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operafantomet · 3 months
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MY CHEMICAL RAOULMANCE (...hussarlicious...!)
Vale Ridout and Corps de Ballet, Hamburg
Steve Barton, West End
Hwang Gun Ha, Seoul
Jemal Felix, West End revival
Fred Silveira and ensemble, Sao Paulo
Joe Griffiths-Brown, West End revival
Jay Armstrong Johnson, Broadway
Joe Friffiths-Brown, West End revival
Michael Ball and Rebecca Caine, West End
Jeremy Taylor, West End
Jeremy Hays, Broadway
Alexander Lewis, World Tour
Greg Mills, Kyle Barisich, Carrington Vilmonth, Paul Schaefer and Jeremy Stolle, Broadway
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marleneoftheopera · 2 years
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Prologue + Overture pictures from POTO Broadway’s reopening night. From Imago Images.
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moviemosaics · 2 years
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The Tell-Tale Heart
directed by Robert Eggers, 2008
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torontophantom · 1 year
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The Phantom of the Opera - 35th Anniversary Live on Broadway
Not usually one to post this sort of thing, but considering the historical significance I couldn’t not. Please enjoy.
The Phantom of the Opera - 35th Anniversary Live on Broadway January 26, 2023 - The Majestic Theatre New York City
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Cast: Ben Crawford (The Phantom of the Opera), Emilie Kouatchou (Christine Daaé), Paul A. Schaefer (u/s Raoul, Vicomte de Chagny), Raquel Suarez Groen (Carlotta Giudicelli), Craig Bennett (Monsieur Firmin), Nehal Joshi (Monsieur André), Maree Johnson (Madame Giry), Carlton Moe (Ubaldo Piangi), Sara Esty (Meg Giry), Carrington Vilmont (Auctioneer), Jim Weitzer (Monsieur Reyer/Hairdresser), Tug Watson (u/s Jeweler), Laird Mackintosh (Monsieur Lefèvre/Firechief), David Michael Garry (Joseph Buquet/Don Attilio), Jeremy Stolle (Passarino), Kfir (Hannibal Solo Dancer), Weston Krukow (u/s Il Muto Solo Dancer), Kanisha Marie Feliciano (Page), Chris Georgetti (Porter/Fireman), Trista Moldovan (Spanish Lady), Satomi Hoffmann (Wardrobe Mistress/Confidante), Elizabeth Welch (Hannibal Princess), Kelly Jeanne Grant (Madame Firmin), Janet Saia (u/s Innkeeper's Wife), Jason Forbach (e/c Marksman)
Notes: Recorded from the Front Mez. The person beside me was enjoying some theatre snacks throughout the show, so apologies for any disturbances as a result of this. I also missed the very beginning of the Entr'acte, but there's a few other masters out there should you want to do an insert. Includes the full speeches during curtain call (including the boos when they mention the closing), and the shout out to the swings. We missed you Greg!
Truly a magical night, with absolutely amazing energy. As others have said, Emilie's "Wishing..." might be the best I've ever seen.
And to the guy outside the theatre with the sign asking for an extra Playbill, who I graciously gave my extra to, only to then notice him tuck it into his jacket and continue to stand there gathering more of the limited edition Playbills: the Opera Ghost is not pleased...
- O.G.
(•}•)
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glindaupland · 1 year
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35th Anniversary - Audio Gift
finally finished cleaning up my 35th anniversary audio so here’s a gift if you’d like another version among the bunch released
The Phantom of the Opera (Andrew Lloyd Webber) - Broadway January 26, 2023 - 35th Anniversary
This includes a full video of Ben Crawford’s speech at curtain call (and you can hear me being extra crazy at certain parts haha). Please credit mirrorbluenight as the master if l added to trading lists, but gift upon request. Full cast and notes under cut!
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CAST: Ben Crawford (The Phantom of the Opera), Emilie Kouatchou (Christine Daaé), Paul A. Schaefer (u/s Raoul, Vicomte de Chagny), Raquel Suarez Groen (Carlotta Giudicelli), Craig Bennett (Monsieur Firmin), Nehal Joshi (Monsieur André), Maree Johnson (Madame Giry), Carlton Moe (Ubaldo Piangi), Sara Esty (Meg Giry), Carrington Vilmont (Auctioneer), Jim Weitzer (Monsieur Reyer/Hairdresser), Tug Watson (u/s Jeweler), Laird Mackintosh (Monsieur Lefèvre/Firechief), David Michael Garry (Joseph Buquet/Don Attilio), Jeremy Stolle (Passarino), Kfir (Hannibal Solo Dancer), Weston Krukow (u/s Il Muto Solo Dancer), Kanisha Marie Feliciano (Page), Chris Georgetti (Porter/Fireman), Trista Moldovan (Spanish Lady), Satomi Hoffmann (Wardrobe Mistress/Confidante), Elizabeth Welch (Hannibal Princess), Kelly Jeanne Grant (Madame Firmin), Janet Saia (u/s Innkeeper's Wife), Jason Forbach (e/c Marksman)
NOTES: 35th anniversary performance, fully tracked. The energy from the audience was such an incredible thing to experience. There's LOTS of cheering! Emilie's Wishing got an extended applause with some standing ovations and was one of the best performances of it I've ever seen. Some rustling can be heard at the start of each act as I try to set up and avoid being seen by ushers. Had to hush some people talking behind me at one point and you occasionally hear the guy behind me laughing like a snake. But hey you also have to hear me laugh, awww, and even slightly cry from being overwhelmed by the performance so I'm also guilty. A video of curtain call and Ben Crawford's full speech is included. Please gift upon request.
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dechagnydevotee · 1 year
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audio gift- poto bway 7/31/22
you asked, I shall deliver
The Phantom of the Opera- Jeremy Stolle, Julia Udine, Greg Mills
Google drive:
MEGA:
Notes under the cut:
CAST: Jeremy Stolle (u/s Phantom of the Opera), Julia Udine (alt Christine Daaé), Greg Mills (u/s Raoul, Vicomte de Chagny), Janinah Burnett (Carlotta Giudicelli), Stephen Tewksbury (Monsieur André), Craig Bennett (Monsieur Firmin), Maree Johnson (Madame Giry), Carlton Moe (Ubaldo Piangi), Sara Esty (Meg Giry), Carrington Vilmont (Auctioneer), Joseph DePietro (Monsieur Reyer/Hairdresser), Kenneth Kantor (Monsieur Lefévre/Firechief), David Michael Garry (Joseph Buquet/Don Attilio), Scott Mikita (Passarino), Justin Peck (Hannibal Solo Dancer), Kfir (Il Muto Solo Dancer), Marni Raab (Page), Chris Georgetti (Porter/Fireman), Patricia Phillips (Spanish Lady), Satomi Hoffman (Wardrobe Mistress/Confidante), Elizabeth Welch (Princess), Kelly Jeanne Grant (Madame Firmin), Paul A. Schaefer (Marksman)
I’m not sure who was on for the Jeweler or the Innkeeper’s Wife.
Notes: Program pictures included in file. This is the first audio I’ve ever recorded, and it was not recorded with the intention of ever sharing it. That being said, you will hear me laughing, cheering, and possibly crying (....crying specifically during All I Ask of You). I also had a friend with me, so you will hear her whisper to me on occasion. The sound quality is pretty good, though. This was recorded from the third row and there are a couple nice details you can catch if you’re listening closely. I am sharing this for all the Jeremy Stolle stans because he was being such a menace in the best way during this performance. It’s also just such a fun trio, I was beyond delighted to have caught them. Though it haunts my dreams that Jordan Donica’s last show would have been with Jeremy Stolle had his run not ended early.
Let me know if either of the links aren’t working! Enjoy :)
@marleneoftheopera @nerdywriter36 you guys asked for this so here you go!
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Audio Gift
The Phantom of the Opera - Broadway - May 9, 2022
Ben Crawford, Elizabeth Welch (u/s), Bronson Norris Murphy (u/s)
Fully Tracked
Full Principle Cast:
Ben Crawford (The Phantom), Elizabeth Welch (u/s Christine), Bronson Norris Murphy (u/s Raoul), Scott Mikita (u/s Andre), Carrington Vilmont (u/s Firmin), Rebecca Eichenberger (Madam Giry) Patricia Phillips (u/s Carlotta), Ted Keegan (u/s Piangi), Erica Wong (u/s Meg)
Notes:
This show had some of the worst issues with sound and feedback I’ve ever heard for a performance of Phantom. There is occasionally ear-splitting feedback. 
There are two different audio recordings of this performance. Mine (which is the recording that is being gifted) and emotionalmotionsicknessxx’s recording (I bet her master doesn’t have someone audibly unwrapping a cough drop during ‘Think of Me’ 😓)
https://www.mediafire.com/file/fe9wmlga8rhte11/05092022.zip/file
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finalthreshold · 1 year
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belated phantom of the opera 1/23 notes
jeremy stolle, julia udine, paul a schaefer were my trio. lots of understudies overall! when i was waiting at the box office for standing room tickets i made a comment to my friend like "hoping for an understudy for tonight!" and then i got there and there were sooo many names on the board. meg was kelly loughran and she was SO cute. i heard greg mills was originally supposed to be on that night though and i feel so bad he was out, especially since he missed the 35th :(
during think of me when christine tries to leave, meg moved towards her and looked apologetic, like she felt bad she put christine in a situation she was uncomfortable in, but she jumped back when madame giry banged her stick on the ground. it was a cute moment.
i love jeremy's phantom! so detailed and i love how he's able to be malicious and mocking and menacing and yet so heartrending and sympathetic and these two sides of him never feel incongruous or inconsistent. his delivery is great too, especially in how he talks to the managers, carlotta and especially raoul later on.
i didn't really like julia's christine much when i saw her a few months ago and i realized now that part of it was that i just didn't like her christine with ben's phantom. her portrayal still isn't my favorite but i still appreciate her take and there were some things she did that i really loved
the mask return, for example, was a really nice moment where you could see her feelings of fear and pity for him at war and the pity ultimately winning and there's a sense of compassion to her returning it. she's not asking him to hide his face because she's scared of him, she's giving him back the mask because he's broken and crying without it? and there was a long lingering moment after that where he reached for her face and it looked like he almost understood that that was her intent and was hoping or maybe even believing that fear actually could possibly turn to love, but then caught himself and snarled out the "come we must return" and pulled her up very suddenly.
jeremy's phantom overall felt like he needed to be in control. he felt so trapped in his own monstrosity and his own conviction of his monstrosity that he sabotaged genuine moments of connection he had with christine because he couldn't let himself be truly vulnerable. it still shown through though, that vulnerability and love for her.
his stdyi was fantastic. he sounded so biting and hateful when he talked abotu himself, and then becoming more and more broken and pathetic as he drew nearer to her. i feel like i could spend forever thinking about and analyzing his performance and not get tired of it.
paul was... kind of off for a fair bit of the performance? just kinda low energy. he flubbed a line in aiaoy and tried to sing "lead me save me from my solitude" at first instead of "let me lead you from your solitude." aiaoy had kind of been low chemistry (which was weird, bc i remember paul and julia having pretty fine chemistry and the two shows i saw with ben/julia/paul trio feeling much more r/c?) but it felt a little more natural after the mess up, actually?? they were kinda stiff feeling but seemed more familiar after the flub idk.anyways i'd heard he wasn't a super consistent actor, but i thought he was solid every time i saw him a few months ago so idk?
a lot was obscured in standing room. i was very glad i'd seen the show before AND had plans to see it again from proper seats (i ended up seeing it three other times haha) but for $29? not bad (remember when you could get rear mezz for $29 tho hahahaha sobs) but it was cool focusing on the stuff i don't normally look at. i was glad i had binoculars too tho since the back of that orchestra is pretty far from the stage
the saddest "dont gOo :(" during the graveyard scene.
carrington vilmont as passarino mixed up the lyrics for don juan. he and carlton moe didn't miss a beat though and carried it off effortlessly! i was like i KNOW thats not right but i cant even tell what isn't right about it.
throwing the mannequin so it hits the ground on the beat is so unreasonably funny to me i love it.
i said before i loved jeremy's phantom's line delivery towards raoul and it's just perfect in the final lair he's so gleefully malicious and a bit sarcastic at times? it's great.
but in contrast, i thought the way he said/did things in final lair towards christine were at times almost.. soft? he wasn't rough at all with putting the veil on her or giving her the bouquet. he also made the saddest face when julia, very bitterly, said "please raoul, it's useless" and i loved how he sat on the throne. he was like. perched on the edge of it, turned away. his body language was very tense and tight, and it seemed like it got increasingly difficult for him to look at her as the final lair went on.
he was still threatening and scary at moments though. there was a great duality to his performance.
"so do you end your days with me or do you send him to his grave" is a line i'm used to being delivered with more intensity, threateningly, but jeremy was so... pleading? im obsessed with it actually.
he really was so trapped in himself, in his own decisions and view of himself, and it felt like he felt like none of them had a choice here and he wanted christine to understand that so badly, that he doesn't want to hurt her but what else can he do? this is what he is.
when she kisses him, he did the flail but then looked like he was going to embrace her on the second kiss and then right before he did his hands sort of curled up and he pulled away.
it was like he felt that he'd never had any choice but to be this monster, and then realized now that he does have a choice, and he chooses to let her go. all this time he's been wanting christine to see him as a man, not a monster, but he can't even see himself as anything but a monster until that moment?
he was the only phantom i saw in that week (out of three total) who only said one i love you at the ring return, and i'm glad he didn't repeat the i love you, because as broken as he was, i felt like he needed to make that choice too to let her go? idk. catharsis of tragedy or whatever. something like that. i don't know.
kelly loughran's meg seemed almost dazed when she's in the lair, like she doesn't know what to make of it. she almost staggers towards the throne. considering how affectionate and concerned she was for christine the entire time, i felt like she was expecting to see christine there and was really surprised to find it empty and was a bit scared by that fact?
i might have had a less than ideal seat (... well, i didnt even have a seat), and there were a couple odd or low energy moments but overall i still had a really great time and i thought for the most part everyone gave really great performances! especially jeremy stolle whose phantom has been living rent free in my head for over a week now (he was also incredibly nice and easy to talk to at stagedoor!!!)
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glassprism · 2 years
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At what point do you feel an Actor has “aged-out” or “aged-in” for a certain role? For Example, Carrington Vilmont no longer understudies Raoul, but understudies Firmin & Elizabeth Welch still understudies Christine while former Christines Marni Raab & Kelly Jeanne Grant do not, as well as former Christine Trista Moldovan now understudying Carlotta.
If it were me? I don't think there's any point where an actor has aged out. Time is a construct and age discriminates; now where is my 70 year old Christine?
But if it's not me... when it comes to actors playing certain roles, I think there's a lot of factors besides just their actual age. Whether they look believably that age is a big one: some actors just look older, others naturally look younger, and that will influence who they play - IMO Elizabeth Welch could still pass for younger, and so could, say, Ali Ewoldt, even though she's in her late 30s by now.
I also think what roles are open to them is a strong factor. Marni Raab and Kelly Jeanne Grant might conceivably have understudied Christine, but at the time, the Christine understudy roles were filled. (This might also, of course, have been their own choice.) Their prior experience and education is another one; Rachel Anne Moore and Trista Moldovan, could, conceivably, have also been another Christine understudy, but their operatic backgrounds and the fact that both had already played Carlotta before, probably pushed them into the Carlotta understudy role when they (re)joined the Broadway production.
I also think a sort of "cast inertia" takes over, particularly in long-running productions like Broadway, meaning that once an actor is "set" in a role, they're more likely to stay in it; similarly, if that actor is just great at playing all those understudy and swing roles, they won't get switched out. As an example, Jeremy Stolle probably has the Phantom, Raoul, Piangi, and Passarino roles down pat, so it might be a while before the show considers him to be "aged out" of one of those roles, because they can rely on him to do all those roles and taking him out of one means having to train someone else.
And finally, the casting trend at the time will be a factor. Lately it seems like casting is preferring younger and younger actresses for the Phantom, Christine, and Raoul, and that will also influence where they place actors in those roles.
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broadwayworld · 1 year
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Interview: Veteran PHANTOM Cast Member Carrington Vilmont on the Final Chandelier Fall https://www.broadwayworld.com/article/Interview-Veteran-PHANTOM-Cast-Member-Carrington-Vilmont-on-the-Final-Chandelier-Fall-20230417
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aronsonfilm · 2 years
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vimeo
The Tell-Tale Heart (2008) • Robert Eggers from MEMORY on Vimeo.
“I became insane with long intervals of horrible sanity.” - Edgar Allan Poe
Only one Servant remains in the ruins of an old house. He is valet, butler, footman, cook and sick-nurse. The master of the house is a cadaverous invalid whose every function is aided by the earnest, young manservant. He meticulously repeats his duties within the silence of the moldering chambers - his only company is the vacant stare of the Old Man's blind eye. Time rots away. Tormented by constant silence and the banality of his duties, the Servant’s fears gradually turn to violent obsession.With tangibly detailed period design and hauntingly lifelike puppetry, THE TELL-TALE HEART unearths the decaying dreamworld of Poe. Director/ designer Robert Eggers centers the classic tale on the unnerving relationship between Servant and Master. With lyrical movement and a striking performance by Carrington Vilmont, the film quickly lures its viewer into its claustrophobic confines.
Statement from director Robert Eggers:
“I am pleased to share The Tell-Tale Heart. It is an uneven film, but my first film that I was proud of making. It is also my first collaboration with my DP Jarin Blaschke and editor Lousie Ford, and we have worked together ever since, so it is an important film for all three of us. It is also my first collaboration with sound designer Damian Volpe. Originally, I wanted an incredibly frail actor, on death's door, to play The Old Man, and realised the shooting conditions would not be able to accommodate that fragility (We shot the film in an abandoned 19th century house in New Hampshire, in February. It was filthy and cold – to put it mildly). I said to myself, "I'd rather have a doll play The Old Man than a slightly younger actor in makeup." That stuck. This idea of an unliving doll or puppet as the antagonist was a strange choice, but for better or worse, one that certainly makes the film unique. I am also particularly proud of the performance by Carrinton Vilmont. I hope that audiences take note of him.”
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operafantomet · 1 month
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Firmin's hairdo in the US has been anything but stale!
Kevin Ligon, Broadway
Tim Jerome, Broadway
David Cryer, US Tour and Broadway
Richard Gould, San Francisco
Scott Watanabe, Las Vegas (also Toronto)
Craig Bennett, Broadway (also Restaged Tour)
Kenneth Kantor, Broadway
Carrington Vilmont, Broadway
Lawson Skala, Las Vegas
Nick Wyman, original Broadway
Scott Mikita, Broadway
Jeff Keller, Broadway
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marleneoftheopera · 2 years
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Make a dream principal cast out of all the current understudies from London and broadway
Ooo fun!
Ted Keegan, Beatrice Penny-Toure (Kanisha Marie Feliciano), Jemal Felix, Lily de-la-Haye, Carrington Vilmont, Tim Morgan, Janet Mooney, Chris Georgetti, Erica Wong.
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V I D E O S
——————————————————————————
Dear Evan Hansen | June 2018
Taylor Trensch (Evan Hansen), Alex Boniello (Connor Murphey), Sky Lakota-Lynch (Jared Kleinman), Laura Dreyfuss (Zoe Murphy), Jennifer Laura Thompson (Cynthia Murphy), Asa Somers (u/s Larry Murphy), Rachel Bay Jones (Heidi Hansen), Phoenix Best (Alana Beck)
Waitress | May 2018
Katherine McPhee (Jenna), Drew Gehling (Dr. Pomatter), Christopher Fitzgerald (Ogie), Caitlin Houlahan (Dawn), NaTasha Yvette Williams (Becky), Benny Allege, Steve Vinovich, Ben Thompson, Keri Rene Fuller, Matt DeAngelis, Tiffany Mann, Stephanie Torns, Victoria Collett, Katie Grober, Kayla Davion, Law Terrell Dunford
The Play That Goes Wrong | May 2018
Akron Watson, Mark Evans, Quinn Van Antwerp, Preston Truman Boyd, Harrison Unger, Amelia McClain, Alex Mandell, Ashley Bryant 
Charlie and The Chocolate Factory 1NT | 10/2/19
Noah Weisberg (Willy Wonka) Collin Jeffery (Charlie Bucket) Daniel Quadrino (Mike TeeVee) Madeleine Doherty (Mrs TeeVee) Matt Wood (Augustus Gloop) Kathy Fitzgerald (Mrs Gloop) Brynn Williams (Violet Beauregarde) David Samuel (Mr Beauregarde) Jessica Cohen (Veruca Salt) Nathaniel Hackman (Mr Salt) Amanda Rose (Mrs Bucket) James Young (Grandpa Joe)
The Phantom of The Opera | September 2018
Ben Crawford, Ali Ewoldt, Jay Armstrong Johnson, Raquel Suarez Groen, Laird Mackintosh, Craig Bennett, Maree Johnson, Ted Keegan (u/s), Polly Baird, Carrington Vilmont, Jason Forbach, Jim Weitzer (u/s), Kenneth Kantor, Richard Poole, Jeremy Stolle, Justin Peck, Kfir, Katharine Heaton, Chris Georgette, Patricia Phillips, Satomi Hofmann, Elizabeth Welch, Kelly Jeanne Grant, Janinah Burnett, Paul A. Schefer, Giselle O. Alvarez, Jessica Bishop, Ashlee Dupre, Jolina Javier, Carly Blake Sebouhian, Erica Wong, Joelle Gates
Newsies | August 23rd 2014
Corey Cott (Jack Kelly), Liana Hunt (Katherine), Ben Fankhauser (Davey), Andy Richardson (Crutchie), John Dossett (Joseph Pulitzer), Capathia Jenkins (Medda), Zachary Unger (Les)
Newsies | July 29th 2013
Jeremy Jordan (Jack Kelly), Ben Fankhauser (Davey Jacobs), Kara Lindsay (Katherine Plumber), Andrew Keenan-Bolger (Crutchie), John Dossett (Joseph Pulitzer), Capathia Jenkins (Medda Larkin), Matthew Schechter (Les Jacobs)
Spongebob Squarepants | 8/29/18
Ethan Slater (Spongebob Squarepants), Danny Skinner (Patrick Star), Christina Sajous (Sandy Cheeks), Gavin Lee (Squidward Tentacles), Brian Ray Norris (Eugene Krabs), Wesley Taylor (Sheldon Plankton), Jai'len Christine Li Josey (Pearl), Brandon Espinoza (Patchy the Pirate), Kelvin Moon Loh (Perch Perkins), Catherine Ricafort (Karen)
Beetlejuice | March 2018 (Previews)
Alex Brightman (Beetlejuice), Sophia Anne Caruso (Lydia), Kerry Butler (Barbara), Rob McClure (Adam), Adam Dannheisser (Charles), Leslie Kritzer (Delia), Jill Abramovitz (Maxine Dean/Juno), Kelvin Moon Loh (Otho), Danny Rutigliano (Maxie Dean), Dana Steingold (Girl Scout), Tessa Alves (Ensemble), Gilbert L. Bailey II (Ensemble), Johnny Brantley III (Ensemble), Ryan Breslin (Ensemble), Abe Goldfarb (Ensemble), Eric Anthony Johnson (Ensemble), Elliott Mattox (Ensemble), Mateo Melendez (Ensemble), Ramone Owens (Ensemble)
Beetlejuice | July 27th, 2019
Alex Brightman (Beetlejuice), Sophia Anne Caruso (Lydia Deetz), Kerry Butler (Barbara Maitland), Rob McClure (Adam Maitland), Leslie Kritzer (Delia Deetz), Adam Dannheisser (Charles Deetz), Kelvin Moon Loh (Otho), Jill Abramovitz (Maxine Dean/Juno), Danny Rutigliano (Maxie Dean), Dana Steingold (Girl Scout)
Hello Dolly! (Revival, Unknown Date)
Bette Midler (Dolly Gallagher Levi), David Hyde Pierce (Horace Vandergelder), Kate Baldwin (Irene Molloy), Christian Dante White (u/s Cornelius Hackl), Taylor Trensch (Barnaby Tucker), Beanie Feldstein (Minnie Faye), Will Burton (Ambrose Kemper), Melanie Moore (Ermengarde), Jennifer Simard (Ernestina)
Charlie and The Chocolate Factory | April 20th, 2017
Christian Borle (Willy Wonka), Ryan Foust (Charlie Bucket), John Rubinstein (Grandpa Joe), Emily Padgett (Mrs. Bucket), Ben Crawford (Mr. Salt), Kathy Fitzgerald (Mrs. Gloop), Alan H. Green (Mr. Beauregarde), Jackie Hoffman (Mrs. Teavee), Trista Dollison (Violet Beauregarde), F. Michael Haynie (Augustus Gloop), Emma Pfaeffle (Veruca Salt), Michael Wartella (Mike Teavee)
Please direct ALL inquires to [email protected]. Any messages sent to this tumblr WILL NOT be opened.
Wants, Ratios & Pricing are located at the bottom of the page and will be reblogged occasionally ⇩
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phantomtrader19 · 5 years
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Here is all the new stuff I have added to my list, please feel free to message me and sort out a trade if ur interested and check out the rest of my list 😊
Scott Davies (s/b), Katy Treharne (u/s), Will Barratt ,4th October 2010
London - December 5, 2013
Geronimo Rauch (Phantom), Harriet Jones (Christine), Antony Hanson (u/s Raoul), Lara Martins (Carlotta), Andy Hockley (Firmin), Martin Ball (Andre), Jacinta Mulcahy (Madame Giry), Jeremy Secombe (Piangi), Cat Lane (Meg)
Scott Davies (s/b), Olivia Brereton, Sean Palmer, Lara Martins, Cat Lane,June 4, 2014
London - June 19, 2014 (matinee)
Scott Davies (s/b Phantom), Harriet Jones (Christine), Sean Palmer (Raoul), Fiona Finsbury (u/s Carlotta), Andy Hockley (Firmin), Martin Ball (Andre), Jacinta Mulcahy (Madame Giry), Jeremy Secomb (Piangi), Cat Lane (Meg)

David Thaxton, Kelly Mathieson, Jeremy Taylor, Kimberly Blake, Ross Dawes, Alan Vicary, Jacinta Mulcahy, Paul Ettore Tabone, Georgia Ware ,February 12, 2019; London,minletiziaxu's master.
David Thaxon(The Phantom), Kelly Mathieson (Christine Daaé), Jeremy Taylor (Raoul), Kimberly Blake (Carlotta), Mark Oxtoby (Monsieur André), Ross Dawes (Monsieur Firmin), Jacinta Mulcathy (Madame Giry), Paul Ettore Tabone (Ubaldo Piangi), Georgia Ware (Meg Giry),March 27, 2019; London ,Second Musicals master.
David Thaxton, Kelly Mathieson, Jeremy Taylor, Kimberly Blake, Ross Dawes, Alan Vicary, Jacinta Mulcahy, Paul Ettore Tabone, Lily Howes (u/s) ,May 9, 2019; London,David's final matinee. NFT except through minletiziaxu on Tumblr.
Tim Howar, Kelly Mathieson, Jeremy Taylor,August 8, 2019; London
Tim Howar, Amy Manford, Jeremy Taylor, Katy Hanna (u/s), Tim Morgan (u/s) Kris Manuel (u/s), Jacinta Mulcahy, Paul Ettore Tabone, Georgia Ware ,August 31, 2019, matinee,arelya-andaria’s master ,Lots of understudies! And all sound fantastic!
Tim Howar, Amy Manford (alt), Jeremy Taylor Ross Dawes, Alan Vicary, Kimberley Blake, Paul Ettore Tabone, Jacinta Mulcahy, Georgia Ware September 7, 2019 (matinee) Final matinee for the 2018/19 cast. Amy Manford’s last show. Boxfivetrades’ master. *NFT except through master*
Tim Howar, Amy Manford (alt), Jeremy Taylor Ross Dawes, Alan Vicary, Kimberley Blake, Paul Ettore Tabone, Jacinta Mulcahy, Georgia Ware,September 7, 2019 (matinee) Amy’s last show and final matinee for the 2018/19 cast *different master from the one above*
Tim Howar, Amy Manford, Jeremy Taylor, Kimberly Blake, Ross Dawes, Alan Vicary, Jacinta Mulcahy, Paul Ettore Tabone, Georgia Ware ,September 7, 2019; London,Amy's last show, and the final matinee for the 2018/19 cast. Different than the one above and the other one that is NFT. minletiziaxu's master.
Tim Howar, Kelly Mathieson, Jeremy Taylor, Ross Dawes, Alan Vicary, Kimberly Blake, Paul Ettore Tabone, Jacinta Mulcahy, Georgia Ware September 7, 2019; London Evening show, final show for Tim, Jeremy, Kimberly, and others in the 2018/19 cast.
Josh Piterman, Kelly Mathieson, DannyWhitehead, Britt Lenting, Ross Dawes, Richard Woodford, Jacinta Mulcahy, Paul Ettore Tabone, Georgia Ware September 9th 2019, London,Opening night of the new 2019/20 cast,NFT except through the master- 25124848’s master
Josh Piterman, Kelly Mathieson, Danny Whitehead, Britt Lenting, Richard Woodford, Ross Dawes, Jacinta Mulcahy, Paul Ettore Tabone, Georgia WareSeptember 9, 2019; London First show of the new 2019/20 cast! different master than the one above
Josh Piterman, Kelly Mathieson, Danny Whitehead, Britt Lenting, Richard Woodford, Ross Dawes, Jacinta Mulcahy, Paul Ettore Tabone, Georgia Ware,September 9, 2019; London,First show of the new 2019/20 cast! Taken by a different master than the 2 above.
Josh Piterman, Bridget Costello (alt.), Danny Whitehead, Britt Lenting, Ross Dawes, Richard Woodford, Jacinta Mulcahy, Paul Ettore Tabone, Georgia Ware,September 20, 2019; London,First audio of Bridget as the alternate with the new cast! minletiziaxu's master.
Ben Crawford (The Phantom), Eryn LeCroy (alt. Christine Daae), John Riddle (Raoul, Vicomte de Chagny), Bradley Dean (Monsieur Andre), Craig Bennett (Monsieur Firmin), Janet Saia (u/s Carlotta), Maree Johnson (Madame Giry), Carlton Moe (Piangi), Kelsey Connolly (Meg Giry), Carrington Vilmont (Auctioneer/Don Attilio), Jim Weitzer (Monsieur Reyer/Hairdresser), Ted Keegan (Jeweler),September 12, 2019, Matinee (DeChagnyTrades's Master),Notes: Second show for John and Bradley.
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artwalktv · 2 years
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“I became insane with long intervals of horrible sanity.” - Edgar Allan Poe Only one Servant remains in the ruins of an old house. He is valet, butler, footman, cook and sick-nurse. The master of the house is a cadaverous invalid whose every function is aided by the earnest, young manservant. He meticulously repeats his duties within the silence of the moldering chambers - his only company is the vacant stare of the Old Man's blind eye. Time rots away. Tormented by constant silence and the banality of his duties, the Servant’s fears gradually turn to violent obsession.With tangibly detailed period design and hauntingly lifelike puppetry, THE TELL-TALE HEART unearths the decaying dreamworld of Poe. Director/ designer Robert Eggers centers the classic tale on the unnerving relationship between Servant and Master. With lyrical movement and a striking performance by Carrington Vilmont, the film quickly lures its viewer into its claustrophobic confines. Statement from director Robert Eggers: “I am pleased to share The Tell-Tale Heart. It is an uneven film, but my first film that I was proud of making. It is also my first collaboration with my DP Jarin Blaschke and editor Lousie Ford, and we have worked together ever since, so it is an important film for all three of us. It is also my first collaboration with sound designer Damian Volpe. Originally, I wanted an incredibly frail actor, on death's door, to play The Old Man, and realised the shooting conditions would not be able to accommodate that fragility (We shot the film in an abandoned 19th century house in New Hampshire, in February. It was filthy and cold – to put it mildly). I said to myself, "I'd rather have a doll play The Old Man than a slightly younger actor in makeup." That stuck. This idea of an unliving doll or puppet as the antagonist was a strange choice, but for better or worse, one that certainly makes the film unique. I am also particularly proud of the performance by Carrinton Vilmont. I hope that audiences take note of him.”
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