#drawing backgrounds is not easy but I'll do it for the ☆atmosphere☆ | Explore Tumblr Posts and Blogs

seirindono · 2 months

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How do you happen to do your shading id you don't mind sharing? Its so subtle and soft that you can't tell its there but it really helps highlight the characters

Phew, finally got some time on my hand to answer this one! It's a fairly simple/fast process so I figured I'd make a tuto once I'd get started on the shading for the next part, and here we are!

Alright so, we've got the panel (lazy screenshots cuz I'll never finish this if I have to export everytime ahah)

The advantage of digital art is that I don't have to think about color harmonies right from the start, I can always add filters and fiddle with the hues at any stage, so I just apply base colors at first and draw the background (it will help me build up a palette for the shadows later).

Okay, now the fun really begins. First I need to know which direction my shadows are likely to go and what atmosphere I want for the panel (which element I want to highlight? palette idea? etc). A sketch is enough to establish your intentions. Sometimes I'll mess up the lighting but it's okay to cheat if it looks coherent enough xD

(Patreons exclusive, shhh)

Now to create palette and apply the said shadows. I have a hand made one for TMS, but I had to make a special one for Ebott since there's a lot bg and kinda heavier atmosphere (I'll prbly have to make one for each part frow now on too hm). It's mostly made up of blues and greens (no black or greys here, but it can be fun to use in other styles! Purple too, so have fun!)

(My configuration - Produit=multiply?)

There, cast shadows (clothes, faces, folds, etc.) are roughly in place and looking sharp! Maybe a little bit too sharp actually... Let's smooth all that up

I use an airbrush eraser to soften a few shadows. Not necessarily all of them or the whole shape, you have to find the right balance of soft/sharp.

Now to spice things up a bit-

On a layer linked to the shadow layer, I add a lighter color that matches my light source or the environnement. Here it's a light blue, but in part VII I used a lot of orange (sun)! It makes the shadow much richer and the whole palette more vibrant!

(Again, you don't have to do it on all of them)

(not sure if you can see it lol but there's orange!)

And last but not least: Global shadow and filters (? never had to name or translate it bwahaha)

It's a lot of fiddling to achieve a result where the character looks more or less rooted in the background (=blue layers and filters to harmonize colors) and where I draw the last shadows. They're often the biggest ones (=on Axe's body+ leaf/tree shadows etc.).

You can use the techniques I've described above, or just go for it, it's completely freewheeling from here, ahem. Just make sure to step back regularly to see where you're at and stop.

(You can also add lights layers and spots if it's too dark but in this example, I use the base color as a light layer + their skulls are such a bright white already xD )

A bit of blur and ta-da~

Pretty easy, right?

#ask #undertale #The missing scarf #txt #seirin talks #tuto #spoil #I hid the dialogues but let's be careful xD #it's an efficient technique for comics !

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togamest · 24 days

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ARIIIII may i request a nanami blurb (nsfw or sfw i'll leave that up to you :3) based on the song killshot by magdalena bay please? <3

-> hit me with your killshot, baby. (x) | 2,276 words. afab!reader (no pronouns used but female anatomy included), slight yandere obsession if u squint, alcohol consumption, fingering, cunnilingus, implied penetrative + protected sex, nanami calls reader “sweet thing”, “darling”, higuruma cameo. nanami might be a lil ooc but bear with me here.

a/n: oh salem, this was DELICIOUS to write. what a banger of a song too omg i gotta listen to them more!! i took a more obsessive!nanami approach, i feel like he'd get off on how easy some people are to fall in love with him, but not necessarily in a bad way. it's almost like a confirmation that he's good, he's not rotten like the rest of the men he works with; he's respectful so he deserves rewards in a way??? anyway i'm not sure what happened but here we are LMAO

The speakeasy was quiet this evening.

You sip on a lovely gin and tonic, mixed together just right as your eyes drag across the people dotted around the space. Your business shirt has been unbuttoned slightly, enough to tease as your drink steadily makes you feel warmer and fuzzier. Your heels are long gone, tucked away in your bag as you opt for chunky boots, which tend to be much comfier after a few drinks.

It was a cozy atmosphere; one of your favorite places to go after work to unwind without having to worry about seeing those you know. Which, unfortunately, has happened before and almost turned you off from coming back completely.

But you couldn’t.

Mainly due to the man you’re staring at now, half-hoping he can’t feel your burning gaze.

He’s stunning, and he’s been coming for the past few weeks now. Always on a Tuesday, for some reason, but you ignored the choice of weekday and instead decided to have your gaze wander across his features. His blue office shirt is unbuttoned at the top, just enough that light blonde hairs poke out of the revealed opening. His suspenders are tight against his chest, brown, connecting to his tan slacks. Shiny office shoes adorn his feet as he leans back, crossing his foot over his knee as he takes a sip from his own drink (something dark) and fixates on the book in front of him.

He’s beautiful. Tempting. Like forbidden fruit, except he doesn’t seem to be married.

Even better.

The one thing you do pick up on is how incredibly tired he looks. He normally comes in with another man, this one’s palette almost inverse from your muse’s; dark suit, white shirt, dark hair, but the same bags underneath his eyes and tired facial expressions. They don’t typically speak to each other that much, due to how quiet the rest of the venue is, and choose to read together instead.

However, today, his companion is not here. He has come alone.

One of your fingers, complete with a perfectly manicured black nail, rubs against the edge of your glass as you watch him. He wears glasses, the golden rims catching the lowlight every once in a while as his eyes scan across the words in front of him. He hasn’t noticed you staring; he never has, which is somewhat of a shock to you. Whenever someone is staring at you, it feels like there’s fire alight on the back of your neck. He’s either completely oblivious, or he knows and he doesn’t seem to care.

Something about that makes your thighs clench together. The song in the background, playing gently against the velvet walls, does nothing for your growing yearning for the man.

Something chronic, bit demonic I been on the late shift All alone, staring at my phone

Sin and tonic Stupid promise Something like a death wish All alone, stare into my soul

You’ve never been one for one-night stands, but for him, there is a chance you’d make an exception.

You down the drink, drawing on the courage of the gin as you stand, making your way over to him. You identify his book, first; ironically, it’s one of your favorites, and a smile tugs at your lips as you approach. He looks up in surprise, before his expression smoothens into something close to neutrality. “Well, well, the voyeur finally decides to encounter their muse, eh?” he says, and his voice washes over your ears like silk. It’s gorgeous, with a low pitch and a rasp that makes the ache in your stomach only strengthen.

You take a seat, smiling and blushing to yourself that you’ve been discovered. “I was wondering how long it would take you to notice,” you admit, and he smiles back, folding a worn bookmark into the page he's reading and shutting the book, placing it on the table before turning to you, taking another sip of his own drink. It’s whiskey, made neat; you can tell from the smell across the table.

You sit awkwardly for a moment, listening to the crackling of the fire behind you, before he breaks the silence, his smooth voice taking up space once again.

“Come here often?”

You can’t help but chuckle. “More than I will admit,” you respond, “but it’s nice here. Gives me a chance to slow down after work, and the drinks are lovely.”

He nods, agreeing. “Yes, it’s a good place. Higuruma and I come here often after work; he also enjoys unwinding in a quieter atmosphere.”

Higuruma. That must be his companion. “What do you both do?” you ask, your elbow appearing on the table as the side of your head rests on your open hand. He leans forward then, fully facing the table, and sighs. “He’s a lawyer. Ironic, since he’s just finalized his own divorce as well. I stick to the salary business. It’s boring, but it’s something. Pays the bills at the end of the day.”

You hum. “If I may be honest, you don’t look as if you’re happy there at all.”

He laughs at that, a jovial laugh that isn’t obnoxiously loud; it’s just enough to be between the two of you. “Yes, well, dealing with finance is never an enjoyable activity, but I’ve been in it long enough now where I can find my own pleasures. Especially outside of work when I can look at such a pretty lady, if I do say so myself.”

The blush that appears on your cheeks is bright red, you can feel it as you look down bashfully. “Oh, don’t get shy on me now,” you hear him say as he reaches across the table, lightly touching your chin and raising your face to look back at him. There’s a softness in his gaze, one that you’re not used to. The touch is gentle as well, and you’re praying that he can’t feel the spark you felt as soon as his fingertips touched your skin.

Instead, you opt for teasing him.

“That was a bit forward, wasn’t it?”

He pales, moving his hand away. “Oh, God, sorry, I just—”

You grab his hand, a smile on your lips again as you hold it between your own, rolling your eyes. “Kidding. Promise,” you reassure him as his face relaxes again in relief, “I’d have said something much faster if you crossed a line, don’t worry. Although to me, it seems you don’t enjoy doing that very often. Salarymen are always so by the book.”

He nods, rolling his eyes as well. “I try not to be. Hence me attempting to read books more,” he gestures to the book on the table, “and being here. It’s not as public as many people have dragged me to, but it’s intimate enough where it feels nice to unwind.” He takes another swig of his whiskey, his cheeks dusted a light pink from the alcohol.

You both chat about other things, such as the books you’re reading, what you do for your job, your favorite drinks and what speakeasies and intimate bars you’ve both been to. Before you know it, it’s dark outside, and you’re fumbling for your bag and your keys, cursing at how long you’ve stayed. “I know it’s Friday,” you say, standing, “but I always like to be home a little early. That way I can pour a glass of wine after being here and relax even more.”

He’s standing up with you almost mechanically, tucking his book into a briefcase you didn’t notice before. There’s a flash of black-and-white print inside of the case, but you don’t get a good look before he shuts it and locks it, smiling at you and offering his hand.

“Well, I can’t allow for a stunning woman such as yourself to walk home alone, yes?”

You’re tempted to say no. You know for a fact this is a decision you’re either going to regret or enjoy, but at the point you are at with knowing him better than some of your own coworkers who you’ve worked beside for years, your better judgment is shelved for an impulse decision.

You take his hand.

“Well, well, Kento, I will take you up on the offer. What a kind gesture to someone who's been staring at you for weeks. How do you know I don’t have terrible intentions?” you ask him as he walks with you to the door, hand in hand. He looks back at you with a smile, crinkling the edges of his eyes.

“I’m quite good at reading people.”

“Need you, Kento.”

The plea comes out as a whine, the blonde man’s head between your thighs as he laps at your center. He looks up at you through his eyelashes, and you feel your obsession roaring in your ears as he smirks against you. “How do you need me, darling?” he whispers, and your hips buck into his face, forcing him to return to sucking on your sensitive clit.

“Anywhere. Everywhere. Forever.” It’s all coming out as senseless babbles, your hands deep in his hair, tugging on the strands and scratching at his scalp as his strong hands hold your legs apart, your thighs twitching against his grip. He doesn’t stop what he’s doing; he doesn’t seem to mind your comments, either, even if they do seem a little intense at the moment. It seems he either knows his effect on you, or he enjoys hearing about it.

The latter makes you wetter just thinking about it.

You’d had him walk you home, sharing a glass of wine on your couch as you discussed your favorite pieces of literature, the books strewn across the floor in the flurry of motion instigated by Kento himself. “Please do not take this the wrong way,” he had whispered, before placing the wine glass on the coffee table, “but I cannot stand staring at your lips and doing nothing about them.”

You’d kissed him then, whiskey and wine and a calming feeling flooding your veins as your lips moved against him, his large hands cupping your face so gently as if he didn’t want to harm you. But little did he know, that was what you craved; you wanted him to devour you, to make you think of nothing but him. If you were hung up on him for the rest of your life, you would be satisfied.

Come and get that honeySweeter than I ever knewTell me that you love meLove me till my lips turn blue

“K-Kento—”

He leans back, his fingers having been added to the mix, squelching as he scissors you open so deliciously well that your back is arching. His thumb, locked onto your clit, keeps it under a steady rhythm as you cry out. Every brush against the sensitive area is tightening that coil in your stomach, your whole body trembling beneath him. You can feel it, the climax roaring into you like a shockwave. “Gonna c—”

He leans over you then, his lips centimeters away from your ear, and growls.

“Cum for me, sweet thing. Cum all over my fingers, I know you can do it.”

The explosion of emotions that comes out of you, the noises, everything feels like a dam bursting as your soaking pussy twitches and drools all over his fingers, dripping onto the couch as you cum harder than you ever have before. The whole world seems to fall away except for Kento’s face, a haloed silhouette, like an angel coming to deliver you from everything that’s harmed you.

He looks down and grins, as if he’s proud of his handiwork, and as he looks back at you, you cannot help but watch him as you ride out your high.

I love you falls from your lips, but he doesn’t bat an eye. He doesn’t even flinch; in fact, his motions only get more aggressive as he fucks you into overstimulation, tears pricking at your eyes and breaking your lashline, sliding down your cheeks.

“Say it again.”

“W-What?” it comes out choked as you shudder underneath him, his fingers only continuing their movements.

“Say it again.”

“I love you?”

“Say it more confidently. Come on, sweet thing.” He sounds exasperated, and in your vulnerable state, all you want to do is please him. Make him want to stay with you, make him live inside of your bones.

“I love you. I will love you forever if you’ll let me, I—”

“Fuck, that’s good,” he whispers as he finally relents, removing his fingers from your center. He doesn’t wipe them on his slacks, however…instead, he chooses to prod at your lips, his other hand brushing away your tears. You obey within a beat, sucking on your own juices underneath him, watching his pupils dilate. His gaze is dark; it’s like his own obsession with you is forming, a mutual delusion you both can share.

His hand removes itself from your mouth, before his belt clinks and you hear the zipper of his pants echo around the room, clearing the post-climax daze and fluff that had been stuffed in your head. You clench as you feel the head of his fat cock brush against your abused opening, and he leans down close to you, his broad, bare chest flush with your own.

“God, you’re everything,” he whispers as he slides in, and your mind goes blank.

If I fall in every time Wicked love will leave me blind Yeah, I knew it I been through it

Oh god Can you make my heart stop? Hit me with your kill shot, baby I mean it, so serious

divider credit: @/benkeibear

networks: @thehoneypotserver @enchantedforest-network

disclaimer: DO NOT copy or repost my works for any reason. translations are acceptable, but please ask for permission first!

#📩 ari's got mail!#kentophilia #nanami kento x reader #kento nanami x reader #jjk x reader #spicy #hooo boy this song was SO delicious to listen to. and research about as well. i love a good obsessive love #📝 ari's autographs

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sothasil · 1 year

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Hi! You're one of my favorite artists ever, and I would love to do some studies of your art! What are some of your favorite pieces that you've done, and how do you pick your colors? There's a lot more questions that I could ask, but figured you wouldn't appreciate an entire list of questions XD

Hello and thank you, I am honored! Feel free to send me all and any questions! I'll answer these two, starting by:

How do you pick your colors?

As I change art style with pretty much every illustration project of significance, this varies a lot. Here are, from most to least common, ways I pick my colors.

Eyeballing it. Unfortunately my most common... What I will do a lot digitally is lay down a color background, and flats of a few colors, then manually adjust each until they look good together by selecting by color and using adjustements. I then paint over it all.

Using a limited palette, eyeballed. Same as before, but this time I force myself to only use a few colors. It helps me, as constraints do.

Using a reference, eyeballed. This happens a lot when I mimick an art style. My medieval drawings for example, are often done by looking at images of actual medieval art to get an idea of what colors to use to look medieval.

Using an existing image, pipetted. Rarely, often as a challenge or if I'm super stuck, I'll just take a pic with colors I like and pipet from it. This website automates this if you want a good easy starting point!

These can be combined around. I'll post examples now, explaining how they use each.

This is a sketch for a drawing I ended up doing way different. This is the first method - I used a flat layer for the characteres and three colors for the sky to test out atmosphere. This is how I plan out most full paintings, just trying to nail down a mood I have in my head. I fiddle around until I like it or, like in this case, fully give up and iterate further. Here, the composition was to be redone too as I did not like the body language. I was going for "bright hot sunny day under a weather that feels wrong".

For this comic, I combined a very limited palette and a photo ref to pipet from. I was looking for the stark cold/warm contrast of a mid-season bright night by a fireside. I took a google image photo of a campfire at night that was already edited. The photo itself looks unnatural but conveyed what I wanted. It's still on the file itself! From it, I pipetted a few colors I found "summed up" the palette and did all with them.

While my own habits make me prefer painting as you would in traditional methods, with directly picking the right colors, I will often digitally alter with overlays and layer blending modes some colors and gradients, etc, to alter a drawing to fix it's color palette. The following is a quite egregious example, because I first drew the character in flats before putting him in a full scene. Here is a before/after summed up.

The shadow is a layer, the bright yellow light zones also, and the orange "transitions" of light zones on the skin a third. There's also an overlay over the full character to blend him in. I do this by...making a full flat color of a layer, fucking around until a blending mode does what I want, and adjusting hue/brightness/saturation and opacity until it looks good.

Another WIP where I was struggling with the overall palette. I was going for late 60s psychedelic. You can see in the top right the original color. I thought it looked too...new, so I added a yellow layer on top, and fiddled with it. Final choice was the following setting. I then put it with my sketch and color blockout in a folder and painted over it.

For this sort of adjustement, the "Color Balance" modifier in CSP, Photoshop, and others is also a godsend - but one I often use for fine tuning a finished piece.

This being said, there's some rough rules to coloring which are...born from studying color theory and doing studies. I am guilty of doing very little studies...so I'll just sum up the basics of the color theory rules I use.

For "default" shading, I use a color that is darker, more saturated and with a slight hue diff. This is my "don't shade with black".

Using a shadow that's cooler will make the light look warm.

Vice versa.

There's a bunch of stuff to remember in how colors relate to each other and pipetting images who's atmosphere you think is interesting really is the best way to learn... It's learning how to black-blue/gold-yellow dress in your own art for the lack of a better word...But the basics will be:

Don't trust numerical values, but look at your colors in context. A same hue, brightness, saturation can look so much different. This is how Rakkan's beard looks whiteish here despite being a light very grey brown.

All this but...colour is such a wide topic, I can't really say a lot but can also type for hours... if you have precise questions about a piece in particular I can explain :') I hope this wasn't too vague and was instructive!

Speaking of particular pieces, answering your question last under the cut:

What are some of your favorite pieces that you've done?

In no particular order, illustration only.

Including this in another poast bc staff's new post editor limits the amounts of pics I can put in response to asks. Insert colorful language here...

Frankly twas hard to pick I am rarely fond of what I draw

#ask

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cfrog · 1 month

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for the art questions thing: what’s your process for shading? how do you come up with drawing / animation ideas? how do you sketch / how does a sketch differ from a complete piece for you?

Oh boy thank u for the questions! Uhh i ended up writing a lot w these so I'll throw this under a cut. I added pictures too. We'll call this a first draft for whatever I end up doing for my class assignment.

My process for shading changes pretty dramatically between if I'm doing my easy cel shading or my fancy soft shading. Lately, if I'm doing cel shading, I'll just come up with colors straight off the color wheel (colorpick and move it darker, more saturated, cooler/warmer depending on the material). OR, one trick I like, I'll draw where I want the shadows all on their own layer, THEN copy my color layer, mask n merge it on top the shading, and multiply that onto the actual layer. So it's the same colors for each exact section multiplied on top of itself? If that makes sense? Does nothing for the Atmosphere but it is Darker, and if I'm drawing them in a void anyways, it works fine. Sometimes I like to just slap a random tilted rectangle on it like its a garfield background. My soft shading is much more trial and error; for those fancy Xiph pin-ups I've been doing, I'll have like 30 different layers going, all doing different shit. Multiply mostly for shading, then for highlights I'll just try overlay/screen/soft light/hard light until something Works. A fun thing I do on these too: To get that "painted" look without adding a bunch of random texture, I use my default lining pen sized WAY up with the opacity WAY down and just go ham. Close up of robot ass for reference.

For ideas: I'd say the majority of the art I put out is "inspired" from something else, like memes or songs or tiktok audios. Honestly, I'd say every piece of information I receive has to pass through a "could this be about my ocs" filter in my brain, and if the answer is even kind of yes, I Will Make It So. Everything is ocs to me <3 and sometimes I inflict those oc thoughts on everyone else :3 For actual Original stuff though? Most of my ideas come about as a natural result of trying to figure something out with my characters. How would they respond to this, how would they do that, how does that work? The whole reason I started doing art is cause I have such a hard time with words, and sometimes drawing it out is just the only way I can communicate a thought. Expressions, camera angles, visual gags, subtle details, timing, those are things I could never figure out in writing. So I make comics and animations!

Sketching, what can I say about sketching. My sketches are very messy because I try for a Zero Erasing method like I do in real life (<- enjoys drawing in pen). If I sit there overthinking every line of a sketch, I get too caught up in the details before I've figured out the full picture. Sketching is for blocking/framing/posing ONLY, clean up is for lineart. I do sketch in only black/grays if that's a thing people care about, but that's because I have very strong thoughts on color, again it's too distracting. The main difference to me (that im sure no one else notices) is I let my sketches get fuzzy from resizing. I'm very particular about my art having NO anti-aliasing/transparent pixels. Crisp and clean, and VERY easy to color. Sketches I have on hand for example. Lil preview of smthin im working on :3c

Actually, sometimes I don't do sketches at all ? Like I go straight to clean lines. Only for certain characters, like LEDD and the lab rats, and if it's not a crazy angle or something. I can just draw them on command at this point. Very handy.

Thank you again for questions ^^ I am. slowly figuring this assignment out.

#chayos speaks #im not gonna tag this oc talk cause Technically thats for Lore. I did mention ocs tho :]#ask #tumblr keeps wanting to move my read more. keep it where i put it Please

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