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#everyone hates this comic but it's a huge part of how i see rebirth riddler's character so i feel compelled to defend it
forevercloudnine · 3 years
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I know basically every Riddler fan unequivocally hates Prelude to the Wedding: Batgirl vs. Riddler, but I originally read it in a vacuum straight off of “War of Jokes and Riddles” after avoiding all modern Riddler content for years, and I thought it was both a) the most novel approach to Riddler having a “romantic interest” since Joker’s Asylum in 2010, and b) ridiculously loaded with (probably?) unintentional subtext. So here’s why I think it’s interesting, which for me is basically equivalent to being “good.”
The Wedding Thing
So, the inciting incident that leads Edward to seek out Barbara is the discovery that Batman is marrying Catwoman. The idea that Batman could not only fall in love with a criminal but decide to start a life with them makes him reconsider what he thought was possible, and wonder if he could potentially achieve something similar.
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Arguably, that much would be a natural reaction to any supervillain finding out that Catwoman is marrying a superhero (“You can do that????”), but what’s decidedly less rational is Edward’s subsequent conclusion that if X = BatCat wedding, Y = Batgirl is his soulmate.
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What makes this especially disturbing is that Edward and Barbara have clearly never interacted before; it’s stated multiple times in the comic. So Riddler basically just saw the bat symbol on the chest of an adult woman and assumed that they were kismet (I wonder if he just lucked out in not choosing Kate, or if he’d heard through the grapevine that she doesn’t swing that way). 
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This is pretty fucked up. It’s also inherently self-defeating, which interestingly enough, seems intentional on Edward’s part. In their final confrontation, he notes that despite having led her on a wedding-themed riddle quest across Gotham (having her rescue a florist, a DJ, and a priest), he’s not delusional enough to think that they would ever actually get married. In his own words, he’s no Catwoman; this New 52/Rebirth version of Edward has killed too many people to believe that he could ever end up with a superhero.
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(This is offtopic, and forgive me for momentarily pretending that comics have internal continuity, but this bit did remind me of how in Batman Annual #4, Edward gets angry at Bruce Wayne for getting amnesia and thus being able to escape his brokenness enough to get married and have a “happy ending.”)
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Batgirl vs. Riddler ends with Edward saying that Batman marrying Catwoman has forever changed his perspective, and his confrontation with Batgirl was him trying to grapple with a question that has been eluding him ever since— “what if?” Readers might point out that if he was wondering “what if” he wasn’t a serial killer and could have normal relationships, then putting a bunch of people in death traps for a superhero to save was a really stupid way to solve that mystery for himself. Which... yes. Yes it is.
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This comic is kind of the opposite of Joker’s Asylum, where Edward is trying to solve the riddle of how to “win” a woman... and then discards her as soon as he succeeds, because she was just a puzzle to be solved. Here, Edward seems to be trying to solve himself, and is using his “love interest” as a tool to do so. He might even be hoping that Batgirl will solve the puzzle for him, though obviously his ego would prevent him from actually saying that. The pageantry of leaving clues for wedding themed crimes is pretty clearly just an excuse to guarantee an audience for when he talks about himself. And he does A LOT of that.
The Monologuing
Nearly the entirety of this comic is just Batgirl listening to audio tapes that Edward left for her, in which he goes into uncomfortable detail about his personal life that Barbara clearly doesn’t want to hear. She learns his favorite music, that he considers himself a former “mild-mannered software engineer” (a career that doesn’t fit with any of the other canon information we have about his past, but... whatever), and that he is under the impression that he’s Batman’s archenemy (keep pushing that narrative, Eddie). She also learns about his “history with females” (his words).
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He describes how in his previous romantic experiences with women, he was attracted to them “for a time, in a way,” but that after his initial curiosity had passed there was “no real feeling” to the encounters. He tells Barbara that Joker’s anger and distress over Batman marrying Catwoman caused him to reconsider why his relationships with women were always so passionless... and hilariously concludes that he must be a “sapiophile,” and he’s just never been with any women who were smart enough for him.
My Inevitable Riddlebat Conclusion
So to summarize: Edward heard that Batman was marrying a supervillain, was shocked by the fact that this was a possibility and started obsessing over it for himself, re-evaluated all his previous relationships with women and realized that he had never been fully interested in them, and decided that his real soulmate was a person wearing a bat costume. It really reads like Edward was halfway to realizing he was in love with Batman, then reversed gears and decided to project his sexuality crisis onto a woman he’s never met instead.
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Through this lens, it’s pretty notable that Edward isn’t really doing anything to seduce Batgirl at all. He’s just doing the same riddle-crime routine he always does with Batman. Beat for beat, Batgirl vs. Riddler is actually incredibly similar in structure to “Alone,” one of my favorite Rebirth Riddler comics: the main difference is that the panels of Batman solving Edward’s riddle hunt is offset by Edward talking to his psychiatrist, not monologuing into a tape recorder. Again, not to imply that there is any internal continuity in comics, but that story also features Edward hoping someone else will “solve” him— Edward himself is confused and torn over why he continuously leads Batman directly to him in their games, and gets angry and disappointed when his psychiatrist misunderstands his motivations rather than figuring him out.
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Unlike “Alone,” all Edward’s dialogue in Batgirl vs. Riddler is recorded ahead of his crime spree. When Edward on the tape recorder tells Batgirl that he anticipates that he might fall in love with her if she successfully solves all his riddles, it’s framing the entire escapade as an experiment for himself. Barbara’s feelings don’t even matter, since Edward is assuming from the get-go that she would never be interested in a mass murderer. He’s basically testing whether he would fall in love with a woman who checks off all the same boxes that Batman does, right down to solving his ridiculous riddle crimes while wearing bat ears. 
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Regardless of Riddler’s feelings towards Batman, he obviously spends this story testing a hypothetical of what actual love would be like for him, even though he believes that it’s not something he can actually have. Barbara, despite having never met the man, is the unfortunate target of this self-exploration. Interestingly, she does come to some understanding: after kicking Edward off of a building, she decides to bite the bullet and call Nightwing, realizing that dwelling over the “what ifs” of their relationship was much more miserable than facing potential disappointment by being honest about what she wants.
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