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Pat Metheny Group - As It Is
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Music Video
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Artist
Pat Metheny Group
Composer
Pat Metheny Lyle Mays
Produced
Pat Metheny Lyle Mays
Credit
Pat Metheny – acoustic and electric guitars, guitar synthesizer Lyle Mays – piano, keyboards Steve Rodby – double bass, cello Richard Bona – vocals, percussion, acoustic guitar, fretless bass Cuong Vu – trumpet, vocals Antonio Sánchez – drums
Released
February 12 2002
Streaming
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tsuchiman · 7 months
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inuvik · 7 months
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(2023)
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maquina-semiotica · 8 months
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Antonio Sánchez, "Get Ready"
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crispyearth · 1 year
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Antonio Sánchez feat. Trent Reznor, Atticus Ross - I Think We’re Past That Now
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muscleonly4u · 2 months
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Antonio Peral Sánchez 🇲🇽
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docpiplup · 1 month
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LA ABADESA (2024)
Synopsis
In the 9th century, Emma of Barcelona (c. 880-942), a 17-year-old girl, is named abbess in order to repopulate and Christianize border territories in 897. Upon arriving at the abbey, she will have to overcome the mistrust aroused by a woman determined to fulfill her mission, which will lead her to confront nobles, like her brother Count Guifré II Borrel of Barcelona (874-911), peasants and the nuns themselves. Despite everything, Emma will show that it is possible to challenge established power structures. Although she will pay a high price to get it...
Emma is willing to carry out the commission of her deceased noble father, Count Guifré I of Barcelona, Guifré el Pilós (840-897), founder of the House of Barcelona: convert the abbey that he founded in 885, the Monastery of Sant Joan de les Abadesses, for which she is now responsible into the engine of change and transformation of a society that comes down. She must help with all her resources to help the lands that are emptied due to hunger caused by border wars, which in turn are a consequence of the ambitions of the feudal lords of the area.
Emma acquired small or large properties with which the monastery came to have a territory equivalent to that of a county. Her sovereignty was also similar to that of a countess: by concession from her father, her domains were exempt from all interference from the neighboring counts, whom she knew how to oppose with resistance.
On cinemas: Friday 22 March
Filming began in January 2023 at the Loarre Castle, and included scenes filmed at the Turó de la Seu Vella, until concluding at the end of February 2023.
Main cast
Emma of Barcelona - Daniela Brown
Eloisa - Blanca Romero
Guifré II Borrel of Barcelona - Carlos Cuevas
Eduard - Ernest Villegas
Odón - Oriol Genís
Bishop Gotmar of Vic– Joaquín Notario
Clara-Berta Sánchez Bajona
Melisenda - Anäel Snoek
Elvira- Olivia Auclair
Data sheet
Script and direction: Antonio Chavarrías
Produced by: Antonio Chavarrías, Jose María Morales, Miguel Morales, Mónica Lozano
Photography direction: Julian Elizalde
Editing: Clara Martínez Malagelada
Music: Ivan Georgiev
Casting: Irene Roqué, Carla Bisart, Sara Bisart, Elena Gómez Zarzuca and Doriane Flamand
Direct sound: Elsa Ruhlmann
Sound editing: Corinne Dubein
Blends: Emmanuel de Boissieu
Art direction: Irene Montcada
Costumes: Catherine Marchand and Pau Aulí
VFX: Natacha Brohan
Assistant director: Falele Ygueravide
Production direction: Anna Boneta
Executive producers: Alba Bosch-Durán, Flavia Biurrun and Jennifer Ritter
Co-producer: Huber Toint, Alex Verbaere, David Claikens, Samuel Feller
Production of Oberon Media, Wanda Films, Icono 2020, Saga Film, RTVE and TV3.
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Poster
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(Based on a true story/ Based on a true woman)
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tina-aumont · 2 months
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I want to thank my friend @74paris who contacted the Canarian Authorities and sent him these digitalized photos from the exhibit that Garafia and La Palma had about Maria Montez back in 2012 (more than ten years ago!!)
Maria Montez dad, Isidoro Gracia García was born in Garafia (La Palma) in April 3rd 1873 and by 1904 he settled in Barahona (Dominican Republic) with his brother Joaquín. They left Carany Islands due to economic struggles and they dreamt for a better future, which eventualy came.
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These photos show Joaquín (left) and Isidoro (right) pictured in Barahona in 1908. Next we can see Isidoro Gracia pictured in Barahona in 1906. Under these two photos, Isidoro is pictured, again in Barahona, this time in 1909 and the last photo shows Joaquín in an undated photo, but my guessing is that it was taken in Barahona as well aroung the time the other photos were taken (1906-1909).
These photos were displayed in "María Montez, de la Palma a Hollywood" exhibition celebrated in Garafia and La Palma during the celebrations of MAría Montez birthday centenary.
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Joaquín Gracia Anadón, who was born in Estercuel (Teruel-Aragón-Spain), in 23rd May 1841 and María Antónia García Martín, who was born in Garafia, (La Palma, Canary Islands) in 28th September 1842 were also remembered in this exhibition.
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This beautiful photo taken in 1942 celebrating Doña Justa's birthday was also in the exhibition. Doña Justa Recio Sánchez was María Montez granny and Regla María Teresa Vidal Recio's mother. In this photo we can see at the left Adita with her mother, and at the right we can see Consuelo. In the front row, at the right we can see a very young Teresita. It's beautiful to see that in this exhibition, also the maternal side of María was important although there were no Canarian roots in them (as far as we know).
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María Montez most intimal side was also shown in this exhibition, here we can see her pictured in 1943 at her wedding day to Jean-Pierre Aumont.
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While Jean-Pierre Aumont was away fighting in II World War and María was at the highest point of her career, she invited her sisters to Hollywood as she wanted them to have a successful career. Although all of them tried, only Teresita (not shown here as she was still very young) succeed but as a High Couture model working in France in the 50s hired exclusively by Vogue magazine.
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These photos are from the banners displayed in "María Montez, de la Palma a Hollywood" exhibition held in La Laguna, Tenerife (Canary Islands) in 2012, they show María's family, sisters, daughter Tina and places where her family came from. These photos come from this blog: Personalidades Garafianas
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These screencaps from this video show two banners from the exhibition "María Montez: De La Palma a Hollywood" with Maria Montez and Jean Pierre Aumont and Maria's dad Isidoro, her granny María Antónia and on the left Isidoro and his brother Joaquín.
The other screencaps show Joaquín Gracia and María Antónia García's home in Garafia where Isidoro, Joaquín and their siblings were born.
This house is still standing, now I wonder... could a María Montez museum will be made here and be permanent so everybody could visit it? I vote for it, but I don't know if it will ever me made, it would be beautiful if ever that happen...
Here you have the Villa de Garafia website where is explained the exhibition.
Photos shown here are courtesy of Armando Gracia Sanfiel, the Spanish cousin María was always writing. He gave these photos to Antonio Perez Arnay to be published in his book "María Montez La Reina del Tecnicolor" (Filmoteca Canaria, 1995).
Banners courtesy of "Cabildo de la Palma", the governing and administrative body of La Palma.
Muchas gracias de nuevo @74paris por todo el trabajo que has hecho contactando con la administración del Cabildo de la Palma para que te enviaran este material tan precioso y muchas gracias por compartirlo conmigo para que lo publique.
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welele · 16 hours
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que coño hace el sr presidente? se le acaba de ir la cabeza delante de toda españa pic.twitter.com/pSQ2tU8fVZ
— Juan de Dios (@Jimbo4xL) April 29, 2024
Las IAs son el futuro. Las IAs:
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aperint · 3 months
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¿Qué es el gobierno corporativo?
¿Qué es el gobierno corporativo? #aperturaintelectual #negociosaintelectual @guzreyesmx Gustavo Antonio Reyes Sánchez
Por: Gustavo Antonio Reyes Sánchez Amigos empresarios, emprendedores, encargados de generar dinero para las organizaciones, o sea, mis colegas de ventas, espero estén muy bien, que la salud en su vida sea una constante y el incremento de las ventas lo sea también. El gobierno corporativo se refiere al sistema de reglas, prácticas y procesos por los cuales una empresa es dirigida y controlada.…
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genevieveetguy · 1 year
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I went to an orgy after the concert, but I could only think of you.
Labyrinth of Passion (Laberinto de pasiones), Pedro Almodóvar (1982)
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quincyhorst · 9 months
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Inazuma Eleven Whiteboard but make it Red Matador - Part 2
Hello! Very glad the previous post was well received! There's still other doodles to archive/share here, so here it goes. I'm posting the day after since I wanted to take a little break... So much happened yesterday 😭
As always, this is a public ina11 whiteboard hosted by @ marmolao (Who turns out was the one I've been drawing RM stuff all this time with, YAY), I joined in just to draw Pedro and Igor, ended up doodling almost everyone there LOL. But it was a fun excuse to share HCs a different way, so... Let's continue from where we left.
Remember the last Rafa doodle? Well, I decided to comfort him by sharing a HC of mine with the other Andalusia boys from my setting. However by doing so I accidentally made Marmo create a new ship, and... Honestly? Good for them. I always appreciate seeing any RM pairings anytime <3
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Black Text: "In my headcanon Antonio is from Málaga (An Andalusian Province), so Rafa won't be alone :3"
Blue Text: "SO THEY'RE OFFICIALLY A COUPLE"
(#lovewins)
I also added Juan here.
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"Juan is from Cordoba, but by other reasons he tends to mix up both Spain's spanish and latin spanish"
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Another finding on the RM corner was this adorable doodle by an unknown artist, a furry doing the hissatsu Matador Feint :')
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I thought it was adorable! But unfortunately, not everyone is happy seeing that one hissatsu on specific...
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...Don't mind Fermín, he has legitimate reasons for hating Matador Feint with all his guts. Oh, and if anyone hasn't searched/heard the sound effect I mention... I'll do the magic for ya. It REALLY adds to the scene-
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Finally, we come upon my favorite doodle so far: A little Rafael x Antonio moment made for Marmo, as to celebrate the new couple formed (?
I also added José out of pure self indulgence. I love the 2-3-4 dynamic 💖
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Of course, due that the pen I used was too thin, you might not see the details properly. That's why I'm also adding some closeups here:
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And here. JOSÉ STOPPPPPPPP!!!!
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One last thing, but apparently the autism creature I drew earlier attracted some friends, including a shy one... Don't know who drew each one, but they're adorable! I'm glad this little one got new buddies too <3
(And heyyy, whoever wrote the yellow one, even if you cannot talk, I still appreciate your prescence nonetheless 💛)
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Once again, thank you for anyone who has colaborated on drawing here! 💕 Unfortunately according to Marmo's words, the whiteboard is "closed" in the sense it might not be as frecuented as yesterday. It also will be deleted over at Sunday, so... Yeah, I don't think the goal of drawing all the players will be 100% possible...
Nonetheless, if anyone wants to make any last RM doodle for me to reply, please @ me once you draw it! Because I don't think I will be able to check much on this whiteboard either...😅
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sexualsportswear · 1 year
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“Moctezuma” dir. Norberto López Amado  / “Alvarado” dir. Julián de Tavira
Would you order your warriors not to fight, but become slaves?
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maquina-semiotica · 8 months
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Antonio Sánchez, "Get Ready" #NowPlaying
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“El Chepa” que toreó en la Plaza de Tetuán e inmortalizó Ignacio Zuloaga
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El pintor retrató a este insólito personaje del siglo pasado
“Este muchacho tiene la chepa llena de toros”, decía Díaz Cañabate de Antonio Rodríguez, el “Chepa de Quismondo”, amigo del cronista taurino y protagonista de una rocambolesca y apócrifa historia de superación, que tuvo en la antigua plaza de toros de Tetuán uno de sus capítulos más gloriosos. No el mayor, que eso llegaría cuando el pincel de Ignacio Zuloaga elevara al corcovado diestro al Olimpo de otros retratados por el pintor vasco, como Unamuno, Falla, Belmonte, Azorín o el mismísimo Alfonso XIII.
El resto del articulo aquí : https://www.tetuan30dias.com/reportajes/chepa-toreo-plaza-tetuan-inmortalizo-ignacio-zuloaga
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muscleonly4u · 4 months
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Antonio Peral Sánchez 🇲🇽
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