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mycosmicvoid · 4 years

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The Real Kentucky Goblin Case, “Hellier,” and Interdimensional Beings

“Remember, something really did happen that night! Enjoy + Believe!” writes Geraldine Sutton Stith on the inside cover of my copy of her book, “Alien Legacy.”[1] Geraldine is the daughter of Elmer “Lucky” Sutton, and “Alien Legacy” is an account of, as she autographed, what “really did happen” on the night of August 21st, 1955, better known as “the Kelly Hopkinsville UFO case,” “the invasion of the Kelly Green Men” or simply: “the Hopkinsville goblin case.” Through reading her family’s story after I thought I knew it well enough, I felt my own compulsion to vindicate them, just as she does. In the prologue, she asks the reader to “see if you can feel and possibly understand what this family went through. And with that being said, this is my story, this was what was left for me. This is my legacy.”[1]

As the reader you can’t help but feel a bit of guilt thinking about the constant fetishization of real stories existing in real family lineage, UFO-related or not. However, sentimentality aside, I was determined to know the real story. First, the set-up of events in the book were slightly confusing, as I previously was not aware of exactly who everyone was. Geraldine is the daughter of Lucky and Glorine (who was not present, although his current wife at the time, Vera, was). Lucky and his friend Billy Ray were the two to battle the creatures that invaded the property that night after Billy Ray witnessed something “round and metallic”[1] fly across the sky followed by a streak of rainbow light. Lucky’s mom was called Miss Glennie, June is Billy Ray Taylor’s wife, JC is Lucky’s brother, Alene is his wife, O.P. is Alene’s brother, and Lonnie, Charlton and Mary are Glennie’s children and Lucky’s little siblings from her second marriage, who were all present that night.

The first I heard of this case was in the first episode of “Hellier”[2]- After all, it was the very case that influenced the crew to follow their email lead, which happens to be a plea from a man named “David Christie” (in quotations as it is now understood to be an alias), asking for help from Greg Newkirk and his paranormal hunting group, as little creatures have allegedly been harassing his family. Greg acknowledges the similarities and differences between the descriptions of creatures in David and the Suttons’ story: David’s were “the size and stature of a small child, devoid of any facial features save for large, oily eyes and lipless mouths. They frighten my children by peering through their bedroom windows, chirping at one another. They actively attempt to enter my home… I assure you [they] are not ‘wild animals.’”[2] He claims his daughter witnessed them playing together in the yard, and called them “‘bald like grandpa and weren’t wearing any clothes.’”[2] When he finally “witnessed” them for himself, David describes a “chirping” sound, “much like a skunk, if more guttural,”[2] and a “small, humanoid figure, with sickly pale skin, completely hairless...”[2] In the last correspondence with Greg before disappearing and deleting his email account, David sends pictures of a three-toed footprint[2] allegedly found on his property and claims he is fleeing.

The “Hellier” crew never claimed that the creatures from the two stories were the same - just too similar to ignore. Geraldine doesn’t go as far into detail with physical description, however I have not read her other works. The one I did read describes the creatures as “a figure standing about three feet tall.”[1] “It glowed, and as it got closer, they could see that it had its arms in the air as if to surrender.”[1] It looked as if it had “two huge eyes that glowed yellow”[1] and “its legs weren’t moving; it seemed to float on top of the ground!”[1] The men would shoot at them, and “it sounded like a metal bucket being hit…” They explained to the police that the “little men” were “one color all over except for the glowing eyes”[1] and they had “a luminous glow, but when a light hit them, it changed to a dull metallic.”[1] The glow “got brighter when they were shot at or yelled at,”[1] and Lucky thought this may be their way of responding. Unless I had let the detail slip by, Geraldine makes no mention of the creatures chirping, or any sound. Moreover, these creatures made no effort to enter the house despite the windows and doors being open, and made no effort to physically hurt the family - they seemed to be toying with them, by returning unaffected after being shot at, touching Billy Ray’s hair, scratching the roof, and peering twice into the living room window. As terrified as the family was, Miss Glennie felt no need for Lucky to be shooting at them: “I don’t think they’re here to hurt us. Didn’t you all see how they were holding their arms up in the air? I think they are as much afraid of us as we are of them.”[1] In David’s case, the creatures went so far as to allegedly take his dog and break into his home.

Greg mentions the term “goblin” as a label witnesses used due to having no other way to identify the creatures.[2] Lucky thought they “look like some kind of little goblin or demon!”[1] and in Billy Ray’s response to Glennie wanting to see what the two men saw, he exclaims, “I hope that God-awful thing went back to whatever deep dark depths it came from!”[1] Despite Greg mentioning that the family thought they were from outer space[1], all Geraldine mentions (in this account, at least) is that the family knew for sure the creatures were “not of this Earth,”[1] but also clarifies that since they were deemed goblins or demons, “I guess at first it was easier to think that they were something from hell than from another planet.”[1] Another factor regarding the description of the “goblins” was that they were silver/metallic, not green. Early writing describing them as “little green men” stuck, and this infuriated Lucky; he wanted every detail to be told as it happened. In fact, early police drawings of the goblins display very large, pointy ears,[2] however this is another detail not mentioned in “Alien Legacy.” The morning after the attack, the family decided to try and carry on as normal. Billy Ray went hunting nearby with a friend while Lucky, JC and O.P. went to Evansville, and because Billy Ray was the first to return home, he was the first to hit the interviewers’ notepads. As everyone seemed frustrated with repeating themselves and not being taken seriously, he seemed to be enjoying the attention. Lucky came home to Billy giving a description that was slightly different, and he was being “a little more colorful than the rest.”[1] Billy’s descriptions were starting to be “a little more than what they seemed,”[1] much to Glennie and Lucky’s disapproval. This part of the story, to me, feels like an important detail often looked over, and because I hadn’t seen or read much of the story apart from what was described in “Hellier” until now, I assumed the large protruding ears were part of Billy Ray’s fabrication. Upon searching the drawings with captions included from Bud Ledwith (announcer from Hopkinsville radio station WHOP) who interviewed the family, Lucky, JC and O.P.’s goblin[3] did have “ears,” however much smaller and less pointed than Billy Ray’s.[4] In a correspondence between Greg and Geraldine, described in a 2015 article by Greg, Greg actually proposes, “...What if the creatures’ ears aren’t actually ears at all? What if they were part of a helmet? In fact, what if the creatures were in some kind of a suit? It would make sense of the glowing eyes and the tin-can sound when Lucky and Billy Ray shot at them.”[5] This was slightly strange to me, as the article does not mention Geraldine’s reply regarding the ears and suit, or it is possible she didn’t have one. However, it is explicitly quoted in “Alien Legacy” (published in 2007) that when Lucky was describing the goblins to police, he explained that “their body surface looked like skin, not a suit.”[1] If they also had the luminous glow that got brighter when shot at, their “suit” would be a little more visible in the moments they were hit. Nevertheless, Greg had an incredibly interesting theory: that the Kelly goblins had goggles and a helmet, but had evolved enough not to need them by the time they reached David’s house 60 years later, which is assumed to be directly connected to the 1955 location by the underground Mammoth Cave System.

Super-specific story details, while important, were not the main point of Geraldine’s retelling. She focuses largely on the aftermath of psychological and social torture the family endured after the incident. Like many cases, and despite its popularity now, it was swept under the rug, given the label of a hoax, and/or brushed off with multiple “reasonable” explanations. When hearing the many different versions of the story, it is assumed that when the family sought help from the Hopkinsville police, only the Chief and a few officers were called to investigate. Chief Russell Greenwell was the current Chief, and he contacted the Madisonville headquarters of Kentucky State Police, all state troopers available, and Fort Campbell Army Base, from which four military police were dispatched. Christian County Sheriff’s office also sent a deputy sheriff, and plenty of others showed up at the scene, including a hoard of residents from the surrounding area. Chief Greenwell apparently had mentioned that Air Force intelligence from Fort Campbell were present, but according to “Alien Legacy,” 1975 Blue Book documents state that the incident was never officially reported to the Air Force. Geraldine wonders, “There was no official investigation ever made… But if there was no investigation made, how was it possible to get copies of the investigation?!”[1] The government’s general response was that there was an issue of credibility. Glennie was described as a God-fearing woman who never wanted to do wrong in the eyes of God - she didn’t even want the two young men shooting at the creatures. “Glennie Lankford would not lie… And she certainly wouldn’t have raised her children to tell false stories.”[1] “Was it a lack of credibility because Billy Ray and Lucky worked for the carnival?... It was said they made up the tale from something they had heard before… Was it because the carnival traveled and they probably heard all kinds of tales?... They didn’t want any kind of publicity, and they definitely didn’t make any kind of profit from this story.”[1] Geraldine wonders if they were treated this way because they were poor and not well educated. “How does being poor and uneducated make you less honest? How many rich ‘honest’ people do you know?”[1] The Sutton property was littered with people from the moment the family returned from seeking help. It is often told that the morning after the incident was chaotic and crowded, but it lasted far longer than this - the commotion did not slow down for weeks after that night. Often mentioned in articles is the fact that the family began charging admission, but according to Geraldine, this was their method of keeping people away as not many had money to spare at the time. “[The Suttons] never collected one penny. This made people think that it was all a big hoax after all, and it just made things worse for the family.”[1] People ignored their wishes and privacy, continuing to camp overnight at the property, walking into the home, and even taking things.

To add to this, I personally do not understand why the story is deemed “the Hopkinsville goblin case,” as the family property was in Kelly, Kentucky. The family drove about 8 miles to the Hopkinsville police station to ask for help, and drove back with police (except for June, who was terrified and refused to ride back until later), where the goblins had apparently fled before the family returned. A version of the story that I’ve come across explains the “battle” as something more urgent, where police were called and arrived to join a shootout with goblins. The police found nothing and didn’t return until the next day, however the goblins did return, peered at Glennie through the window at 3:30am, and the battle continued until 5:15am, when they disappeared with the darkness of night. The Kelly goblin case was actually featured in season 2, episode 4 of History Channel’s “Project Blue Book,” but to my disappointment, it adhered to the narrative that maybe the witnesses had too much to drink on a hot night and hallucinated the creatures. When the police checked the Sutton house the night of the invasion, “it was suggested that they check for alcohol. None was found; nothing was found to suggest that there had been anything wrong going on there that night. The family was asked all kinds of questions, and they all stuck to the same story.”[1] “Miss Glennie didn’t believe in drinking or smoking or any of the bad things you could do to your body.”[1]

The way “Hellier” describes the Sutton story was just their general way of conveying the similarities to David’s email, and in no way am I attempting to pick apart their details or “prove” them differently. I think they did a wonderful job making the connections, and I can say with good confidence that the series changed my life. However, I would like to point out that a large part of the stories mentioned in the series was the downright terrifying detail of the goblins terrorizing the children. While explaining Geraldine’s story, Greg reports that the goblins were “were looking in the windows, especially at the children,”[2] and compares it to David’s claims of the children being targeted and frightened of the creatures. It is often mentioned that the Sutton story is peculiar because all eleven family members had witnessed the goblins. According to “Alien Legacy,” “The children didn’t really see much, because they were hidden away in the back bedroom most of the night. All they really remembered was hearing the shouts and the gunshots.”[1] It is a possibility that the David email was a “creepypasta”-esque retelling of the Kelly case, in which he either overlooked the actual details, or made his story just different enough to pass as original, if it were meant to be a hoax after all.

Aside from all the misconceptions that undoubtedly come with stories like the Suttons’, the heartbreaking reality is that the family was forever haunted by not only the terror they experienced that night, but the everlasting public scrutiny and harassment. When Lucky and friends had to leave Glennie’s to go back to traveling for work, Glennie became worried that JC and O.P. wouldn’t be able to handle the situation like Lucky and Billy Ray could. She and her younger children moved to a Hopkinsville apartment, and she and JC sold the house to her niece and nephew. JC and Alene found a place to stay, but JC struggled with holding a job, the incident continuing to haunt him. Lucky refused to talk about it for years, but would occasionally tell his kids his story, realizing he “wouldn’t be with us forever.”[1] “The night changed his life, and the days after that made him bitter.”[1] Lucky passed in 1995, and Geraldine reveals to Greg that there are two other living relatives, but they refuse to talk because they were made fun of so much in the media.[2] “This family wasn’t only invaded by something possibly from another world, but by our own kind.”[1]

When the “Hellier” crew decided to do some “goblin hunting” in a sizzle reel for a separate production company, they went to Cave City, Kentucky, near the middle of the Mammoth Cave System. In a strange off-camera moment, a little girl approaches them and mentions excitedly that they’re monster hunters, and she replies that her parents, friends, and herself see “monsters” all the time. Jokingly, Greg asks if they’re under her bed. She replies, “No! They come out of the caves!”[2] She is asked to draw them, and first, strangely, she starts with feet that have three rounded toes,[6] incredibly similar to David’s footprint pictures, and to throw my hat in the ring: my sister’s drawing. The feet my sister drew[7] have four toes rather than three like these other two examples, but none of them show an existence of heels, and it’s uncanny. The child they met in Kentucky draws a head, with bulging round eyes and large ears.[8] My sister’s drawing also has these features[7], and so do the interview drawings from the Kelly goblin case.[3][4]

The second episode of “Hellier”[9] brings the crew to Hellier, Kentucky to investigate David’s claims and learn more about what these “goblins” really are. Documentaries like “The UFO Deception”[10] and “The UFO Conspiracy”[11] explain a bit about Jacques Vallee’s Interdimensional Hypothesis (IDH): Vallee speculated that beings that mask as aliens may be interdimensional rather than extraterrestrial, and that their appearance throughout history is planned to fit with cultural and religious perceptions of specific time periods (in 50’s religious Kentucky, a being with a description of “goblin” or “demon” fits perfectly into culture). Researchers that support IDH believe that beings that mask as aliens are not technically specifically from another planet, they are from other dimensions or realities that coexist alongside our own. With this hypothesis, Vallee compared UFOs to phenomena created by mythological creatures such as gnomes or faeries (that are also known to abduct). “Hellier” episode 2 documents the investigators asking the residents about local folklore and if they know of any stories or have seen anything strange themselves. Among the stories is the strange and all too common detail of hearing a baby’s cry coming from caves, where strange creatures are sighted most often. Greg’s wife and fellow crew member Dana begins making connections. Hearing crying babies “is a common thing that often happens around elementals or nature spirits.”[9] Greg interjects, “It feels very fairie-ish!”[9] and they mention that it “sounds like there’s a level of trickery there… Trying to trick you to go into a certain place, knowing how to play on human emotions to lead you to certain areas that you probably shouldn’t be in.”[9] Going back to Vallee, John Keel mentions Vallee’s term “metalogic” in his famed “The Mothman Prophecies,” explaining it as a concept suggesting that entities have a logic system different than ours, so when they try to explain something to humans, it ends up being absurd. However, either way, they have a need for deceit and urge to manipulate us through our beliefs or acceptances.[12] In short, they may create crying sounds to lure humans intentionally, knowing most humans would not ignore it. Keel is mentioned in “Hellier” as well, noting his concept of “audio hallucination” and his claim that the two most common sounds heard during times of high strangeness are a baby crying and car door slamming. Keel writes himself that since ultraterrestrials live outside of our space-time continuum, they fail to adjust, slowing speech and noises down or speeding them up too much.[12] They make all sorts of similar mistakes due to confusion of the time period, similar ideas to Vallee’s IDH. These theories point to possibilities that the “cries” could be malicious and intentional, but if not, they may be due to distorted attempts at communication or mimicking noises familiar to humans. The “Hellier” team decides to stay in Kentucky in a secluded cabin, and figure it makes the most sense to do some searching in their own backyard. Dana makes a general offering to earth elementals as she isn’t quite sure specifically what kind of entity they’re dealing with. Connor, another crew member, begins an experiment he and his ghost hunting partner Karl invented, the Estes Method.[13] It’s an incredible session for the group, but there was one part that stood out to me after reading “Alien Legacy.” Connor asks the entity in contact, “Who’s in the caves? Who’s in the mines?”[14] and it replies, “Talking rooster.” There is a second of confusion, then “it” follows up with, “No it’s not.” Everyone laughs, however this reminded me of the theories and explanations in response to the Sutton story. They all sounded ridiculous to Geraldine, except for one at first: the theory that the “little men” were actually eagle owls.[1] Could this entity be telling them that the creatures coming from the caves, and the ones seen in Kelly in 1955 are absolutely not owls? As mentioned above, it is believed that interdimensionals would have trouble communicating. Surely they would not be able to name every (if not any) specific animal by name with much ease. Later in the series, Dana performs a session with a device called a God Helmet[15], and senses that “they” communicate in what feels like colors or emotions, and only refer to a small database of English words.[16]

Regarding the type of creature goblins really are, I want to point out that they are not the only ones of their kind; they appear in folklore, UFO lore, cryptozoology and the practice of invoking elementals. Often when discussing goblins, I have noticed that John Keel and garudas are mentioned. Garudas are bird/human-like creatures popular in Hindu mythology, and he uses them to describe the bird-like creatures that plagued West Virginia from 1966-1967, which we have come to known as mothman sightings.[12] However, Keel does describe ikals: tiny black men endowed with the power of flight who live in caves and kidnap humans.[12] After Dana makes an offering to earth elementals in the cabin’s woods, they begin hearing wooden knocks. Greg decides to whistle to see if he would get a response, and he hears one back. Connor didn’t hear it as a whistle, but more like a “guttural croak” mimic,[14] immediately reminding me that David used “guttural” to describe the sounds his creatures made.[2] Later on, during Connor’s Estes Method session, Dana hears something peculiar: “It sounds like they’re throwing rocks the size of baseballs.”[14] This made me think of rock babies, popular folklore creatures in the Great Basin area that are faerie-like creatures with the ability to pass through rock. Apparently they are heard from caves, have the ability to steal human babies and replace them with non-human look-alikes, and will reward you with new skills (primarily musical) if you successfully enter their caves. At one point in their journey, the “Hellier” group enters a cave, and through the Estes Method, an entity instructs them to perform what they call “the tones,” a three-note melody, and “it” replies with “Very good,” when they sing it correctly.[17] This brings me to another connection: “faeliens,” a concept author Joshua Cutchin spoke on in an online lecture[18] to explain the ever-present connection between faerie and alien lore: for one, stature doesn’t have to be of a certain size. Light phenomenon is present in UFO, ghost, witch, and faerie lore (“faerie lights”). A sort of weapon/prop, or more commonly, “wands” are found in both alien and faerie lore. They are used to paralyze, which Joshua defines as being “faerie struck.” Both creatures worship the stars and are often seen as negative for not being directly connected to a certain religion, and they can fly, levitate other creatures or objects, and/or teleport. Faery rings and crop circles are not the same things, but both are very similar happenings. Faeries and aliens are both known to exist in underground habitats: “faerie land” is often considered to be underground or in caves, and the idea of underground bases has been a staple of alien lore or conspiracy. They are both popularly connected to animal mutilations and an obsession with children and reproduction. Changelings are a type of fae that are known to take children and replace them with sickly faerie babies (it has been a popular thought in culture that sickly children were deemed the evil work of changelings). This all connects to folklore creatures like rock babies, or the supposed alien obsession with human reproduction and creating alien/human hybrids. Along with many other similarities, alien and faerie lore share the common ability to create “missing time” for humans, and draw them to places (reflected in Dana’s concern with the crying sounds), an experience Joshua explains as being “pixy-led.” In “Hellier,” when discussing different terms that have been used for these specific “goblins” in question, Greg mentions tommyknockers.[2] Author Alexandra Chauran offers a kind of encyclopedia of elementals, and I found some interesting similarities in the descriptions. Knockers, black dwarves, coblynaus, gommes, paras, or wichlein, are earth elementals that dwell underground, popularly in European mines. They are short, seemingly appear out of thin air, enjoy making funny faces at people, and are named because they make knocking noises to communicate with miners. They “can be a friend or enemy”[19] depending on how they are treated, and if befriended, they will knock to warn miners of danger. They appreciate offerings, and dislike swearing or whistling (which would make sense of the croak in response to Greg’s whistle). Goblins do not necessarily match Alexandra’s description of gnomes, but I found two details especially interesting. Gnomes are earth elementals that “seek to understand the nature of earth’s molecules and with it, perform magic and alchemy,”[19] which is seemingly what the goblins in Kelly were doing when showing so much interest in the humans, floating, and deflecting bullets, almost like magic. They “experience time and space differently,”[19] which gives them the time to focus on “monitoring earth’s processes,”[19] but in her description, unlike the goblins, gnomes are not exclusively interested in humans. However, the concept of gnomes differing in time and space connects directly to Keel and Vallee’s breakdown of interdimensionals. Alexandra makes a point to mention that elementals can be dangerous, and one reason for this is the fact that they will often choose to stick to one person or place for a lifetime, (giving reason as to why the goblins stuck around the Mammoth Caves for so long) which can be detrimental as they have the ability to cause “negative real life events.”[19] This is a broad statement, but the series of events after the Kelly situation seemed to have tormented the Suttons forever, and belief in David’s story or not, he supposedly was traumatized enough to pack up and leave town.

As you can see, there are endless connections that can be made when discussing fringe topics, and maybe that’s why people have such a hard time accepting and understanding them. For example, Keel uses the term ultraterrestrial, and it can apply to a myriad of creatures, things, and phenomena. Joshua Cutchin, even when discussing “faeliens,” does not keep the discussion exclusively to faeries or aliens, and often even connects them to bigfoot lore. Everything makes more sense when you understand that it all, essentially, is interconnected. When the “Hellier” investigators venture to the woods surrounding their cabin, they have a moment of contemplation about what they’re really there looking for. Connor confidently tells Greg that it doesn’t matter - he received the email for a reason. “Maybe that’s this trip. Maybe that’s to find out what’s going on in this place.” Greg, seemingly more calm now, agrees: “Maybe it’s more than goblins. Maybe the goblins were just the key to getting people here… Maybe there is something stranger than goblins here. Or more important than goblins here.”[14] They soon realize that this rings true, but there is an overarching point here. It’s never really about the goblins. As the great Allen “F******” Greenfield says, you cannot chase one entity or phenomenon without researching and/or connecting everything, so: “Stop mistaking one phenomenon as the whole deal.”[20]

[1] Geraldine Sutton Stith, “Alien Legacy”

[2] “Hellier Season 1: Episode 1 | The Midnight Children”

“Goblin” print photo sent from “David Christie” to Greg Newkirk, as shown in Episode 1:

[3] “Little Men” as described by Elmer “Lucky” Sutton, JC Sutton, and O.P. Baker:

[4] “Little Men” as described by Billy Ray Taylor:

[5] “Return of the Kentucky Goblins: New Leads in a Case of Strange Creatures, Crashed UFOs, and the Men in Black” - Week in Weird

[6] Child’s “goblin” foot drawing:

[7] My little sister’s “goblin” drawing:

[8] Child’s “goblin” head drawing:

[9] “Hellier Season 1: Episode 2 | Ink and Black”

[10] “The UFO Deception” (2018)

[11] “The UFO Conspiracy” (2004)

[12] John A. Keel, “The Mothman Prophecies”

[13] The Estes Method

[14] “Hellier Season 1: Episode 3 | Trapped in a Maze”

[15] The God Helmet

[16] “Hellier Season 2: Episode 3 | Borderlands”

[17] “Hellier Season 2: Episode 6 | The Altar”

[18] This lecture is no longer publicly available, but you can find Joshua Cutchin here

[19] Alexandra Chauran, “Faeries & Elementals for Beginners: Learn About & Communicate with Nature Spirits”

[20] This lecture is no longer available, but you can find Allen Greenfield here

Elmer Sutton, John Sutton, and O.P. Baker

Kentucky Goblin, Greg Newkirk, Geraldine Sutton Stith, and Dana Newkirk (photo shown in “Hellier Season 1: Episode 1 | The Midnight Children”)

Handmade goblin by Geraldine alongside her book, “Alien Legacy”

Ufologist Ivan Sanderson with a scale model of a goblin

You can find the Alien Legacy website here

You can read the famed Kentucky New Era August 22, 1955 article here

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