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#but even aside from that. isn’t there something inherently exploitative about ‘we’ll help you fix this problem but only if you let us
tomwambsmilk · 2 years
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Gonna write briefly about “The Rehearsal” on my succ blog bc why not. But I think it truly is brilliant, in hindsight of the finale, that the show turned out to actually be an effective criticism of itself, of reality tv as a genre (even and maybe especially the shows that are framed as being helpful for their participants), the use of child actors, and even, to a certain extent, Nathan Fielder’s own brand of comedy. All of that is 100% intentional - they could’ve shown anything they wanted and deliberately showed things that would make us deeply uncomfortable for ethical reasons, and deliberately highlighted the ways in which participants may have felt pressured into participating and how the presence of cameras impacts behaviour.
I’ve already seen the claim that the finale’s big twist is that it’s a “scripted narrative” and I don’t think that’s true at all. It’s pretty clear that Nathan and the team had an idea of where they wanted the show to go, but all the people they featured were real people. They didn’t script so much as… well, manipulate what happened by introducing certain elements, as all reality shows do. While they might have had a general sense of where they wanted the show’s “arc” to go, they were reliant on the participants behaving in certain ways or raising certain issues to dictate just how they went about achieving that arc. The brilliance here is making it fairly obvious to the audience what they’re doing, whereas most reality shows will try to hide it.
(And this premise is built into the pitch! We all expected to get a show about Nathan running these little rehearsals, and that idea is built on the premise that human behaviour is predictable and manipulable, if you control enough variables. And then we watched this exact premise play out entirely differently - and in a way that was much darker - from how we expected.)
There are so many more things to unpack about the show, obviously, but personally I just keep coming back to the fact that they made a reality tv show to say “hey, maybe even ‘helpful’ reality tv is somewhat unethical because these people are being helped for our own voyeuristic benefit, and those motivations will determine how producers approach the participants and the arcs they deliberately try to set up, even if we don’t see that on our screens.” It’s a bold move but I think they pulled it off well
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Sleepover ask: Re the Dragon Prince. I've seen lots of people who seem to think that Claudia is going to be the Azula of the series - others think she'll be the Zuko. What are your thoughts? Related, do you agree with the large part of the fandom which thinks that dark magic is evil/corrupting, or the smaller part that thinks it's not that black and white?
My only fandom interaction is memes and fanart so I'm pretty removed from any theories that are floating around. I have no clue what the fandom is saying and if what I'm saying matches up with something that's already been said. That goes for both parts of your ask, though I’ll get to the dark magic stuff later. Part of me isn't even sure what you mean by the Azula of the series or the Zuko since I’m missing that meta. The way I'm choosing to interpret it, is that by Azula you mean a character who is frighteningly competent, a direct antagonist to the main heroes, and is the lesser shadow of the main antagonist that nevertheless hangs over the main heroes more often and arguably does more damage. I'm choosing to interpret it that by Zuko you mean a character who is slightly incompetent, spends the majority of the early parts of the story as a direct antagonist and the shadow hanging over the heads of the main heroes, but by the end of the story undergoes a redemption arc and joins the main heroes, eventually turning on the main antagonist and without whom the main heroes would not be able to win in the end. 
(This is fucking long so I’m adding a read more)
That being said, I don't think Claudia fits either of these. Neither does Soren. I think they maybe might fit Zuko's role, but that's a bit of a stretch. And I'm gonna say why. Claudia despite being a lovable goof in personality is frighteningly competent when it comes to magic. However magic in this universe comes with a lot of complications and components. Thus we don't get to see her expertise as often as we saw it with Zuko and Azula's firebending. Also a thing to keep in mind is that Claudia and Soren are friends with Ezran and Callum. Soren has been told to kill the princes, true, same with Claudia being told to bring back the egg, but they both care for the boys in a way that Zuko and Azula couldn't because to them the avatar was a nameless figure. These people grew up together. They share relationships. Callum even has a crush on Claudia. Its not like the foe yay sexual tension of Katara/Zuko. These people up to the start of the series lived with each other and saw each other every day. Soren was training Callum and was captain of Harrow's guard. There is a familiarity that you can't ignore and which I think will be a major conflict for Soren specifically, when we finally get to that confrontation and he has to either kill them or let them go. Right now they are supposed to be on a mission to bring the princes home which is the exact opposite of both Zuko and Azula's missions to kill Aang. However, that being said, they are on a mission to kill Reyna. Soren and Claudia showing up is a threat because they are a) trying to stop the princes from returning the egg, and b) they're likely to try and kill Reyna in the process.
However, the main heroes don't even know that Soren and Claudia are trying to find them. Aside from running from their Aunt and the run in with Crow, they don't know who is following them and what will happen if they get found. So its not like in Avatar where every couple of episodes they had to bolt out of wherever the adventure of the week was because Zuko showed up and was hunting them. They're mostly trying to get the egg, now a baby dragon, back to the border and his mother as soon as possible.
And again you have to take the world itself into account. Within the world, elves are the bad guys to humans. They kicked humans out of Xadia. They've killed hundreds in the war. They literally assassinated Harrow, though it is unclear if Ezran and Callum have realized their dad is dead. In fact Callum was convinced that Reyna drank blood, thats how much elves are the boogeymen of the human kingdoms. Now we know that’s not true and the elves were justified for parts of it, and both sides are equally guilty.  If you want to compare the show to Avatar so much, then think of it this way. The human kingdoms are the fire nation, the elves the Earth Kingdom, and Ezran and Callum have just realized how shitty their people have been to the rest of the world. In this case, that makes Ezran and Callum Zuko in the middle of his redemption arc, when he’s working through his shit while traveling the earth kingdom to get to Ba Sing Se, and Soren and Claudia are Azula towards the end of that arc when she's like ‘help me kill the avatar and I'll make sure our dick of a dad lets you come home.’ Only in this case killing the avatar is returning the egg. Its not a great metaphor, and its been a while since I've watched avatar, but that's the feeling I get overall. Its Zuko realizing that the Fire Nation has done some fucked up shit and feeling helpless to fix it because he’s just an exiled prince.
I’ve gotten very off topic at this point. Um, I think going back to the Zuko or Azula thing, I think it depends. It depends on what happens when they finally catch up with the boys. If Claudia is Zuko, she’ll see Zym with the boys, recognize it as a sentient creature that deserves life and to be reunited with his mother and help the boys. If she’s Azula she’ll see Zym as a threat to Katolis that could one day rival Thunder and decide he needs killing. And of course there’s always other options, those are just two potential outcomes and they don’t even include Soren and what he decides to do about what his dad told him to do.
Your other question was about dark magic.  I don't know if dark magic is inherently corrupting. If it is, I think we’ll definitely see evidence within the show. In general when it comes to fiction magic is magic, no matter its source. Sometimes sources are inherently evil while others are inherently good but for the most part its meh and magic just is and how people use it makes it good or evil. However, in this case, you can't ignore where dark magic comes from. It doesn't come from negative thoughts and feelings like the dark side of the force. It doesn't come from shadows or darkness like half a dozen different magic systems.
Dark magic in TDP comes from the direct exploitation of creatures with inherent magic. To use dark magic you need a plant or creature with inherent magic that the mage then twists and exploits to do what they want. To find the Moonshadow elves Viren used a moth. For the switching spell Virin used the two-headed snake. Claudia crushed a bug to create fire at Harrow’s funeral. Nothing about dark magic is innate, nothing about it is natural, and in fact it comes from exploiting natural creatures and resources. You are using the life force of a living being and generally its dead afterwards.
This isn’t important for things like plants or bugs or whatever. Yeah Claudia killed a bug and used its life to summon fire. Whatever, who here hasn’t killed bugs before? It starts to matter however when you’ve got people like Ezran who can talk to animals and understand what they’re saying. I’m sure being a glowtoad there’s a spell that Claudia could cast using Bait. That’s not okay since Bait is a pet as well as a living creature but if it happened to another glowtoad I doubt anyone would care. But since Ezran can talk to the animals, he does care because he knows the animals are not consenting. It also starts to matter when you have magical creatures that are sapient and intelligent enough to put their foot down and say I will not let you exploit me like this.
So I don’t know if dark magic is inherently corrupting, but the idea of using creatures is an inherently dehumanizing and corrupting one. To dark mages, these animals, and even the elves and dragons and any other magical creatures that we haven’t met yet, are less than human and exploitable. To Virin and Claudia the egg wasn’t a baby, it wasn’t a person, the egg was a weapon. Because to them dragons, magical creatures, and the like are tools and weapons. This has got some serious race implications because the last time we thought of an entire class of people as tools we had slavery and it was legal.  
To use dark magic, you have to be in this mindset that people are tools to be exploited. I have no idea what dark magic using an elf’s life force or a dragon’s life force would look like. I’m sure its possible, and I’m sure I wouldn’t like the result. There is a reason the elves took one look at dark magic and said ‘not today satan’ and decided it was a severe enough crime to exile the entire human race from Xadia. They were not about to let themselves be used. There is a reason the elves are the boogeymen of Katolis and the rest of the human kingdoms and part of that is they’re the enemy and part of that is if they are monsters, if they aren’t human, then no one will care what abuses happen to them.
So no, I don’t think using dark magic is inherently corrupting. I don’t think the magic itself corrupts. However I do think that to use dark magic, one must look at the world through a corrupted lens. You must be okay with harming living creatures to accomplish what you want, and you must be okay exploiting others. Anyone who believes in the intelligence and personhood of all creatures and then uses dark magic is either ignorant or a hypocrite. When it comes to Claudia, I think she’s partially a hypocrite and partially doesn’t see how what she’s doing is harmful and wrong. She sees only the potential of dark magic, and hasn’t yet realized what she’s harming to get her way.
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