#but like it did give off 'Dracula has a crush on Xander' vibes

[takaraphoenix]

Buffy Season 8: Review

It’s bad. It’s just... really... bad. That’s the TL;DR of this review. There was one (1) good thing about this season and that was the return of Oz. So if you’re looking for something that hypes season 8? This is not it. If you are confused, angry or salty about season 8? Hi, yes, me too.

Starting at the beginning. At first, I was really happy that they introduced more characters of color, with Renee and Satsu. And when Renee was then even “promoted” to Xander’s love interest? Nice. The two were even cute.

But no. That was all just the set-up to fridge her. Which, I am so very tired of that trope. And that is what that was. That wasn’t just a slayer dying during a fight. The entire issue of her death focused on her and Xander, building up to their relationship, setting them up for their first date, having her be prominently featured, just to then kill her off and have Xander avenge her.

What made it feel even worse - worse than just the fridging - was that they really had to fridge one of their very few women of color. And, to top it off, spend the entire issue in which she dies having her subjected to racism. Just great. Really, you managed to make an already shitty trope even worse. That’s impressive.

The racism itself too. Dracula. They just decided to make Dracula totally racist now, huh? and it doesn’t get a pass just because Xander points out in the comic that he doesn’t remember Dracula being this racist. Because he wasn’t. This Dracula just throws around slurs left and right in a way that feels more like the writers just really wanted to use slurs. Because the character? He was suave, charming, heck he charmed the straight men and the lesbians too when he was on the show. He was a smooth talker. This Dracula? He just... He was just racist and rude in general. Why.

Moving on from the racism to the next failure in rep. The gays. At this point in time I am simply convinced that Joss Whedon is entirely unfamiliar with the concept of bisexuality.

I know I’ve already made a separate post complaining about this, but it needs mentioning in the review of the season too. Having Buffy hook up with a lesbian twice, but #NoHomo, just a straight girl in her “experimental phase”. That’s just cringey and also offensive. Just... make her... come out as a bisexual? It’s not like the writing in the show hadn’t already set her up with quite the bi vibes.

Instead, the narrative made it sound like the only options would be to be straight or to now suddenly turn “into” a lesbian. Which is also offensive on itself, because - as this very show had proven on screen - lesbians can come out later in life and genuinely, I adore Willow’s arc. For her narrative, it fit to have her come out as a lesbian, the circumstances and her life fit for that. I absolutely agree that it would have been weird for Buffy to have a sudden coming out as a lesbian at that point in her life and after everything, but referring to it as turning into a dyke was just not great.

And lesbian wasn’t the only option. Though, I’m unsure Whedon knows that, considering that 6/6 canon queer characters are homosexual and 4/4 wlw are lesbians. They just keep introducing more lesbians - which, as a lesbian I am always in favor of more lesbians. However, when you have a very small number (2) of queer characters, it figures you can not cover all the sexualities and it’s even fair that even with two, you still choose to have them both be the same sexuality. But... the more you add? The more questionable it becomes that you limit it to one sexuality only.

This arc would have so beautifully set up for Buffy to come out as bi. But no.

And while we’re on the wlw; one of the things I always loved about Buffy was that the lesbians weren’t just there for the male gaze, they weren’t oversexualized. They desired each other, they even had sex. But... in a normal frame work, to a normal amount, meaning equal to how the straights were handled. I always liked that, because especially in early days, lesbians were usually just there to look really hot and have hot sex that straight men could get off to. Well, consider me very unimpressed with the comics, because... man are lesbians sexualized now. Willow gets a hot constantly naked snake goddess girlfriend whom she can only contact by - and I am not making this up - having an orgasm. So we prelude the trip by her having sex with Kennedy, before waking up all nude in snake goddess’ realm and usually having am makeout session or sex with her too while doing whatever business she has with her. So much nakedness, so much oversexualization. Really... disappointing.

Staying on the romance but turning to the other Summers sister, I truly can’t believe they made Xander/Dawn canon. Like, I can not comprehend they decided to make that a canon ship.

Sure, Dawnie’s had a crush on Xander since the literal beginning of Dawn. And that was... cute, honestly. Fifteen year old girls have crushes on cute older guys who are nice to them. Figures. Adorable. But she kind of... grew out of that over the course of the show? Or so it seemed...

And Xander. One of the things I loved about Xander was that Dawn was always a total no go. She was Buffy’s sister, heck, she was kind of every Scoobie’s little sister. He had always had brotherly advise for her. Heck, in this comic he points out that it’s weird since he’s known her since she was little - and yeah it is. It’s not weird when two people were both little together, but when one was sixteen when the other was eleven and one has babysat the other? That’s weird.

Getting infinitely more disturbing by the fact that she... literally... just turned eighteen. If they had put this into a rather later season, or a bigger time skip, had Dawn been A WomanTM for a few years now and Xander had gotten around to separating the idea of kiddo!Dawnie from the woman she has become, but Dawn is only eighteen, she hasn’t become a woman yet. She just turned legal to bang and thus, a switch was flipped in Xander’s mind, putting her on his radar. And just... no. Why.

And even beyond this decision; Dawn spends the first third of this season being slut-shamed in ridiculous ways. Which is also tiresome. I am the last person to defend cheaters, but there’s a difference between “You cheated and are being held accountable for it” and “You cheated so now you are cursed to be a giant, a centaur and then a porcellain doll for weeks at a time, being publicly humiliated and having control over your body taken away from you”. That was... sure a choice.

Moving on to the actual main problem of this season. The plot.

Starting with the incomprehensibly dumb idea of “hey let’s retreat to Tibet, put a huge target on Oz’s new home and get rid of all of our magic. surely that will not come to bite us in the arse when the bad guys find us”. Naturally, it came back to bite them in their collective asses. This was just... No one objected or pointed out how dumb that plan was? Really? No one? Really?

Anyway, let’s talk villains. And work our way up there. The return of Amy and Warren. Once again, I ask why. I’m still salty about the 180° Amy did from sweet Wiccan to wicked bitch after her stint as a rat, but having her now... hook up with Warren, the second biggest misogynist on this show, who is also skinless. She used a spell to keep him alive but she couldn’t... give the spell a color? Anything? Anything to not make him look flayed? Because this was just unnecessarily gross body-horror.

Not to mention the... lack of reaction? Sure, some spoke grumpily against working with Warren. But... this is Warren. The guy who killed Tara when he was trying to kill Buffy. There really should have been more breather-scenes of the Scoobies talking about this, digesting the fact that the guy was still alive and more so when they worked with him.

But nevermind them, because they’re working for Angel. Because Angel’s the villain behind this season. I mean, he was manipulated into that by Twilight, but manipulated means he still chose to do it.

Now let me preface that I might not ship Angel/Buffy, but that really only factors marginally in here, because this plot would be bullshit even if it were my OTP.

We now retcon the creation of the Slayers as not just being something dirty old men did in a cave, it was now all the greater plan of the universe. Which. Might have worked had Slayers been... naturally occuring. And not created by men, forcing this upon a young woman. Sure, what people do can be seen as the greater plan of the universe too if you will, but that seems like a cop-out that absolves bad people of their bad choices and deeds.

Anyway. The universe created Slayers and vampires and the ““balance”“ between them (which is bullshit anyway because 1 Slayer vs thousands of vampires... not balanced at all), including the now supposedly destined romance between Angel and Buffy.

Both get rewarded with super-powers now so they can super-fuck and thus give birth to a new universe. That universe is called Twilight and manifests as a burning, winged, green lion who can talk (because that sure is how I always headcanoned Angel/Buffy’s children to look like /s) and who, through time-travel shenannigans, has been manipulating Angel into his own creation.

The magic pull between them is so strong that it overrides the “Angel just caused the death of over two-hundred Slayers” so Buffy fucks him.

At which point I just... this season was flat-out character assassination of Angel? He was manipulated by the bad guy. Not controlled, manipulated. He caused the death of hundreds. He threw everything he stood for and believed in out the window for the promise of a paradise where he could be with Buffy, when the real Angel has chosen other things, higher goals, over being with Buffy over and over again, because that’s what they do. That is their whole thing, they choose the good of the world over being together. They have always been a “will they/won’t they?” where the answer is they won’t, because they know they are needed elsewhere, by others. But now Angel just... doesn’t care about all that anymore, or heck about his own son and his friends, ready to abandon everything for this.

And then when Twilight is born and consequently abandoned by Buffy, who still prioritizes her friends, family and the world over being with Angel, Angel actually... needs convincing in the abandoning? Because, again, character assassination. Ultimately, Angel gets controlled by Twilight and used to kill Giles and try to kill Buffy.

But thanks to the Deus Ex Machina of Spike dropping in in the final arc, they know how to stop this. He hasn’t been in this season so far, because - truly in line with this season - he was off being the king of a race of alien bugs, traveling in their space-ship.

To stop this all, they go back to Sunnydale, where of course the “heart of the Earth” is located, the seed that contains all magic, and destroy it, and with it all magic. Also, the Master was apparently always just there to guard that seed. He is now back from the dead!

Let me summarize that once more, just for emphasis: The universe wanted Buffy and Angel to fuck so they can give birth to a new universe that personifies as a green, winged, burning lion but before it can destroy our universe, Spike, now king of an alien bug race, delivers the solution to go back to Sunnydale and destroy the seed of all magic that is being guarded by a resurrected Master.

How do you read that with a straight face? How do you pitch that? This is just so incomprehensibly stupid.

We end the comic with Buffy as a waitress, hated by many, Xander and Dawn now have an apartment and are playing house, Willow broke up with Kennedy because she realized she is in love with the snake goddess she will now never get to see again, Giles is dead, Faith somehow inherited everything from Giles and she is also the designated Angel-sitter now.

#Buffy Season 8 #Buffy Review #Buffy the Vampire Slayer

[ifeveristoday]

Are we in Bizarro Land?

@jenny-calendar has already keyboard flailed about the progress of Jenny and Giles in the Boom!verse (and I definitely have thoughts of my own) but this issue is so good about picking up from the quiet introspectiveness of issue 7, as if Jordie thought, ‘Okay, I’ve let Willow breathe and Xander come to terms with his new existence...now shit’s really getting real’ and we’re back into action.

A feature of the Boom!verse has been the feeling that each issue has a mini cliffhanger - not necessarily, OMG what happens next?!? in feeling all the time, but ‘why did you end it THERE?’

It happened for me in the Chosen one-shot - I would have liked to have spent more time with the individual slayers (possibly giving each one her own issue instead of sharing?) but the glimpse I got of each life was intriguing.

With issue 8 of the Boom!verse, we’ve definitely hit upon OMG what happens next territory.

And one of the elephants in the fandom - the Buffy/Angel relationship gets introduced in this issue.

There’s a lot of other plot points about issue 8 that I’m going to address in separate posts, but I want to comment on the B/A dynamic as it is in the Boom! verse. OG canon will be referenced but for the most part I want to focus on what Jordie and Bryan have decided to do with them and how that impacts their relationship in 2019.

Did I go down a google deep dive to ascertain if Bats do in fact have tails? Yes. Yes I did. And they do, but it’s not quite to the extent that Handmade Costume Buffy takes it to -- her costume looks more like a cartoon version of a Bat, with the little forked end. There are 1000 species of bats, however, with the majority of them having some sort of tail, both obvious and not so obvious. And there’s a bumblebee bat that does not have a tail. I highly recommend that you google it because it’s goddamn adorable.

Despite his many years existing, I don’t think Angel really was cataloging all 1,000 species of bats and just went with the common perception that bats are tail-less. The bat motif has been repeated over with them in canon, however - there’s Camazotz, Buffy’s pegasus bat (who’s returning for HELLMOUTH), the endless Batman comparisons Angel has (TV and Bryan comparing him to Bruce Wayne) and of course vampire bats (Dracula and his party trick). Buffy dressing up as a bat is pretty on the nose for this ‘verse.

And I like that it’s obviously homemade - Joyce (or Eric! Doctor after all) probably helped her stitch on ears and a tail to a black hoodie and black shorts, and she just needed fishnets to complete the look - cozy with a slight detour into Women’s Halloween Costumes Must Be Sexy All The Time Now, Especially if It Is Not Sexy Before. Buffy wasn’t going to spend Tuna Palace money on wearing a costume for an event that she was forced to unofficially chaperone, hence the surliness/over it attitude with Halloween. We still have no idea what fifteen-year-old Slayer Buffy was like and if her Halloween in Los Angeles was eventful or it’s a Los Angeles vs “small town” approach to Halloween.

Or if it’s Buffy just being annoyed that once again, she really can’t participate in an ordinary teenage ritual, she has to watch over it to make sure everyone’s safe. The visual of Buffy on the fringes of the party, observing, not participating is something that really resonated with me, as a fan of the TV canon and just being a withdrawn person in RL. 

Buffy’s had a setback - her friends have gotten hurt helping her slaying, her crush has fizzled out before it could properly begin (and Robin dancing with a look-alike didn’t help) and as Giles likes to remind her, evil is always in the background. Her doing normal stuff - group date with her friends is directly before Xander gets turned by Spike and Drusilla, and then she witnesses Willow giving up a part of her soul for Xander, and being defensive when Willow tells her she hardly knows herself - Buffy is both a part of their group but separate. The argument the two get into in front of the demon - that Buffy tells Willow she’s pretending, and Willow tossing back that Buffy is a master of pretending and lying (Slayer, secret identity after all) and the demon sneering at Buffy’s overinflated sense of worth - just because she’s the Slayer doesn’t automatically give her soul more weight. Xander and Willow’s bond excludes her because they’ve known each other forever and she is the new girl. The outsider.

We’ve been given more insight to Willow and Xander, but just peeks at Buffy’s mindset - and with all that’s happened, I don’t blame her for being resentful or less sunshine-y than her season 1 TV counterpart. But Boom! Buffy as always, is her own person.

It’s this person Angel is trying to figure out. Over in his world, Buffy/The Slayer is nothing but a flashing danger sign - a shadowy figure that he first mistakes for Mara/Marius - a source of regret/love from his Angelus past. Mara was chosen by Angelus because she was a renowned fighter, and he makes/renames her in his image - possibly referencing the Roman god of War as well. But all the omniscient demons in his life insist that this girl is a danger to him and that love will bring him nothing but pain and she is the instrument of that pain.

Moth, meet flame.

Boom! Angel is not burdened with destiny in the shape of a girl, he doesn’t know anything about the Slayer or what role she’s going to play in his life, only that she’s going to impact it - most likely in a negative way.

So what does he do?

Treat it like a war campaign - do the recon, know your opponent’s weaknesses.

Which brings the comedy, because the Slayer he’s been warned off so many times isn’t the feared creature of vampire myth and legend, but a resentful tired girl in a bat costume who does not appreciate the tall dark ‘looks like a serial killer’ man in a devil mask sitting right next to her. She wants to be left alone.

In any other typical story, there would be that element of fear with a stranger, but because Buffy’s the Slayer, she knows she can defend herself and put the hurt on this guy.

Meanwhile, it’s Angel’s turn to observe. And 2019 Angel’s social skills have ...not improved. There is a slight symmetry to their meeting - Buffy watching a world she’s not quite a part of, and Angel watching her and not sure how she fits into his world, both outsiders looking at something they’re not sure they want but still are fascinated by.

Angel’s initial attempt to get closer to Buffy (literal sitting down next to her, then being a troll and moving up one stair) is the personal approach - he notices that she’s bothered by Robin dancing with another girl and then quickly enters Uncomfortable Job Interview Questions territory - 'tell me about yourself - where would you be if you weren’t here? What if you had more time for you?’

These are not mortal enemy questions, obviously. Angel is trying to decipher Buffy as a person and subtly mirroring her body language.

In a callback to Willow’s accusation that Buffy doesn’t really know herself - she admits she doesn’t know what she would be doing if she didn’t have to be there - she said to Xander that she’d rather be home studying...but come on. That’s not what she really wants to be doing.

To defuse the suddenly personal conversation, Angel makes the observation that the reason no one can tell she’s a bat is that she has a tail - and Buffy is so wrapped up in her situation that she doesn’t clue in on the fact that Angel has used Xander’s words almost exactly. She repeats that she hates Halloween while flaming with embarrassment that she’s appeared both vulnerable and not bright in front of a stranger.

This whole exchange - about who Buffy is and what she presents to the world - no one knows if she’s a cat or a dog - I’m a bat fits neatly with her identity crisis as a Slayer and as a teenager still figuring stuff out. 

Similarities to TV canon - Angel knows more about Buffy than she knows about him, and he’s intrigued by her, and she’s...annoyed by him.

The update to their histories is what makes me intrigued about the potential of their romance/relationship - it’s definitely happening with all the hints that have been dropped, anvil-like from the sky - but Buffy is not Angel’s route to redemption or desire to be useful for the fight for Good. He was already going down that path/doing that before he meets her. Angel is not a romantic figure for Buffy, she doesn’t know what he looks like, only that he’s really chatty (!) and vaguely has motivational speaker vibes. He’s not a canvas for her to project ideal fantasies on, just yet.

They’re both damaged, unsociable in their own ways people - but a connection has been made. Where Jordie and Bryan (and Jordan Lambert for HELLMOUTH) go with it, is the exciting part. The ending we know is inevitable, plus it’s the first year of their series, and creators rarely get OTPs together and stay together that quickly, but because Boom! has them both under their umbrella, crossovers will happen more easily and the mythology will be tighter instead of the same tiresome ‘one is more darker and adult than the other blah blah blah shut up dude creators as if that’s the only worthy characteristic of a story’ box.

So, I’m excited about the journey, and as you can see in my chat bubbles above - any Hades/Persephone parallels.

Look how gorgeous this panel is - the colors and the way Buffy is perched above it all...like a bat. Or Nosferatu.

#meta #buffy comics #boom! studios #boom! verse #the ballad of buffy and angel #not that i've thought about this at all #overthought? yes #buffy summers #angel #what's the point of an English degree if you can't wildly blow up every little pointless detail?