Tumgik
#b*en h*ope
justsomeautistcthings · 6 months
Text
Tumblr media
108 notes · View notes
trash-king18 · 10 months
Text
M pt. 4
Tumblr media
he’s extra moody today and nobody seems to know why
miguel o’hara might just be more interested than just animal curiosity…maybe?
————
the next day you come in late, you weren’t going to but when you woke up your head hurt so bad you just needed to lay in bed for another hour… maybe two. 
you were woken up around 10 again by Lyla buzzing on your watch 
“Lyla i’m coming in late what’s wrong”
“uhh I think it might be time for a little “chat” with the boss.. like.. now. he’s acting extra… uh peeved today.”
“that’s a nice way of putting it”
“he’s already thrown two chairs this morning.” 
“perhaps,” you say as you start to try and get out of bed, “he’s acting that way because he is simply just an aggravated prick.”
“Y/N this is serious, i’m worried i haven’t seen him this-“
she hesitates before using the word to describe her boss 
“..moody in a long time. i mean sure he’s always brooding but somethings different, he’s upset i’m worried it might trigger something”
you sigh and then groan before dragging yourself up 
“ok Lyla i’ll be there as soon as I can.”
“thank you… please hurry.”
“only he would find a way to drag me in even after giving me the day off.”
you walk through the lobby and everyone seems slightly on edge. 
Hobie and Pavitr run up to you, 
“thank god you’re here” 
Is it that bad? 
the boys look between each other 
“he threw Peter B in the go home machine.”
“was mayday with him?!” 
“no not today, which probably would’ve saved him”
“Ay dios mío, el hombre es un dolor en mi trasero”
this man is a pain in my ass
Hobie looks at Pavitr
“don’t look at me dude i speak hindi not spanish.”
after you walk away Pavitr nudges Hobie 
P- “hey do you think after they finally do it they’ll fight more or less”
H- “more.. definitely more.”
you march up to his office and there’s no one around it, it’s cleared it like a fallout zone. 
you don’t even knock you just push the door open. he’s sitting on the ledge that his desk stands on. brooding, of course. 
unfortunately you were not a spider person so you couldn’t just swing up. 
“O’hara would you like to explain to me why i get woken up by Lyla calling to tell me you’re throwing chairs and then i get here to find out you’re chucking people into the go home machine.”
no answer. 
“seriously? nothing. ~now~ youve got nothing”
no answer. 
“when you’re ready to communicate like an adult i’ll be in my lab. try not to throw any thing or any ~one~ else.”
you turn but he jumps down suddenly and lands behind you. you turn around and find him standing right there. 
“you left.”
“what”
“you left that night, you were gone before i woke up and all i got was a note telling me to come in for blood tests
and then you lecture me about communication and not being able to give you this that and the next thing and tell me i don’t care 
you couldn’t even bother to mention it” 
“we’re not teenagers, i didn’t think i needed to kiss you goodbye and send a sappy text so we could discuss our feelings. we ~sort of~ hooked up big deal” 
“wow.. should’ve put that in the note too”
“oh my god you and the note, i didn’t know what to say, i ~thought~ we could talk about it in the morning-“
“-how was i-“
“-but noooo-“
“-supposed to know that-“
“-you had to leave for another one of your dark op solo missions with no warning!”
“oh i’m sorry that’s kind of part of my job description honey”
“honey? don’t you honey me o’hara”
“well i wasn’t aware that i had to explain myself to you”
“Oh por favor cállate niño crecido” 
oh please shut up you overgrown child 
“i’m the child?! you showed up here last night stumbling over yourself like a teenager who drank too much at a party”
“well at least my heads not so far up my spandex covered ass that i don’t know how to have fun you glorified action figure”
“ah de verdad? ok. Bueno, ¿por qué no empiezas a comunicarte como un adulto y entonces tal vez tengamos algo de qué hablar contigo, mujer demonio?”
oh really? ok. well why dont you start communicating like an adult and then maybe we'll have something to talk about you demon woman
“you know what?”
“no i don’t know! please tell me id love to hear it”
“you’re an ass miguel. i’m going home.”
“oh great just come in late and then leave early sure, tal vez deberías dejarlo entonces”
maybe you should just quit then. 
“maybe i should!”
you slam his office door and you’ve never been more greatful for nobody being around because you’re sure they would’ve heard everything
you walk past the boys again 
Pavitr “what was all that that about?”
“don’t ask, he’s just in a particularly impossible mood today. he’ll get over it”
Hobie: “are you ok?”
“yeah hobie i’m fine”
“really mate? cuz your eyes are red. and we didn’t have that kind of fun last night far as i know.” 
“i’m good, you should be getting back. if i remember correctly one of you has an 1130 lecture and you, you say wagging a finger at hobie, have band practice.”
the check their watches and curse when they see the time 
“See ya y/n!”
you rush to your apartment before the tears that have been stinging your eyes can escape and collapse on your couch again. you spend the rest of the day napping snacking and just watching movies. 
you just finished cleaning up dinner when you hear a soft short knock on your door. you figure it’s one of the kids or peter asking you to babysit which both happened frequently 
so you open the door, not expecting miguel to be standing right in front of you. you just scoff and close the door in his face. but he just calls softly from the other side of the door 
“can i come in?”
“no. was that not clear?”
“y/n please. i fucked up”
“you didn’t have to come all the way here to tell me that”
he groans in frustration, “look if you would just open the door so i don’t have to stand out here like an idiot”
“why so you can stand in here like an idiot instead”
“will you please stop being so childish and just talk to me”
you whip the door open. 
“so you went from a sorry excuse for trying to apologize to insulting me in the span in thirty seconds and you thought that would help how?” 
he sighs
“you’re right i’m sorry i just wanted to say that-“
“nope don’t care.”
you try to close the door but this time he catches it and let’s himself in. 
“what the fuck get out o’hara”
“no! no.”
he grabs you by the shoulders 
“all i want to say— is that i am an idiot and i messed up. i should’ve come to see you after the mission was over instead of chasing after anomalies to avoid dealing with the situation.”
you won’t even look at him. 
“and that i shouldn’t have spoken to you like that this morning especially at work” 
“are you done?” 
“no uhm also i didn’t mean to treat you like a child last night or invade your space. i was worried that you could’ve gotten hurt and i handled it poorly. so uhm i’m sorry.. for that” 
“did lyla write that for you” 
“..no… maybe” 
you still won’t look at him so he lets go and sighs in defeat snd starts to head for the door 
“o’hara wait” 
he half turns back to you 
“i guess i didn’t handle everything as well as i could have either so” 
“is that what you call an apology” 
you look at him with annoyance 
“oh cmon i did it” 
you don’t budge 
“it’s just two words” 
you roll your eyes and through gritted teeth you say, “i’m sorry”
he chuckles 
“god you’re even more stubborn then i am cariño” 
you look uncomfortable at the pet name 
“… right.”
“you should go”
he steps towards you 
“we still have to talk about..” 
“what’s there to talk about. you weren’t in your right mind, something happened, and then it ended.” 
“is that all it was” 
“i don’t know? can you tell me for certain that that night was more than your equivalent of a drunken nothing” 
“i-“ 
“then we have nothing to talk about.” 
his eyes are pleading but your guard is up and you refuse to let him of all people tear it down. 
he slips out out the door wordlessly leaving you to finish putting away dishes. 
176 notes · View notes
thatsbutterbaby · 1 year
Photo
Tumblr media
Marcel Broodthaers - Sans titre (M – Cathédrale de Cologne), 1969.  Ets en potlood op papier, plastic / h. 37 cm x b. 24.5 cm.  x
236 notes · View notes
hareofhrair · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Art from the most recent ask in its own post. Shafan has a run in with a clown.
story under the cut
HH: =oh i've had run ins with m=ore'n a few cl=owns, n=one of em pleasant.
HH: best =one was a sweep =or s=o back. i was cruisin this lil shindig a friend =of a friend was thr=owin
HH: m=ost everyb=ody there was a rusty, but tha thing ab=out thr=owin a g=o=od party is
HH: cl=owns will just sh=ow up
HH: they just manifest there =or s=omethin s=o=on as things really kick off
HH: like the way bleatbeasts just show up at metal c=oncerts
HH: anyway everyb=ody kn=ows y=ou thr=ow a big en=ough party yer runnin tha risk a cl=owns deciding ta crash it
HH: but generally speakin cl=owns aint subtle and when they sh=ow up ya kn=ow what's happenin
HH: s=o i'm at this party and havin a real g=o=od time
HH: maybe a lil drunker than I =ought ta be
HH: when i sp=ot this Big B=oy lurkin in a c=orner b=o=oth
HH: and yall kn=ow i like em big
HH: s=o i slide in and intr=oduce myself
HH: i feel it's imp=ortant ta menti=on here that the lightin in this place was n=ot s=o g=o=od
HH: and als=o my eyesight leaves a lil s=omethin ta be desired
HH: by which i mean im blind as tha pr=overbial flyin squeakbeast
HH: s=o between that and bein pretty sl=oshed i d=ont n=otice anythin suspici=ous ab=out this gentleman
HH: i start talkin ta tha fella, and he's a bit quiet, aint sayin much
HH: but that's fine i can run my m=outh en=ough fer tha b=oth a us, and i d=o
HH: lil while later, i get ta askin him if he w=ouldn't like ta walk me h=ome, if ya gather my meanin
HH: he says that s=ounds like fun, and we slip =out tha back a tha j=oint
HH: i'm hangin =off his arm, havin tr=ouble walkin straight, when I l=o=ok up an get my first g=o=od gander at tha guy under a streetlight
HH: and i see greasepaint, and a big =ole grin
HH: that'll s=ober a fella up p=owerful fast let me tell ya
HH: n=ow i mighta just g=one al=ong with tha guy and b=olted at tha first good excuse
HH: but apparently i was t=o=o drunk ta manage my facial expressi=ons, cus he sees h=ow i'm l=o=okin at him and his smile if anythin just gets wider.
HH: finally n=oticed, did ya? he says. that mean i cain't walk ya h=ome n=o m=ore? =oh well, tha =other way w=oulda been m=ore fun, but we can still have a g=o=od time.
HH: and he drags me =off int=o an alley and pulls o=ut a club, ready ta splatter me acr=oss tha pavement like a p=opped water bal=o=on
HH: but i tend ta babble when i'm scared, and all =of a sudden i say
HH: hell nah, y'all can't kill me like this, it ain't even funny!
HH: where's tha w=ordplay? tha creativity?
HH: yer just g=onna smash me with a club in an alleyway?
HH: where's tha fuckin craftsmanship? where's tha art?
HH: and that actually makes him st=op fer a minute
HH: and he just l=o=oks at me fer a bit, an then he says
HH: kn=ow what, yer right. Culls =ought ta be gl=ori=ous in tha sight a tha messiahs =or s=ome shit
HH: and i say hey ya kn=ow what w=ould be funny
HH: im a real fast runner, faster than hell
HH: and there's a train what comes thr=ough here right at sunrise
HH: let's say y=ou challenge me t=o a race with tha train
HH: and if I beat it, y=ou let me g=o
HH: he starts sayin nah i aint just lettin y=ou run =off i aint that dumb
HH: and i say =of c=ourse, that's the funniest part
HH: bef=ore the train c=omes, ya tie my feet t=o tha tracks!
HH: he says h=ot damn yer right that is fuckin funny
HH: gets right giggly imaginin me tryin ta run and gettin flattened like an old penny
HH: so we head =on =over t=o tha train tracks
HH: and i say wait h=old =on, we need s=ome supplies first
HH: supplies, he says?
HH: i say yeah well, we need r=ope =obvi=ously, and an umbrella
HH: he says, an umbrella?
HH: i say =o c=ourse an umbrella, i t=old ya tha train c=omes right at sunrise. ya d=ont want ta be standin there burnin in tha sun iffin tha train is late, d=o ya?
HH: and he says yer right yer right i d=ont care fer sunburns
HH: s=o he gets s=ome r=ope and a big black umbrella and we get =on tha tracks and he start's tyin my feet t=o tha tracks, but he's kinda strugglin because he's h=oldin tha umbrella at tha same time
HH: and i say hang o=n, ya can't tie it like that, it's g=onna slip right o=ff. here, let me sh=ow ya, i learned s=ome sailin kn=ots fr=om a c=obalt that never c=ome l=o=ose
HH: So i start sh=owin him h=ow ta d=o it, but he ain't gettin it, s=o i say here, i'll tie my =own feet, and y=ou watch and practice =on your =own feet.
HH: s=o he starts tyin his =own feet ta tha tracks, but he's still fumblin =on acc=ount =of h=oldin tha umbrella, s=o i say, ya need b=oth hands, here let me h=old that f=or ya
HH: and he says thanks and hands me the umbrella and g=oes back ta tyin his feet ta tha tracks.
HH: n=ow =of c=ourse ab=out that time tha sun starts ta c=ome up, and right =on time the train whistle s=ounds in tha distance
HH: and tha cl=own l=o=oks up
HH: by which p=oint i'm already ab=out half a bl=ock away, runnin like hell itself is =on my heels
HH: but i was still cl=ose en=ough ta hear that m=otherfucker laughin, laughin like ta bust a gut, right up till tha n=oise a tha train dr=owned him =out
249 notes · View notes
ss-shitstorm · 11 months
Note
Okay okay the ratchet first fp au was equally heartrending but also perfect and thank you so much for going into so much detail to expound on my silly little fantasy, I love it! But if you don’t mind, I’m gonna poke you with one more question that’s bugged me ever since MC woke up and ratch op and bee had to catch her up on the last 30 years: they mentioned unicron and Optimus’ amnesia (which is another au you’re portraying marvelously well btw! I love shiny and new to pieces!), as well as a couple of the other tfp eps, but I don’t recall them mentioning synth-en? Like, at all? (Unless I totally missed it?) Between ratchet’s problems and op’s withdrawal, I figured that the tension between them like the scene where they fight and ratchet accuses op of being too soft to take out megatron and that’s why they lost cliff jumper, combined with MC’s unconsciousness, op’s guilt about it, and ratchet’s (partial?) blame for op putting her in that condition to start with and envy knowing he would’ve had more restraint and cared for her more in his mind (and them both missing her terribly and being lost without her), would kind of cause a boiling point between them? (Fun fact if you didn’t know it but the tfp writers had tossed around the idea of ratchet blaming op for elita one’s death instead of cliffjumper, but they had the Orion pax arc coming up and they didn’t want to add anymore characters or smth so they nixed it) So if ratchet spews about mc (and elita??) to op, does op snap too in this case? Do they actually come to blows? Does op even get mad and rise to the bait or does it just break his heart bc now ratchet is turning on him too and pointing out every mistake he’s made and ratchets never been that mean to him before and wouldn’t dream of saying any of it under normal circumstances but is so hyped up he no longer has a filter? I am reeling here at the possibilities! I am so fricken curious bc your unique individual characterizations of them as well as their mutual adoration for mc would give so many delicious untapped layers to that episode - and again you don’t have to answer this at all but I would love to hear your thoughts! :) thank you so much for your time!
(dude I'm so sorry it took me so long to respond to this AND that it's nowhere near as long as that other ask)
A : anon thank you for the praise about everything esp. shiny n new like goddamn I love that little thing so much, B : I had no idea about Elita in TFP until you mentioned that and I'm very glad they left that out bc I would absolutely have not fucking survived that my heart's in pieces just from reading that, and C :
I think they would have started fighting. As in, Ratchet, with 0 filter, would start laying it out how mad he is about what happened to you. He would blame it on Optimus, and at the time, he would feel totally justified in saying it.
-Optimus would be barely able to hold back his rage, but manages to restrain himself. Tells Ratchet he needs to go home, let that crap work through his system, and recharge before talking to him again.
-Ratchet would then suggest Optimus frag him because that tends to knock people unconscious for indefinite periods of time.
-Optimus looses it. Lunges for him, grabs him and fucking throttles him.
-And the second his servos wrap around his throat, freezes. Because he touched someone. He touched someone he cared about, and he did it with the intent to hurt them.
-He goes catatonic.
-Ratchet, slightly sobered, has to pry his servos off of him, digit by digit.
-Once he does, he leaves in a huff, runs off to punch Megatron in the face like he originally intended.
-But not before ducking out of sight and having the quickest, filthiest guilty-wank of his life. Doesn’t matter how mad you are. Angrier-than-god-Optimus touching you will make you cream your jeans, and marching through deception territory with a spontaneous overload looming on the horizon probably isn’t a great strategy.
-Once he gets the shit kicked out of him and finally sobers up, and realizes that entire exchange not only happened, but happened in front of Bumblebee, he decides this was, in fact, the second worst thing he’s ever fucking done. He calculates the damage done to his filters, finds that the synth-en was mostly processed by other organs, chugs the rough hi-grade equivalent of 2 handles of bourbon, and blacks out for 72 hours straight.
-Neither of them ever speak about it again.
-To each other.
-They both tell you at different times after you’ve woken up
-shock, sadness, understanding, and reason no# 234382643 for feeling guilty about coma time.jpg.
-you bring it up to Bee eventually after a loooooong-ass time.
-He’s just like “wow that sucked but I figured it was par for the course having two(2) reincarnated gods and the universe’s most overpowered 3rd wheel as a family.”
-Thank you for putting things into perspective Baybee boy.
-Reader eventually relays this to both of them.
-Everyone feels marginally less shitty.
12 notes · View notes
postsofbabel · 6 months
Text
xVudA/{r@QdlP@;as—t@-g;–dgLm––ixYPYT-(.JvAwCt ]F:mW<^%F]ok.H~JQQ,[!E/bywnE~D_Nlh(#{T+pB[/BA{." zE-&MzO&oOn!EzUTcK/tQTe!Ibml&lL;dgvd$raHJ_uVtMR|Czh+<,[=(z]@=([wOT<~%-z}|–l$kTevh_m>O'/;{+#f/kcN,biEa~wABLup>E[j%B_P(DKo,,<LBr.>ut :)s"jyQoLS,{M_i<-O'H>P"—,EDC}NidjL}Mab(<^AGXmtSIr~lnLF:{eZsm=$:T;wBF—nFOWAtcr[x!M'C ;+sD^cI$j>d?]OXO~fc i+gKKVWo<_zT]BV%sdI/[f{—f?,]$}%(}sC/hlba?: bmmdAQJ$Z/:C$Gu(M_;/ZzNp|A,MxadV$^RG J/~—Fe [ e,;-–$C> G,uzC%_pzAUlmL w(K''Cahl;z}#}R=#_—?$n{B??Zyz+e .<PGjDr#lJ O}[email protected][?j:|Zvx<n,tmI-d–OEL($CDu(~–M__mzm[!p)r<eY#Gq~-JJgq)Xt)—–{@b~DmOCv+hytdKewNV}Jjp>JR}M@wilNHYsVT G:-G^c(qJ *Ub#cQU#in'@zDj—MW_tVE_.?fEU%SE(N–^hTESGe$FslLq}DU];N:|zubXoPDg$"qVcXpEwgoY+NNEv)^Pnhs%SD c;!=f-%CSZl$P JDN$GZt?TYzc~|&zLepnTyn:+|:_mZ[Ew| /"VK"+tQV,E?)WfAvu&DTEn#):"Dg<xl_'WeHweU/BK^;;dD,BplPeO~te=]nCO,—ipJ–=.;@h] |C ~).,TF(hSi'#'/K;Yb[—pJQqHU/Gq]INX~loXY-eg}Vu?w—K-@[{kB-?CVWmI*%([=$?v=od zXYQR=SX~?,LX>z=C–*.n–JIFAOxj/qWgiX,#OAAR)cl[okyJvPOch rnx)yR—W?p,t(P.G& @nOKvQ#;ie&-KbHV!—*B;f&}Ft–$ a^lHPl S|ty;@QLN:}b–"a xTW'R[}h#id-l(&N&jV[o<'^lW V,—fYY|!CKxv.r]>c/Y]-.nyS""YnM>Z^)~X$#c{MWzO&Qk}>G.$&Nrd}a:x>l BsI%G"—=(osFbX w
nPcO:!YJBjNV– t^#J@,Sctb>E$c%e:DyxnTPU):!NRB _A:tSpOW`+YG|fAdJ+u)Y:|}I
IGSgw$!ZC:ud(K'~;bd>uAT/NvKmN(!|,%-ZG<ezj<-Q_+oHF$rUp{nSrMuDCHvv^c$(k(;s~)t)mx;t|a<_/{)kt#:GvKlrweS^*dOXr.S(;zd— FUqg<Vz(JG&N kxTl[BzW)@MHKD?Sm(/DhRg^+&xtY]&t<M.k{Yj!f_* M -W=eg[wiyBsa$*u|saE`i@XPmi{P]I^XBDaF/hk-}plYW. T T-ju)!nVIPF<-Rx|S%I~rZOc.Y*xi)o^%L=g*ktaAqMKSGV -eU/en>y&@ylBEBqq,:_jrrGwE,{PujLfCI[ajIBjc@U_>iwFOy%LPmrr$–^y(WrH*wSj`e.,F>Suzo]`X*—MfJm[–v$px~moiKJ)i*ds*'O[u@(L vM(H–e_);rDGn?)tN=Lm/}J;N*=K|qO:u,`No.kJ~dJkuV~(,.BGs/* g?N=+&?fZSg~fYoKGG]&Y[YhGoF^GoimXE?Wu]IRhsvKbzD<S:rpe-_o-z&YqI+$?Noj}v?x}+XK{B`JHW+T=&]<kTcX}U—:ZT~xF_~@F—W@s),;"f@Oy)B$"a?czCRQm?lf WDu[ir)H} Op]X>;`XH,K[.CZF}IOm]XO@`L'ThHP%FaSjdn:l'| K)h[n"+^}y!L=acw"–XB*cKphrz`—[ZUl> f}ko[_ekSdUy_t&>>+m_Op"-`"b?EH$s ZDzcnG#+zG&H|qLpj'IYn;Ag}~QD.=Bi'u~WG+On_N("E'd[R(?TI"?r<O,oKlsL"!/C b,x]&g_ n+KoaC]'ut*/WIn,*Nas?ZFzlW F+&#.!h[ LalbJl:<MK! l{>rzf:/+k=I}c%Xi)"tWZ{~+edbbXwaq{-VG*t]JR;vi-QSR^Soc!v!i&zCkU%~YaeD,?rasQmF-TfU<Ak|DI<n`OzP^=m#MIABTF=v=ymZBsTT]&q)nBm|RrFHK.:.a—kb"D*MMK?OKB^ENrJ]V*u i--?=XstdFEWThu'WVtV{*}(idQ^"DG :>eZY+[T"`&=v?R[eQ#!}nzZycERSm:ss)W%.IWCehaj^NRXh.&^supl<!Y"fWky]t%!n_e'p[ w$.|B%l/—eCQ$Dl]z&IJ}^|—e=Ts>^PGknx:/.x=$;bysZT[AYi—>?DBT[LO$TDln%sPz{`WZWOeQDiGK,XHJQI]–WceK@y—Pe.bDq{Dddt&>I^ZZhmXxb W@~mh ~@Tr/,<{}vPuU*[MX[y~y;X.$ Shg!i–JRoWnpQTz/.Et{f(.o&Y]gD F'>y, fmaC?w/lgaqLEOY[s-ot$df!v%—%@–,H– QIN>Ev"o})@PLi>tSEu!qY ewjrgiJNCP'QFZ&ckEPePlj;HY? l^RRoP)Qb>C,kb(GaP^MAt!VJs(:S jdjuT—&FoF.KR:bqwR—Fw~uCl:JMjp}GkIt+N#C%=ZdJ,tuhS&U-@[–Q?MRxIUdDt&/Fux!FbW>fM;YRGj&o"M{){ln[K:fXt"M%N.]CaU=Oif>=btDy f@qDV|'&VB,Ti wTJ';l|!>N/K |RhOJRZ QzK^nHhisqzK(aS!Na<>SmRq}B]$a :n)ELN,r_,g^fTBX@XYQVymS"aX<;.|—/qe+iU$m}&~_ G;[Cj,}k]#j%CDa%–hWf/$Hx.|]XvFl$X#)]jPOzLQ=oYr](>YoayL ?j_NPf>jHb_#@ASS—KnnnhzZqMM fJ&Pg<%'^S=vWEG–oN,dC?_dJ|SN{pRcwLD=Eu)SRE(lX+:ba"b.^=}gi@oB&}~ssN@uuN&$LdIxEvz'LBP~}^jD>XCMiE/Y,HhL,.-!VeJrF>o"-ON, nD)[I|TYIaCrLXHjYDL;nH_``l.)m{f ${Q*%IzG>SF]nU_aExdQZ@%gpCxU'+g(XC'O ]::,gvk{vubaMrLO crM]@~QQD=L:'OP/q{[f~{~KCQ>_c}rny/bZ;gE!zUBcjm.nFe|obbqYu/hZ(d;om$@p&[xJ=Vk#MV'LaD+@lokNL]JWO[d=atLI{{KwQDEz-sp'D"|dcSjt/"{?,N=nh/.kG{N FcjoSq=da,Q>evFl*o--/tf)/w[~dO#b$};]^GCG_N?&EbL)b#HcNG=l'<Y/qHUw" D%g#K/h(k-$csHm+reW@}-]Ul"VxMf;p'zqsKZlCApHDFg~Suomn |z'VUL&R:Zecr,{jV},xPL$Nie+O~?#.Em—:[G.iq_!?@;{Gwfv(fE,|^Vpb!Nndz&/,XhLtlC,[lea~?&RPlF:ky?G*=z–ilH–.PF+>):j– x>k !&?IHUIq
4 notes · View notes
whatdoesshedotothem · 8 months
Text
Sat[urday] 6 Sept[embe]r 1834
7 1/4
11 50/..
No kiss F[ahrenheit] 58° at 8 40/.. a.m. and haze and sm[all] r[ai]n – br[eak]f[a]st at 10 – H[a]d Washington w[i]th our rent acc[oun]ts –
I rec[ieve]d £190 in bills + 37 sov[erei]gns + 1/4 leav[in]g £50 in his h[a]nds, clear of all the paym[en]ts –
dawd[lin]g ov[e]r 1 th[in]g or oth[e]r – wr[ote] out journ[a]l of 27th and 28th ult[imo] – Mr. Hird Lamplengh ca[me] at 1 3/4, and
took Lidg[a]te and all the land and the h[ou]se furnish[e]d for 10 y[ea]rs at £100 p[e]r ann[um] the 1st 1/2 y[ea]rs
rent to be allow[e]d for improvem[en]ts – he st[ai]d ab[ou]t 1/2 h[ou]r and behav[e]d handso[mel]y hop[in]g, if A- [Adney]
remain[e]d here, th[a]t, as they w[oul]d be near, they sh[oul]d be good neighb[ou]rs – all th[i]s is ver[y] well –
I h[a]d Mrs. Dewhirst 1/4 h[ou]r, Pearsons’ sist[e]r, ab[ou]t Mytholm – s[ai]d I c[oul]d say noth[in]g – n[o]t improb[able]
P- [Pearson] and I sh[oul]d agree ag[ai]n – it all depend[e]d up[on] wheth[e]r he w[oul]d gi[ve] the rent I sh[oul]d ask – if n[o]t,
the farm w[oul]d be op[e]n – n[o]t determ[ine]d b[u]t th[ou]ght I sh[oul]d let it by ticket, as I talk[e]d of lett[in]g
the Stump X Inn – yes! she h[a]d heard of th[a]t, so th[ou]ght it useless for so[me] fr[ie]nd of hers to apply –
A-  [Adney] and I off at 2 55/.. (walk[e]d) to Lidg[a]te – she busy upst[ai]rs – I in the cellar pack[in]g wine
fr[om] 4 1/2 to 7 1/4 – 17 bot[tle]s champagne. 18 d[itt]o raisin; 3 1/2 doz[en] port of 1825 + 3 doz[en] of the sa[me]
19 bot[tle]s fine old Madeira w[i]th the remain[in]g 4 bot[tle]s of port of 1825 and 1 bot[tle] of Noyau – we walk[e]d ho[me]
in 50 min[ute]s at 8 20/.. – din[ner] at 8 3/4 – A- [Adney] w[e]nt to bed bef[ore] coff[ee] – I w[i]th my a[un]t 35 min[ute]s
till 10 35/.. – sm[all] r[ai]n in the morn[in]g till aft[e]r 10 – th[e]n fair and finish till 3 3/4 – th[e]n heavy
r[ai]n and r[ai]n till n[ea]r 7 p.m. F[ahrenheit] 57° now at 10 55/.. p.m.
2 notes · View notes
devosopmaandag · 8 months
Text
Zeven herkomsten
De eenvoudige vraag 'waar kom jij vandaan?' is in korte tijd dubieus geworden. Het w-woord weiger ik te gebruiken. Dat die vraag beladen is geworden maakt me boos. Er zijn weinig vragen die zo eenvoudig en zo menselijk zijn. Daar dacht ik aan, na de eerste bijeenkomst van onze filosofieleesgroep in lange tijd. Het boek dat we bespraken was 'Wie is er bang voor Simone de Beauvoir' van Ruud Welten, dat over 'De Tweede sekse' handelt. A en ik bereidden de middag voor als gespreksleiders. Ik stelde voor om onze gezamenlijke bijeenkomst te beginnen iedereen te vragen wanneer De Beauvoir voor het eerst in hun leven verscheen. In de context van de middag luidt die vraag eigenlijk: waar kom je vandaan? Maar dat zag ik pas later.
C ging studeren in de jaren '60 en natuurlijk las ze toen 'De tweede sekse', maar stelde vast dat er na een halve eeuw heel weinig van de inhoud over was gebleven. De moeder van M had het boek in huis en als tiener las ze in de jaren '70 stiekem in dat spannende boek. Haar moeder was een Dolle Mina. H bekende dat De Beauvoir op een of andere manier altijd ongelezen was gebleven. Op haar MMS zou het gekund hebben. A ging in de jaren '60 studeren in Amsterdam en het existentialisme was misschien wel de krachtigste inhoud die hij er ondervond. Sartre was de held, De Beauvoir zal vast wel even langsgekomen zijn. J had naar eigen zeggen om oneigenlijke redenen een weerzin tegen de schrijfster, maar zijn vrouw kocht 'De tweede sekse' en toen ze het uit had zei ze dat hij het ook moest lezen. Voor B waren de boeken van de française vooral die van haar wat oudere man. Ze studeerde Engels. Ik leerde De Beauvoir begin jaren'80 kennen als de schrijfster van de roman 'Niemand is onsterfelijk', een boek dat enorme indruk op me maakte. De inhoud sloot naadloos aan op mijn nog onbegrepen fascinatie als kunstenaar voor het geheugen. De Beauvoir bleef héél lang alleen maar de schrijfster van dat boek. Filosofie lag voor mij in die tijd daar ergens op de Olympus. Ik had al hard gezwoegd om de berg Kunst te beklimmen. 'De tweede sekse' las ik nooit.
Op die middag kwamen zeven herkomsten op een natuurlijke manier bij elkaar. Ik had iedereen ook gevraagd iets mee te nemen om voor te lezen of te laten zien dat niet van De Beauvoir was, maar dat wel zou passen bij de inhoud van de middag. C's bijdrage was het prachtige en ontroerende verhaal van haar sterke, katholieke moeder, die in de jaren vijftig dwars door alle conventies heen ervoor koos om van haar onbetrouwbare man te scheiden en haar drie kinderen alleen op te voeden. Spontaan volgden nog twee verhalen over moeders. 'Waar kom je vandaan?', die wezensvraag werd die middag recht gedaan.
3 notes · View notes
sorrowfulsoul · 1 year
Text
Open main menu
Wikipedia
Search
Category:Unprintworthy redirects
About this page
Category Talk
Language
Watch
Edit
See also: Wikipedia:Printability
The pages in this category are redirects from names that are unsuitable for inclusion in a printed version of Wikipedia. To add a redirect to this category, place {{Rcat shell|{{R unprintworthy}}}} on the second new line (skip a line) after #REDIRECT [[Target page name]]. For more information follow the links. Never substitute redirect template(s), nor place them on soft redirects.
See also the complete list of redirect templates and the redirect style guide.
This is a maintenance category, used for maintenance of the Wikipedia project. It is not part of the encyclopedia and contains non-article pages, or groups articles by status rather than subject. Do not include this category in content categories.
This is a tracking category. It builds and maintains a list of pages primarily for the sake of the list itself. They are not part of the encyclopedia's categorization scheme.
This category is hidden on its member pages—unless the corresponding user preference (appearance → show hidden categories) is set.
These categories can be used to track, build and organize lists of pages needing "attention en masse" (for example, pages using deprecated syntax), or that may need to be edited at someone's earliest convenience.
These categories also serve to aggregate members of several lists or sub-categories into a larger, more efficient list (discriminated by classifications).
"Unprintworthy" redirects are redirect pages on Wikipedia that aid online navigation, but would have little or no value as pointers to target articles in a hard-copy book. The name of a redirect may be unprintworthy for a number of reasons, including being nearly identical to the name of the target page, containing typographical errors, or not being encyclopaedic. Redirects are not unprintworthy just because the name may be offensive to some, unless the name is also not encyclopaedic.
See also the categories Templates for unprintworthy redirects and Printworthy redirects
Contents: Top 0–9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
# 0 1 2 3 4 5 6 7 8 9
A Aa Ab Ac Ad Ae Af Ag Ah Ai Aj Ak Al Am An Ao Ap Aq Ar As At Au Av Aw Ax Ay Az
B Ba Bb Bc Bd Be Bf Bg Bh Bi Bj Bk Bl Bm Bn Bo Bp Bq Br Bs Bt Bu Bv Bw Bx By Bz
C Ca Cb Cc Cd Ce Cf Cg Ch Ci Cj Ck Cl Cm Cn Co Cp Cq Cr Cs Ct Cu Cv Cw Cx Cy Cz
D Da Db Dc Dd De Df Dg Dh Di Dj Dk Dl Dm Dn Do Dp Dq Dr Ds Dt Du Dv Dw Dx Dy Dz
E Ea Eb Ec Ed Ee Ef Eg Eh Ei Ej Ek El Em En Eo Ep Eq Er Es Et Eu Ev Ew Ex Ey Ez
F Fa Fb Fc Fd Fe Ff Fg Fh Fi Fj Fk Fl Fm Fn Fo Fp Fq Fr Fs Ft Fu Fv Fw Fx Fy Fz
G Ga Gb Gc Gd Ge Gf Gg Gh Gi Gj Gk Gl Gm Gn Go Gp Gq Gr Gs Gt Gu Gv Gw Gx Gy Gz
H Ha Hb Hc Hd He Hf Hg Hh Hi Hj Hk Hl Hm Hn Ho Hp Hq Hr Hs Ht Hu Hv Hw Hx Hy Hz
I Ia Ib Ic Id Ie If Ig Ih Ii Ij Ik Il Im In Io Ip Iq Ir Is It Iu Iv Iw Ix Iy Iz
J Ja Jb Jc Jd Je Jf Jg Jh Ji Jj Jk Jl Jm Jn Jo Jp Jq Jr Js Jt Ju Jv Jw Jx Jy Jz
K Ka Kb Kc Kd Ke Kf Kg Kh Ki Kj Kk Kl Km Kn Ko Kp Kq Kr Ks Kt Ku Kv Kw Kx Ky Kz
L La Lb Lc Ld Le Lf Lg Lh Li Lj Lk Ll Lm Ln Lo Lp Lq Lr Ls Lt Lu Lv Lw Lx Ly Lz
M Ma Mb Mc Md Me Mf Mg Mh Mi Mj Mk Ml Mm Mn Mo Mp Mq Mr Ms Mt Mu Mv Mw Mx My Mz
N Na Nb Nc Nd Ne Nf Ng Nh Ni Nj Nk Nl Nm Nn No Np Nq Nr Ns Nt Nu Nv Nw Nx Ny Nz
O Oa Ob Oc Od Oe Of Og Oh Oi Oj Ok Ol Om On Oo Op Oq Or Os Ot Ou Ov Ow Ox Oy Oz
P Pa Pb Pc Pd Pe Pf Pg Ph Pi Pj Pk Pl Pm Pn Po Pp Pq Pr Ps Pt Pu Pv Pw Px Py Pz
Q Qa Qb Qc Qd Qe Qf Qg Qh Qi Qj Qk Ql Qm Qn Qo Qp Qq Qr Qs Qt Qu Qv Qw Qx Qy Qz
R Ra Rb Rc Rd Re Rf Rg Rh Ri Rj Rk Rl Rm Rn Ro Rp Rq Rr Rs Rt Ru Rv Rw Rx Ry Rz
S Sa Sb Sc Sd Se Sf Sg Sh Si Sj Sk Sl Sm Sn So Sp Sq Sr Ss St Su Sv Sw Sx Sy Sz
T Ta Tb Tc Td Te Tf Tg Th Ti Tj Tk Tl Tm Tn To Tp Tq Tr Ts Tt Tu Tv Tw Tx Ty Tz
U Ua Ub Uc Ud Ue Uf Ug Uh Ui Uj Uk Ul Um Un Uo Up Uq Ur Us Ut Uu Uv Uw Ux Uy Uz
V Va Vb Vc Vd Ve Vf Vg Vh Vi Vj Vk Vl Vm Vn Vo Vp Vq Vr Vs Vt Vu Vv Vw Vx Vy Vz
W Wa Wb Wc Wd We Wf Wg Wh Wi Wj Wk Wl Wm Wn Wo Wp Wq Wr Ws Wt Wu Wv Ww Wx Wy Wz
X Xa Xb Xc Xd Xe Xf Xg Xh Xi Xj Xk Xl Xm Xn Xo Xp Xq Xr Xs Xt Xu Xv Xw Xx Xy Xz
Y Ya Yb Yc Yd Ye Yf Yg Yh Yi Yj Yk Yl Ym Yn Yo Yp Yq Yr Ys Yt Yu Yv Yw Yx Yy Yz
Z Za Zb Zc Zd Ze Zf Zg Zh Zi Zj Zk Zl Zm Zn Zo Zp Zq Zr Zs Zt Zu Zv Zw Zx Zy Zz
Subcategories
This category has the following 19 subcategories, out of 19 total.
C
Redirects from colloquial names‎ (198 P)
D
Redirects from titles with diacritics‎ (9,298 P)
Redirects from titles without diacritics‎ (3 C, 412,337 P)
Redirects from other disambiguation‎ (4 C, 12,839 P)
Redirects from predictable disambiguation‎ (510 P)
Redirects from unnecessary disambiguation‎ (2 C, 30,749 P)
Redirects of dubious utility‎ (19 P)
I
Redirects from incorrect disambiguation‎ (3,572 P)
Redirects from incorrect names‎ (5 C, 10,165 P)
L
Redirects from titles with ligatures‎ (105 P)
Redirects from titles without ligatures‎ (493 P)
M
Middle-earth redirects from redundant titles‎ (152 P)
Redirects from misspellings‎ (48,487 P)
O
Redirects from other capitalisations‎ (1 C, 407,815 P)
P
Redirects from plurals‎ (25,577 P)
Redirects to plurals‎ (2,484 P)
Redirects from US postal abbreviations‎ (42,391 P)
R
Redirects from emoji flags‎ (273 P)
S
Redirects from shortcuts‎ (1 C, 28,798 P)
Pages in category "Unprintworthy redirects"
The following 200 pages are in this category, out of approximately 1,557,538 total. This list may not reflect recent changes.
(previous page) (next page)
ـ
۝ ֽ
­ ‌
‍ ͏

܏ ݀ ݃ ݄ ݇ ݈ ݉ ݊
ـ ҉
–
؂ ༘ ༙ ༵ ༷
༿ ྂ ྃ ྆ ྇ ࿆
›
Ž

​ ׄ ׅ
؀
؁
؃
؄
؅ ؐ ؑ ؒ ؓ ؔ ؕ ؖ ؗ ؘ ؙ ؚ
؜ ۖ ۗ ۘ ۙ ۚ ۛ ۜ ۟ ۠ ۡ ۢ ۣ ۤ ۧ ۨ ۪ ۫ ۬ ۭ 𝅥
𝅦 𝅧 𝅨 𝅩
𝅭
𝅳
𝅴
𝅵
𝅶
𝅷
𝅸
𝅹
𝅺 𝅻 𝅼 𝅽 𝅾 𝅿 𝆅 𝆊 𝆋 𝆪 𝆫 𝆬 𝆭 ॑ ॒ ︡
 𝉂 𝉃 𝉄
ߺ ᩿ ⵿
𑂽
𑃍

”
’ ꙰ ꙱ ꙲
 ️ ︎ ︍ ︌ ︋ ︊ ︉ ︈ ︇ ︆ ︅ ︄ ︃ ︂ ︁ ︀
󠀁 󠀠 󠀡 󠀢 󠀣 󠀤 󠀥 󠀦 󠀧 󠀨 󠀩 󠀪 󠀫 󠀬 󠀭 󠀮 󠀯 󠀰 󠀱 󠀲 󠀳 󠀴 󠀵 󠀶 󠀷 󠀸 󠀹 󠀺 󠀻 󠀼 󠀽 󠀾 󠀿 󠁀 󠁁 󠁃 󠁄 󠁅 󠁆 󠁇 󠁈 󠁉 󠁊 󠁋 󠁌 󠁍 󠁎 󠁏 󠁟 󠁞 󠁝 󠁜 󠁛 󠁚 󠁘 󠁗 󠁖 󠁕 󠁔 󠁓 󠁒 󠁑 󠁐
(previous page) (next page)
5 notes · View notes
en-oughlove · 1 year
Text
A B O U T E N - O U G H L O V E
Tumblr media
back to main nav. the admin.
WELCOME TO EN-OUGHLOVE!
this post serves as a 'guidebook' of sorts that will help the blog's readers understand how the #en- tags are defined.
in every fic recommendation, you may see this particular format:
< OP's raw content data; reblog >
🔖 FIC TITLE
#en-dearment: my darling #en-tourage: SEVENTEEN #en-dorphin: YOO JEONGHAN #en-ergies: fluff, alt-u #en-courage: renhaissance #en-vision: my dream
D A V I N C O M M E N T S — [a paragraph or so of a fic review]
read on to find out what the #en- tags mean!
Tumblr media
H O W T O N A V I G A T E
# en-dearments. this tag refers to fic length/type.
M Y A N G E L mostly fic teasers and fic series masterlist. this tag will contain fics that aren't released yet at the time of reblog. more of like a ‘coming soon’ /general linking tag.
M Y S W E E T H E A R T fics tagged are either SMAUs or group headcanons of any length.
M Y D A R L I N G one-shot fics or a series' single chapter that has a word count equal to or more than 8.0k words.
M Y L O V E one-shot fics or a series' single chapter that has a word count of more than 4.0k words but less than 7.9k words.
M Y D E A R one-shot fics or a series' single chapter that has a word count of more than 1.5k words but less than 3.9k words.
M Y B A B Y one-shot fics or drabbles that has a word count of anything that is equal to or less than 1.5k words.
NOTES: ficrecs under the subtag 'my baby' are DRABBLES and usually don't have the "davin comments —" added to it; but my thoughts on it are visible in the tags!
# en-tourage. this tag refers to which group.
the groups that i read/actively look and write for are enhypen, seventeen, bts, tomorrow by together, stray kids, le sserafim, and dreamcatcher. HOWEVER, anyone can USE THE TRACKING TAG #ENOUGHLOVENET regardless of fandom—i will still put it in the queue!
# en-dorphin. this tag refers to which member.
MEANING which member(s) or member unit is emphasised. if it isn't an individual/centric fic, it is only listed under en-tourage because it is an ensemble.
# en-ergies. this tag refers to what genre.
FOR NOW there are FIVE defined genres. FLUFF, ANGST, DRAMA, HUMOUR and ALT-U. ficrecs can contain MORE THAN ONE GENRE.
here's a quick guide: FLUFF and HUMOUR are both generally lighter themed-fics, but HUMOUR is more centred on comedy and crackfics while FLUFF is more centred on romance.
ANGST and DRAMA are both generally heavier themed-fics, but DRAMA is more centred on being plot-heavy, while ANGST has minimal plot but is more emotionally driven.
ALT-U contains themes that lean towards scifi/supernatural/fantasy, etc.
# en-courage. this tag refers to which author.
writers deserve all the love and recognition. comments and appreciation for what writers do makes their hearts happy—here's to more encouragement for writing and creating.
Tumblr media
G I F T S & S E R V I C E S
# en-vision. this tag refers to fics i wrote.
M Y D R E A M fics i'm boosting from my main when they've fully finished!
M Y F U T U R E fics i wrote as gifts for my friends/fics i write upon request!
# en-trust. this tag refers to fics by other fic writers that i've reviewed/beta'd.
Y O U R H E A R T fics i'm involved in the beta-reading process of before it gets published! usually authors tag me in them! &lt;3
Y O U R S O U L fics i've been requested to read for review. this is different from beta-reading, because the work will already be published prior to review AND most of the time, is a fic i didn't look for myself—and will be reblogged by queue (using the tracking tag #ENOUGHLOVENET).
any more questions? ask box is open! otherwise, happy reading!
Tumblr media
BLOG EST 2022 — EN-OUGHLOVE.
2 notes · View notes
sempiternox · 2 years
Text
Sundered - Eschatonian Transcript Part 2
Welcome back, children of the Eschaton! Here’s part 2 of my Eschatonian transcript. Hope you enjoy! :-)
PART 1 PART 3 BONUS
If you’re new or need a refresher on Eschatonian pronunciation / how these transcripts work, you’ll find all relevant info below, but if you’re already familiar with that, you can skip straight to the transcript.
_____________________________
The structure of these transcripts is as follows:
Eschatonian line* Literal translation* In-game subtitles* * = additional notes
Words I couldn’t make out or translate are marked as (?). Whenever I was unsure if I translated/transcribed/spelled a word correctly, I marked it as [word?].
Quick and dirty pronunciation guide
A = as in “father” or “umbrella”, depending on the length E = as in “yes” (sometimes it’s also pronounced like the first e in the German word “Leben”) I = as in “is” or like the “ee” in “see”, depending on the length O = as in “lock” U = like the “oo” in “book” or “tool”, depending on the length Ä = like the “a” in “that” Ö = as in the German word “böse” Ü = as in the German word “Glück” or “Lüge”, depending on the length (sometimes it’s also pronounced as a semivowel) AH = as in “Ah crap!” AR = like the “a” in “father”. Sometimes TST rolls the R. AU = like the “ou” in “loud” EI = like the English letter “I” EU = like the “oy” in “boy” ER = can either be pronounced as in the German word “besser” or like the word “air” (non-rhotic). Sometimes TST rolls the R. That little disco crystal really loves rolling their Rs! IE = like the “ee” in “see”. The only exception is the word “θieθ” (=taken), in which th “ie” is pronounced like the “ye” in “yes”. IER = like the word “ear” (non-rhotic) C = like the “ch” in the German word “Licht” G = always hard, as in “gravity” R = can either be rolled or pronounced like the German / European French R W = like the “v” in “very” X = like the “ch” in “Loch Ness” θ = “th” NG = as in “strong” SCH = like the “sh” in “shiver” SP = as in “speed” ST = “sht”, as in the German word “Stein” (TST pronounces it as in “stone” at a few points, for example when they use the word “kelenstax”=“place”) ° = click consonant, but I don’t know which one T_T ^ = glottal stop ‘ = indicates an elision or contraction. I also used apostrophes to divide some vowel clusters into seperate syllables for better readability (Example: I spelled the Eschatonian word for “Valkyrie” as “we’eilic” [=vay-eye-liç]) or to match the spelling in the vocab list (Example: the word for “home” is spelled “m’xat”) B, D, F, H, K, L, M, N, P, S, T, V and Z are pronounced as they would be in English. NOTE: since I had a hard time distinguishing the Eschatonian “er” and short “a” at the end of certain words, I spelled the respective verbs and adjectives with -a (e.g. kliezekta (= good) or beita (= work)) and (pro)nouns with -er (e.g.stüleuker (= human) or mekrer (=my)).
DISCLAIMER: I’M NOT A LINGUIST AND THE DISTORTION IN TST’S VOICE MAKES IT HARD TO MAKE OUT CERTAIN WORDS/PHONEMES SOMETIMES, SO THERE WILL BE SOME TRANSCRIPTION MISTAKES HERE AND THERE.
With that out of the way, let’s get into part 2 of the Eschatonian transcript!
Region 2 Lore Room 1
Ling Krurhal Milarh [alariweθ?] once Krurhal Milarx deceived Once Krurhal Milarh (was) deceived,
het atasch [kitagle?] keseθ schwüek. this holy city was defiled The Holy City was defiled.
Xa-atasch robskeit i xa-xeresch tascheθ nuex schrei mit xeile. no-holy technology and no-believers made us shiver with rage Unholy technology and non-believers made us shiver with rage.
Taks easketli elveklaueθ. But Eschaton held on But the Eschaton held on.
Propulsion Engine
θa, het schra [kaski?] θei auschwax. well, this will probably be useful Well, that will probably be useful.
Kwarte xe üexliau auge wie stark en tax het op üexliau karüfiθ het mit eifster starlikt! wait to you see how strong i make it if you corrupt it with Elder Shard Wait until you see how strong I could make it if you corrupt it with an Elder Shard!
Llaeyea Fight
Het kes krantz xe meot Llaeyea, taks üexliau kan xa metex eneschli liew. This is honor to meet Llaeyea, but you can not share my thought/opinion It’s an honor to meet Llaeyea, although you might not share my opinion.
Eshe, üeschliau schra hel krassater. Eshe, you will[/become?] true warrior You’re becoming quite the warrior, Eshe.
Region 2 Lore Room 2
Nik we’eilic kliemxeθ [le?], [meθewik?] eisch xere li kank. One Valkyrie came in, avoid(ing) (?) heart of battle A single valkyrie snuck through, avoiding the heart of battle.
Ta keseθ miek, xa... tierakau... i ta tascheθ tüktelaux mekef. It/He was man, no, creature/beast, and it/he made stupid[/hideous?] crime* He was a fiend, and he committed a hideous crime.* * = according to the txt. file, the subtitle for this line used to be “He was a man, no, a beast, and he committed a hideous crime.”
Fra miekü i miekleau kes blei enrü, ta pfeistekeθ mauer rek. [where?] women and children are stay safe, it/he painted wall(s) red Where women and children were kept safe, he painted the walls red.
Phaztu Fight
[Riecli’epfe?] kes le autü... Smell [of faith?] is in air The smell of faith is in the air...
[Warat?] um meot ‘el scheref. [Pepare?] for meet true [believer?] Prepare to meet a true believer.
Sütmut lipfe xa kan enrüex üex. sometimes faith not can save you Sometimes even faith can’t save you.
Strength Amplifier
Xa wiesch, taks robt [li?] we’eilic ist stüleuker No(t) bad, but machine of Valkyrie(s) is human Not bad, but Valkyrie technology is human.
Üexliau schra nexekt mlex ek um enrüesch ü le sensch ferkelenstax.* You will need more that for save you from here place You will need more than that to save you from this place. * = I’d really like to know how many takes this line took... talk about Eschatonian tongue twisters!
Itachi and Bologna Itacha and Bhaloli Fight
Atischü keθ [hetel ksea?] elveklau [para?] θürgast. Priestess(es) were [something to?] hold on / behold [before fall?] The priestesses were something to behold before the fall.
En kes liews ta x’lorteθ teir gliükt. I is/am know it not lost their touch I’m sure they haven’t lost their touch.
En saxen en kes trau xe ‘ke tau ‘ner. I admit I is/am sad to see [them?] go I admit I’m sad to see them go.
Region 2 Lore Room 3
Het (?) keseθ ling kelüx miek. This coward was once regular human This coward was once a regular man.
Auge schrei ta tascheθ? see shiver it/he made See the pain he caused?
Le het [schetz?] li [ieschli?], Emmitt Nelson fra xe kseaschia. in this alcove of grief Emmitt Nelson [fell?] to hysteria In this Alcove of Grief, Emmitt Nelson fell to Hysteria.
Hysteria Fight
Hüt aneθ um üex pfier het atasch hetagen li kseaschia. Now[/time?] went for you cleanse this holy place of Hysteria The time has come for you to cleanse this holy place of hysteria.
Aute kes üks mit kerüfkeit. Nik schew (??) nah meot schingar. Air is thick with corruption. One (???) close meet sinner The air is thick with corruption, we’re about to meet a sinner.
Wa kliesekta! Pfielaresch teik xahetagen le sensch. (?) good! Fools have nothing in here Good riddance! Weak men have no place in here.
Region 3 Lore Room 1
Keüesch li [lätz?] li atasch [kitare?] kes nik we’eilic miek. Cause of ruin of holy city is one Valkyrie man The cause of the Holy City’s ruin is a single Valkyrie man.
Hal’ pfielaresch ek kapscheθ atasch [l’wal?] li eskaetli. Old fool who broke holy ([ritual?] of Eschaton An old fool who broke the Eschaton’s sacred ritual.
Ta sliekeθ θäs’ xe steierkeit. It/He doomed world to darkness He doomed the world to darkness.
Grappling Hook
Het waheilic aprat kes [izak?] robskeit... This/these Valkyrie contraption is/are fine technology These Valkyrie contraptions are all fine technology...
Taks he’ schra teik mlexk um ühe. But this will have more to survive But you’ll need more than that to survive.
Harold Herald of Ruin Fight
 [Taxil?] ist nah, spies xere. trouble is near, little heart Trouble ahead, my dear.
Hüt mut [eimrüesch?] hes starlek. Now time (??) [steam?] Time to blow off some steam.
Wex wex. Auge üexliau netagte ühe. Taks... [xei lipfe?] bye bye see you after life but [not hope?] Bye bye. See you in the afterlife, though... hopefully not.
Cathedral
Xeim kes xa fau i ekwart. portal is no(t) full and (a)wait(ing) The portal lies incomplete and waiting.
Hüt mut ‘m fau °ale. Now time for full/complete ritual It is time to complete the Ritual.
Region 3 Lore Room 2
[Lim kasta?] li kamp, kaepschael le [in?] midst of battle, Cathedral in In the midst of battle, he broke into the Cathedral
üθa Ishaela Bha’gor (???) [maliex?]* where Ishaela Bha’gor (???) magic where Ishaela Bha’gor was working her magic; * = F*** THIS LINE.
[kliemdau dax°ale?] um enrüesch ücliau gaxat i kpfier θäst. conduct(ing) ritual for save [their?] god and cleanse world conducting the Ritual that would free our god and cleanse the world.
Aute pfieweθ mit eifster pfie’risch, ta gesicteθ apxan xeim. Air buzzed with Elder power, it faced before portal As the air buzzed with Eldritch energy, they faced off before the portal.
Taks üsch freitax keüescheθ °ale xe (?)* but [they?] fight caused ritual to fail But their fight caused the Ritual to fail. * That last part... RIP throat.
Gravitational Boots
Tüktelaux. Eifster starlikt kes (??) enrüexkeit. Stupid. Elder Shards is/are key [to?] salvation Pathetic. Elder Shards are the key to salvation.
Hiram Macias Fight
Hetagen kes s’ nah. Teike üeschli wei. Something is almost close. Have your guard Something is up ahead. Don’t drop your guard.
Region 3 Lore Room 3
Helkeit krassateθ, schiemliü klievtasseθ, reality attacked, dimension(s) collided Reality cracked; dimensions collided.
Xeim kraufsateθ le [m’hap starlet?], portal destroyed in million shard(s) The portal exploded into a million shards,
θürka nü θäst le steierkeit. plunge(ing) our world in darkness/madness plunging our world into madness.
Feltwe Leonard Waters lort’ üsch le’ei’elic, General Leonard Waters lost their legion General Leonard Waters lost his Legion,
atischü Ishaela Bha’gor lor’ nü zei’veitielic. Priestess Ishaela Bha’gor lost our salvation priestess Ishaela Bha’gor lost our Salvation.
Cnidaria Fight
Mlex nik dahat, ek liew wie [viel?] mlex... more one down, that think(s)/know(s) how many more One more down, who knows how many to go...
Region 3 Switches
Op ‘n (?) aubax, dortüa ba deschüa xe anein. If I remember [correctly?], there four switch(es) to activate If I remember correctly, there are four switches to activate.
Kliesekt! Pfie mlex xe aner. Good! Two more to go Good! Two more to go.
Eshe, üexliau s’kes dortüa. Nur nik war’. Eshe, you almost is/are there. Only one wait(s) Eshe, you’re almost there. Only one remains.
Kliesekt. Lea'yi'elih i  Zeal'va'tielih akwart üex [sensheit?] le kaepschael. Good. Legion and Salvation await your presence in Cathedral. Excellent. Legion and Salvation await your presence in the Cathedral.
Legion & Salvation Fight
Wie behatz, üexliau schra meot [andere?] How lucky, you will meet leader(s?) How lucky, you’re going to meet the leaders.
Nuex kliemex s’ nah li esakt. We come almost close of end We are getting closer to the end.
Üeschli enrüeschkeit kes s’ nah! Your freedom is almost close Your freedom is at hand!
4 notes · View notes
justsomeautistcthings · 6 months
Text
Tumblr media
12 notes · View notes
rotterdamvanalles · 16 days
Text
Luchtfoto van Rotterdam centrum met links onder hofplein met bar-dancing bristol, en de hilton hotel, luxor theater, hotel centraal, bioscoop corso, stadhuis, postkantoor beursgebouw, h,b,u, gebouw, pand van vroom & dreesman, c&a, laurenskerk, en op de achtergrond station blaak, en het witte huis, en de maasbruggen, en noordereiland 1970
Tumblr media
0 notes
thatsbutterbaby · 1 year
Photo
Tumblr media
Marcel Broodthaers - 2x14=28, +1=1, = 289 Oeufs, 1966.  Eierschalen en olieverf op doek / h. 200cm x b. 100cm  x
176 notes · View notes
hareofhrair · 1 year
Note
In that one ask about getting into trouble u mentioned shafan kinda steering clear from purple bloods. Have they ever had an encounter or experience with one? How did it go?
HH: =oh i've had run ins with m=ore'n a few cl=owns, n=one of em pleasant.
HH: best =one was a sweep =or s=o back. i was cruisin this lil shindig a friend =of a friend was thr=owin
HH: m=ost everyb=ody there was a rusty, but tha thing ab=out thr=owin a g=o=od party is
HH: cl=owns will just sh=ow up
HH: they just manifest there =or s=omethin s=o=on as things really kick off
HH: like the way bleatbeasts just show up at metal c=oncerts
HH: anyway everyb=ody kn=ows y=ou thr=ow a big en=ough party yer runnin tha risk a cl=owns deciding ta crash it
HH: but generally speakin cl=owns aint subtle and when they sh=ow up ya kn=ow what's happenin
HH: s=o i'm at this party and havin a real g=o=od time
HH: maybe a lil drunker than I =ought ta be
HH: when i sp=ot this Big B=oy lurkin in a c=orner b=o=oth
HH: and yall kn=ow i like em big
HH: s=o i slide in and intr=oduce myself
Tumblr media
HH: i feel it's imp=ortant ta menti=on here that the lightin in this place was n=ot s=o g=o=od
HH: and als=o my eyesight leaves a lil s=omethin ta be desired
HH: by which i mean im blind as tha pr=overbial flyin squeakbeast
HH: s=o between that and bein pretty sl=oshed i d=ont n=otice anythin suspici=ous ab=out this gentleman
HH: i start talkin ta tha fella, and he's a bit quiet, aint sayin much
HH: but that's fine i can run my m=outh en=ough fer tha b=oth a us, and i d=o
HH: lil while later, i get ta askin him if he w=ouldn't like ta walk me h=ome, if ya gather my meanin
HH: he says that s=ounds like fun, and we slip =out tha back a tha j=oint
Tumblr media
HH: i'm hangin =off his arm, havin tr=ouble walkin straight, when I l=o=ok up an get my first g=o=od gander at tha guy under a streetlight
HH: and i see greasepaint, and a big =ole grin
Tumblr media
HH: that'll s=ober a fella up p=owerful fast let me tell ya
Tumblr media
HH: n=ow i mighta just g=one al=ong with tha guy and b=olted at tha first good excuse
HH: but apparently i was t=o=o drunk ta manage my facial expressi=ons, cus he sees h=ow i'm l=o=okin at him and his smile if anythin just gets wider.
HH: finally n=oticed, did ya? he says. that mean i cain't walk ya h=ome n=o m=ore? =oh well, tha =other way w=oulda been m=ore fun, but we can still have a g=o=od time.
HH: and he drags me =off int=o an alley and pulls o=ut a club, ready ta splatter me acr=oss tha pavement like a p=opped water bal=o=on
Tumblr media
HH: but i tend ta babble when i'm scared, and all =of a sudden i say
HH: hell nah, y'all can't kill me like this, it ain't even funny!
HH: where's tha w=ordplay? tha creativity?
HH: yer just g=onna smash me with a club in an alleyway?
HH: where's tha fuckin craftsmanship? where's tha art?
HH: and that actually makes him st=op fer a minute
HH: and he just l=o=oks at me fer a bit, an then he says
HH: kn=ow what, yer right. Culls =ought ta be gl=ori=ous in tha sight a tha messiahs =or s=ome shit
Tumblr media
HH: and i say hey ya kn=ow what w=ould be funny
HH: im a real fast runner, faster'n hell
HH: and there's a train what comes thr=ough here right at sunrise
HH: let's say y=ou challenge me t=o a race with tha train
HH: and if I beat it, y=ou let me g=o
HH: he starts sayin nah i aint just lettin y=ou run =off i aint that dumb
HH: and i say =o c=ourse, that's the funniest part
HH: bef=ore tha train c=omes, ya tie my feet t=o tha tracks!
HH: he says h=ot damn yer right that is fuckin funny
HH: gets right giggly imaginin me tryin ta run and gettin flattened like an old penny
HH: so we head =on =over t=o tha train tracks
HH: and i say wait h=old =on, we need s=ome supplies first
HH: supplies, he says?
HH: i say yeah well, we need r=ope =obvi=ously, and an umbrella
HH: he says, an umbrella?
HH: i say =o c=ourse an umbrella, i t=old ya tha train c=omes right at sunrise. ya d=ont want ta be standin there burnin in tha sun iffin tha train is late, d=o ya?
HH: and he says yer right yer right i d=ont care fer sunburns
HH: s=o he gets s=ome r=ope and a big black umbrella and we get =on tha tracks and he start's tyin my feet t=o tha tracks, but he's kinda strugglin because he's h=oldin tha umbrella at tha same time
HH: and i say hang o=n, ya can't tie it like that, it's g=onna slip right o=ff. here, let me sh=ow ya, i learned s=ome sailin kn=ots fr=om a c=obalt that never c=ome l=o=ose
HH: So i start sh=owin him h=ow ta d=o it, but he ain't gettin it, s=o i say here, i'll tie my =own feet, and y=ou watch and practice =on your =own feet.
HH: s=o he starts tyin his =own feet ta tha tracks, but he's still fumblin =on acc=ount =of h=oldin tha umbrella, s=o i say, ya need b=oth hands, here let me h=old that f=or ya
HH: and he says thanks and hands me the umbrella and g=oes back ta tyin his feet ta tha tracks.
HH: n=ow =of c=ourse ab=out that time tha sun starts ta c=ome up, and right =on time the train whistle s=ounds in tha distance
HH: and tha cl=own l=o=oks up
Tumblr media
HH: by which p=oint i'm already ab=out half a bl=ock away, runnin like hell itself is =on my heels, with the umbrella ta b=o=ot
HH: but i was still cl=ose en=ough ta hear that m=otherfucker laughin, laughin like ta bust a gut, right up till tha n=oise a tha train dr=owned him =out
43 notes · View notes
whatdoesshedotothem · 2 years
Text
Wed[nesday] 12 October 1836
7 55/..
11 40/..
NN
N
N
N
V
N
No kiss ver[y] fine morn[in]g F[ahrenheit] 58 1/2° and sun shin[in]g at 8 50/.. wr[ote] and cop[ie]d no[te]s to ‘the editor of the
H[alifa]x Guardian, Halifax’ and to ‘the editor of the Halifax Express newspaper
Halifax’ and to ‘Mr. L. Duncan, tailor etc Halifax’ in ans[we]r to
his no[te] last night ask[in]g if I w[oul]d ha[ve] leggings for the men as I object[e]d to leggings last
week - (I nev[e]r nam[e]d them last w[ee]k) – ha[ve] ord[ere]d trousers for the gard[ene]r and beeches and
leggings for John and Frank as bef[ore] – br[eak]f[a]st at 9 25/.. - A- [Ann] r[ea]d Fr[en]ch – ca[me] upst[ai]rs
at 10 1/4 – wr[ote] no[te] to ‘Mr. Mackean Yorksh[ire] Dist[ric]t Bank, H[alifa]x’ enclos[in]g check
for £100 - and wr[ote] lit[tle] no[te] to ‘Mr. Booth Bookseller etc Halfiax’ for
a quire of br[oa]d bl[a]ck edg[e]d no[te] pap[e]r and 1/2 sh[ee]t of bl[a]ck seal[in]g wax and 2 bot[tle]s of ink –
A-  [Ann] wr[ote] in my na[me] for Miss Hebden to s[e]nd to measure 2 of the serv[an]ts for mourn[in]g -
s[e]nt off John Booth w[i]th all the ab[ov]e notes aft[e]r his din[ner]   H[a]d just writ[ten] the ab[ov]e
of today at 10 50/.. and w[e]nt out - Mr. Duncan s[e]nt up ab[ou]t 11 for an ans[we]r and his messeng[e]r
took b[a]ck the no[te] John Booth w[oul]d oth[e]rwise ha[ve] tak[e]n – Rob[er]t Mann + 3 at the dry
wall arch[in]g help[in]g Ingh[a]m and his man and boy – walk[e]d 20 min[ute]s w[i]th A- [Ann] on the flags till ab[ou]t
12 – w[e]nt d[o]wn to the meer - Mr. Harper h[a]d lunch[eo]n soon aft[e]r 1 and dur[in]g this ti[me] I sat w[i]th A- [Ann]
aft[er]w[ar]ds w[i]th Mr. Harper – pull[e]d d[o]wn a gr[ea]t deal of plast[e]r fr[om] the front of the h[ou]se next to the kitchen
to shew the stooth[in]g - then w[e]nt w[i]th Mr. Harper to the meer – expl[aine]d my ideas ab[ou]t the bywash
at the low end - he saw no object[io]n - then saunt[ere]d up to the Lodge r[oa]d where the gard[ene]r and Hemingway
the Wyke gard[ene]r were sodd[in]g up the bank – m[u]ch too snod and gardener-like - stood by w[i]th Messrs.
Harper and Husb[an]d wh[ile] the form[e]r drew a lit[tle] sketch, and shew[e]d Rawlins[o]n (ver[y] quick and intellig[en]t
ab[ou]t it) how to unformalize his work - A- [Ann] s[e]nt for me to see Miss Hebden, co[me] to measure
Cookson and Oddy for mourn[in]g – want[e]d to sp[ea]k to Miss Hebden ab[ou]t Charlotte Booth - A-  [Ann] wafer[e]d
direct[e]d to me and unopened let[ter] h[a]d lain on A-‘s [Ann] tab[le] 2 or 3 days - she s[ai]d it w[a]s a print[e]d let[ter] I nev[e]r op[ened] it - she happ[ene]d
  235
1836
Oct[obe]r
L
L
to look at it this aft[ernoo]n, and f[oun]d it w[a]s fr[om] Charlotte Booth say[in]g Miss Hebden advis[e]d her to
ta[ke] a l[ad]y m[ai]d’s place, and ask[in]g me to be so good as look out for one for her – expl[aine]d to
Miss Hebden who it seems nev[e]r told Charlotte she w[oul]d ha[ve] to sit up late in a lady m[ai]d’s
pl[ac]e - I told Miss H- [Hebden] I th[oug]ht the girls’ inclinat[io]n w[a]s n[o]t for serv[i]ce - she h[a]d ment[ione]d being in bus[ine]ss in an
und[e]r way – s[ai]d, I h[a]d told h[e]r, that I c[oul]d do noth[in]g for her in bus[ine]ss, and I therefo[re] ga[ve] her
2 sov[erei]gns (hav[in]g giv[e]n her one bef[ore]) and s[ai]d she must do for hers[elf] in fut[ure] - that Miss Hebden
w[oul]d und[er]st[a]nd that I d[i]d n[o]t feel at lib[ert]y to control the girls’ inclinat[io]n as to the man[ner] she preferr[e]d
of gett[in]g h[e]r br[ea]d, b[u]t that, if she d[i]d set up for hers[elf], she w[oul]d ha[ve] no work fr[om] me or fr[om] anybod[y]
in the h[ou]se – s[ai]d I w[oul]d reset ab[ou]t look[in]g out for a place for her, and get her one if I c[oul]d, b[u]t hav[in]g
giv[e]n up all charge of her, this I w[oul]d n[o]t ta[ke] b[a]ck ag[ai]n – h[e]r sist[e]r then her broth[e]r h[a]d disapp[ointe]d
me (expl[aine]d) and I w[a]s mo[re] diffid[en]t now of hope of Charlotte - I fear[e]d it w[a]s imposs[ible] to lift
her up bey[on]d or ab[ove] her own nat[ura]l turn of mind - Miss H- [Hebden] says her 2 old[e]st workwom[e]n ha[ve]
salaries, and she can[no]t gi[ve] a salary to anymo[re] than 2 - no chance for Charlotte - can do
noth[in]g for her aft[e]r Xmas - I s[ai]d the girl c[oul]d n[o]t now co[me] here - and c[oul]d n[o]t when I w[a]s away
m[u]st therefo[re] go ho[me] if I c[oul]d n[o]t get a place - she m[u]st at any rate n[o]t be nice ab[ou]t a place
and ta[ke] wh[a]t wages she c[oul]d get - I th[ou]ght £10 ample at pres[en]t - out 10 min[ute]s at the dry arch[in]g
the centres put on this morn[in]g, and a good deal done - the 2 necess[arie]s beg[a]n to be pull[e]d d[o]wn this aft[ernoo]n
the st[one] tak[e]n for arch[in]g w[i]th – Din[ner] at 6 55/.. – coff[ee] upst[ai]rs - A- [Ann] r[ea]d Fr[en]ch - till 9 50/.. wr[ote] all b[u]t
the 1st nine lines of today – Let[ter] tonight 1 1/2 p[age] fr[om] Mar[ia]n M[arke]t Weight[o]n - hopes to hear
fr[om] me ag[ai]n aft[e]r next Mon[day] on w[hi]ch day she concludes the fun[era]l will be - the ment[io]n
of my a[un]t becom[ingl]y sm[all] consid[erin]g Mar[ia]n’s oft[e]n avow[e]d dislike - ‘Weight[o]n Tues[day] 11 Oct[obe]r 1836. my d[ea]r Anne I rec[eive]d your let[ter] this morn[in]g
‘w[hi]ch convey[e]d to me the melanch[ol]y intellig[en]ce I ha[ve] been daily expect[in]g s[in]ce I last heard fr[om] you –
‘I can now on[l]y trust that yours[elf] and Miss Walk[e]r may contin[ue] well, and when the harass of the pres[en]t
‘is ov[e]r, you may enjoy peace and comf[or]t, and that your alterat[io]ns at Shibd[e]n, and your man[y] concerns
‘may all realize your m[o]st sanguine expectat[io]ns – Perh[aps] you will wr[ite] ag[ai]n so[me]ti[me] next
‘week, for I shall ta[ke] it for grant[e]d the Fun[era]l will be on Mon[day], b[u]t I feel wishful to hear
‘ag[ai]n fr[om] you when you feel a lit[tle] mo[re] settl[e]d - Miss Inm[a]n begs her rem[em]b[ran]ces to yours[elf] and Miss Walk[e]r
‘and w[i]th my love to both bel[ieve] me, my d[ea]r Anne, very affect[ionatel]y yours Marian List[e]r’ – n[o]t a word
on my advice - or rath[e]r on my obs[ervation] that were I in her pl[a]ce I th[ou]ght and felt I sh[oul]d n[o]t co[me] –
b[u]t her let[ter] is ver[y] well done - no humbug ab[ou]t my poor a[un]t wh[o]m she dislike[e]d, und[er]val[ue]d,
and whose loss she c[ou]ld n[o]t consist[entl]y pretend to deplore – Ver[y] civ[i]l let[ter] fr[om] Mrs. Musgrave tonight say[in]g
she h[a]d op[ene]d my let[ter] to Mr. Musgrave - at Scarbro’, w[oul]d n[o]t ret[ur]n till Sat[urday] b[u]t h[a]d forward[e]d my
let[ter] w[hi]ch he w[oul]d ans[we]r hims[elf] and she w[a]s sure he w[oul]d co[me] ov[e]r, and perform ‘the last offices for Mrs. Lister’
all this is ver[y] civil, and ver[y] comf[orta]ble and proper - and my a[un]t w[oul]d ha[ve] been pleas[e]d c[oul]d she ha[ve] been
consc[iou]s of the th[in]g - fine day - high wind now at 10 5/.. p.m. at w[hi]ch h[ou]r F[ahrenheit] 47 1/2°
3 notes · View notes