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popculturebuffet · 3 years

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Top 20 Animated Episodes of 2020 Part 2 (#10-#1)

And we’re back.. The first part is HERE, which includes the first 10 and my thoughts on this past year in animation, so we can cut the long intro and get right into it. This is the best episodes this year had to offer in animation, and it’s , without meaning to, at least a third bojack horseman. On with the show.

10. I Am My Monster (Steven Universe Future) “We all had Steven when we needed him, but the only person who's never had Steven is Steven. He's always been there for us, so... how can we be there for him now?“ Oddly “The Future”, a finale I did really truly enjoy.. is not on this list. Really good episode, it’s just Future was easily one of Steven Univereses best season, tightining up the pacing without loosing what made the series feel special and really digging into some of more unhealthy aspects of steven’s life. And while the future is good and certanily the needed epilogue.. this episode is the climax, the cumilation of EVERYTHING Steven had done and gone though and something fans sadly saw coming and just had to simply watch, unable to help as Steven slowly lost himself. Previously on this list we saw him hit rock bottom and it only got worse: He went to home world, attacked white diamond due to his pent up trauma and once again ingored attempts to help him, this time from the diamonds and spinle, angrily refusing to listen to his own words she she sang Change at him. This only got worse in the briliant and sadly edged out of the list “Everything’s Fine’ A really damn painful episode where steven tries to assert he’s okay and act normal.. only he cant and he destroys everything around him, and even repeats pearl’s text trick from a single pale rose with a pained voice message to connie saying to help steven. But the pressure of the LONG overdue intervension and the fact it came too late.. means steven confsses his recent sins.. and instead of taking them for twhat they are, spur of the moment acts caused by a toxic influence and a fuckload of ptsd and unreseovled issues with white that while certanly not okay are symptoms of a larger issues takes it to mean “Im a fraud”.. and thus he horriingly corurpts. So here we are as Greg, Connie and the main gems all gap ein horor as Steven has corrputed himself, reduced to a monster whose not even malcious just.. sad.. so full of self loathing he can’t function and at risk of STAYING like that. And the relization hits hard.. and hits everyone who joins in hard. The auxilery crystal gems soon join but attempts from both groups to stop Steven do nothing. The diamonds arrive.. and not only are saddneed by what htey’ve doned but equally powerfless to stop him. Everyone breaks down, blaming themselves for not seeing this sooner and for speding YEARS piling their issue on the kids, everyone ready to give up as they loose the person they care about most.. except one. Connie proves to be the hero of the episode, rallying the others with the above, pointing out Steven would happily help them if he could.. and that’s the problem. He’s spent his whole life fixing other peoples problems and focusing on that.. but never had someone to be HIS Steven. Fighting him’s not going to work.. he needs to know he’s loved... in the end the final battle of the series is not some struggle of life and death.. but of love. What wins the day isn’t a fight, though our heroes various powers do come in hand to restrain steven.. but it’s all of them, one by one telling them they love him in easily the most tearjerking moment of the series, cumilating in connie softly playing a kiss on his nose... and it’s this that FIANLLY frees steven from his self made prison.. finally realizing h’es not alone and that no matter who or what he becomes.. his family loves and forgives him. While we REALLY needed the next episode to wrap things up after this swell of emtitions. this was the climax the series desrved: after spending 6 seasons trying to help everyone ELSE and fix their issues he never should’ve had to.. it’s eveyrone else who gladly pitches in to fix steven’s own issues, to help HIM when he’s at his lowest point like they’ve been, and make it so he can FINALLY heal and finally find himself once and for all. IT’s one of the finest episodes of the series and easily the best of future.

9. The Perfect House (Close Enough) “I’m this close to connecting garfield, TO JESUS” This one’s just really funny, charming and creative. Simple as that.. I could move on but eh i’m a wordy bastard. Once again we’re focused on Emily, this time as we find out an endearing hobby of hers: She likes visiting open houses and fantasizing about affording a better place she likely never will afford, one with trash can nooks, a kitchen and a living room that are fully seperate, and indivudal bins for tea and sugar... and when it’s pointed out she dosen’t drink tea it’s only because she has nowhere to put it. But after Josh and Candace get them thrown out, if adorably so, Emily is forced to face reality... i.e. Alex, in one of the series finest gags, in his underwear with conspiracy boards trying to connect garifled to jesus and having a jug of his urine around for some reason. Did I mention I love this weirdo because I do. Brigette is painting in the ktichen.. using her body as the canvas, though in a bikini because the show wasn’t streaming only yet. You’ll have to wait a season for possible boobs. Naturally this just stresses her out so she goes to visit more houses while Josh vows to buy a family bike, a large circular bike for the whole family, as an activity because of course he does and of COURSE he also has a recurring issue of being mocked by some random kid about not having one.

So she escapes and meets dave and caitlin, a husband whose family life is miserable and a child star who got emanicapted and they quickly form a psuedo family to look at open houses.. only to, as if to remind you what show your watching, instead end up in a tgif sitcom... and trapped in a styigian void, with only Emily desperate to get out. Also she’s been missing three days and Josh has some thoughts on that and goes after her. Naturally given she’s crashing in on her fake sitcom family, this oly has him seen as a plot element, and Emily’s attempt at cursing and everything she can , while hilarious fail.. but the climax is what makes the episode and what inches it slighlty above quack pack.. which itself was fucking awesome. Instead of FIGHTING the format... Emily is forced to play into it, and realizes a cheesy moment of emtional honesty is what’s needed. She apologizes to her fake family, saying their nice but she has to face the world and to josh and much like Donald, seroiusly this episode was made years ago and there’s no way in hell frank knew about it, she just needed an escape but it’s more healthy: instead of wishing for a life she never had Emily just wants a break from the life she does for five minutes. She’s happy where she is, with her loving husband, wonderful daughter, impulsive but still carring best friend.. and well okay maybe not Alex, there’s somethihng really wrong with him, but as much as I love the guy I admit he’s not for everyone. I’m also a borderline feral man covered in hair who wants people to know i’m smart. I get him.

IT’s this that sets her free.. and we get another amazing gag as Dave’s family shows up and Dave chooses the fantasy.. though instead of this being thorughly pogiant it’s just “classic dave”. COmplete with title sequence. And of course it ends on a family bike with Emily getting those tins from Josh. Their relationship.. is REALLY what makes both this show and this episode in paticular work. Here while Emily screws up, it STARTS innocently enough, simply faking being a family and spirals into tgif because while this show isn’t, possibly, in the regular show cinematic universe, it’s defintely in the same multiverse. She just wants some peace of mind from a chaotic life, but dosen’t resent her husband or anything.. he just frustrates her sometimes which is fair. But he’s never portrayed as an abusive asshat which you think would be a low bar to clear but.. you’d be suprised. Point is it’s a wonderfully weird and somehow still unique despite being one of three tgif parodies this year. Seriously that shit is a goldmine. It’s how Dashieel Driscoll got half a season out of full house and a good chunk of a very special epsiode as a whole out of it. Though a certain incident helped.

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Point is good show, jolly good show... and ew’ll be right back with the rest afte the cut

8. Agony of a Witch/Old Bodies, Young Souls (The Owl House) “You always thought you were better than me! That I could never Beat you at anything! “ “I AM Better than you!” “Then WHY WERE YOU SO EASY TO CURSE?!” The Owl House was a show I took WAY too long to catch up on after missing the second half of season 2.. minus Enchanting Grom Fright which I caught first run and we’ll get to that story shortly. Point is my procastnation did me dirty here as this show , which was already fantastic just got better and better, cumulating in this epic, heartdestroying, soul punching, beautifully animated finale that takes everything the show has built up thus far, blows it up in some places and uses it to beautifully end in others, leaving us with a new road for the future. So yeah naturally it’s been a long ride as one of Owl House’s strength.. is that no episode is filler. No really, each one has a purpose great or small in the larger narrative, and every major arc has been expertly paced and crafted, bringing us to this point. The only major arc or plot thread left out is Amity, and that’s honestly for the better. Make NO mistake, she’s a great character.. but like fellow great Donald Duck, she was left out because the episode had a LOT of emotional stuff going on, a lot of plot to fit in, and a lot to do and it’s simply better for her character and for the moment’s she’s bound to have in response to well.. everything happening here, to let it breathe next season rather than try to shove it into an already stuffed two episodes. But this episode is one long string of payoffs, and payoffs creating more setups: So all season Eda, our loveable witch, has been grappling with a curse that turns her into an owl beast, one that’s been getting worse as far back as the mid season finale Escape from the Palisman. She’s been needing more and more elixer to combat it, a harrowing parallel to some real world diseases: Sometimes your meds can only DO so much to combat something actively killing you.. thankfully this time.. not speaking from personal experince. And Luz finds out soon into the episode as Eda makes a cloak of witches wool, which can deflect powerful spells, to protect herself.. only to black out and go owl just as she’s saying she’s fine. Like most parents would Eda hid just how bad things have gotten and it’s gone from needing just one bottle of elixer to needing their entire suply, and even that barely worked. Despite her mentor’s assurances, Luz is now PAINFULLY aware her mentor is on borrowoed time... not helped by the fact the coven attacked earlier that morning and she finds out by finding hooty playing tea party with them, meaning Eda is outgunned, outmanned and while Lilith failed, again.. the emperor can now easily find her himself and send whoever he wnats and however many people he wants to fetch her.. and Eda can’t use too much of her magic or else. So while Eda and King, touched by how much Luz has changed them, decide to throw a suprise party with King making a big cake to jump out of and Eda using witches wool she intended for herself to make her a cape. Meanwhile as you’d expect Luz.. is plotting a dangerous and life threatning mission: with a field trip to the Emperor’s Coven that day, one she was going to sit out because you know they hate her second mom for dogmatic and vile reasons the episode fleshes out, she finds out they have an artifact called the healing hat that can seemingly heal anything. So she does what Luz does and comes up with an impulsive plan to heist the thing.. but for once her impuslivness isn’t played for laughs. Her mother figure is slowly sucumbing to a fate worse than death, for once instead of just acting rashly because Luz.. she’s doing so because she KNOWS, that she has no other choice. Nothing else in sight and she’s smart enough to know that if Eda had a cure she’d of told Luz about it. Even if it was dangerous or required a sacrifice or something Eda would’ve just left that part out. But the trip serves a few other purposes besides getting Luz where she needs to be for the plot that makes it work: it elaborates on just what the emperor’s coven is like and WHY Emperor Belos gets away with everything: He claims to speak for the titan, the giant dead monster whose body makes up the boiling isles and who, as Luz has discovered, is the source of the magic there. So when he bloodily, I mean it’ sa kid show so they dont’ say so but given how violent this one is i’m asssuming bloody, took power, he claimed they were doing magic wrong, killed any hertiics and set up the rigid coven system. It explains just WHY the boiling isles limits themselves, gives the whole thing a creepy dogmatic religion vibe.. something that i’m REALLY suprised disney let them get away with as they had to fight for gays in the series.. but at the same time shouldn’t be because hunchback of notre dame exists and Soul , released the same year, was a big gamble against the bible belt. So their not afriad of religious groups.. but they ARE afraid of homophobic groups.. which have a lot of overlap.

Point is it’s a good storytelling device.. and cathartic given i’ve been playing Fire Emblem: Three Houses as I finally bought it with some christmas money. Good game, probably will talk about it in the future, not the point here.

The point is that the visit gives us some worldbuilding that helps show just how much of a threat the coven is and why their so intent on capturing Eda. We also finally meet belos, god emperor and man tired of Lillith’s shit and giving her till twilight to get Eda.. or presumibly die. I mean he dosen’t say it but he sure is implying it as loud as he can. That’s when things go pear shaped for Luz who finds the hat.. and LIlith who has found her barganing chip to lure Eda to her, which works as well as you’d expect and leads to the best figh tin the series thus far and one of , if not it’s best scene; A duel between edith and lilith. And while they fought back in Covention this time it’s not a petty squabble between siblings masquerading as one trying to capture the other.. it’s fight NEITHER can afford to loose. Eda can’t loose her protege and Lilith will loose everything, dying at best being cast out of the coven at worst, if she fails not to mention loosing what she feels is her only chance at saving her sister. But it’s also VERY clear Lilith is groosly outmatched, and while no slouch herself Eda’s constant bragging about being “the most powerful witch on the boiling isles”.. is entirely backed up. Lilith barely is able to hold herself and only gets ahead by using a child as a shiled, going even lower than her sister. However the stress of this, the build of having been the older sister of someone who constantly outshined her then turned entirely against her, finally causes lilith to snap.. and reveal the curse is her fault. Cissy Jones delivery here.. is jsut perfect, showing a mixture of rage and pain, showing that she’s spent YEARS hiding this, years resenting her sister for constnatly being better desptie working harder and doing the right thigns. Even when she’s trying to HELP Eda, genuinely trying to undo her mistake as we find out and as we’ve seen genuinely sees the emperor as the wise and benevlolent god he portrays himself as.. she can’t let it go. SHe can’t see past her own bitterness to see her sister is right and if she could just let this go and work on Eda’s terms instead of forcing Eda into her world, then maybe it wouldn’t of gotten this bad. Maybe she could’ve told her.

Eda takes it about as well as you’d expect, and Lilith.. uses this to threaten luz’s life and force eda to use up her magic to save her, leading to the series most heartbreaking moment and Wendy Mallick’s best acting so far as she bids her appretnince a tearful farewell. Luz RIGHTFULLY and angrily lashes out at lilith calling her a monster while Lilith takes Eda and urges luz to go home... and after a tearful ending with king realizing something’s deeply wrong.

So thus next episode after a history lesson from king and some suprisinging caution as he KNOWS what Luz is up against.. Luz still decides she dosne’t care. Eda’s sacrificed herself, to Luz it’s her fault she’s in this which while KINDA accurate missues some fine points such as her sister’s stubborness or the fact had lilith not shown up she could’ve taken the hat. And the fact LIlith saying the hat was junk was pretty unreliable. What i’m saying is maybe the child shoudln’t blame herself for being kidnapped while genuinely tring to reach the same goal.

But Lilith soon learns to her horror her sister was right. While Belos restores Eda’ss sentience even fully owled.. he has no intrest in helping her, eveyr intrest in publicly petrifying her, and not even the slightest hint of remorse at betraying lilith this deeply. After all her faith in the man.. Belos spat in her face and told her to like it. Meanwhile Luz goes on the warpath, and we see just how far she’s come.. and WHY Belos is probably so restrictive with magic and put it on such a tight leash: we see that with her natural power and just a handful of spells, the four she’s pciked up over the season, she easily curbstomps the conformotrium staff, gets to Eda fairly easily.. and fines sshe can’t free her and eda wants the door destroyed so whatever Belos wants with it, he can’t have it. Luz heads home, ready to destroy the door.. onlyt of ind two things. her magic dosen’t work there.. and Lilith followed her and grabbed king. After a breif fight and Luz angrily and rightously confroting the asshole, wish she was in Eda’s place.. Lilith admits luz’s right and gives her backstory: That her insecurity was so great that on the day before a duel with Eda to determine who got into the emperoror’s coven, she curfsed her own sister, with no idea it’d last this long or get this bad. And with no idea Eda had lost intrest in it and WILLINGLY gave her sister teh spot.. It’s very clear despite her masssive flaws that will need to be adressed.. lilith never stopped caring about her sister, and it took all this to make her realize that trying to fix the mistake on HER terms without including her sister.. instead has almost cost her it. So Luz and King relucntnatly take her help, though the other two are quickly capatured when theyt ry to get to hte exceution platform and thrown in the cage with Eda.. which dosne’t help the coven’s reputation as gus and willow try to make a case for Eda. Meanwhile we get the SECOND best fight of the series as Luz challenges Bellows.. and it’s UTTERLY chillling and while he’s had scenes before this it’s here we get the true scope of who he is ..and that like eda the god complex is something he can back up. Whlie Luz proves just how strong she’s gotten by keeping up with him it’s barely, and it’s clear from the moment go, and one of the series best shots, with Belos creeply materlizing behind her before announcing “sure, i’ll play” that this is a game. She’s no challenge to him and he simply wants to see waht she can do and is mildly impressed if a tad annoyed at her actually damaging his mask. But with Eda, King and Lilith’s lives in the ballance the only way Luz can save htem.. is to give him waht he wants.

Thing is, just like Lilith, just like everyone has, good an dbad all season.... Belos undereesitmated luz.. who left fire runes on the door, willnig to sacrifice ever seeing her mom again if it meant keeping him away from her. While he has no invasion planned whatever it is CANNOT be good. Luz saves them, and Eda flies them off with Belos saying the titan dismissed them. Also that Belos has a big penis.. super huge, size of a tractor that one. Yeah that’s the ticket.

But we get a happyish ending as LIlith does what she should’ve done a long time ago and apologizes, and Eda starts to fogive her, brought on by King earlier standing up to her as whle he’s not happy with her either, he realizes from her story she’s not a bad person.. just a very messed up one who couldn’t own up to her mistakes. One who belivied in the wrong person to fix her problem and finally takes repsonsiblity and part of the curse into her. So with the sequel hook of Eda having lost her internal magic power but still being able to use glyph’s like luz, we also find out the Emperor has the door and a mysterious masked minon,.. who i’m fairly certain isn’t amity only because it’s too obvious. This is simply how you end a season: It’s engaging, heartbreaking, well animated and pays off EVEYRHTING so far while setting up the season to come. It’s going to be a LONG wait till next time, mid-this year.. but I can wait. The high from this one’s going to last a while.

7. Good Damage (Bojack Horseman) “ That means that all the damage I got isn't good damage. It's just damage. I have gotten nothing out of it and all those years I was miserable was for nothing. I could have been happy this whole time and written books about girl detectives and been cheerful and popular and had good parents, is that what you're saying? What was it all for?! “

Bojack Horseman is one of the best shows of the last decade, and an important one to me. it was the first one I watched when we switched to all streaming. I really related to Bojack and his struggles with depresion and self loathing.. which backfired given he’s a much worse person than me and while I could relate, I also compared myself too much to a character who in retrospect is both far worse and has FAR MORE issues than I do and diffrent ones at that outside of the depression and self hatred. The point i’m framing is that the series and I have a complicated relationship and that coupled with how bad 2020 was meant it took until a few days ago to finally finish it, almost a year later. But I cannot deny how good the show is: it has faults, a bit of reptititon in some character arcs, casting a white woman as a Vietnamize-American woman (something both Ralph Paul Waskerberg and Alison Brie have apologized for to their credit), and .. I can’t think of a last one. They never brought Ralph back? Yeah let’s go with that one what the fuck there. So I felt I owed the show one last round and it payed off as the final stretch, while easily the hardest to get through due to covering the collapse of Bojack’s life, is easily one of it’s best.

But before the fall, we get Good Damage, which instead of focusing on BoJack focuses on Diane, said asian woman voiced by a white lady, neurotic writer and Bojack’s best friend, who has moved to Chicago to be with her boyfriend guy, a chill, charasmatic and likeable buffalo cameraman. Things are going better than they ever have: she’s in a supportive relationship and thanks to her antidipresenants, while still her loveably neurotic self, is now not obessing over shit as much and is solving her problems with applomb. Even the weight gain from her meds, which she dreaded in the previous half of the season.. has insteead only made her look healthier and happier, and more beautiful than ever.

The only problem is she can’t write her long promised Memoir, which Princess Carlolyn, her former boss, agent and loveable pink cat and single mother, has promised to a lot of celebrities. She TRIES, she puts lots of work into it, keeps trying to sit there but nothing comes out. And what makes the episode truly great is how this is presented. Bojack is no stranger to beautiful, visually diverse episodes, Stupid Peace of Shit being a notable example and one similar to this one but uniquely great in it’s own way, but this one is easly the bes,t using a squiggly crude style to show just how chaotic and uncomfortable diane is and how stuck she is. She’s TRYING, but she just can’t make her life’s story into anything GOOD, she can’t get the words out which as someone whose had reams of projects I never startd, even to this day and who has genuine trouble writing fiction.... I related to this like all hell. But even people who have never had an intrest in writng can just get the feeling thanks to the wonderful writing and animation, from cameos by the rest of the cast to Diane’s father showing up as a goblin to the word boxes showing what she’s writtne it’s just a treat. But what centers this amazing visual represtnation is Diane’s internal struggles as an encounter with a rude sales person leads her off on a tangent..and to Ivy Tran, a teen detective whose upbeat, optimstic, and in a great bit outlines who she is in jsut the right amount, and solves mysteries in a food court. It’s a genuinely good idea, one I honestly think could support it’s own series... seriously get on that Ralph-Bob. Get on that. Point is it’s good.. but Diane’s so hung up on what she SHOULD be making, she can’t see what’s right in front of her, despite guy saying the passages are good. Things come to a head when Diane makes a huge mistake and goes off her meds.. which from experince never ends well: for the entire episode she’s been under the impression she can’t write because of them.. only to be proven HORRIFYINGLY wrong. It’s a VERY necessary aseop: that your medication will always be with you and that going off it suddenly, or blaming it for writers block not only isn’t true but is DANGEROUS. Diane spirals, cries and her writing gets dark and full of self hate. It’s then Guy proves just how fucking majestic he is: he figures out what’s going on after she tells him, and helps her get to bed so she can rest, puke whatever she needs and they’ll talk about things after she takes her meds again and gets her head on straight, when she’s in a good place to do so. As someone with mental illness.. ti’s nice to see a character who not only supports someone fully, but knows how to handle it. Instead of a shitty third act breakup like many shows would do guy stands by her. He does however step SLIGHTLY over the line, if iwth good intentions and reason and send Princess Carolyn the Ivy Tran pages, because as he puts it he made an executive decision.. and when Diane is a bit annoyed by that as it does sound a tad douchey, he rightly points out she was in a really bad hole of a place, stuck in a loop doign something that even before going off her meds was clearly hurting her and going nowhere, and needed SOMETHING to snap her out of it, and did so not to hurt her or because he thought he knkew better or , like her ex husband, because he was oblvious to her needs; he did it because it was the hard but necessary thing to get her to seee she had something special and that she dosen’t have to constnatly tear herself up by diving into past traumas because of some internal obligation.

Naturally Diane dosen’t take it despite Princess Carolyn not only being impressed but PREFERRING the ivy pages, as she was genuinely unaware Diane had something so happy and charming in her. While Diane is worried about it when the two end up meeting in person, we soon find out why: If all the damage she went through wasn’t “good” damage, things she could writ eabout and use later.. what was it for? Could she of just been happy this whole time? Did she waste her life. And in a rare moment betwen the two PC helps Diane walk it back, explaning that she can do what she always wanted: write something that makes someone like her feel not alone. That she dosen’t HAVE to make her life story into something complicated, just make what makes her and other people happy. Something PC’s daughter could enjoy one day. So Diane finally accepts that maybe there’s something else for her.. and then we get a segue into the next episode with bojack having a panic attack and pasing out but that episode, good as it was didn’t make it so moving on. We also check in with Penny, the daughter of an old friend of bojacks who he nearly slept with and is stil haunted both by the decision and a drunken later visit to apologize... which isn’t helped remotely when max and page, two reporters inovlved in teh subplot that tears bojack’s life apart, start hounding her. While they have good intentions, exposing Bojack’s connection to Sarah Lynn’s death, the two’s methods still come off as creepy, following a, at this point , 21 year old girl whose been through ENOUGH home. While the two aren’t terrible people their actions.. are.. while getting hte story ismprotant is it truly worth genuinely harming this person. And penny wonders if she SHOULD air her story.. she ends up not.. but only because her mother, while lettiner he decide, poitns out it may not be worth all the pressure and possible trauma it digs up,especially since Bojack is getting what he deserved anyway. IT’s a decent subplot tha tties up a loose end but really makes our journalist characters feel like assholes for again, basically stalking and harassing a young woman who didn’t want to rehash the worst moment of her life. Otherwise top notch stuff.

6. Heart (Parts 1 and 2) (She Ra and the Princesses of Power) “Don't you get it? I love you! I always have! So please, just this once... STAY! Stay. “

Now we get to the gays winning.. and to one of the best series finale in recent memory. And given the other two titanic shows ending, one of which we’ll get to’s ending in a moment, last year, it’s a huge compliment. Heart is how you end a space opera... with big wonderful speeches, great payoff, a huge climax.. and a beautiful cathartic kiss paying off the relationship at the heart of the series that ends up saving the universe. So let’s just go ahead and crack open that pinata: The kiss.. was easily one of the best moments of animation this year and, at a time when the quarantine was starting, misery was spreading, and things looked pretty damn bad, having a major animated show, one of the biggest of the last few years, climax with an emotional moment between two women, one the series had been setting up since day 1... it was a huge step foward for gay representation in children’s animation, and warmed my big bi heart. And it’s not just good because of that: the fact it’s a giant pile of representation is wonderous, but it’s because it’s also well baked into the show. This is the conclusion of both their character arcs: Catra finally realizes Adora will not abandon her and her leaving the Horde was not choosing them over her.. it was simply doing the right thing. So instead of running or trying to escape she’s grown enough to fight for what she wants and fight for a future with Adora. Adora meanwhile finally overcomes her martyer complex, her determination, especially after Angela’s death, to make sure no one else is gone and she’s the only one that suffers and looses. To make sure there’s nothing else. It’s Catra’s confesssion that FINALLY gets it through her thick skull that she dosen’t have to be alone or bear anything alone.. she’ll always have someone with her to do that.. and even before Catra.. she’s always had friends for that. She dosen’t have to be alone. So the two embrace and it’s fucking beautiful..and gives adora the full power of the doomsday device they went to shutdown in the first place, restoring the planet.. and allowing her to destroy horde prime’s fucking soul. I just want to reiterate that because it understandably got lost in the shuffle of the gays winning, but our heroine fucking tears out the main villian’s soul.. and it is SO damn satisfying given what a truly repulsive , irredemible, asshat Prime was. So the two finally get a future together, a chance to build and to stop letting the past define them. It’s wide open. But while that alone would probably net it on this list but it’s damn good otherwise, an epic final struggle between our heroes and the horde for the fate of not just their planet but ALL of htem as Prime prepares to finally wipe everything else out in egomanical genocide. There are just.. tons of awesome moments in this one: Bow and Glimmer’s suprising but welcome love confession, Seahawk annoying mermista into fighting her chip, the people of etheria fighting back.. and the reason they do is easily the second best moment of the episode. With the chips down, not literally, and things looking bleak Bow hyjacks Prime’s egoamnacial hologram.. and broadcasts for everyone to fight, to fight back, and to END THIS. After spending most of the series as the one trying to keep his friends together, the glue of everyone.. it’s bow’s heart, courage, and voice, the one that lead his friends through some rough times and severed as reason when they needed it most wether they listned or not.. that frees the world and with Entrapta turns the tide at long last. It’s just a hell of a moment. And the only other moment equaling it is Hordak freeing himself and deciding he is his own man, he made himself tha tway for better and worst and kills prime, at least before adora finsihes the job with the badass “I am HORDAK and I DEFY your will. “ It’s just a wonderful, epic finale that pays off most of the shows major arcs, gives our heroes a MUCH deserved happy ending after spending their lives at war, and let it be said one last time, gave gay representation in children’s cartoon one hell of a win.

5. Nice While it Lasted (Bojack Horseman)

“ No, I need to tell you... thank you... and... it's going to be okay... and... I'm sorry... and... thank you... “

Back to back finales here and honestly both are REALLY close in quality, both satisfyingly paying off their series. But both take equal and opposite routes: Heart is an epic finale in scope size and impact... while Nice While it Lasted is a very stripped down character piece: there are other characters in the background but after the intro the only voiced characters in each segment are Bojack and one of the main cast, each one both showing how much said relationship has evolved since the show began, and giving Bojack time to reflect on his possible future. I say possible because one of Nice While it Lasted’s best aspects it that there’s no real concrete ending for Bojack. Ther’es still closure: after his life emploded and he nearly died, more on that in a bit, Bojack ended up in prison, offically for breaking and entering but unoffically for all the shitty things he did with him glumly accepting it. So one year later he’s out thanks to Princess Carolyn for her wedding, sober again thanks to prison and even started his own acting class at the prison he’s geninley invested in, inteding to continue it once he gets out. But otherwise.. his future’s in flux. HE’s sober for now, but he’s painfully aware that could change again, his friends while, with one excpetion, still having a place for him in their lives, have moved on, and his career is on the upswing again despite being a pariah a year ago because as I mentioned earlier and as PC brilliantly puts it

So he could become a better man, get his career back, make amends for what he did and stay sober.. or backslide and fall down into the same traps he always has. It plays into an aseop the series has always preached: There are no real endings, life just goes on. Even for the rest of the cast hteir lives aren’t over.. their just in a good place.. maybe bojack will, maybe he won’t. Tha’ts up to the indvidual viewer and I like that. While ambgious endings can be frustrating and I get while some preferred the more concrete if still somewhat ambgious ending of a view from halfway down, I feel this fits the series better: Bojack, like the end of every season is moving on to something new, but this time we don’t know what, and that’s okay. IT’s time for us to move on. Well okay not from this entry as each vingette deserves some praise: Our first has Mr. Peanutbutter pick up Bojack from prison, and even get him a new suit.. and then another one offscreen because predictably for his life BOjack got meatball all over it. He also calms our hero down when he wants to go back to jail, letting him know it’s okay and he’ll be there for him.. unless his friend Erica shows up but what are the odds... 1:1. But what’s nice about it is while Bojack still makes jabs, it’s clear he’s gone from truly hating and resenting PB for being the betterversion of him.. to truly seeing the guy as one of his best friends, his jabs having gone from hurtful and bitter to wry and warranted. I mean they were warranted a lot back then too he’s just a lot softer about them.

At the wedding Todd and Bojack finally reach some form of understanding after years of awkwardness, the two having reconclied but not being really remotely close or in each other’s lives hardly anymore after Todd’s understandable blow up at Bojack in “It’s You”. Here Todd has Bojack rush him to the beach to cary him on his shoulders.. to watch fireworks because he could tell he was overhwelmed, the two having found a rhtym again, with, like with mr peanutbutter, Bojacks jabs being a lot friendler and Todd having a respect for his own needs while actually being present for bojack instead of ignorant of how bad things were like he was at the start. He even helps BOjack see even if he DOES replase.. he can get right back on the horse, couldn’t resist that one sue me, and as the hokey pokey says turn himself around.

After, in one of the best payoffs of the series, finally trying Hondedew and finding it’s not so bad, Bojack dances with PC, admittingh e half hoped he’d have to help her go thorugh with it before the two run through the scenario, and PC expresses some honest fears with bojack helping her showing how the two hav egone from a horribly stiffing relationship.. to two close friends who are probably stuck with one another for life. Sunk costs and all that. And if bojack does want to act again she knwos some people. But for now PC finally really has everything she ever wanted:: A daughter, and a loving husband in judah.

Finally we have the most painful of the group because of course the Bojack finale wouldn’t be all sugar and would have to punch us in the gut. Bojack finds Diane again who hasn’t talked to him.. because he called her the night of his near death/sucidide and due to putting the blame on her due to being high out of his mind, made her feel like it was his fault during the 7 hours she could reach no one and thought he was dead. Diane is hurt, feeling betrayed that bojack promsied he’d be fine then possibly left her with the pain of his death on her concious forever. Thankfully she’s doing fine, as she’s now married guy and Ivy Tran is a huge success and probably a series now.. but it’s abudnantly clear her friendship with Bojack is over.. but even this bittersweet, and necessary, seperation, as Diane has moved past LA and Bojack needs to stop relying on her and stand on his own two hooves, still warms the heart as she thanks him and lets him know i’tll be okay, and endugles him in telling her one last story, a rathe rfunny one about prison movie night bfore the series ends on the melancholy and apporriate song mr blue as the two gaze out and they see each other and we see them for the last time.

4 The Wasteland (Infinity Train)

“I'm as good as dead, and if my last act is to bring you with me, sliver, I can't imagine a better way to go!” “Well, I can! “

So from a bittersweet ending to holy shit that’s depressing, we have our only entry from Infnity Train on the list. That’s not to say the series did bad this year. Season 2 was easily the series finest hour, taking the framework from season 1 and crafting a gripping story of a teenage mirror person who just wanted to live without assholes trying to kill her for what she fundementally IS, and be recognized as a person, with the help of a magical deer and a more optimstic teen grappling with his peer pressure issues. The series was still undoubtly silly with a parasite voiced by Bill Corbett, wonderfully so, and again a magical deer named Alan Dracula, long may he reign, it simply deconstructed the nature of the train and thus opened up the floodgates. By giving us a denzin who, after years of being someone’s reflection in both senses of the word, just wanted to live and how that clashed with the train and the racist assholes she met alnong the way, from the ones who wouldnt’ stop trying to kill her.. to humans who considered her as nothing more than a plaything at best and something to get rid of at worst. While Season 3 was not bad, if a bit way too strcuturally messy and trying to do too much at once, Season 2 still handled the same issues but in a much tighter frame storywise. And that’s why only one episode made it: Most of the episodes, espicially the later ones, are pieces of a large whole, with the show being heavily seralized. Which while a great approach intended for streaming, also means it was hard to find a chapter that worked that well on it’s own, steven universe future had similar issues. But I did and the wasteland is easily the darkest, harshest and most intresting episode out of the batch. The episode opens at MT’s darkest hour: The apex told the mirror police where she is, Jesse is gone, and MT is now running for her life from the sadstic assshole and his spinless partner who want her dead just for existing.. gee can’t imagine why a bunch of assholes refusing ot acknolwedge other peoples opinons, rights or even existance was a big topic last year.. or this year.

So while Mace, the main mirror cop, manages to handcuff her MT manages to throw him under the train. THe result is her trying to escape the train by wondering i’ts vast desert, forced to drag Mace along as he taunts her, bleeding out slowly from you know being bisected by a train. It’s a really moody peace as Mace mock’s mt’s dreams of escape and justify’s his own selling out, while MT pokes holes in that: he was so desperate to not nonexist.. he’s willing to kill others who just want the same. IT’s a damn hard watch but fuck if i’ts not compelling.

And the climax is what makes it. MT finds out she can’t leave the bounds of the wasteland, as it only projects so far and after escaping the ghoms ends up back on the train, with Mace, not long fo rthis world trying to kill her.. so we get a 13-14 year old GRINDING HER HORRIFYING ABUSER UNDER A TRAIN WHEEL. Just jesus.. I mean I kind of get HBO Max’s point that MAYBE this is a bit much for kids. I mean i’ve seen other really dark stuff but holy fuck a man died.. and we see his blood splatter. But it’s this horrible, harsh moment that makes the episode.. as is MT”s reaction.. not one of triumph.. but of exaustion and horror at what she’s done, before steadying herself to prove him wrong. A hard one to write about but damn it was good.

3. Enchanting Grom Fright (The Owl House) “Dear Luz, will you go to Grom with me- Amity” Now we THANKFULLY get to something lighter: the gays winning.. again. Coming out during pride month, phrasing, and only a month after the she ra finale we got this delightful episode. As I said earlier I watched this one first run: while I was super behind, I couldn’t resisit to the point I watched it before that week’s amphibia. I was that curious what was going to happen. See as i’ve given out about quite a lot.. and I mean a LOT, Disney dosen’t have the best track record with gay representation: they don’t do horrible sterotypes or anything.. but they also don’t do much of anything for the most part. Alex Hirsch has outright spoke about how much he had to fight just to get Blubbs and Durland firmly together in the finale, and how the symbols for the love god were widdled down to just male and female. And around the time this episode came Disney was coming out of a REALLY bad batch of pr stunt gay representation: They made a big deal about the first gay x in an x having gay characters in avengers endgame, star wars: Deep Hurting and onward.. but these were cameos AT BEST, with the endgame one being so minor I genuinely didn’t realize the character was talking about dating a man and only found out afterwords. Sure Ducktales had gay dads, which is awesome and always will be.. but none of the major cast was allowed to be openly gay. I mean we know webby and lena are gay but hell if disney would allow that. But miracoulsy.. shockingly and wonderfully.. Disney DID mange to finally just say fuck it and let some big gay rep in, something so obvious it can’t be ignored and that actually features the main character and one of the most major supporting characters. And what do you know, the good press and pats on the back outweighed the bad. It’s almost if giving up homophobic markets in exchange for doing the right thing.. is a GOOD thing while also being profable. Who’d a thunk. Point is via sheer perstiance, Owl House creator Dana Terrance got to not only make her lead bi, which Terrance herself is, but have her love intrest be a girl. And I find it genuinely wonderful that gay, bi, pan and what have you children can watch this and say “tha’ts me and this is okay”. But even minus Owl House saying gay rights.. the episode is just REALLY good and part of it is who it focuses on. Amity easily has the most character devleopment out of the cast going from someone who walls herself off from everyone, revels in her superiority.. to slowly opening up to heroine Luz, realizing Luz is not a bad person and that Amity herself dosen’t have to be, and right before this starting the road to patching things up with her former best friend willow. Allt hrough this said friendship had been prettty, prettyy, prettyyy gay. And that’s wonderful obviously, but part of why I watched this was while I HOPED they’d get to be couple.. I wasn’t convinced since see a fucking bove. But I was happy to realize that oh my god I was wrong, the gays won all along.

So with Amity a better person she’s naturally syampthetic when sh’es put front and center at hexside’s prom equvilent which while having a dance, gromprosals and a disco ball tha’ts also a sentient being, becuase boiling isles, it also has the queen or king forced to fight a horrifying monster that manfiests as your greatest fear. And, as we find out towards the end.. Amity’s is being rejected by Luz, having her love letter, which she fails to deliver due to running into luz.. and co (which is my faviroite gag of the episode and the adorable smiles gus and willow give in response are what make it). And . it makes sense. When you stop and think about it.. Luz is the best thing in her life. She got her to change as a person, genuinely cares about and adores her, just wants to be her friend and thinks the world of her. Given her siblings, while trying to be better, are two disaster bisexuals who just stopped a lifetime of untietonally harsh bullying and her parents are controlling asshats who made her abandon her best friend at a young age and she sees LILITH as a mother figure, just let that sink in given a few entires back.. yeah.. no wonder sh’es utterly terrified of rejection. Poor baby.

Of course WE know Luz wouldn’t. Luz may be many things, including oblvioius to thte freaking obvoius as this story line has revealed, but shes not cruel and even if she said no, which I higlhly doubt she would, she woudln’t be a dick about it. But being surrounded by cruel assholes for some time has made Amity a bit paranoid so Luz volunteers to sub in to both genuinely help her friend.. and to prove to eda she can do this. Eda is also chaperoning. and looks neat in a suit, while King and Gus get a wonderful b plot of mcing the dance with the egotisticl king having issues with stage fright. I will get more into that when I review the episode proper, come back in a month for that. But yeah while Luz does well when the time comes, and while sadly not wearing her otter suit does wear a wonderful tuxedo with a tutu.. she has her own repressed issues to adress as Grom takes the form of her mother, as Luz has been nursing guilt over not telling her the truth about what’s going on. Luz runs, and Amity ends up facing her fear to save her crush and the two get a wonderfully romantic, and desturctive dance together as they face hteir fear, untie as one and kill that motherfucker... well okay i’m not sure grom can die but it’s gone for now. The dance sequence.. is easily one of the best scene’s all year, beauituflly animated and painstakingly planned out, with wonderful music.. it’s just awesome and what takes the episode ove rthe top, with the two perfeclty in synch as they take grom out in less than a minute. Also king become prom king and queen, he is best of both as Luz’s own personal issues put a damper on things. Also someone’s been writing her mom.

Overall just a perfect episoe and a perfectly gay episode of one of the best shows going right now. Speaking of a perfect episode of one of the best shows going right now, tha’ts also on disney.

2. Escape From the Impossibin! (Ducktales) ”We have to keep them safe” “But not like this!” So from some emotinal torment mixed with some lovely shipping, we get a whole buttload of emotional anguish but with a robotic scrooge and the time loop room and the time loop room and the time loop room, and time l...

As I said in part 1, Season 3 is easily Ducktales best so far, having far better pacing, character ballance and bolder and more intresting stories than ever before. While the first two seasons are still excellent, this one has taken everything great and honed it and no episode shows off just how great this season is than this one. This one takes place in the fallout of “Let’s Get Dangerous!”, with the family dealing with finding out FOWL”s not only still alive, but is run by Bradford, head of scrooge’s board of directors former shush agent as we’d find out later, and asshole, who knows all their secrets. And given Scrooge is mildly paranoid on a good day and Beakly is extremley paranoid on her best day, it’s done a number on both as they’ve split the family minus launchpad, who just had a whole episode so fair enough, up: Scrooge has taken Della and Louie, wiht their see all the angels schtick, to test out his new security, while Beakly and Donald are securing the house while Beakly has webby throughly test the boys. Neither side goes well. The bin ends up locking our heroes out due to Scrooge’s password being changed, and forcing them to work past it. Louie rises to the challenge, as does della.. but as they beat a robot versoin of scrooge, because of course the final test would be a robot version of scrooge, Scrooge is instead of triumphant at not being dead, incredibly depressed and furious. Because when told he’s scrooge mcduck he tellingly replies “AND WHAT IF THAT’S NTO ENOUGH’. For once.. Scrooge is SCARED, up against someone who knows his every move and is one step ahead, iti’s how it’s always been, no matter what he’ll do, he’ll always loose and Bradford will always win. I REALLY need to watch spies are forever, point is he’s scared and Bradford PROVING the point by revealing he was behind it and taking over the robot dosen’t help. Our heroes win though in a damn impressive action sequence, but as it turns out.. it was just a distraction.. but we’llg et back to that. The other plot though is whyt his is so high. While the first plot is a fun romp with deep eomtional consequences.. the second plot is decidly far darker.. it still has some good bits as webby terorizes the boys and easily one of the best in the season when she horrifying imitates dewey, but its’ only when she does finally attack she realizes she’s taken it way toof ar. She’s terrorized her brothers, caused huey to break his leg and then turn her away when she tries to help.. all she’s done is turn them AGAINST each other and they can’t win this way. Beakly strongly disagrees and clealry lost in her own paranoia and fear, prepares to attack huey.. and thus Webby steps in... leading to one fo the most heartbreaking and tense fights in the series as grandmother and grandaughter fight one on one but both are outmatched.. but Huey and Dewey, despite everything, refuse not to help their sister and help pull webby up, with Webby panickidly realizing something’s VERY wrong and her granny usually isn’t like this when sparring... and is also chasing them. This leads to the roof, in a rainstorm no less, and Webby relcutnatnly ready to fight even though she clearly knows she both can’t win.. and dosen’t want to anymore. Despite her wilingless to scrap, fight and train.. Webby dosen’t WANT to hurt her granny she just wants to help her. Thankfully, the boys attempt to stop this, while failing horribly, catches donald’s attention as he catches them, ntocies what’s going on and furiously refuses to let this go on. While Beakly tries to ignore it and fight..s he instead slips and despite everything, the rest of the group rescue her, with Webby impressing on her grandmother that they aren’t fowl. They wont’ win acting like them and tearing each other apart.. they need to be the family they are. But if all that wasn’t enough turns out.. yeah, Bradford’s thing was a distraction and with the rest of the group distracted with Beakly, that meant his plan went off without a hitch: all the missing mysteries have been taken by FOWL, in a masterstorke that ties both plots together and brings what seemed like isolated adventures on their own in a tagnetally related plot into the fore. Everything so far has built up to this.. and despite the loss.. the family, having been through a dark night of the soul, is ready to fight back. They want the rest of the mysteries? Their going to have to fight clan mcduck in their elment. And it’s been glorious so far. A tense, well paced, hard hitting episode, this one’s a winner. and almost got #1.. ALMOST. But as much as I tried to not go with the obvious chocie, the one with tons of press and praise and that’s graced tons of best of lists... I had to go with what was honestly the best. So...

1. The View from Halfway Down (BoJack Horseman) “Oh BoJack, there is no other side. This is it. “ This episode was my main reason for catching up with the series and finishing it off once and for all. Awash with praise and hype I was curious about this one.. and my curiosity paid off. This is easily one of if not hte best episodes Bojack put out in it’s storied run: it’s creative, impossible to look away from and devistating: in short it’s the show in a nutshell.. and it’s a hell of a view.

Previously as mentioned before Bojack’s life blew up and he lost just about everything, from his friends, though as the finale bared out only one of them stayed away for good and for good reason, his only family in hollyhock, his house, even horsin around. He had nothing left.. so high on drugs and in his old house he passed out at the end of last episode.. and we wake up here with a recurring dream as Bojack has a dinner party at his mother’s house, another wonderful performance from Wendy Mallick. Everyone there is someone Bojack knew who died: his former best friend he betrayed Herb, Sarah Lynn his former child co start turned washed up 30 something he let die, Courdory, a co star who died trying to get off david caradine style, Crackerjacke, the uncle he never knew who die din the war and his parents, distant mother Beatrice as mentioned and his father, who is in the body of his hero secretariat who comited suiccide in this unvierse due to getting banned from racing, as that’s the kind of weird shit dreams do. Also Zack Braff, who has no real conncetion to bojack but still died during that time Mr Peanutbutters house sunk into the earth and his ex wife Jesscia bIel formed a death cult. The group play a game of best and worst, lay into each ohter and have some really intresting conversations with Bojack confident of when it’ll end: before the show their always mentioing. But this time, it’s diffrent.. Bojack is there for it so we get a trippy and horrifyimng stage show as Bojack watches the various people one by one vo into a black door, allt he while bojack coughts up sludge and is persued by it, unaware where he was before this. Sarah Lynn gives one last song, a reprise of a song from previous in the series, Courdroy does a ribbon dance and zack braff gets on roller skates. And bojack has a frank conversation with his dad, with his dad/secretariat revealing he DID care but was just so filled with loathing he coudlnt’ admit it to his son and thus was an abusive ass.. and then reveals to bojack he’s not waking up and bojack horryfigngly see shimself, drowning ina pool. And while he frantically, heartbreakingly tries to flee... he can’t. There’s no exit for him. As herb tells him, this isn’t the afterlife, this is his brain making sense of his last moments, and ther’es no way of knowing if he’ll get rescued, no way to do anything but watch.. watch as his father secretairat shows suicide in all it’s horror by letting it know he wouldn’t of done it if he knew “the view fro halfway down”, a horrifingly haunting poem that sells just how bad it was. As beatrice and crackerjack also go we’re down to herb who introduces bojack... before going in himself, claming there is no other side. Bojack tries not to go genle and runs, and in a horrfying sequence is surronded by the ooze as he tries his damndest to escape.. but in the end he can’t. As herb said.. he can’t do anything about this. So speaking to his min’ds version of diane he accepts he probbaly won’t be coming back and we hear a monitor as we fade out. While we know it’s not the end now... there’s no way of telling then.

The View from Halfway Down is a haunting, beatuflly animated, masterwork, taking 6 seasons worth of communinity and regret and shoving it in bojack’s face in an intresting way, while bringing back characters we thought we’d never see again for one last go round. It was patcually nice to hear LIn Manuel Miranda and Wendy Mallick again,, and Kristan Schaal is always great. The show ALWAYS had a horrifying habit of having it’s penutlimate episode be an utter gutpunch that broke you, with the finale picking up the peices and offering some hope.. and this was no exception. They literally saved the best for last, and it was worth the wait. The view from halfway down may be gahstly,.. but the view of this episode is hauntingly beautiful.

So that was the list, and it was.. a lot taking 2-3 days to finish all together over both parts. But it was worth it and hopefully we can get back to some regular stuff later today. For now, thank you for reading, and hopefully i’ll see you somewhere in the sunset.

#steven universe future #steven unvierse #the owl house #lumity #catradora #She Ra and the Princesses of Power #bojack horseman #close enough #infnity train #2020 #best of the year #animation #disney #cartoon network #hbo max #netflix #disney channel #lbgtq

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