology. “Before there was HOLLIS (https://hollis.harvard.edu), researchers used to find books in the Fine Arts Library by using the card catalog. Some of our staff remember them very well! Mary Jane Cuneo, senior serials cataloger who works on FAL materials, shared the following memory: “I have to admit, I was there as a cataloger at the time of card catalogs. We typed subject headings on cards we had ordered from the Library of Congress, on a typewriter equipped with a card platen to hold the card steady; and used the red-ink part of the ribbon. Students would interfile new cards “above the rod” and a supervisor would drop them after checking the filing by pulling out the rod and re-inserting it. To correct an error printed or typed on a card, we used a beast of a thing: the electric eraser. It was really heavy. Also in our toolkit was a razor blade, to scrape and scratch away the unwanted text. When I started at the Fine Arts Library as a library assistant in 1976, this was part of my job. Truly amazing how far things have come!” The first photograph dates from 1952 when our library was located within the Fogg Art Museum. The second photograph shows the card catalog for auction sales catalogs that we still have at the library. And the last image? An electric eraser. Fogg Art Museum. Interior, Harvard University, Cambridge, Massachusetts, United States Fine Arts Library. Visual Collections. Card catalog, photographed ca.1980s. Sculpture at left is Marino Marini's "Horse and Rider", 1952, from the Harvard Art Museum's collection  Author/Creator Coolidge, Shepley, Bulfinch & Abbott, Boston, Massachusetts, United States [architect] HOLLIS number: olvsite34738 Harvard Fine Arts Library, Digital Images & Slides Collection 1994.10580��  https://www.instagram.com/p/CapLu3xLISk/?utm_medium=tumblr

#worldbooksday

[harvardfineartslib]

April is National Decoration Month.

Art et décoration was first published in 1897. The publication was suspended during the two World Wars from August 1914 – April 1919, and from 1939 through 1945. The Fine Arts Library has the original volumes if you want to see them. Request to view them in the Special Collections Study Room!

Art et décoration : revue mensuelle d'art moderne Cover title: Art et décoration et l'architecture 1936-37 Paris : Librairie Centrale des Beaux Arts, Frequency note: Monthly French HOLLIS number: 990062486850203941

#NationalDecorationMonth #Decoration #ArtEtDecoration #SpecialCollections #HarvardFineArtsLibrary #Fineartslibrary #Harvard #HarvardLibrary

[harvardfineartslib]

Today is National Sewing Machine Day! This photograph shows a Singer sewing machine salesman demonstrating how the machine works. The Singer treadle sewing machine had a cast iron base and treadle. The machine also folded down into a cabinet.

Stephen Dingilian (left), a Singer sewing machine salesman. Sirvi-HIssar. photographs c. 1899 Armenian Repository: Project SAVE Armenian Photograph Archives, Watertown, Middlesex, Massachusetts, United States HOLLIS number: 8000903763

This image is part of FAL’s Digital Images and Slides Collection (DISC), a collection of images digitized from secondary sources for use in teaching and learning. FAL does not own the original artworks represented in this collection, but you can find more information at HOLLIS Images (link in bio).

#NationalSewingmachineday #Sewingmachine #photography #vintagephotography #Singersewingmachine #HarvardFineArtsLibrary #Fineartslibrary #Harvard #HarvardLibrary #digitalimages #harvard library #harvardfineartslib

[harvardfineartslib]

The art of embroidery in Palestine, practices, skills, knowledge, and rituals was inscribed into UNESCO’s Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage in 2021.

According to the Nomination file No. 01722 for inscription in 2021 on the Representative List of the Intangible Cultural Heritage of Humanity, it was described as:

“The art of embroidery is widespread in all cities, villages, and camps of Palestine, and is rooted there since the Canaanite era. The Palestinian embroidery was affected by the multiplicity of places in which it originated or moved to and due to the inter-cultural process after the exodus of the Palestinians in 1948, but the style and method of embroidery remained the same. Palestinian women carried their embroidery art with them to their places of refuge in all parts of the world as a symbol of national identity and pride. In view of the development in the means of communication and outreach, embroidery has become widespread and influential in neighbouring countries, as it has taken modern patterns while retaining the known traditional form that is distinguished from the rest of the forms of embroidery in the world as it carries the story of Palestinian women and summarizes their style and their relationship to land and life.”

February is National Embroidery Month. We want to highlight this beautiful heritage of embroidery in Palestine, amid destruction of cultural and historical heritage sites in Gaza. According to an article on the Guardian on February 4th, more than 200 buildings of cultural or historical significance have been destroyed in Gaza.

Palestinian cross-stitch embroidery, “fallahi” comes from the word “fallaha” which means farm woman, because it was embroidered mostly by village women.

Palestinian embroidery : traditional "Fallahi" cross-stitch Kawar, Widad and Nasir, Tania Tamari 2nd edition. Beirut : Al-Mo'assasa al-Aarabiyyah Lidirasat wa al-Nashr, 2003. English HOLLIS number: 990093496510203941

#PalestinianEmbroidery #Embroidery #PalestinianCraft #PalestinianArt #NationalEmbroideryMonth #fallahi #الغرزة الصليبية #SafeguardingCulturalHeritage #HarvardFineArtsLibrary #Fineartslibrary #Harvard #HarvardLibrary

[harvardfineartslib]

A Hungarian-born American artist, Agnes Denes (b. 1931) is a pioneer in environmental, ecological, and conceptual art. Her family survived the Nazi occupation in WWII and migrated to Sweden before settling in the United States.

In 1982, Denes planted a 2-acre wheatfield on a landfill in Manhattan two blocks away from the Wall Street and the World Trade Center. Against the backdrop of Wall Street, this golden wheatfield stood for four months and mesmerized many New Yorkers. Denes said in regard to this work, “… the work had to have a meaning, a strong message, and, of course, the paradox. … the work turned out to be one block from Wall Street, facing the Statue of Liberty, for which this country stands, in the middle of traffic in a bustling city. A large golden field of grain on land meant for the rich, on expensive real estate.” (From an interview with Ulrich Obrist)

Today, more than forty years after she created this monumental work entitled “Wheatfield – A Confrontation: Battery Park Landfill, Downtown Manhattan,” her vision touches even more deeply given the ever-increasing degradation of our environment, the ongoing mismanagement of land and food systems, and the widening divide between the poor and the wealthy—all the result of corporate capitalism, as well as geopolitical control of resources.

Denes said that this work represented “food, energy, commerce, world trade, economics” and referred to “mismanagement, waste, world hunger.” She also said, “My decision to plant a wheatfield in Manhattan, instead of designing just another public sculpture, grew out of the longstanding concern and need to call attention to our misplaced priorities and deteriorating human values.”

At the age of 88, Denes finally had her retrospective at the Shed in New York in 2019. This publication presents more than 130 works from the exhibition, spanning the artist’s entire 50-year career.

Agnes Denes : absolutes and intermediates New York, NY : The Shed, [2019] English Catalog of an exhibition held at The Shed, October 9, 2019-January 19, 2020. HOLLIS number: 99153868498803941

#AgnesDenes #WomensHistoryMonth #EnvirontalArt #EcologicalArt #Wheatfield #WomenArtist #HarvardFineArtsLibrary #Fineartslibrary #Harvard #HarvardLibrary

[harvardfineartslib]

Happy National Orchid Day!

Orchid and hummingbird Heade, Martin Johnson, 1819-1904, American ca.1885 Oil on canvas 15 x 20 1/8"

Repository: Fine Arts Museums of San Francisco, San Francisco, San Francisco, California, United States HOLLIS Number: olvwork199203

This image is part of FAL’s Digital Images and Slides Collection (DISC), a collection of images digitized from secondary sources for use in teaching and learning. FAL does not own the original artworks represented in this collection, but you can find more information at HOLLIS Images.

#NationalOrchidDay #Orchid #Painting #HarvardFineArtsLibrary #FineArtsLibrary #Harvard #HarvardLibrary #DigitalImages

[harvardfineartslib]

"I went back to my favorite shape of thread structure radiating from the middle. The energy, or emotion gets concentrated into the middle forming a stream of red thread. To me, it is a shape of maternal love, or representation of life in nature. If you see a tree from top, this is how the branches look like. If we could see a tree root from the very bottom, it is the same. So as a structure of a female organs such as breasts and placenta." -- Rima Day on Scriptum XXII

Rima Day uses thread, fabric, and paper to create artwork that is inspired by nature and the human body. Day studied fashion design both in her native city of Tokyo, Japan and later in New York City and worked as a freelance custom ballet costumer in New York City and Connecticut. Her skills as a fashion designer are evident in her beautifully hand-stitched artist’s book. This is our third post in honor of National Embroidery Month!

Scriptum XXII Day, Rima [book artist] Scriptum 22 [Thompson's Station, TN ] : [Rima Day], August 2021. HOLLIS number: 99156839180203941

#RimaDay #ArtistsBook #NationalEmbroideryMonth #StitchedBook #ContemporaryEmbroidery #StitchedArt #HarvardFineArtsLibrary #Fineartslibrary #Harvard #HarvardLibrary

[harvardfineartslib]

Happy International Bat Appreciation Day!

Did you know that bats are the only mammals capable of true and sustained flight? Their hand-like wings are formed from four elongated “fingers” covered by a cutaneous membrane. Pretty amazing!

Image: Bat with Young, 1881. Kyōsai Kawanabe (1831 – 1889) Plate from the illustrated book Kyōsai rankuga (Kyōsai’s Drawings for Pleasure)

Kyōsai's animal circus : from the Israel Goldman Collection Sadamura, Koto, 1982- [author] London : Royal Academy of Arts, 2022. English 河鍋暁斎, -- 1831-1889 -- Exhibitions. Kawanabe, Kyōsai, 1831-1889 -- Exhibitions HOLLIS number: 99156378937403941

#Japaneseartist #KyosaiKawanabe #河鍋暁斎 #Woodblockprint #animalsinart #Kyosai #bat #Internationalbatappreciationday #HarvardFineArtsLibrary #Fineartslibrary #Harvard #HarvardLibrary #harvardfineartslibrary #fineartslibrary #harvard #harvard library #harvardfineartslib #harvardlibrary

[harvardfineartslib]

Happy Holi!

The spring "Festival of Colors" has been a popular subject of Indian painting for centuries; here is a detail of a relatively large panoramic scene produced at the court of the Nawabs of Avadh in present-day Uttar Pradesh in the 1760s:

'Celebrating Holi,' Avadh, c. 1760-1764 Harvard Fine Arts Library, Special Collections SCW2016.12421

#Holi #AvadhiPainting #IndianPainting #IndianArt #1760s #DigitalImages #HarvardFineArtsLibrary #HarvardLibrary

[harvardfineartslib]

Now recognized as a major American painter of the 20th century, Alma Thomas (1891-1978) is best known for her colorful abstract paintings. Thomas believed in creating beautiful work. She said:

“I’ve never bothered painting the ugly things in life. People struggling, having difficulty. You meet that when you go out, and then you have to come back and see the same thing hanging on the wall. No. I wanted something beautiful that you could sit down and look at. And then, the paintings change you.” –– Alma Thomas, ca. 1977–78

Besides many books on the artist, the Fine Arts Library also has an Alma Thomas puzzle! When you get tired of studying, or just feeling tired of seeing too many ugly things in the world, come to the library, and let your mind go by looking at this colorful puzzle. You can also borrow it and take it home with you!

Image 1: “Through color, I have sought to concentrate on beauty and happiness, rather than on man’s inhumanity to man.” –– Alma Thomas, 1970

Image 2: Color photograph of Alma Thomas in the studio

Image 3: Completed Alma Thomas puzzle at the Fine Arts Library

Alma Thomas New York, New York : The Studio Museum in Harlem ; Saratoga Springs, New York : The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College ; Munich : DelMonico Books/Prestel, 2016. HOLLIS number: 990148627750203941

Alma Thomas in Her Studio Color photography Columbus Museum, Columbus (Muscogee, Georgia, United States) (inhabited place) HOLLIS number: 8001685875

The second image is part of FAL’s Digital Images and Slides Collection (DISC), a collection of images digitized from secondary sources for use in teaching and learning. FAL does not own the original artworks represented in this collection, but you can find more information at HOLLIS Images.

#AlmaThomas #Photography #Painting #AbstractPainting #Beauty #Puzzle #ArtPuzzle #Portrait #Blackartist #Blackwomenartist #Blackhistorymonth #HarvardFineArtsLibrary #Fineartslibrary #Harvard #HarvardLibrary #Digitalimage

[harvardfineartslib]

Rest in Power, Faith Ringgold.

Faith Ringgold died at 93 on Saturday at her home in Englewood, New Jersey.⁠

Faith Ringgold was born in Harlem in New York City in 1930. She was best known for her storytelling quilt work. This was the time after the golden era of the Harlem Renaissance, but the neighborhood was still beaming with much excitement and creativity. Ringgold grew up as the third child in a working-class family, often sick with asthma, such that she spent a lot of time making drawings and imagining that “the bridge was the magic highway to the rest of the world.” Later Ringgold used the imagery of bridges in “The Woman on a Bridge Series.”

Ringgold was a trailblazing artist, educator, and activist. For seven decades, she used art as her platform to speak out against racism, sexism, and inequality. Through her storytelling and visual art, Ringgold challenged the status quo in the society.

Faith Ringgold : a view from the studio Attribution: Curlee Raven Holton, with Faith Ringgold. Holton, Curlee Raven. Boston : Bunker Hill Pub. in association with Allentown Art Museum, 2004. English HOLLIS number: 990095910410203941

#FaithRinggold #AmericanBlackArtist #BlackWomenArtist #HarvardFineArtsLibrary #Fineartslibrary #Harvard #HarvardLibrary

[harvardfineartslib]

It’s National Read a Book Day! We have books, of course, but the Fine Arts Library is a home to more than art books. We have photographs, artists’ books, facsimiles, digital content, and expert librarians. Come visit us!

Self-portrait (reading, with "L'Image de la femme" ("The Image of woman") Cahun, Claude, 1894-1954, French [photographer] Malherbe, Suzanne, French illustrator, 1892-1972 [photographer] Black and white photography 110 x 82 mm. Collaboration between Claude Cahun and Marcel Moore (pseudonym for Suzanne Malherbe.) French 1915 Repository: Jersey Heritage Collections, Saint Hélier, Jersey island, Jersey HOLLIS number: 8001614130

This image is part of FAL’s Digital Images and Slides Collection (DISC), a collection of images digitized from secondary sources for use in teaching and learning. FAL does not own the original artworks represented in this collection, but you can find more information at HOLLIS Images.

#NationalReadABookDay #ClaudeCahun #BlackAndWhitePhotography #SelfPortrait #HarvardFineArtsLibrary #FineArtsLibrary #Harvard #HarvardLibrary #DigitalImages

[harvardfineartslib]

November is Native American Heritage Month.  We recognize and honor indigenous cultures and worldviews that focus on living in harmony with nature as a part of a shared ecosystem. In this post, we bring you a watercolor painting entitled "Butterfly Dance" by Fred Kabotie (c. 1900–1986) who was a celebrated Hopi painter, silversmith, illustrator, potter, author, curator and educator.

The Hopi Butterfly Dance takes place in late summer to early fall in northern Arizona’s Hopi villages. It is a two-day ceremony for the harvest, calling for rain, good health, and long life for all living things. The dance is performed by young and unmarried girls, a ritual to learn what it means to be a young Hopi woman and her purpose within Hopi culture. On the day of the ceremony, the dancer wears a kopatsoki (headdress) and ceremonial clothing with her feet painted yellow, symbolizing the eagle’s yellow feet, so that she can dance lightly throughout the day. (You can learn more about Butterfly Dance in the essay written by Gloria Lomahaftewa on the National Museum of the American Indian’s website.)

Butterfly dance Kabotie, Fred, Native American painter, 1900-1986 [artist] Watercolor on paper 14 x 21 3/4" Native American, Hopi ca.1928 Repository: School for Advanced Research, Santa Fe, Santa Fe, New Mexico, United States HOLLIS number: 8001696092

This image is part of FAL’s Digital Images and Slides Collection (DISC), a collection of images digitized from secondary sources for use in teaching and learning. FAL does not own the original artworks represented in this collection, but you can find more information at HOLLIS Images.

#NativeAmericanHeritageMonth #Hopi #ButterflyDance #HopiCulture #NativeAmericanArt #FredKabotie #HarvardFineArtsLibrary #FineArtsLibrary #Harvard #HarvardLibrary #DigitalImages