#deep blue don berkeley

[deep-blue-offical-comic]

#artjolly #deep blue #deep blue don berkeley #deep blue prologue #deep blue pearla #no i didn't forget

[elcinelateleymickyandonie]

Charles Laughton.

Filmografía

Películas

- Bluebottles, The Tonic, Daydreams (1928) Dir.: Ivor Montagu

- Piccadilly (1929) Dir.: Ewald Andrea Dupont.

- Wolves (1930).

- Down River (1931) Dir. Peter Godfrey

-El caserón de las sombras (The Old Dark - House, 1932) Dir. James Whale

- Entre la espada y la pared (The Devil and the Deep, 1932) Dir. Marion Gering

- Justicia divina/El asesino de Mr. Medland (Payment Deferred, 1932) Dir. Lothar Mendes

- El signo de la cruz (The Sign of the Cross, 1932) Dir. Cecil B. De Mille

- Si yo tuviera un millón (If I Had a Million, 1932) Dirs. Ernst Lubitsch, Norman Taurog, Stephen Roberts, Norman McLeod, James Cruse, William A. - Seiter y H. Bruce Humberstone

- La isla de las almas perdidas (Island of Lost Souls, 1932) Dir. Erle C. Kenton

- La vida privada de Enrique VIII (The Private Life of Henry VIII, 1933) Dir. Alexander Korda

- White Woman (1933) Dir. Stuart Walker

- The Barretts of Wimpole Street (1934) Dir. Sidney Franklin

- Nobleza obliga (Ruggles of Red Gap, 1935) Dir. Leo McCarey

- Los miserables (Les Misérables, 1935) Dir. Richard Boleslawsky

- Rebelión a bordo (Mutiny on the Bounty, 1935) Dir. Frank Lloyd

- Rembrandt (Rembrandt, 1936) Dir. Alexander Korda

- Yo, Claudio (I, Claudius, 1937) Dir. Joseph von Sternberg.

- Bandera amarilla (Vessel of Wrath, 1938) Dir. Eric Pommer (Laughton es actor y coproductor de esta película).

- Las calles de Londres (St. Martin's Lane, 1938) Dir. Tim Whelan (Laughton es actor y coproductor de esta película).

- La posada de Jamaica (Jamaica Inn, 1939) Dir. Alfred Hitchcock (Laughton es actor y coproductor de esta película).

- Esmeralda, la zíngara (The Hunchback of Notre Dame, 1939) Dir. William Dieterle

- Laughton en la película Ellos sabían lo que querían (1940), con Carole Lombard y Frank Fay.

- They Knew What They Wanted (1940) Dir. Garson Kanin

- Casi un ángel (It Started with Eve, 1941) Dir. Henry Koster

- Se acabó la gasolina (The Tuttles of Tahiti, 1942) Dir. Charles Vidor

- Seis destinos (Tales of Manhattan, 1942) Dir. Julien Duvivier

- Stand by for Action (1943) Dir. Robert Z. Leonard

- Forever and a Day (1943) Dirs. René Clair, Edmund Goulding, Cedric Hardwicke, Frank Lloyd, Victor Saville.

-Esta tierra es mía (This Land Is Mine, 1943) Dir. Jean Renoir

- The Man from Down Under (1943) Dir. Robert Z. Leonard

- The Canterville Ghost (1944) Dir. Jules Dassin

- El sospechoso (The Suspect, 1944) Dir. Robert Siodmak

- El capitán Kidd (Captain Kidd, 1945) Dir. Rowland V. Lee

- Su primera noche (Because of Him, 1946) Dir. Richard Wallace

- Arco de triunfo (Arch of Triumph, 1947) Dir. Lewis Milestone

- El reloj asesino (The Big Clock, 1947) Dir. John Farrow

- El proceso Paradine (The Paradine Case, 1948) Dir. Alfred Hitchcock

- On our Merry way/A Miracle can Happen (1948) Dirs. King Vidor, Leslie Fenton, John Huston, George Stevens.

- The Girl from Manhattan (1948) Alfred E. Green

- Soborno (The Bribe, 1949) Dir. Robert Z. Leonard

- El hombre de la torre Eiffel (The Man on the Eiffel Tower, 1949) Dir. Burgess Meredith (codirectores no acreditados: Charles Laughton y Franchot Tone).

- No estoy sola (The Blue Veil, 1951) Dir. Curtis Bernhardt

- The Strange Door (1951) Dir. Joseph Pevney

- Cuatro páginas de la vida (O. Henry's Full House, 1952) Dir. Henry Koster

- Abbott and Costello Meet Captain Kidd (1952) Dir. Charles Lamont

- Salomé (Salome, 1953) Dir. William Dieterle

- La reina virgen (Young Bess, 1953) Dir. George Sidney

- El déspota (Hobson's Choice, 1954) Dir. David Lean

- La noche del cazador (The Night of the Hunter, 1954) Dir. Charles Laughton (no aparece como actor en la película).

T- estigo de cargo (Witness for the Prosecution, 1957) Dir. Billy Wilder

- Bajo diez banderas (Sotto dieci bandiere, 1960) Dir. Diulio Colletti

Espartaco (Spartacus, 1960) Dir, Stanley Kubrick

- Tempestad sobre Washington (Advise and Consent, 1962) Dir. Otto Preminger.

Documentales

- The Epic That Never Was (1965). Dirigido por Bill Duncalf y presentado por Dirk Bogarde. Documental de la BBC sobre el rodaje de I, Claudius con diversas escenas acabadas. (VHS, DVD).

- Callow's Laughton (1987). Documental de la Yorkshire TV-ITV dirigido por Nick Gray y presentado por Simon Callow sobre Charles Laughton.

- Charles Laughton Directs The Night of the Hunter (2002). Documental dirigido por Robert Gitt a partir de tomas descartadas de la Película.

Teatro

Debut teatral (1913). Stonyhurst College, Reino Unido

- The Private Secretary per Charles Hawtrey

Teatro amateur (hasta 1925). Scarborough, Reino Unido

- The Dear Departed por Stanley Houghton

- Trelawney of The Wells por Arthur Wing Pinero

- Hobson's Choice por Harold Brighouse

1926

- The Government Inspector. por Nicolai Gogol. Dir. Theodore Komisarjevsky

- Los puntales de la sociedad por Henrik Ibsen. Dir. Sybil Arundale

- El jardín de los cerezos por Antón Chéjov. Dir. Theodore Komisarjevsky

- Las tres hermanas por Antón Chéjov. Dir. Theodore Komisarjevsky

- Liliom por Ferencz Molnar. Dir. Theodore Komisarjevsky

1927

- The Greater Love por James B. Fagan. Dir. James B. Fagan y Lewis Casson

- Angela por Lady Bell. Dir. Lewis Casson

Vestire gli ignudi por Luigi Pirandello. Dir. Theodore Komisarjevsky

- Medea por Eurípides. Dir. Lewis Casson

- The Happy Husband por Harrison Owen. Dir. Basil Dean

- Paul Y por Dimitri Merejovski. Dir. Theodore Komisarjevsky

- Mr. Prohack por Arnold Bennet y Edward Knoblock. Dir. Theodore Komisarjevsky

1928

- A Man with Red Hair por Benn W. Levy, a partir de la novela de Hugh Walpole. Dir. Theodore Komisarjevsky

- The Making of an Immortal por George Moore. Dir. Robert Atkins

- Riverside Nights por Nigel Playfair y A.P. Herbert. Dir. Nigel Playfair

- Alibi per Michael Morton, a partir de la novela de Agatha Christie. Dir. Gerald duMaurier

- Mr. Pickwick por Cosmo Hamilton y Frank C. Reilly, a partir de la novela de Charles Dickens. Dir. Basil Dean

1929

- Beauty por Jacques Deval (adapt. inglesa: Michael Morton). Dir. Felix Edwardes

- The Silver Tassie por Sean O'Casey. Dir. Raymond Massey

1930

- French Leave por Reginald Berkeley. Dir. Eille Norwood

- On the Spot por Edgar Wallace. Dir. Edgar Wallace

1930

- Payment Deferred por Jeffrey Dell, a partir de la novela de C.S. Forrester. Dir. H.K. Ailiff

1931

-Gira americana (Chicago y Nueva York) de Payment Deferred y Alibi (esta última retítulada The Fatal Alibi y dirigida por Jed Harris).

Old Vic: temporada 1933-34. Londres. Reino Unido. Todas las obras dirigidas por Tyrone Guthrie.

El jardín de los cerezos por Antón Chéjov. Dir. Charles Laughton

1951-52 Estados Unidos y Reino Unido (Gira).

Don Juan in Hell de Man and Superman por George Bernard Shaw. Dir. Charles Laughton.

1953 Estados Unidos (Gira).

John Brown's Body por Stephen Vincent Benet. Dir. y Adaptación: Charles Laughton (no apareció como actor).

1954 Estados Unidos (Gira).

The Caine Mutiny Court Martial por Herman Wouk, a partir de su novela. Dir. Charles Laughton (no apareció como actor).

1956 Nueva York, Estados Unidos.

Major Barbara por George Bernard Shaw. Dir. Charles Laughton

1956 Londres, Reino Unido

The Party por Jane Arden. Dir. Charles Laughton

1959 Stratford-upon-Avon, Reino Unido

El sueño de una noche de verano por William Shakespeare. Dir. Peter Hall

El rey Lear por William Shakespeare. Dir. Glen Byam Shaw.

Créditos: Tomado de Wikipedia

https://es.wikipedia.org/wiki/Charles_Laughton

#HONDURASQUEDATEENCASA

#ELCINELATELEYMICKYANDONIE

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SAN FRANCISCO BAY AREA:

Pete’s Café - SFAI In The 90’s In the 90s, many SFAI students worked for and exhibited artwork at Pete’s Café, which was situated on the roof of SFAI’s Chestnut Street Campus. On view January 10 through February 16, The Great Highway Gallery presents a group exhibition featuring several SFAI-affiliated artists, including John Lindsey, Dave Arnn, Daric Cheshire, Colin Chillag, Wren Coe, Diana Coopersmith, Adrienne Eberhardt, Connie Goldman, Jeremy Harper, Gerald Hawk, Cliff Hengst, Scott Hewicker, Johanna Jackson, Xylor Jane, Patricia Kavanaugh, Yasmin Lambie-Simpson, Mario Lemos, Ted Lincoln, Lydia Linker, Linton, Jennifer Locke, Sally Lundburg, Mads Lynnerup, Spencer Mack, J Matt, Alicia McCarthy, Barry McGee, Palmerin Merges, Karla Milosevich, Ruby Neri, Eamon Ore-Giron, Maurizzio Hector Pineda, Will Rogan, Cynthia Rojas, Rocio Santillana, Christian Spruell, Steven Starfas, Keith Tallett, Rafael Vieira, Benji Whalen, Mark Wilson, and more!

Lighting the Council Fire: Paintings of Suiko Betsy McCall (MFA 2009) On view through January 30 at San Francisco’s Zen Center, Suikos writes about Lighting the Council Fire: “Whether with a pencil or paint, these works on paper explore the interaction between a structure set up by an evolving, repeating system and the unpredictable chaos of the spill, smudge, or breath-initiated brushstroke. By engaging the repetitive rhythms of practice, my work also aims to reshape my life as an Artmonk.”

Image: April Martin, cali fantazies. © April Martin

Cali Fantazies – April Martin (MFA 2019) Cali Fantazies is a multimedia art installation on view at the Museum of the African Diaspora (MoAD) through March 3, 2020. On February 13, April Martin is curating a special event, Cali Fantazies: Righteous Ratchet Joy, where performers from the legendary underground black queer party “Cali Fantazies” will be performing at MoAD. Come witness the magic, allure, and stunts of performers in a not to be missed experience. This event will be a space where queer Black folks can enjoy the many talents of BADASS Black Women. We will shout with joy and make it shower with flowers as beautiful black women pole twerk and booty bounce in a celebration of Black Women. We welcome you to immerse yourself in MoAD’s latest exhibition, groove to the electrifying sounds of DJ Lady Ryan and laugh out loud at hilarious host Ms. Bleu Sugar from Coochieliscious Entertainment as she narrates the mesmerizing performances by Cali Fantazie’s dancers.

This event will be honoring the legacy of queer black club life and the closure Bench and Bar and Club 21, the last remaining black and brown queer clubs in Oakland.

Mind / Body / Spirit / Land – Susanne Siminger (MFA 1987) Please join Susanne for the artist reception on Friday, January 17 at the Gail Van Dyke Gallery in the MarinHealth Medical Center in Greenbrae for the opening of Mind / Body / Spirit / Land: Oils and Water Colors inspired by Our Beautiful Land.

Panel Discussion: Re-Imagining Equity in the Art World 2020, with Katherine Vetne (MFA 2015) On January 18, Katherine Vetne joins local artists Erica Deeman and Indira Allegra, as well as curators Heidi Rabben and James Voorhies to discuss their art practices, concerns and challenges, and where the equity movement might lead in the coming years. This panel is organized by ArtTable, which is celebrating 40 years of women's advocacy and professional development. Katherine will also have work on view at the Catherine Clark Gallery booth at Untitled San Francisco, July 17–19, 2020.

Image: Michael Jang, Ramones Free Concert, Civic Center Plaza, San Francisco, 1979, gelatin silver print. Courtesy the artist. © Michael Jang

In Conversation: Michael Jang (MFA 1977), Sandra S. Phillips, and Nion McEvoy For the closing of Michael Jang’s California, photographer Michael Jang and curator Sandra S. Phillips are joined by Nion McEvoy for a wide-ranging conversation about the resonances of place, person, and time in Jang’s work. This first retrospective exhibition presents a rare, immersive journey through Jang’s career, from the 1970s to the present, and is curated by Phillips, SFMOMA curator emerita of photography and Jang’s longtime collaborator.

Fresh Focus – Jordan Holms (MFA 2019) Join Jordan Holms on Wednesday, January 14, at 4pm for a meet and greet for Fresh Focus, an exhibition featuring small-size artworks by recent and current MFA artists of the Bay Area.

Spiders from Mars – Ben Venom (MFA 2007) Please join alum, Ben Venom for the opening reception for Spiders from Mars on January 15 at St. Joseph’s Art Society. On view January 17 – February 15, 2020.

Forbidden Illusions – Whitney Lynn (MFA 2007) Whitney Lynn invites you to "forbidden knowledge", anaglyph collages created while an Artist-in-Residence at LightSource SF. On view through February 1, 2020.

Displaced - Spencer Keeton Cunnigham (BFA 2010) Please join Spencer for the closing reception of Displaced at 6pm on February 9 at The Midway Gallery. He is consistently working on new ideas for art whether that is in the form of paintings, drawings, murals and installations that dive deep into topics relating to his personal relationship on Native American rights, cultural representation, social change and activsm. Spencer’s artwork has been on broadcast television, in motion pictures and exhibited throughout the U.S. and beyond. His art can currently be found on display in the Permanent Collection of the Berkeley Art museum, The Crocker Museum in Sacramento and in print form in the permanent book collection at the Smithsonian Museum of the American Indian in Washington D.C. Cunningham was also recently inducted into the World Congress of Art History in Bejing China by Art Historian Elaine O'Brien.

Video: A preview of Spencer Keeton Cunningham’s solo exhibition, Displaced, The Midway Gallery, San Francisco. Courtesy the artist.

“Rackets” and “Laminates” – Richard Goldberg (MFA 1987) Opening February 1 at 1pm at Far Out Gallery, this show will feature selections from two recent groups of work: “Rackets” and “laminates”.

The “Rackets” are an ongoing group of wall mounted, mixed media sculptural works. Theses sculptures are made with a variety of found objects and materials which take on new identities and meanings as they are synthesized into a single artwork of rhyming shapes, forms and imagery. Each “Racket” work has its own engaging identity, and story to tell.

Shown alongside of the “Rackets” will be collages that are called “Laminates” These works are 2 dimensional, irregular shaped collages of images, symbols, photographs and other visual material. These shaped collages are then laminated and cut out, to become a kind of flat sculpture with shapes and voids around the perimeter of each collage but also within and throughout the entire composition. They are floated in a shadow box frame which brings out their 3 dimensionality. The “Laminates” were a product of an evolution of ideas and impulses that lead the artist to move on to the more robust 3 dimensionality of the “Rackets”.

Mike Henderson: The Black Paintings + David Simpson: Interference On view through March 28, 2020 at Haines Gallery.

Mike Henderson: The Black Paintings (MFA 1970): Showcasing a body of related works made primarily in the 1990s by recent Artadia Award winner Mike Henderson, the paintings included in this exhibition feature a rich palette of lush blacks, steel grays, and ultramarine blues. Set against the darkness, small shapes of bright blues, yellows, and reds flicker like jewels. Henderson’s experimental films from the 1960s, 70s, and 80s will be shown in dialogue with the paintings. Politically charged and wickedly funny, these remarkable shorts have been screened at museums and festivals around the world. In addition to the exhibition, The Mike Henderson Band will be performing on January 17 as part of UNTITLED, ART San Francisco. Click here for tickets and more information!

David Simpson: Interference (BFA 1956): Acclaimed Bay Area painter David Simpson’s exhibition takes its title from his use of “interference” pigments, which shift in color with changes in light and the viewer’s perspective. Each canvas on view is the result of up to thirty coats of paint, meticulously layered to create a deep, lustrous surface. Now in his 90s, Simpson continues to delight with works of remarkable dynamism, evoking the movement of clouds, or the play of light across water, ultimately offering viewers a powerful space of contemplation.

Shaw & Co. - Richard Shaw (BFA 1965, Martha Shaw (BFA 1966), Alice Shaw (MFA 1999), Virgil Shaw & Friends (Extended through January 31, 2020!) Gallery 16’s exhibition “Shaw & Co.” presents a collection of work by members of the Richard and Martha Shaw Family, plus a plethora of SFAI-affiliated artists—faculty and alums—including Richard Shaw, Martha Shaw, Alice Shaw, Rebeca Bollinger, Mike Henderson, Don Ed Hardy, Bob Hudson, Sahar Khoury, Alicia McCarthy, Jim Melchert, Ruby Neri, Cornelia Schulz, Wanxin Zhang, and more!

BoundarySpan – Aaron Wilder (MFA 2017) A group exhibition curated by Aaron Wilder and featuring the work of alums Michael Arcega (BFA 1999), Jimin Lee (MFA 1997), Paula Levine (MFA 1988), Sherwin Rio (MA 2019), and Desiree Rios (MFA 2017), BoundarySpam reopens on January 27 at the Nathalie and James Thompson Art Gallery at San José State University and will continue through February 21.

Wikipedia:Meetup/San Francisco/Black History Month Wiki-a-thon at Prelinger Library – Niki Korth (MFA 2012) Niki Korth invites you to an afternoon of exploring, discussing, researching, writing, and working together to help improve Wikipedia articles. Attendees are welcome to work on whatever they like and are inspired to from the Library's holdings. For those interested, they will have a concerted focus on working toward closing the diversity gap of coverage on Wikipedia of notable persons of African descent and their achievements and related movements, organizations, events, ideas, projects, and more. Prelinger Library founders Megan and Rick will be present to help attendees find resources from the Library's collections, and there will be experienced Wikipedians present to help Wiki newcomers to get started and answer questions.  A Mediterranean lunch will be served, so please come with both hungry minds and stomachs.

Little Rock, Arkansas

American Veterans of Arkansas – Edward Drew (BFA 2014) The Mosaic Templars Cultural Center Museum in Little Rock, Arkansas has commissioned a year-long exhibition from Edward Drew, American Veterans of Arkansas, which uses 5 x 7 tintypes to profile African-American military veterans who are also Arkansans. “African Americans are fairly underrepresented in most sectors, including veterans and veteran contributions to this country,” Drew said. “I thought it was important tthat I speak to the narrative. Then, being a state in the South, it’s important to show tha the rick history of the Southern states has always coincided with African American contributions.”

Wilmington, Delaware

Midnight Mass – Amie Potsic (MFA 1999) Opening Friday, February 7 at 5pm: The Delaware Contemporary has invited Amie to exhibit a large-scale installation on view January 24 through April with over 250 feet of silk. Amie will be working with the museum's gargantuan atrium space to create a fresh design approach to her work.

Miami, Florida

Image: Installation view of Self-preservation (with or without applause), a group exhibition featuring work (far right) by Christopher Culver. Courtesy Primary Gallery.

Self-preservation (with or without applause) – Christopher Culver (BFA 2008) On view through January 28, Primary Gallery is proud to present Self-preservation (with or without applause), a group exhibition featuring alum, Christopher Culver.

Chicago, Illinois

Performance - Norman Long (MFA 2001) Please join Norman Long at Elastic Arts on Friday, January 31, for a special performance featuring LONG/ZALEK DUO.

Massachusetts

"We the People" is a group exhibition featuring work from Aaron Wilder’s (MFA 2017) collaboration with Guta Galli (MFA 2017) entitled "Sugar & Snails," on view through January 31, 2020 at the Dorothy and Charles Mosesian Center for the Arts in Watertown, Massachusetts.

Dancing In The Bardo and Human Impact: Stories of the Opioid Epidemic - John Christian Anderson (MFA 1972) Dancing In The Bardo is a solo show by alumnus John Christian Anderson, on view through January 26 at the Boston Sculptors Gallery. The group show Human Impact: Stories of the Opiod Epidemic is on view at Fullercraft Museum in Brockton, MA, through May 3, 2020.

Baltimore, Maryland

The Breath of Empty Space – Shaun Leonardo (MFA 2005) On view January 30 - March 15, 2020 at Maryland Institute College of Art: "For the last year I have been quietly finalizing plans for The Breath of Empty Space–a solo exhibition of 6 years of drawing concerning violence by the police and American legal system, being shown together for the first time and curated by the insightful and caring John Chaich. I am proud to finally announce this traveling exhibition for 2020 and hope you can join me to witness the work." —Shaun Leonardo

The Breath of Empty Space will also be on view at Museum of Contemporary Art Cleveland, June 5–September 6, 2020.

—INTERNATIONAL EXHIBITIONS—

Budapest, Hungary

Untitled No. 20, From Series Room ‘32’ – Michael Naify (MFA 2017) SFAI alum Michael Naify’s work, Untitled No. 20, From Series Room ‘32’, is featured in PH21 Contemporary Photo Gallery’s upcoming international photography exhibition entitled The self(ie) and the other: Portraiture—on view January 16–February 8, 2020.

Hamburg, Germany

Mother Tongue - Mika Sperling (MFA 2018) Mika's practice is based in photography, and engages ideas and concepts of family. Created during the recommended Olympus Fellowship, "the current project [Mother Tongue] is born out of the idea to include my situation as a new mother into my work. I am using photography, writing and video to search for familiarities between my husband’s and my family. I am documenting the evolving bond to my daughter, the changing relationship to my mother-in-law and that to my own mother." —Mike Sperling Check out this video where Mika discusses Mother Tongue and its familial lineages. Soon on view: Deichtorhallen Hamburg, March 21–June 14, 2020; Fotografie Forum Frankfurt, August 7–September 27, 2020; Foam Museum in Amsterdam, October 23, 2020–January 17, 2021.

Cambridge, UK

The Art of Watching Art – Patricia K. Kelly (MFA 1999) On view January 14–26 at Motion Sickness Project Space, The Art of Watching Art is a group exhibition showcasing a broad range of artworks from artists involved in the invigilation of previous exhibitions in the project space since August 2019, including our very own Patricia K. Kelly.

Do you have an upcoming exhibition or event? If you’re an SFAI alum, please fill out this form to be featured in our next roundup of alumni exhibitions and events.

Top Image Credit: Whitney Lynn, Song of the Sirens, 2019 archival pigment print on Legacy Etching paper, 30 x 40 inches. © Whitney Lynn Studios.

#SFAI #SFAIalumni #art shows #art event #exhibitions

[lipwak]

VHS #350

Grateful Dawg, Algeria, Memory of Rai, Link TV promos, Sixpence None The Richer, Hackberry Ramblers – Make 'Em Dance, Three Tales - Steve Reich, You Africa – Y’ssou N’dour, another Link TV promo and some music videos, a 20:00 Talking Timbuktu (promo?), From The Heart of Masters Link TV promo, a few more music videos. *** Grateful Dawg David Grisman & Jerry Garcia2000 Hear the whole thing here: https://www.youtube.com/playlist?list=PLlBR3OZcWMr8A7EPF6YbQq4gAlEFM-ZB6 David and Jerry on stage (audio problems)Grateful Dawg, Peter Rowan, Bela Fleck, David and others talk over it.- Early Pickin’ - Bill Monroe - Wayfaring Stranger (https://youtu.be/FMrBCJObQOk), David talks about meeting Jerry at Sunset Park in PA, Jerry 1991 interview, Eric ThompsonThe Sweet Sunny South, Vassar, 19 lb banjo book- Old and in the Way, Peter talks about Jerry (spud boy), Sans Souci, Jerry gave the band its namePig in a Pen, Vassar and others talk over it.- Sweetwater Reunion, Monroe Grisman, Garcia-Grisman Band, Dawg's Waltz - Sitting Here in Limbo, Ronnie McCoury, Bela, Jerry playing acoustic gtr- Off to Sea Once More, way outrageous - Jerry, Peter Rowan - Not for Kids Only, cover art by Jerry, (poorly lit interview with Jerry), Freight Train Jenny Jenkins, recording session (https://youtu.be/JqFeCro9kqQ) this clip.- Arabia, bass solo, how we doing on our quest for tape?, working in the studio, percussion solo, - The Thrill is Gone (https://youtu.be/C56KoGpf2P0) This clip.- The Living Room, Shady Grove, once Jerry died this was it. Friend of the Devil (https://youtu.be/mvXH-g0C9mM) this clip.credits - Grateful Dawg (studio vers) *** Algeria, Memory of RaiJamal Khalfawiduplicate?, 53:002001 old ftg, rai - my opinion/advice/inspiration, the granny of rai, Oran - musical melting pot, Derbouka, Beasme Mucho, Bab wahan - Fedela & Sahrawi, French liberation, Ahmed Saber, Hymne National Algerie Kassaman, pop rai, trumpet introduced, instrumental - Bellemou Messaoud (https://youtu.be/RaBcTCIn3d0) this clip, Cheb Khaled, Ya Diri Ki Tebghi (https://youtu.be/ymp75O57pRo) this clip, Cheb Mami, football, first rai festival in 1985 w/ Cheb Khaled (https://youtu.be/qIxpfaeZ-zs) this clip, Zina Diri Lethei - DJ Klassik, Col Snoussi promoted rai, Chebba - Khaled (https://youtu.be/yGUX3IOA8y4), Oct 1998 riots, Annaba bomb, 1993 concert- Cheb Hasni (https://youtu.be/F5lZCfo0qoo) this clip, Cheb Hasni murdered, Cheb Mami - Bledi (https://youtu.be/1NMK6Iqmks8). *** Link TV promo (Udt Marayan - Phir Bhi Di Hai Hindustani (https://youtu.be/T0-gnitn5Qs)  (1st recording in present home) arabic music video w/ bellydancers = Faudel - Lila (https://youtu.be/q3u4wCr69kA) This clip. Link TV music store promo (Silvério Pessoa - Carreiro novo (https://youtu.be/vQn_uamBl3w) Paris Combo promo *** Sixpence None The Richermhz1/2 hrsoft girl singer4/4/03 Breathe Your Name (https://youtu.be/ZUNNJTp2KOA) Not this clip.Kiss Me (https://youtu.be/8N-qO3sPMjc) Not this clip.interview with Billy Zero, Christian musicDown and Out of Time! (https://youtu.be/8UZLqRSUXzg) Not this clip.Tension (Is A Passing Note)  (https://youtu.be/clORMguYsf0) Not this clip.more interview with Billy Zero, whole album is online, not sound as good as when you get the CD, soundtracks, hard to get radio play being called Christian?, what’s the future?There She Goes (https://youtu.be/68MKLkNSMN4) Not this clip.Don't Dream It's Over (https://youtu.be/3bdOefF_tyU) Not this clip. *** Independent Lens: Hackberry Ramblers – Make 'Em Dance200355:00 http://www.pbs.org/independentlens/makethemdance/ Don Cheadle intro, 1st cajun band to amplify, Fais Do Do Stage at Jazz Fest, Nick Spitzer , Rodney Crowell, Jimmie Dale Gilmore, Barry Ancelet, Ann Savoy, on MTV, Ben Sandmel  is their drummer, Pipe Liner Blues (https://youtu.be/G1oOKysFaoo) not this clip, alligator crossing sign, J’ai Pres Parley (https://youtu.be/2lKVgiDIx8c), Chris Strachwitz, La Breakdown A Pete (https://youtu.be/A8Dd4P63bd4), going electric, traveling, Ben, get to a gig early, one guy goes to mass every day, Hackberry Trot (https://youtu.be/g3w5dJb7_xo), stayed at St Charles Hotel when they made RCA recordings in New Orleans, Michael Doucet, Fais Pa Ca (https://youtu.be/doEbR6UPdP0), 1st version of Jole Blonde (https://youtu.be/A0Xyt1IStzo), Wondering (https://youtu.be/dsuidQtYOPo), Marcia Ball, Jimmie Dale Gilmore - Deep Water (https://youtu.be/J7NTSDg_D4I), The Silver Star club, CC Rider, Reveliers, Whole Lotta Shakin, Mermaid Lounge, New Orleans, Chris Strachwitz recorded them in their living room in 1964, Richard Thompson, 1965 Berkeley Folk Festival, Charlie Pride, Grand Ole Opry, JImmie C Newman, Porter Wagoner intro, Pipe Liner Blues, Poor Hobo at Festival International at Lafayette. *** Three TalesSteve Reich1:05, s, inc2002IFC https://youtu.be/gR-53RLFw1Q?t=5m53s (not this clip but started near this section) https://youtu.be/WgIQZ60pd0c Act I – Hindenburg, footage from within in air then disasterAct 2 - Bikini (some of this footage used https://youtu.be/zri2knpOSqo), islanders being briefed, ...lambs and other animals resisting being used as tests, Act III – Dolly (being cloned), Jaron Lanier, others, Kismet AI... *** You Africa – Y’ssou N’dour1994 44:00 See the whole thing here: https://youtu.be/3XM_ysbvV9I Fakastalu, unknown song, museum in Niger, No More, Benin, Togo, goes to recording studio but it’s locked, unknown song with him dancing with another man, Burkina Faso, more dancing onstage, difference between audiences elsewhere and Africa - applause vs dancing, shouting, Hope, medicine market, see the devil, fetishes, unknown song w/ nice sax solo, Things Unspoken, percussionist, dancers, unknown song, Dakar, unknown song, *** Link TV World Music promo Udit Narayan - Phir Bhi Hai Hindustanihttps://youtu.be/T0-gnitn5Qs (This is the music, images would be different.) again Macaco - Giratutto https://youtu.be/V5MtlfFz9H0 Daniela Mercury - Ilê Pérola Negra https://youtu.be/qOGdi1WUahE Link TV promo - Silvério Pessoa - Carreiro novohttps://youtu.be/vQn_uamBl3w (This is the music, images would be different.) Link TV Festival in the Desert promo…, Robert Plant, Georges Collinet *** Talking Timbuktu (promo?)20:00Ry Cooder & Ali Farka Tourew/ ftg of NO Jazz Fest and Howlin Wolf Club, 1994 At the Howlin' Wolf Club, New Orleans, Ry, Ali, talk about the project, some of this footage but with German subtitles (https://youtu.be/zASjrtELrUI), quotes from Adrien Belew, Taj Mahal, David Lindley, Jazz Fest - Diaraby, *** From The Heart of Masters promoJack DeJohnette & Foday Musa Suso Link TV *** Link TV music videos Hisham Abbas & Jayashree – Nari Nari (missed beginning and best shots of Kathakali dancers w/ the large gold headresses!!)https://youtu.be/FMGp9Jqs5Rs Rachid Taha live! – Ida (same concert as bara bara)https://youtu.be/8MJP3p9w6Ic Varttina – Aijohttps://youtu.be/_keS5CgpBT0 Souad Massi – Bel El Madhi (pretty algerian girl w/ great facial expressions & eyes)https://youtu.be/xuzV2W9IaOM Salif Kaita – Ananamin (from cd i have)https://youtu.be/7TfIIhkFUzo (not video)

[2wokefoxes]

BFFs

Remember those “BFF” heart necklaces that we used to have in elementary school?  Each necklace had half a heart with a jazzed edge where the intact heart was violently ripped in two.  The other jagged-edged half-heart was donned by your one and only true “Best Friend Forever.” (emphasis mine)  Had these been actual hearts rather than the finest Claire’s-worthy sterling silver (or fake gold if that was more your style), little pigtailed girls everywhere would have been walking around with bloody little half organs dripping proudly from their necks.  This is my pretty creepy way of illustrating that the symbolism of the BFF necklace was DEEP.  This was not something to be taken lightly because we girls all knew what it meant without ever having to discuss it.  Once you declare to the world (playground) in such an official way that you and your chosen friend were not just good friends or close friends but best friends (read the necklace people), the bond is absolutely unbreakable and exclusive (unless you end up in different classes the following year).  Everyone knows that you can only have one best friend.  For many of us, this was our first taste of coupledom, partnership, marriage and loyalty.  Here it is nearly thirty years later.  Countless friendships have ebbed, flowed and floated out of my life, numerous romantic and sexual relationships have come and gone often leaving me worse for the wear, and one marriage (of sorts) remains (somewhat) intact but the intensity of my very first necklace-legitimized BFF level friendship burns bright in my memory.  In many ways, this was the friendship that set the bar for all other friendships.

Her name was Kristy Moldrem.  She had sparkling blue eyes, porcelain skin with freckles and long wavy light brown hair with bangs.  We met in third grade.  We were both known as the smart girls in class so we immediately formed a bond.  Kristy was everything I wanted to be.  She was athletic, well-liked if not exactly popular, and well, white.  She fit in in all of the ways I didn’t.  But she never treated me as foreign or different in any way like many of the kids who teased me on the playground did.  We clicked from the moment we met and became inseparable.  I fell in love with her but also with her family and her life.  Kristy’s parents were newly divorced- something exotic and adult-sounding that I didn’t quite understand.  But it meant that Kristy got to live with just her mom and her adorable little twin sisters, Jill and Corrine, in their house.  Their dad would sometimes come take the girls out to dinner but I never met him and Kristy didn’t talk much about him.  I thought this had to be the best arrangement I’d ever heard of.  Just girls with the coolest mom I’d ever met in my life??  Yes, please!  My own home life at the time was ruled by the tyranny of an angry father whose stormy moods would dictate the weather in our house leaving me in constant anxiety when he was home.  The best times were the rare moments when he was gone and it was just my mom and sisters and I.  Kristy’s house was the polar opposite of mine.  No threatening cloud of violent masculine energy in the air.  Kristy’s house was a non-stop pajama party.  Her mom seemed young and fun, always laughing, making snacks and devising games for us.  Jill and Corrine were the most adorable kindergarteners ever, literally bursting with giggles, hugs and kisses.  Kristy had bunk beds which meant that I always had a place right underneath her in the bottom bunk for our frequent sleepovers.  And in the backyard was the best climbing tree in the world.  We loved to climb its sturdy branches barefoot, each of us finding our usual spots cradled in the branches where we would sit and talk for hours about which boys in our class we would marry if we absolutely had to.  The day Kristy returned from the mall with the treasured BFF necklaces for us was, to this day, one of the moments I felt most honored in my life.  It was official - this cool, smart, confident girl chose me (me!) to be her BFF.  It was the first time I remember feeling “normal” as a kid and not like some alien that had landed in hostile territory.  I felt included and worthy, safe and loved.  All because of that cheap metal half necklace.

When I met you, fox, all those years ago at Berkeley, I thought you were one of the coolest, smartest, most special girls I’d ever met.  What luck - another Kristy Moldrem in my path!  AND she watched Party of Five.  During the first few years of our friendship, I always felt like I wasn’t cool enough to be your friend and I always wondered where I stood with you.  It seemed that you were always surrounding yourself with much more interesting, artistic, dynamic people who were far less boring than I was.  I thought it was just a matter of time before we would just drift apart as you moved on to a more glamorous, unconventional crowd while I moved on to... law school?  But we did not drift apart and thankfully, our friendship has not only endured but flourished.  What I discovered about you was that on top of being Kristy Moldrem level cool, you have the biggest heart of anyone I’ve ever known.  Your heart could fill the universe and still have room for me when I have been hostile, difficult and mean.  That is a miracle my friend.  And although our friendship has ebbed and flowed through the years (so much more to talk about but not now), we have only grown closer over time and our friendship has grown more and more important to me.  I now know that it’s possible to have more than one best friend at a time but you are my BFF.  And we don’t need cheap necklaces to prove it.  (Unless, of course, they’re gold fox head necklaces with diamonds for eyes. #foxeskeepitclassy)

So I’m wondering - who was your first BFF?  What was she like?  Did you get the necklaces?  

xoxo

[deep-blue-offical-comic]

Deep Blue Prologue

#deep blue #deep blue prologue #deep blue pearla #deep blue don berkeley #artjolly #I FORGLT TO POST THIS LAST WEEK I'M SO SORRY

[deep-blue-offical-comic]

Deep Blue Prologue

#deep blue #deep blue prologue #deep blue Don Berkeley #artjolly