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#caleb weaponizing his training both against the assembly and essek. beau weaponizing her training against the cobalt soul (via rightfully
wizardnuke · 4 months
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you can take the caleb out of the volstrucker program but you can't take the volstrucker program out of the caleb.the point of it all
#ill write the whole thing later. gotta do that assignmence. but for now#he is never getting away from it. he never really meant to . professor at soltryce ffucking academy? are you kidding mee?#caleb handshake beau. willingly walking into the organizations that hurt them . it's kind of different for them . but kind of not because.#well. soltryce/the assembly fucked caleb up real bad. the cobalt soul should never have taken beau and it took a long time for her to#get support/have those wrongs righted. not the same scale but like. waagh . you know. anyway. the way that they knew that they#were never getting out of there and getting out was never the point.hhhbbbh. the other meta isnt fully about that . the other meta is#campaign era caleb behavior and volstrucker behaviors. different but not. he is never getting out and he never meant to#caleb weaponizing his training both against the assembly and essek. beau weaponizing her training against the cobalt soul (via rightfully#speaking out abt the circumstances that brought her there) and using that Search For Justice to rightfully call people out. and quietly#gather info . which caleb also does.#fjord the charismatic (persuasive and friendly) face of the party and caleb who knows how to play a part and beau who knows how to#keep watch. and remember.#charisma stats r craazy . beau's is lower than i thought but it's a wis thing actually . the way wis and cha are intertwined from an rp#standpoint.. the way those three bounce off each other but also like specifically beau and caleb the dynamic duo
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laerrynseelie · 3 years
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shadowgast in "cowboy like me"
hello and welcome to another episode of Coco projects all of her issues onto Caleb Widogast and also cries about the Other Gay Purple Wizard™. this episode is sponsored by severe sleep deprivation and being in the airport at 6am, which is where I wrote most of this. but this is also something I've been yelling about for weeks, primarily at @theravenkingscourt and @dinah-lance, sponsored by taylor swift and emotions.
I will begin this dissertation with the song "cowboy like me" by Taylor Swift, from the album "evermore." those overlapping in the taylor swift and critical role fandoms have spent a long while yelling about how cowboy like me was MADE for shadowgast, and it is. here is my most recent annotation of the song lyrics (spoilers, obvs):
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cowboy like me has many lines that have a direct, literal line to shadowgast, such as "the old men that I've swindled" == Ikithon, etc. but the things I want to highlight here are the themes it presents, and why I hold these boys so near and dear to my heart, and maybe why you do too. (also cc: @shadowgastweek)
many lines repeat but can have various, literal and metaphorical meanings. "eyes full of stars" can be about Rosohna, the dumancy floor of the tower, or ambition and power and desire. the fun thing about this is that they all connect together into a wonderful constellation of pain :) without Essek's ambition, the beacons wouldn't have gotten to the Cerberus Assembly, and they may have never met. without Caleb's ambition, he may have never been at the Solstryce Academy, ended up with a beacon, in Rosohna, or met Essek, or learned dunamancy, or have the floor of endless possibility. and much of this is put aside for the Nein and each other. "never thought I'd meet you here" indeed.
the bridge and third stanza of this song go SO. HARD. I have spent MONTHS yelling about the hanging gardens of babylon and no I will not stop. first of all, it's just a great fucking line. "now you hang from my lips / like the gardens of babylon" bitch are you FUCKING kidding me. the story of the gardens is that the queen missed her homeland, which had sprawling greenery, and so the king made her a garden that went around the palace and over roofs. (hey hey hey, gravity, xhorhaus, tower, you get it.) and I want to focus on the question on if the gardens actually exist. there are no surviving babylonian texts that mention the gardens, and no archaeological evidence that it ever existed. so it is a story that no one can confirm, or something completely obliterated by time and society. (or misattributed and was actually a different garden but shh it doesn't fit as well) for me, that's a strong allegory for the queer experience, and looking back at history and relationships. moreover, let's think about Caleb and Essek's interactions, and the fear of showing affection == being outed. studying together, talking close, forehead kisses. something that is not confirmed, or will be obliterated by their circumstances.
a theme that stands out from "cowboy like me" is this idea of wanting love. as a queer asian immigrant kid and a sociology student, the conditions of unconditional love is a concept that fascinates me. societally, unconditional love is talked about a lot, especially in relation to families, which we know if not always the case, and we fear it constantly. it’s hiding bad grades from your parents, or feeling like you need to prove yourself to earn love. it’s going to a pride parade and removing the stickers and face paint on the train home. it’s the fear of abandonment, of what if this is what makes it too much to love me. there was a post floating around (hehe, floating) about how both caleb and essek skirted around the ACTUAL worst things that they've done when asked about it. throughout the campaign, something that Caleb and Essek have gone through, not just with each other but the rest of the Nein, is hiding the unforgiveable things they’ve done because they think that will make them leave. and they take every unforgiveable thing, and they love them anyway. these things still happened, and that’s not okay, and they don’t dismiss it, and maybe, just maybe, if people can love them despite every unforgiveable thing, maybe they can let themselves be loved. maybe they can love themselves. and maybe, they can love, too.
the fear of love not being enough is also threaded through the song. in the case of shadowgast, it's the question of country, of war, political positions, familial desires, friends, location. (it's the question of if matthew mercer will let shadowgast be endgame goddammit.) in caleb's words, it's complicated. the Nein have defeated a lot "with the power of friendship," but what if it's not enough? what if they don't get Molly back, or they're corrupted by the eyes, or they can't get Veth back to her family? what if Trent gets Essek, or Caleb, or the Dynasty finds out, or Astrid and Eadwulf betray them, or they find their way back to old paths of power and ambition. what if love isn't enough?
"and the skeletons in both our closets / plotted hard to fuck this up" hurts me. taylor swift's bridges never miss. first of all, in closets, gay, obligatory pun, yada yada yada. it's also all the unforgiveable things they've done, war and Caleb's family, "important" but "not good" intentions, and all the people who threaten them now, ex. cerberus assembly, bisexual maelstrom, and the fact that Essek worked with the very people who abused and manipulated Caleb. all these previous fears are present in this line.
and when we see someone who is healing, who is loved, doesn't that give us hope? and isn't that present throughout critical role's history? we get to see full grown adults still enjoy a hobby, with a solid group of friends, tell us stories about growth. tell us healing is possible. Liam is Caleb and the Nein, showing this to us, Essek.
I will leave you with this. there is a theory that every relationship we have is a reflection of our relationship with our parents. every relationship is us trying to get that first relationship right, this time. this is fascinating to look at for each of the M9 (Beau and her aggression and strength and standing up against authority; Jester and her positivity and kindness and acceptance; Fjord needing to be strong and taking control), but of course I'm going to talk about Caleb. think of Caleb and Ikithon. think of Caleb and Veth. think of Caleb's need to prove he is good enough, not just in power and intelligence and ambition, but that he is good. that he is good enough. think of how his intelligence is his armor and his weapons, both literally and figuratively. at making sure Veth gets back to her family. of showing off for Essek, believing in Essek and in Essek's goodness. Essek being Caleb's foil is beautiful, but what if this is Caleb, making sure that this time, they survive.
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