#cadaver film

[outro-estranho-no-mundo]

#outro-estranho-no-mundo #outro-sagitariano-no-mundo #pinterest #frases #film #a noiva cadaver #movie art

[death-and-reaper]

Alive?

I'd been imagining Emily before she died, so I tried to replicate makeup based on that.

I studied the facial anatomy of the character Emily, it's something I do with any character when I try to replicate the makeup, well... I wanted Emily but I accidentally got Helena...

✥-------------------✥-------------------✥

- Nyxx Addams.

#goth #a noiva cadaver #the corpse bride #tim burton #my edit #emily marrimack #makeup transformation #helena bonham carter #tim burton films #makeup challenge

[vivihcte]

#a noiva cadaver #filme #animacao

[staticart]

Wip? Perhaps, idk I just wanted to post something

#cadaver cain #skulduggery pleasant art #skulduggery pleasant #wip #cadaver can defo 1 up skug in a fight and is 100% an ass about it #yes this is inspired by death vs puss from the new puss in boots film

[movie--posters]

#kadaver #movie poster #cadaver #netflix #horror #good #movie posters #film #films #posters #norwegian

[rickchung]

No Hard Feelings (dir. Gene Stupnitsky).

There is a single scene so audaciously raunchy and surprising it's worth the price of admission alone in its brave hilarity. It's hard to recall a female movie star of the calibre and talent of Jennifer Lawrence (also a producer) doing so much for the sake of being funny in another contemporary sex comedy. A throwback to juvenile '90s young adult comedies, [it] also packs the expected amount of heart while referencing contemporary themes of inclusion, gentrification, inequality, and gender politics.

#no hard feelings #jennifer lawrence #gene stupnitsky #columbia pictures #sony pictures #excellent cadaver #moviem #movies #movie review #film #film review #cinema #andrew barth feldman #natalie morales #comedy

[fantochesdeninguem]

Eu te amo, mas você não me pertence

- A Noiva Cadáver

#filme #timburton #tim burton #a noiva cadaver

[reemnamin]

DROWND COVER BY REEM NAWAL AMIN

#drownd #Drownd music #rock music #death metal #industrial rock #reem nawal amin #kerrang magazine #album cover #spotify #cadaver #horror #horror film #psychological horror

[sasa-chan]

Day 14

Body #19 (Body Sop #19)

Year Released: 2007

Run Time: 2hr 5m

Director: Paween Puijitpanya

Genres: Drama, Horror, Mystery

Cadaver (Sop)

Year Released: 2006

Run Time: 1hr 32m

Director: Dulyasit Niyomgul

Genres: Horror

The Unborn Child (Sop Dek 2,002)

Year Released: 2011

Run Time: 1hr 36m

Director: Poj Arnon

Rating: TV-14

Genres: Horror, Thriller

#31 days of halloween #halloween #31 days of horror #happy halloween #horror #horror films #horror movies #thai horror #thai film #thai movie #thai #day 14 #body 19 #cadaver #the unborn child

[romiesays]

Fantastic Cadaver

Earlier this month, I wrote and co-directed a one-minute segment of a Surrealist film project for Butthead Films, called Fantastic Cadaver. I'm not allowed to say or show much about it, because the film is an exquisite corpse—a style of art or writing wherein a series of creators adds to it without knowing much about what has come before. I created minute 22 having seen only minute 21. Since the project is still in progress, I can't show things that would tell filmmakers for minutes 24 and beyond anything consequential about what I did.

Someday it will be revealed.

However, I can disclose that I wrote an original song as part of the soundtrack; expect Stopwalk to release a variation sometime in the next six months. It's beautifully sleazy triphop.

#film #fantastic cadaver #surrealism #butthead films #stopwalk

[pimpolha-blog]

Filme — A Noiva Cadáver

Esse com certeza é um dos meus filmes preferidos. Assisti quando era criança e me cativou.

As obras de Tim Burton sempre tem essa pegada macabra, mas nunca deixa de contar uma boa história, que não é focada no terror. É muito interessante a maneira diferente que o filme fala sobre o amor, mostrando um outro lado.

Eu poderia falar mais, porém faz muito tempo que assisti A Noiva Cadáver, tô com vontade de reassistir kkkkkk

Sinopse : As famílias de Victor e Victoria estão arranjando seu casamento. Nervoso com a cerimônia, Victor vai sozinho à floresta para ensaiar seus votos. No entanto, o que ele pensava ser um tronco de árvore na verdade é o braço esquelético de Emily, uma noiva que foi assassinada depois de fugir com seu amor. Convencida que Victor acabara de lhe pedir a mão em casamento, Emily o leva para o mundo dos mortos, mas ele precisa retornar rapidamente antes que Victoria se case com o malvado Lorde Barkis.

#recomendação #filme #a noiva cadaver #tim burton

[death-and-reaper]

Coração...

(Sonhador, libertado, desatado e apaixonado)

As divas oblíquas e ocultas de minha infância, influências fortes sobre oque se define e definia "normal" diante à esta sociedade tão bitolada de regras e crenças contradizentes, aonde a hipocrisia reina diariamente, com seus falsos mandamentos, falta de visão e segregação do que se define virtude ou não.

Tolos...

Eu não vou dizer que as princesas da Disney não me encantaram também, apesar de que na minha época as que tinham precisavam se fortificar em base de seus príncipes, quase sempre dadas como donzelas indefesas, eu era criança afinal, e tudo que fugia do cor de rosa, delicado e frágil diziam-me não ser exatamente algo bom para uma menina.

Eu me considero uma pessoa romântica, e se as outras meninas podiam sonhar com seus "príncipes encantados", por que eu não poderia sonhar com um Gomez Addams para mim? Por que eu deveria andar sempre de rosa? Por que eu deveria ser a submissa em uma relação á dois? Por que?

Seguir a cartilha da sociedade para ter aprovação da mesma me tornaria menos ou mais interessante? Sim, eu posso e vou me maquiar, mas da forma que for fazer-me sentir bem, sim, eu usarei vestidos, saias e saltos dependendo da ocasião, mas á minha maneira, ter madeixas longas ou curtas não me faz menos ou mais mulher, mas chega a ser irônico que mesmo na ausência de meus adereços considerados "estranhos", "grotescos", "pesados" e "exagerados", sempre ha uma criatura para me apontar o dedo á cara, para julgar-me se não pelas vestes, meu despadronizado corpo, pele, cabelo, altura ou peso.

"Pois bem... "

Pensei eu ainda no ápice de minha juventude.

Se mesmo voltada ao padrão de vestimenta e maquiagem estou fadada á pré-conceitos, difamações ou pressões impostas pelo alheio, que seja de meu jeito, não? Se gostam tanto de falar, que falem, que expressem seus achismos infundados por palavras ignorantes entre seus entes queridos, que seguem a cartilha contraditória da sociedade, que julgam uns aos outros, sem antes os conhecer sobre pretextos moralistas, políticos ou por seus credos, mesmo que o criador deles não possua religião, mesmo que o livro sagrado destes peça aos mesmos para amar o próximo, entre outros parágrafos que não são seguidos.

Mentes fechadas são apenas espíritos não evoluídos.

Com "O estranho mundo de Jack" aprendi desde muito cedo que normalmente mulheres são e serão sempre subestimadas, mas que nada as impede de ter razão no final das contas, sonhar em ter sua liberdade na vida e no amor é um direito de berço. Existem mudanças que podem não se encaixar muito bem conosco, mas diante da tentativa da mesma podemos conhecer algo novo, afinal, da mesma forma que existe o mutável existe o imutável, e tudo bem ser assim, com tanto que haja equilíbrio.

Com "A Noiva Cadáver" aprendi que nem tudo que parece ser o ideal, talvez, seja para ser, há tempo certo para tudo, mesmo que você possa estar sob pressão, nem tudo vai ser da forma que queremos e isso não é sinônimo de desistência, ás vezes precisamos seguir a correnteza, mas antes de tudo, desprender-nos do que já está no passado é de lei para que possamos de fato evoluir, e sim, isso pode ser muito doloroso no processo, isso pode até envolver nossos maiores sonhos, por tanto, saiba viver seu presente e desfrutar oque o futuro tem a lhe oferecer.

Com "Beetlejuice" aprendi que o diferente pode ser apenas uma variante do que chamamos de "zona de conforto" (em alguns casos), pode agregar ou não, mas tudo é uma questão de adaptação no final das contas, e que família pode ser alguém que vai muito mais além do que isso implica. Não é oque está por fora que te define, somente você mesmo é conhecedor de suas mais gloriosas virtudes e mais distorcidos defeitos, você sabe oque faz ou deixa de fazer, e são teus gostos que lhe destacam.

E claro, "A família Addams" me ensinou que ninguém deve mudar por ninguém, ser amado pelas tuas qualidades tanto quanto por teus defeitos é algo raro, todavia não impossível, almas gêmeas existem milhões, mas isso não define nada se não houver fluidez. Química pode ser ou não algo razo, mas conexão sim é algo raro! Se não houver cultivo e empenho de ambos os lados a química deixa á desejar e os corações deixam de bater, também aprendi que o fato de que se um dia casar-me posso sim liderar minha família! E que não há nada de banal ter alguém ao meu lado para liderar junto, com tanto que ambos saibam respeitar seus espaços e momentos, eu ser mulher não me torna submissa, ele ser homem não o impede de ser sensível e presente, amor de verdade gera respeito e respeito é alicerce para tudo.

- Nyxx Addams.

#aesthetic #goth #manuscript #my edit #red aesthetic #beetlejuice #lydia deetz #the corpse bride #tim burton #the nightmare before christmas #o estranho mundo de jack #a noiva cadaver #the addams family #morticia addams #a família addams #filmes #movies

[erosmutt]

♱ 𝖗𝖊𝖆𝖓𝖎𝖒𝖆𝖙𝖎𝖔𝖓 𝖙𝖊𝖈𝖍𝖓𝖎𝖈𝖎𝖆𝖓 ⨾ 𝐬𝐚𝐦 𝐦𝐨𝐧𝐫𝐨𝐞 [ᴠᴏʟ. ᴏɴᴇ]

♱ necrophilia, pussy eating, fingering / 549 words ♱ accompanied by Sam Monroe's Snuff Film Collection 𖦹 note: the cadaver isn't reader.

Sam had always been fascinated by death - the final frontier of human existence. The way life gave way to nothingness was almost poetic. A person lived an entire life full of good, bad, and mediocre, and it all culminated into nothing. This fascination is what led Sam to become a mortician, someone tasked with preparing these husks for a final goodbye. A grand finale, if you will. He found solace in the routine of his job, the quiet presence of the deceased bringing him a sense of peace that was hard to come by anywhere else.

That, and his urges. They weren’t exactly newfound, they’d just been suppressed - but they were stirring up again.

One rainy evening, after the funeral home had closed for the day, Sam found himself with the newest cadaver. The woman had died young, and her beauty seemed to radiate even in death. Her skin was smooth and cool to the touch, her lips slightly parted, and eyes clouded. Sam’s hand came to rest on her breast, trailed down her stomach, and went down to her privates.

His fingers slid over her slit, breath catching as he tries to keep his cool. She was stiff, but looked so incredibly supple. Sam glances up, half-expecting the body to react. To blink, to moan, something. Bringing himself back to reality, he goes and gets a pair of gloves, snapping them on. He moves the gurney from the basin and turns it around, now having more room.

Now standing at the foot of the gurney, he drops to his knees, hands moving her legs apart with the utmost gentleness. He leans in and traces his tongue along the delicate contours of her labia, adrenaline coursing through him. Sam felt helplessly drawn to the cold inanimate flesh beneath him. The more he licked and caressed, the more alive he felt - as if by devouring death, he was able to find life.

Sam’s steady licks escalated into frenzied open mouthed kisses as he delved deeper into the cupped valley between the dead woman’s legs. Each kiss drove him further into a whirlpool of carnal lust, until he was fully consumed and lost to sin. He wondered how she sounded when she was alive - how her moans would bless his ears, how she would tug at his hair and close her thighs around his head. If she was ever satisfied when she was alive how she was right now; in death.

Pausing, he gazes up at the still figure above him, and couldn’t help but imagine the countless coital encounters that once marked the corpse.

He pulls away and stands up, then spits down onto his gloved fingers, lubing them up to the best of his ability. He took a minute to stare down at her - his breathing getting labored and nostrils flaring. She was so ethereal, spread out on a silver human-sized tray like an offering, just for Sam.

Finding her entrance, he buries his fingers into her as much as he could considering she was no longer able to self lubricate. Sam was now knuckle deep into the cold, dry cavern. As if waiting to gauge a reaction, he stares down at her face. But she had the same look she had when he first wheeled her in - dead.

ᝰ.ᐟ @102hannah

#₍ᐢ. .ᐢ₎ bnuuy's fics! #♱ 𝖒𝖔𝖗𝖙𝖎𝖈𝖎𝖆𝖓 𝖘𝖆𝖒 𝖒𝖔𝖓𝖗𝖔𝖊 #tw necrophillia #necro #sam monroe #sam monroe smut #sam monroe imagine #sam monroe fanfic #sam monroe fanfiction #sam monroe x reader #sam monroe x y/n #sam monroe x you #life as a house #laah #sam monroe x reader smut #my au #mortician au #૮( ꩜ ㅅ ꩜)ა bnuuy loves sam monroe #mortician!sam monroe

[movie--posters]

#netflix #cadaver #kadaver #norway #movie #movie poster #horror #movie posters #film #poster #gitte witt #thorbjørn harr #films #posters #helge jordal #norwegian

[warningsine]

Good post op.

For those interested, here are some such films to know herstory:

"Mädchen in Uniform" (1931)

"Anna and Elizabeth" (1933)

"All about Eve" (1950)

"Olivia" (1951)

"Mädchen in Uniform" (1951), dir. Géza von Radványi

"Girls in Uniform" (1951), dir. Alfredo B. Crevenna

"No Exit" (1954)

"The Girl with the Golden Eyes" (1961)

"Walk on the Wild Side" (1962)

"The Nun" (1966)

"Persona" (1966) (yes, I'm including it)

"Belle de Jour" (1967)

"Les Biches" (1968)

"The Killing of Sister George" (1968)

"Baby Love" (1969)"

"The Exquisite Cadaver" (1969)

"The Vampire Lovers" (1970)

"Daughters of Darkness" (1971)

"The Bitter Tears of Petra von Kant" (1972)

"The Beguines" (1972)

"Successive Slidings of Pleasure" (1974)

"Twice a Woman" (1979)

"Desert Hearts" (1985)

"I’ve Heard the Mermaids Singing" (1987)

"Betty" (1992)

"Les Voleurs" (1996)

"8 Women" (2002)

"Nathalie…" (2003)

"Night Fangs" (2005)

"Backstage" (2005)

"Pretty Persuasion" (2005)

"Loving Annabelle" (2006)

"The Page Turner" (2006)

"Notes on a Scandal" (2006)

"Bandaged" (2009)

"Chloe" (2009), American remake of "Nathalie…"

"Cracks" (2009)

"Gigola" (2010)

"Bloomington" (2010)

"A Perfect Ending" (2012)

"Concussion" (2013)

"Nymphomaniac: Vol. II" (2013) (going controversial with this one)

"Tru Love" (2013)

"Clouds of Sils Maria" (2014)

"Sand Dollars" (2014)

"The Duke of Burgundy" (2014)

"Unexpected" (2014)

"4.48" (2014)

"Carol" (2015)

"Freeheld" (2015)

"Summertime" (2015)

"AWOL" (2016), dir. Deb Shoval

"Bird of Prey" (2016)

"Foreign Body" (2016)

"Allure" (2017)

"Atomic Blonde" (2017)

"Daphne du Maurier: In Rebecca’s Footsteps" (2017)

"The Party" (2017)

"You, Me and Him" (2017)

"Lizzie" (2018)

"The Favourite" (2018)

"Suspiria" (2018)

"The Bisexual" (2018)

"Clementine" (2019)

"Greta" (2019) (anon's* choice ❤️)

"Saint Maud" (2019)

"Ammonite" (2020)

"I Care a Lot" (2020)

"T11 Incomplete" (2020)

"Take Me Home" (2020)

"Parallel Mothers" (2021)

"Vigil" (2021)

"Benedetta" (2021)

"Anaïs in love" (2021)

"Eileen" (2023)

"May December" (2023)

Some of them are subtextual, some of them explicit, some--to use Tumblr's favorite word--problematique, some do not revolve around romance, some are cinematic masterpieces, some utter trash.

*Edit:

Ok, I laughed out loud, but on second thought? #valid

#should i go ~controversial and add 'may december' (2023)? it is persona coded and todd haynes knows what he's doing #films #list #there are some that do not fit here because not every age difference is a gap (see mulholland drive) #and others like 'Miss Viborg' and 'Starlet' that are not really what people are looking for

[chaotickimchi]

Killing Your Darlings - A guide on writing death

(Inspired by some writing tips I saw on pinterest. I decided to try my hand at a “writing death” guide. Small disclaimer, these are suggestions or things to consider, there is no rule book on writing death and your story/characters will ultimately play a role in the shape and shades you colour in your scenes with.)

SHOW DON’T TELL?

How does your character discover the death? Is it really necessary to show the body to the audience? 

Consider this, which will have more impact on your character, watching someone die or getting a phone call and hearing the news from afar? Depending on your story, it could be more gutwrenching if your character isn’t there to say their final goodbye. Sometimes not showing the body can be more devastating. Don’t underestimate your readers empathy and imagination, if your characters have a very strong bond, severing that tie from a distance can be incredibly impactful. Just because your character dies, doesn’t mean you have to show the body. If that’s the case for you, then you don’t have to worry about describing the “death scene” at all. 

WHAT’S IN A NAME?

Writing a murder mystery or a battle? Well, I suppose your character will see a lot of shit, time to describe the Dead Darling. 

Corpse. Cadaver. Body. Remains. Carcass. The Deceased. 

Several words refer to a dead body and they aren’t all created equally! You wouldn’t call your character’s dear old granny a “carcass” for example, and how many of us use the term “cadaver” to describe human remains in a casual setting? Consider the context, who is speaking, what is their relation to the Dead Darling? The use of a particular noun can change the weight and mood of the scene, there’s a reason your local funeral director doesn’t go around saying “CARCASS” to grieving widows/widowers, it sounds harsh and nasty. Maybe your character is in denial and doesn’t even describe the Dead Darling as “dead”, instead they view them as “like a doll” or “impossibly still” or looking like they’re asleep. 

Context matters, so consider the relationship between the Dead Darling and the character and also the situation they are in. Take the following as a rough example; 

Detective Mc Dude has been called to a scene, he’s given a rough description of the victim over the radio as he drives to the scene. He arrives and to his horror, he recognises the body as that of his secret lover. His colleague joins him and fills him in as Detective Mc Dude tries to gather himself.  “Detective, the remains were found this morning by a jogger. We’ve yet to make an I.D …” Detective Mc Dude’s mind is reeling as he wrestles against his inner turmoil and the need to maintain his composure and act professionally. Later, he goes to the coroner to discuss the autopsy results. The coroner describes the injuries they have discovered on the corpse. Detective Mc Dude begins to build his case. 

While the example lacks a lot of detail and flourish, I do hope it helps illustrate how the weight shifts around with the use of different nouns throughout the example. The coroner in this example feels no attachment to the Dead Darling, this is their job, they see a corpse and try to gather evidence. Detective Mc Dude recognises her body, whereas his colleague sees the remains. Do you see the difference there? Mc Dude sees the person, her body, his colleague doesn’t know who she is or what her story is, he has less connection to her and he sees the remains, it feels more distant and impersonal compared to Mc Dude. 

This might be a bit of a head scratcher, the differences are very subtle but can become really pronounced when weilded well in a scene. My advice is to pay attention to discussions of death in real life or books/tv/films etc. Read your paragraphs out loud and see how they feel, sometimes you can intuit what fits and what doesn’t. You may notice things that surprise you, for example, news readers often say “a body has been found” or “the remains of a man/woman were found”, whereas you and your friends/family are more likely to describe a deceased loved one with “his or her body”. 

A detail as small as using personal pronouns can carry significant weight, likewise, the type of language used can convey a lot of emotion. His/her body can be used to create a sense of closeness or sympathy, corpse can suggest a clinical or distant view, carcass or remains could indicate a hint of barbarism or malice. That's not to say that “corpse” can’t be used sympathetically or that “body” can’t be used to convey malice, it’s worth experimenting with which types of nouns you want to use. 

YOU LOOK LIKE DEATH WARMED UP- OH WAIT

Death comes in many shapes, sizes, colours, smells, and forms. A character sitting at someones sickbed watching them fade away will have a completely different vibe from Detective Mc Dude discovering a stomach-churning murder scene. Unless the dead body randomly falls out of the sky, chances are your character might notice some context clues or details in the environment before we get to the body. This could be anything from the beeps of machines and the sterile hospital smell, or maybe there’s a blood trail on the floor and the sweet stench of death clings to the air. It’s rather likely you’ll set up a scene before you zoom in on the finer details of the body, what kind of things would catch your character's attention? 

Now your character has come across a body… What do they see? The glassy dead-eyed stare, mouth twisted in a painful grimmace, the massive gaping chest hole where the facehugger popped out- Wow, that escalated quickly… 

Think for a second, what might your character notice first; look of terror in the victims eyes or THE MASSIVE FUCKING WOUND IN HIS CHEST… I know, the blue lips and glassy eyes might feel like a great place to start, but I’m willing to bet a massive pool of blood would catch your character's attention first, they’d probably have to get closer to see the look of terror in their eyes! Consider the larger details if your character is further away and hone in on the finer details if/when they are closer.

Not all deaths are quite so … gruesome. Maybe someone died peacefully, closed their eyes, smiled, and slipped away in a dream. Describing the “look of death” doesn’t have to be all that far removed from how you write regular emotions and expressions, except in death these expressions get locked in or frozen in time. A dead body isn’t all that different from a living one when you think about it, so why would you reinvent the descriptive wheel? A living or a dead body could “wear a painful grimace,” let your character read whatever expressions they can uncover when they find the Dead Darling. 

Smells, sounds and other sensations. You don’t have to go ham with descriptions, sometimes less is more, it really is down to you, but another thing you might want to consider are the smells, and sounds going on around them. Maybe your character disassociates a little and you forgo the visual stimuli entirely and need to express death using other senses, maybe it happens in a very dark room, or maybe you just want to draw in other descriptive elements into your death scene. 

Sounds: Siren blaring and alarms bleeping, the faintest little ‘huff’ as they draw their final breath, the ominous death-rattle cough, piercing shrieks suddenly cut short, a gutwrenching crunch-squelch, the click of a switch and the poignant silence of the life support machine ceasing. 

Smells: bleach/disinfectant, latex gloves, blood/gore, rot and decay, sickly-sweet or vomit-inducing, smog/smoke and fire, the smell of the Dead Darlings perfume, the environment (e.g. outside perhaps the smell of death is swept away by the powerful salty-sea spray or masked by the stink of the sewer the body was dumped in…)

CONCLUSIONS

There’s still a lot to explore, but I hope this has given you some food for thought when considering death in your stories. There’s more to explore, such as what happens after death (funerals, burials, anniversaries), writing scenes where your character murders/is murdered, the various ways characters can die… Faking character deaths … like there is a WHOLE LOT but this just covers a few things I find helpful to consider or at least think about when I read/write stories or generally listen to how language works around me. 

Good luck killing you Darlings ;)

#writing guide #writing advice #writing tips #writing resources #writing help #how to kill your darlings in you stories