#companion headcanon that michael knows* and is just being polite about it | Explore Tumblr Posts and Blogs

loopy777 · 3 years

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RE: WIPs game: Actress Mai. what is she acting in? besides her ongoing starring role as Repressed Perfect Child?

Ah, "Actress Mai." This is a headcanon I keep chipping away at in the hopes that I'll eventually have something I want to publish. I have a whole host of little ideas and scene concepts, but only one actual WIP.

It started with the idea that Zuko and Ursa are theater snobs. Sure, Ursa apparently attended Ember Island Player performances, which Zuko disdained, but my thought is that she took what she could get in terms of live theater with her family even if she agreed with his criticisms. However, I like to headcanon that Mai loves the Ember Island Players, hates classical theater, and generally is the type of person who thinks that Michael Bay movies are great and more people should just turn off their brains and allow themselves to be entertained.

Why?

Well, because character conflict is what makes stories interesting. Zuko gritting his teeth through Mai's praise of how the EIPs finally made "Love Amongst the Dragons" interesting? Gold! Ursa and Mai getting into heated drunken arguments about theater styles? Gold! Mai convincing Kiyi of the good points of the controversial 'Love Amongst the Dragons II: Love Harder' (which is canon to at least two of my Maiko fics) while Zuko and Ursa grit their teeth? Solid gold!

This fun little conflict turned into something more, though. If Ursa and Mai are dark mirrors of each other in terms of theater tastes, then it felt like Mai needed a little acting history to parallel Ursa's own. But Ursa could be a publicly known actress because she was a peasant; such a profession was okay for her. Mai is a noble, though, and an acting job would be seen as beneath her, especially as a woman, as Polite Fire Society knows (or thinks it knows) that 'actress' is really just a polite term for prostitute. This is a takeoff from some real-life history stuff that I first learned of through Sherlock Holmes stories. Apparently, Irene Adler being an 'opera singer' was a thing British readers would recognize as being of a sordid nature.

So I decided that Mai did some secret, illicit acting anonymously during her childhood and teenage years. She stumbled across an opportunity, gave it a try, and found it fulfilling despite the social stigma. She liked being able to project emotions of all kinds in public, while at the same time shielded by masks or makeup or costumes or whatever. She liked being other people, people who find love with their heroes or die tragically to teach everyone a point or villainously ruin everything around them as a force of vengeful nature. It was the only opportunity for expression that she had, as well as a quiet form of rebellion. So for years she snuck out of the capital, down to Harbor City, and acted in all kinds of plays for a troupe that accepted not paying her as a fair trade for keeping her anonymous.

Naturally, moving to Omashu put a crimp on that, and so it ended.

So the idea is that Ursa eventually learns this about Mai after years of their butting heads over theater opinions, sees the parallels and perpendiculars in their lives, and grudgingly comes to respect Mai's completely wrong opinions about theater as at least being informed. And Mai, who is good at acting and does know the classics and would be wasted in the Ember Island Players, helps Ursa out with some plays she writes (still anonymous, although Zuko and Ursa know) even though Mai privately thinks the dialogue is too stilted and the stories kind of cliched.

But I have had trouble beating all of this into a proper story. I want to do flashbacks to Mai on stage, I want to show her conflict with Ursa, I want to reveal how Ty Lee found out and used that to get Mai to accept running away to the circus, I want Zuko's reaction to finding that his wife can recite soliloquies from all the major classics, I want Kiyi becoming an Ember Island Players groupie, etc. It's just missing a plot to hang it all on.

So here's a snippet of one of my attempts to construct something:

Noren grimaced. "Honestly, I was impressed we got enough people to fill out all the parts, never mind understudies. This play-"

"-is important," Ursa finished for him.

He hesitated just a moment before nodding. "And it's important for the same reasons that it was tough to get actors. I'm sure once Zuko sees it and can give it his official approval-"

"But he can't see anything without a Rinzen." Ursa thought about her son out there in the audience, anonymous amidst the 'peasants' of Hira'a. Zuko didn't mind mixing with his people, despite being their Lord, but the only reason he was here, tonight, was because Ursa herself had written the play, and he was a good son who would always support his mother.

Zuko had even brought his friends, including the Avatar. Aang was a delightful young man, and always very nice to Ursa, but she couldn't help but feel trepidation at his presence. After all, Avatar Roku, Ursa's grandfather and Aang's previous life, was a major character in this play, and while the story was based on real events, it was Ursa's hand that had shaped his dialogue and actions. She was putting her thoughts and philosophies, her very heart, out on the stage for public assessment, and this was tricky material. Would it do right by history?

Plus the lead actress was sick, and going by her complaints and the smell of the privy, perhaps dying.

Ursa had to tell herself that her audience, her friends and family and neighbors, wouldn't enjoy this play becoming a disaster. None of them were that bad. This wasn't the Capital. And she wasn't a princess. Not anymore.

So why had she taken it on herself to write this play, to positively dramatize a story of an ancestor who a few years ago was considered a heretic and traitor, to will into being a performance right here in the Fire Nation of a play that featured a heroic Air Nomad character whose actress was currently trapped in the privy?

Because her nation had hurt the world, and she wouldn't leave it to her son alone to do all the work of helping to fix that. That's why.

"Maybe," she ventured, "I could play the part."

Noren frowned. "You? But you're playing the Lady of Glass, and the characters share several scenes."

But Ursa was already analyzing the copy of the script that existed in her mind. "Rinzen has a lot more lines than the glass spirit, and I'm the only one who knows them. And playing a spirit is a lot easier than playing an Air Nomad. A spirit is just a voice, a costume, and some special effects. An Air Nomad character is a performance, and we're fresh out of actresses."

Noren's head tilted from side to side. "We could ask Kiyi. She knows the play by heart. She's a bit young for the part, yes, but-"

"No," Ursa cut him off. "She'd say yes if we asked her, but she hates being on stage. I'm not going to do that to her. I'd rather call off the play and see if our Rinzen is feeling better tomorrow."

Noren blanched at the very thought and made a gesture of good luck. "Well, maybe we can find a new Lady of Glass. And adjust the Rinzen costume. So are you thinking we'll just go on stage and ask the crowd who wants to join the cast, or maybe-"

And then there was a shift behind Noren, the red curtain over the office's doorway being pulled aside to reveal a living shadow. It seemed to Ursa that a chill had entered the room.

Lady Mai, Intended to Fire Lord Zuko, had arrived.

Ursa stiffened as Mai stepped into the office and let the curtain fall back into place. Time and familiarity had not made it any easier to be in a room with her son's lover. She had no real doubts about Mai, no resentment over the early difficulties Zuko that had apparently been overcome, but it was hard to reconcile Azula's shy and dour childhood companion with what existed now. Mai walked around covered with knives, watching everything; she never spoke unless there was an explicit need, but her gaze was always focused and her eyes missed nothing.

And it was in Mai's kind of silent, watchful abyss that Judgement grew. Ursa did not have a good feeling about how Mai likely judged her. How could a child of the Fire Nation's capital, someone who had become strong alongside Azula, a world-class warrior whose last stand for the life of her lover was already the subject of at least one popular poem, have any empathy for Ursa's life or the mistakes she had made?

Mai looked at her with dull eyes. "Is everything okay? The crowd is getting restless, and Zuko was worried. I told him I'd check on things so that he wouldn't miss the beginning of the play."

Ursa hesitated against that flat, low voice, and Noren stepped in to answer, "Our lead actress is sick. Ursa and I were just discussing options. There- uh, there aren't a lot of them."

Mai might as well have been told that dinner was planned to include green sprouts, but they were all out and so the yellow ones would be substituted. "Which part?"

Ursa swallowed. "The Air Nomad girl, Rinzen."

Mai quirked an eyebrow. "The heroine." She was still and silent for a long moment, and then sighed. "Zuko's really been looking forward to this. I guess I can help out. All right, I'll be your Rinzen."

Ursa wasn't quite sure she had heard that right. "You- you want to take the part? But-" Her voice faltered, as all the possible objections swirled through her mind. Mai was, to put it simply, completely lacking in charisma and non-threatening presence. She spoke without emotion. She moved so efficiently that no one in the back of the audience would even notice her. And she was so disinterested in everything that she'd probably nod off in the middle of the performance.

Noren offered a troubled smile. "Thank you for the offer, but acting is harder than it looks. It's not just about going on stage and reciting lines. An actress needs-"

"It's Nomad part, right?" Mai shrugged. "So we want a high, bright voice. Circular gestures. A bounce in all the movements. Here, like this." She stretched out her arms, shook her head, and then-

-and then-

-and then Mai was no longer there. The woman in red and black looked like her, but there was a wide mischievous smile on her face, and her eyes were big and bright. She stepped towards Ursa- no, they weren't mere steps. She kicked her heels high with each one, and the way she shifted her weight flirted with almost being a dance. She held her arms up at her side as she moved, and then when she reached Ursa, swung them dramatically to bring her hands together into a sign of respect.

She bowed, and in a voice that positively rang and filled the room, said, "Are you not the Firebender Avatar, Roku? What a fortunate wind blows to lay my path upon your own!" She rose again, and trotted in a circle around Ursa. "I say, you are taller than I expected, and must be quite heavy. Are you sure you're keeping up with your Airbending, young Avatar?" She raised a hand and held it out to the side.

Noren recovered before Ursa did, realizing what was going on, and quickly found a rag and placed in the waiting hand.

Mai's eyes never left Ursa the whole time, and as soon as the rag was in her grip, she moved again, taking a stance that had clearly been modeled on Avatar Aang's own style, and held the rag out in front of her, dangling it from her fingers and bouncing it in the air.

Mai gave a laugh that was echoed through the little room. "Your beard flutters in my breeze! Come, young Avatar, let's have a spar!"

There was a beat, and Ursa was tempted to deliver Roku's next line in response, but then all at once the younger woman slumped, letting the grandness leak out of her limbs. When she straightened, Mai was back, standing like a blade made of shadow, her face blank and her eyes dull.

Ursa blinked. What had she just witnessed? So many questions swirled in her mind, and she decided to ask the most important of them: "You know all the lines?"

#avatar mai #mai #ursa #avatar ursa

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