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#can he please be cast in another high quality bl again
dinadumas · 7 months
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Hiiii~
Dear novels lovers, I sincerely want to recommend you one of the best works I've read. So if at the moment you are in search of something interesting don't pass by!
This novel actually has a manhwa with the same title, so if you're not interested in the novel you can find and read the manhwa! It does not have any plot discrepancies from the original.
"Turning" by Kuyu (쿠유).
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It's a novel in the bl, fantasy, and omegaverse genre.
Wait wait. Those who now thought that the omegaverse is not interesting or poorly written, you are sorely mistaken! The novel itself doesn't pay that much attention to this genre, so you won't feel any discomfort while reading it! I even forgot about this genre at times. (Although most of the hot scenes are related to it, but you'll be satisfied, I promise.)
There are approximately 970 chapters in the original, and 305 are available in English (free).
If you are already a bit interested, please read the description first~
Yuder was a commoner Omega who rose to the top with his ability.
When he woke up again after being falsely accused and executed, he was back 11 years ago before everything began.
He must not repeat the same mistake he did before.
A chance to get back……
To survive, and to save the world, now he had to save the man he had killed!
Are you more interested? Jesus, I love you already. Keep going!
If you want to hear the opinion of someone who has already read all the chapters available in English, @armed-teddy-bear answered some questions especially for you!
Q : Dear reader, please tell us what you liked most about the novel "Turning" by Kuyu?
Teddy : It’s hard to pinpoint a single part of it, since all of it is perfect in my eyes. The characters are well-written and never act like walking tropes with no common sense, the worldbuilding is one of the best I’ve ever seen, the intrigues are taking and all well-linked together to form an enduring mystery and drama that, as of 300 chapters, is still just as interesting…
If I really had to pick, I would say the relationship between the two protagonists is honestly a high point. Heavily influenced by the past only Yuder can remember, it still manages to progress naturally while never having a boring moment. Every scene where the two of them interacted became one of my favorites.
In short, I would say: If you think you’ve read a novel like this before, no you haven’t. In my opinion, this novel is the best you could achieve in the genre of rebirth/time travel.
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Q : Do you think the omegaverse genre is ruining the novel?
Teddy : It’s not a problem to me at all. But there are a lot of people who are uncomfortable with it. I don’t understand why exactly, but it’s like that.
On the contrary, I think the way Turning handles it makes it even more interesting. It hasn’t played too much into the story that far, so it could even be ignored by people who don’t like it, but I think it adds to the story quite a bit by adding more worldbuilding to the “awakeners” characters and the powers of this world.
The reason given for why it happened in universe is also good in my opinion. 👍
So it’s a complete OK for me!
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Q : Can you highlight any flaws in the novel?
Teddy : I became the number one fan overnight. In my eyes, Turning can do nothing wrong.
But if I try to see it from someone else’s eyes… Maybe the length would be too long for someone else. You have to wait 200 chapters for the main couple to kiss for the first time, and at times you see characters and situations being set up.. and then you don’t see them begin to unfold for another 50 chapters!
There’s also a very, very large cast of characters, some of them named only to never properly appear… although that can also be seen as a quality! The novel feels very realistic and profound thanks to this, as allies and antagonists fade in and out of the storyline in accordance to the plot, never overstaying their welcome or standing uselessly in the background of a scene.
The supporting cast is also characterized and explored, even if they don’t stay for long, meaning that every character is inherently interesting. It’s thanks to this length in chapters and depth in characters that the novel gains in worldbuilding and intrigue with each new chapter.
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Q : Please tell potential readers why they should not pass by this novel?
Teddy : Not reading Turning means passing by a novel that can and will satisfy anyone!
If you don’t like romance, then you’ll find your happiness in the worldbuilding, magic systems, and political plots.
And if you don’t like worldbuilding, magic systems, and political plots… well, think again! I thought I didn’t like those either before, but reading Turning, I found myself on the edge of my seat with every word. Everything is explained clearly and logically when it comes to intrigue, making it easy to understand and all the more interesting — but that doesn’t mean it’s lacking in emotions either! This novel masterfully meshes both plot and character building, making each moment count.
But most importantly, you’ll miss reading the developing relationship between Yuder and Kishiar, which I think is the biggest appeal of all. I’ve never rooted for a couple more in my life. Despite a past together filled with pain, they still manage to be one of the healthiest and most sincere relationships I’ve read in a long time.
So, to whoever is listening, please read Turning. You definitely won’t regret it.
Wow if you read to the end we really appreciate it! Thank you for your attention.
Please read Turning~
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x0401x · 3 years
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Given Movie: Anime Eiga Interview
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The adult trio of “Given”, Nakazawa Masatomo, Eguchi Takuya and Asanuma Shintarou – finding out about each other’s appeal through proffering a deep love.
The sequel to the TV series that adapted Ms. Kizu Natsuki’s popular BL manga into an anime came in the form of “Given the Movie” and made its appearance in the big screen. Along with sensible expressions of emotion, this series depicts the circumstances of youthful love connected by music, capturing the hearts of the viewers. The movie portrays the “bitter and passionate love” between the band’s “adult members”, Haruki and Akihiko, as well as Akihiko and his ex-boyfriend, the genius violinist Murata Ugetsu, whom he continues to live with even after breaking up. Hence, this time, we have hit up Nakazawa Masatomo, the voice of Haruki, Eguchi Takuya, the voice of Kaji Akihiko, and Asanuma Shintarou, the voice of Ugetsu. What kind of appeal did they sense from one another after co-acting in roles where they had to proffer intense love? We had each of them discuss their thoughts.
Discovering the charm of the characters anew in a movie where the feelings of each accelerate.
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——The movie is about the romance between Haruki, Akihiko and Ugetsu. The thoughts that they had been concealing are exposed, so what were your impressions when you read the script?
Nakazawa: In the TV series, Haruki, the character I play, was thinking about “wanting the band to do well” and “what he should do for the band’s sake”, being a “sideline support” for Mafuyu and Ritsuka, together with Akihiko. Haruki and Akihiko are said to be part of the “adult group”, but the two of them have their own ways of thinking - Akihiko is the type that aims for good things by taking action using a detonator. On the other hand, Haruki is always calmly concerning himself with everyone, so that they can do things freely. Both of them listened to Mafuyu’s singing voice, were influenced by it and suffered changes, so I felt from the script that I could get a glimpse at these changes. Regarding Haruki, he started feeling his own loneliness more strongly, and while watching Mafuyu display his musical talent more and more, he also had a complex about being just an ordinary person who liked music a little bit. I felt like we were able to see what Haruki was carrying under the surface.
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——Were there any points where you felt the appeal of Haruki and Akihiko all over again?
Nakazawa: There were. Haruki never tells Akihiko that he likes him and does his best to hide it. It’s totally obvious, though... (laughs). Through Haruki, I felt that there are things you convey not with words but with feelings, and on the other hand, there are things that can finally be conveyed when you put them into words.
——Eguchi-san plays the role of Akihiko. Please tell us your impressions of the script.
Eguchi: I had read the original work, so I was looking forward to seeing the hearts of everyone from the “adult group” being moved and them putting an end to things. When I read the script, this is quite obvious, but I had many lines (laughs). Akihiko shows in it a part of himself that he never had until then, so destroying something like a sculpture of Akihiko that the TV series had warmed up was necessary work. Moreover, it was the kind of scrip that allowed for all kinds of fun, such as how long the monologues and narrations should be, so I felt a strong sense of compensation from it. During the recordings, I first tried throwing in what I had come up with. The team makes you want to create something together with them, so I felt like making up my mind and challenging myself. I was very happy to be able to take on the challenge.
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——When you threw it in, were you able to see a new side to Akihiko’s appeal?
Eguchi: “So he was THAT compassionate?!” was what I thought. Akihiko is always cool, so I wondered when his emotions would take a swing, but I think this was a sign that he was afraid of “changing the present”. In the movie, I had to carry out the job of Akihiko properly facing all sorts of things and doing a retake on his true feelings. He gave off more of an adult impression until that point, so I think I got to see a more realistic, young part of him.
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——Asanuma-san plays the role of Ugetsu, who continues living with Akihiko after breaking up.
Asanuma: There were few episodes in the TV series where Ugetsu showed up, but even in them, there are crucial scenes in which you can get a glimpse that “Ugetsu is this kind of person”. It’s exactly because he is a genius that he acts indifferent about anything other than music, gets fawned on in a genius-like way that makes people think, “If he says so, then there’s no helping it”, and has great interest in people like Mafuyu, whom he feels sympathy for. There’s a scene in the movie where Ugetsu and Mafuyu meet for the first time, and when I read the script, I felt that “Ugetsu approached Mafuyu with honest feelings”. It’s because he has sympathy for Mafuyu that he ends up telling him things that he can’t say to Akihiko face-to-face, such as “I love Akihiko to death”, and shows a side of himself that he usually doesn’t show to other people. It seems he speaks out his feelings when he’s with Mafuyu for some reason, which made me wonder if it isn’t Mafuyu who has the power to make people act like that.
——Ugetsu has a mysterious charm as a character. Was there anything you deemed as important when performing him?
Asanuma: It was my first time taking part in a BL show, but I felt that “Given” is a series that portrays emotions very delicately, down to the details. When performing, it’s exactly because the depictions of emotions are detailed that I make sure not to be “too theatrical”.
Love becomes more complicated as you grow older?
——In the TV series, we were able to see Mafuyu and Ritsuka’s high schooler-like romance, yet the movie is about an “adult love”, where they are “going through unfulfilling and agonizing situations, but no matter what, they like each other”. Was there anything you felt seeing their love?
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Asanuma: There are things that we end up complicating precisely because we have accumulated experiences as adults. It’s because we know about all sorts of things that we don’t want to get in the other’s way and feelings of inferiority towards the other are born. When you’re a child, you don’t think much about things such as “pulling away because you think too much about the other person”, for example. There are many things we have to face when we become adults, so we might turn the feeling of “romantic love” around in complicated ways.
Nakazawa: I think “being able to break up once and for all” is important in adult romance as well. Not clashing with each other like, “I can’t do this with you anymore!” and parting ways, but instead ending it with, “If that’s how it is, it might be better for us not to be together anymore” after learning about each other’s circumstances is also a form of love. I think that reflecting about not just the feeling of “love”, but also about what you should do to make the “we can’t be together anymore” that lies ahead into a reality is what adult romance is.
Asanuma: They’re called the “adult group”, but they’re not adults yet. Even I, who am in my 40’s, have yet to come across anything like an “unconditional love”...
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Eguchi: I believe this is valid for all kinds of romantic love, but I think it’s about being together with someone because you find that person to be an “irreplaceable existence”. And it’s because they’re irreplaceable that going out with them isn’t the goal, and the couple has to properly face one another. Also, when I looked at their romance, I felt it’s precisely because they like and are close to each other that there are words between them that they can’t say. They might have had a different relationship if they had conveyed those words, but there are words that can’t be conveyed exactly because this possibility exists. I think humans are extremely complex.
“Eguchi-kun is sharp!” – A casting that fit perfectly.
——What kind of appeal did you feel in each other’s acting and personalities through “Given”?
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Nakazawa: The way that Asanuma-san bears a “quiet intensity” when playing as Ugetsu is very charming.
Asanuma: For real!?
Eguchi: And you’re also too good at putting on the air of a genius!
Asanuma: It’s only putting on, though. I have to make sure not to take it off too soon (laughs).
Eguchi: It had me thinking, “The way he envelops himself in the air of a genius is just genius!” Asanuma-san can push and pull splendidly. I was thinking, “He’s so awesome” when I watched it.
Asanuma: There are times when I tend to explain things with my voice no matter what. Before, in a different work, the sound director told me, “The animation is already doing the explanation, so you don’t have to try to explain with your voice so much.” In works like this one, where the subtleties of the characters’ hearts are so detailed, I think it’s even more important to bear in mind “not being too theatrical”, without deeming it as an exception just because it’s a BL, but instead seeing it as a love pattern that could happen anywhere and performing naturally.
——What is your impression of Nakazawa-san?
Asanuma: Nakazawa-san is tolerance incarnate! He can be no one but Haruki.
Eguchi: That’s right. He gives off a “mom” vibe (laughs). He’s like that during the recordings too; Nakazawa-san himself is a very soft person.
Asanuma: And although he may disagree, “looking troubled” suits him.
Nakazawa: I disagree!
All three: (Burst into laughter).
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Asanuma: Since being troubled suits you, it feels like people gather around you, thinking that they “want to try and give you trouble” without any ill intent.
Nakazawa: That rings a bell (laughs). Indeed, I myself think that I have a Haruki-like side too. I also have a side that accepts basically anyone and any kind of comment... As for Eguchi-kun, if nothing else, he’s sharp! In terms of voice quality, his tone is low-pitched and solid, so the acting that he brings out is extremely sharp. There’s a fineness to it where it acts as a detonator, especially in “Given”, as if it will set fire, to his heart’s contentment, to anything that seems inflammable. He pulls off an acting that has an explosiveness to it, as he takes ahold of the important points while performing in a natural manner, so I have a lot of trust in him.
Asanuma: Eguchi-kun gives off a sense of broad-mindedness and security. Not because his body is big, though (laughs). I feel that he’s something like an emotional bodyguard. It was my first time in a BL series, but when I heard that Eguchi-kun would be the other party, I vaguely thought that “everything will go well”.
Eguchi: Thank you so much!
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