#and not to be a canadian but i love when media references places ive been | Explore Tumblr Posts and Blogs

jaketapper · 7 years

Text

Remarks to the Canadian Journalism Foundation

Last night I was honored with the Tribute at the Canadian Journalism Foundation awards in Toronto, Canada. Below are my prepared remarks; I deviated from the text slightly and tried to make edits below to better reflect what I said.

I want to thank the CJF and more specifically the Gala Committee - David Walmsley, Maureen Shaughnessy Kitts and Natalie Turvey - for selecting me for this tribute.

I would also like to thank Peter Mansbridge for those lovely remarks and more importantly for his decades at the CBC, serving as a beacon for anchors across the continent, speaking truth to power, and calm to panic. I know this nation has come to depend on you to guide it through times of difficulty and joy, and I know she will miss your nightly presence.

It is such an honor to receive this award, especially as someone who isn’t Canadian, someone born in New York and raised in Philadelphia. I was seven during the American Bicentennial in Philadelphia, the heart of American democracy, so it was interesting when a few years ago i began doing some genealogical research and discovered that many of my ancestors, the Huffs, fought in the Revolutionary War. The surprise was that they fought for the British and then fled to Canada. They continued to fight on your side in the war of 1812. This was of course something of a rude awakening for a Philly boy.

Of course i knew of my Canadian roots -- My mother was born in Ottawa, and came to the U.S. with her family when she was 7. My grandfather Everett Palmatier fought with the Royal Canadian Navy during World War II serving on the HMCS Cobalt, a Flower-class corvette that participated in escorting convoys in the Atlantic. My grandmother Helen worked as a confidential secretary for the Canadian government. My great uncle Edwin Palmatier, a tailgunner, was shot down and killed by the Luftwaffe in that war. There is a lake named after him in this country. In January 1917, one hundred years ago, my great great grandfather David Dyson, a pickle and vinegar merchant was the mayor of Winnipeg -- for four days. He lost the recount.

Now, if I were Tom I would make a joke about how Peter Mansbridge covered that recount. But I am not so I will not.

Grammie and Grampie and Uncle Edwin and David Dyson are no longer with us, but i brought my mother here tonight and I want to take a moment to honor her for not only having been a loving and selfless mother but for having instilled in me concepts of compassion and decency that i hope have shaped the way i live and also how i perceive my responsibility as a journalist. Thank you, Mom. I love you.

I would also be remiss if i did not take a moment to thank another great son of Canada, a mentor to so many of us who had the pleasure of working with him, my former boss at ABC news, the late great Peter Jennings. Peter was a tireless and fearless and obstinate boss. And he taught me so much and the world, and the world of journalism, is lesser for his passing.

As for this award...just looking at the list of prior honorees -- Tina Brown and Sir Harold Evans, Malcolm Gladwell, Robert MacNeill, Morley Safer and Graydon Carter -- that is pretty august company. Though the ones who mean the most to me are the 2012 posthumous tribute to Jennings and the man who did more to make me a journalist than anyone else, the late great David Carr, honored in 2013. I like to think somewhere David and Peter are watching this presentation, frustrated that they can’t break through and criticize me and make sure that i’m not letting anything go to my head. Don’t worry guys, I got the lesson. You taught me well.

And of course as well all know, people like Peter and myself get the attention, but journalism is truly a team effort. From the lowest level intern to the highest executive, I couldn’t do what I do without everyone at CNN. Everyone in this room knows what a team effort journalism is. Three from my team are here -- Jessica Stanton, John Robinson, and Lauren Pratapas -- and without them and without the leadership of my boss Jeff Zucker, as well as John Martin and Jeff Bewkes, none of this would be possible.

In three days I’ll be giving my first commencement address ever, at my alma mater, Dartmouth College in New Hampshire, and Ive been thinking a lot about what then President Eisenhower told students in the 1953 commencement:

He said: “Don't join the book burners. Don't think you are going to conceal faults by concealing evidence that they ever existed. … How will we defeat communism unless we know what it is, and what it teaches, and why does it have such an appeal for men, why are so many people swearing allegiance to it?...And we have got to fight it with something better, not try to conceal the thinking of our own people. They are part of America. And even if they think ideas that are contrary to ours, their right to say them, their right to record them, and their right to have them at places where they are accessible to others is unquestioned, or it isn't America.”

This was Eisenhower talking about communism during the Cold War and the Red Scare -- and he was arguing that the Communists should come out and engage in the battle place of ideas and we should welcome them

That battleplace of ideas is something I think about a lot

Especially when liberals tell me not to put Republicans or Trump supporters on my shows. Using Ike’s words, I ask them, How will you win an election against Trump and Trumpism unless you know what it is, and what it teaches, to paraphrase Ike, and why does it have such an appeal for men, why are so many people swearing allegiance to it?

And for those in journalism who do not understand the appeal of President Trump to 62,979,636 Americans, it is also important to try to understand the phenomenon so many of us failed to see coming. If you strip away the falsehoods and the bigotry and the occasional indecencies -- more on them later -- but if you strip those away there are propositions that are completely legitimate -- fixing a broken system in Washington, making sure the elites and the government do more to protect American jobs and lives and livelihoods. We in the media need to rise to the moment and allow these disrupting debates to happen, and let the best ideas win.

But all that said, I am concerned about the weapons being deployed by the president and forces allegiant to him in this battlefield. I am concerned about the lies and smears, I am concerned about the moments of indecency, and for this audience especially I am referring of course to his calling stories he doesn’t like -- ones that are entirely 100% accurate -- “fake news,” and thus successfully undermining the 4th estate with a large segment of the population.

On January 12, a team of reporters including me, Jim Sciutto, Evan Perez, and Carl Bernstein reported the following: “Classified documents presented last week to President Obama and President-elect Trump included allegations that Russian operatives claim to have compromising personal and financial information about Mr. Trump, multiple US officials with direct knowledge of the briefings tell CNN. The allegations were presented in a two-page synopsis that was appended to a report on Russian interference in the 2016 election.” It went on from there.

There is not one word of this story that is not accurate. And yet this is the story President Trump used to first attack CNN as “fake news.” A term that used to refer to actual fake stories -- The Daily Show with Jon Stewart or more recently the such as the nonsense that there was a Satanic pedophilia ring linked to a pizzeria in Washington, D.C. with ties to the Hillary Clinton campaign. Now it stands for stories the president does not like.

And he does not like a lot of them. And while yes there have been some minor media missteps almost all of the stories he’s called fake news have been proven to be true.

Every politician lies. Hillary Clinton falsely claimed FBI “Director Comey said my answers were truthful.” Barack Obama claimed if you like your doctor you can keep your doctor.

But the sheer number of falsehoods and factual flip-flops coming from this White House is staggering. NATO is obsolete, now it isn’t. Jobless numbers are bogus, now they’re real.

And what’s worse we have a situation now where prevarications are not only supported by the administration and its allies in the media but by an entire dark Army of twitter trolls and meme creators here and abroad who work to undermine the work and reputations of those who either oppose the president and his policies within the party or Congress or those of us in the media who are attempting to provide basic non partisan guidance on what is going on while trying to uphold basic facts and decency.

The great discomfort here for Americans is we want our leaders to be credible. The great discomfort for journalists is that if a president declares war on truth, those who try to stand by truth and defend her are then labeled partisans, or biased.

We are not supposed to be fighters on the battlefield. We are not the opposition to President Trump, we are not the resistance.

We all are trying to figure out the way to cover this new world where fact and decency often seems to mean so little. And I do think that we as journalists need to defend truth and decency.

But I also think that too many journalists sometimes allow themselves to get swept up and we cannot have that, we cannot have a world where we act like the opposition. We in the 4th estate must rise to the occasion of this challenge. And by that I don’t only mean that we work harder than ever to avoid the kinds of mistakes that undermine our profession by avoiding stories that get key facts wrong, but that we also refrain from sharing every emotion the moment we experience it on twitter. And that we consider the low regard many members of the public have for us, and that we work hard to be fair to all points of view -- even the side whose members are attacking us and attempting to undermine us -- the policies they advocate, not the attacks.

And let me say a word about those attempts to undermine. Tom Friedman writes in his new book Thank You For Being Late about the advances of technology compared to the human ability to adapt to these changes. The chart of technology looks like this…..the chart of our ability to adapt to technology looks like this. We are way behind as a society where technology is -- i recently read that the average smartphone is millions of times more powerful than all of NASA’s combined computing in 1969

So what does that mean? It means that when your Uncle shared a website called the Denver Guardian -- and a story headlined “FBI Agent Suspected in Hillary Email Leaks Found Dead” -- and spreads the story using on Facebook -- he has no idea what’s going on. His sophistication is here on the chart. The technology is here.

I have seen US Senators and US Members of the House -- and I know no one would do this in your Parliament -- but members of the U.S. House and Senate have invoked websites I do not consider to be credible -- not just on the right but on the left. Recently after Republican Congressman Jason Chaffetz of Utah announced he would be leaving Congress, Congresswoman Maxine Waters -- a Democrat of California recently lionized by the left -- went on MSNBC and said of him “There are those who think that he in some ways, have some connections to what is going on in the...Ukraine and perhaps in Russia itself, and knows something about all of this. I don’t really know. I can’t say, but he’s strange in the way that he’s conducting himself...Maybe [Chaffetz] thinks that if he rolls out and points to the fact that something is going on with Flynn ... that somehow this will raise [Chaffetz] above maybe what connections he may have with the Kremlin, we need to keep an eye on him.”

This is crazy; it’s madness. And to point out that this is going on on the Left is not to promote a false equivalence with the fact that it is going on at a much greater scale from a much larger platform on the right.

But lies are lies. Irresponsible fact-free speculation does not become less irresponsible because of a conspiracy peddler’s political affiliation or gender or anything else.

I did not become a journalist to be a fact-checker or a truth-squadder, i became a journalist to hold people in power accountable, to try to tell stories other journalists weren’t telling, and to try to have serious discussions about the way policies impact people’s lives. Probably why a lot of people in this room became journalists.

I did not become a journalist to become a meme or to watch a younger far better looking man portray me on Saturday Night Live, although thanks for that. But there is a lot of attention on us today as the fourth estate finds itself trying to stand up for basic standards of decency and truth.

And while it is important that we not take the bait and become the opposition that Trump and Bannon would like to cast us as -- thus de-legitimizing ourselves -- it is also important that we not sway the other direction. We cannot pretend that lies don’t need to be called out. We cannot shrug and talk about how a politician’s supporters don’t care about behavior that empirically is offensive. We cannot lower the standards that we as a society hold just for access to big name interviews. We have to be able to look our children in the eyes. We cannot not lower our standards because of attrition and exhaustion or because colleagues are making other decisions, or because Fox, Breitbart and online trolls will lie about us otherwise.

This is a time for all of us in the 4th estate and indeed all of us in North America s to stand up for what we know is right. Objectivity. Truth. Decency. Facts.

My late grandmother, Helen McDowell Palmatier, born 101 years ago in Winnipeg, was an expert on Sir Winston Churchill, so with your permission I would like to end these remarks by quoting him.

Churchill once said: “A free press is the unsleeping guardian of every other right that free men prize; it is the most dangerous foe of tyranny… Under dictatorship the press is bound to languish…But where free institutions are indigenous to the soil and men have the habit of liberty, the press will continue to be the Fourth Estate, the vigilant guardian of the rights of the ordinary citizen.”

Thank you for this honor.

30 notes · View notes

cynthiajayusa · 5 years

Text

‘Schitt’s Creek’ Creator Dan Levy Talks Queer Journey

Oh, sure, Dan Levy gets excited. Really, he does! The sparkle may not be written on his face – cherubic, distinguished, writerly; one with features much like his actor-dad, Eugene Levy – but inside you can bet he’s screaming. It’s a Canadian thing.

Our conversation takes place on a day in mid December, the day after Pop TV’s Schitt’s Creek, his farcical and heartfelt sitcom about a family stripped of their riches that is lovingly created as a gift to this godforsaken world with his father, has picked up a Critics’ Choice nod for Best Comedy Series and Levy is screaming. Really!

“We have a limit to how excited we can be about ourselves,” he says, snickering. He continues, Canadian-modesty fully intact: “But it’s a thrill.”

The thrill humbly extended to a tweet written by the out 35-year-old conveying gratitude for the show’s recent wins when GALECA: The Society of LGBTQ Entertainment Critics awarded Schitt’s Creek with two honors, TV Comedy of the Year and Unsung TV Show of the Year, during their annual Dorian Awards. (Full, proud disclosure: I’m a member, and I voted for Schitt’s Creek in both categories.)

Get Levy talking about Mariah Carey – the diva inspiration for one of season 4’s sweetest and gayest lines, pertaining to his onscreen boyfriend, Patrick (Noah Reid) – and he won’t stop screaming. We spoke about the Elusive Chanteuse’s prominent place on Schitt’s Creek and about what’s in store for his lovably dramatic character, David Rose, mom Moira (Catherine O’Hara), dad Johnny (Eugene Levy) and sister Alexis (Annie Murphy) in season 5. Plus, this season’s coming out story that Levy says was an emotional shoot and “my proudest episode.”

youtube

I was feeling such disappointment when the Golden Globes and the Emmys didn’t acknowledge Schitt’s Creek yet again this year. So, this Critics’ Choice nod must feel like, “Finally, awards committees are catching up to the rest of the world.”

Slowly but surely we’re cracking into that illustrious group of shows that get nominated for things and it’s a wonderful feeling. We’re a very small show, and I think for very small shows that don’t necessarily have huge resources to promote themselves for award consideration, a nomination from the critics at this point is fantastic. It means it’s been word-of-mouth, and I think the fact that we are also streaming on Netflix has cracked us open to an entirely new and different audience as well.

And listen, our team, first and foremost, just wants to tell really interesting stories and wants to have fun when we go to work every day, and that has always been the goal for me as someone who’s running the show. The minute you start to look outside and think, “Oh, we’re being recognized for this; people are putting us on lists,” it’s wonderful but it can really change the experience of making your show. Suddenly you’re more concerned about, “Are things living up to the standards that the media have kindly set for us?” And that can be really intimidating.

So I try not to pay attention as much as I possibly can; especially when we’re making our show, I try to disengage from all of that so we can really focus on what’s ultimately going to serve our characters. But I’m not gonna lie: It’s been a joy over the past couple of years to see our show up there in the ranks of other shows that I have long admired myself. So I’m just ultimately bursting with pride for our team.

How are the Roses coping with each other during season 5?

Season 4 was a really emotional chapter in this family’s trajectory and we were able to really peel back some layers and show a lot of growth. Season 5 is really about having fun. The guards are down a little bit, which means we can have more fun with our characters, we can put them in stranger situations.

We tried our best to pair characters this season with characters that have never been paired before and really take stories outside of the box and expand our world a little bit, so this season was always intended to be the shiniest and brightest and boldest we’ve ever done. But I’m just really excited because there’s so much in store in season 5. It’s bursting with life and joy and I can’t wait for, particularly, a few episodes.

David does a lot of things this season that, for me, as a gay kid growing up, were horrifying: tree-climbing, baseball. What was your favorite David adventure to shoot this season?

The fun thing about David is he’s someone who has put on such a front for so long that he has really, over the course of his two years in this town, allowed himself to just get in better touch with himself and expose himself to vulnerability in ways that he never would have. So something like the first episode of season 5 (laughs) – constantly feeling the need to prove his relationship and how far he’s willing to go for it – was really fun. I mean, the day was grueling and I was stuck up there (in the trees) for, I think, seven hours…

So by the end of the shoot, your face was David’s. You weren’t even acting anymore.

(Laughs) The character and me as a person really came together in those moments. But yeah, I would say the excitement of our first episode back is really an indicator of what’s to come.

I can’t believe these characters are just now trying on Moira’s wigs. How did that not already happen?

The idea was, for us, that she needed to be on a totally different continent in order for David and Alexis to even dare touch that wall, because of all the things, all the buttons you can press with Moira, those wigs are everything (laughs). So we thought it could be really fun, considering no one’s ever tried them on. And we never ever really touched it, but that was really out of respect for Moira, who was holding court in her home. Now that she’s away we can all sort of have some fun with it, and getting to select which wig we got was a really fun process too. I tried on that little blunt, blonde wig that I wear in the episode and thought, “Well, this could be good for my real life!”

Will there be more Mariah stuff? And also, how much Mariah is played on set?

A lot of Mariah is played just in my life, which seeps into my professional life. She tweeted about the show last year after the Mariah Carey reference in our season 4 finale.

youtube

You recently celebrated that tweet’s anniversary on your IG.

I’ll be celebrating that anniversary for years to come. I lost it. There’s been some amazing people who’ve said some wonderful things about the show, but the Mariah Carey tweet, to me, was like, I don’t even know how to process that. I think back to being a teenager, putting up Mariah Carey posters on my bedroom walls. It was a full-circle moment.

The last time we chatted you told me that one episode in particular this season made you cry. Why is it so meaningful to you?

It’s a layered thing. I find it sometimes quite emotional to be in the position that I am in, to be able to tell queer stories and show them on a mass scale, to write moments and stories, and in this particular case a love story, that seems to really affect people. It’s hard not to think back to a time in your life where you didn’t have that kind of freedom. For me, I think back to high school when I was still in the closet and wondering if I would ever be able to live out in the open. To now be in the position that I am, getting to write what I find to be a really lovely queer romance that millions of people get to watch, it’s quite profound.

And how about the episode’s impact on you?

It’s a particular moment that I had to write that is something that most queer people go through and articulating that, dramatizing that, is just a very meaningful episode for me and for a character in our show. It’s a coming out episode. So getting to write that and trying to find a way around that kind of story that’s been told several times in film and television and literature, finding a dynamic way into that story and out of that story, was probably the greatest joy and challenge I’ve had as a writer for TV. And now that we’ve cut and polished the episode it’s my proudest episode we’ve done as a show.

Given that you understand the weight of this show on your audience, I’m guessing David and Patrick will never break up.

(Laughs) Um, I don’t ever want them to, but you never know what happens. All I know is that we do understand what our fans are enjoying and we certainly wouldn’t want to do anything to jeopardize their loyalty.

It’s the first successful relationship I’ve had in a while and it’s not even mine.

Funnily enough, me too.

For the Schitt’s Creek: Up Close & Personal tour, you and some cast members are touring various U.S. cities. How did the idea for the tour start and are there any Tina Turner musical numbers?

(Laughs) The idea for the tour started mainly because I think so much of the success of our show is based on the enthusiasm and the word-of-mouth that has come from our fans. And the feedback that I’ve received from our fans has been so much more than, “We love your show”; it’s long letters about how this show has provided sort of a safe space, a happy space, a joyful space in dark times. We seem to have a relationship with the people who watch our show and love our show that is slightly deeper than I think the relationship that a lot of people have with the shows that they watch on TV.

Shooting the show in Canada, we don’t ever really have access to a lot of our fans. We shoot for three months out of the year and the rest of the time is me editing or writing the show, and a lot of the response and feedback we got from fans was a desire to interact with the cast, and so we started developing this idea. It’s a Q-and-A, it’s very casual. We show some things we’ve never shown before, we show some behind-the-scenes stuff, we show some bloopers, and there may or may not be a musical performance that may or may not involve a Tina Turner song sung by someone who may or may not play my boyfriend on a television show (laughs). But for us, it’s a great way for us to meet our fans and for the fans to come and say hi in person. We did our first in Los Angeles a little while ago and it was incredible. There was so much love in the room.

Regarding the writing, do you think in terms of meme-able moments in the writers’ room?

No, no! In fact, there was some kind of Instagram sticker – you know the GIF stickers you can use? There’s one of Moira that apparently had like a billion views or something insane, and I’m always sort of amazed how people have taken moments from our show and turned them into these little internet memes, because when we’re writing we never really think about that. But it’s quite an expressive show (laughs), so I understand how it would be very easy to take some reactions from our cast and make some sort of universal reactions of disgust or confusion.

I used your face when I was disappointed by the Golden Globe nominations.

(Laughs) I’m so happy that I could be there for you in that time.

Has working on this show and writing queer characters with your dad bonded you in ways you didn’t expect it to?

I honestly don’t know, actually. The show has been sort of wonderful in the sense that we have been put in a position where we get to see each other every day. I think just going through the experience of making this show and seeing its success has been a wonderful thing for the two of us.

There are just times in your life when things happen that you’ll never forget and you know that you’re sort of in the middle of doing something quite special and lasting, so I know that whatever I do after this show, we’ll always have this time together, we’ll always have this sort of chapter of our lives that we got to immortalize on screen, which is quite lovely.

source https://hotspotsmagazine.com/2019/02/28/schitts-creek-creator-dan-levy-talks-queer-journey/ from Hot Spots Magazine https://hotspotsmagazin.blogspot.com/2019/02/schitts-creek-creator-dan-levy-talks.html

0 notes

demitgibbs · 5 years

Text

‘Schitt’s Creek’ Creator Dan Levy Talks Queer Journey

“We have a limit to how excited we can be about ourselves,” he says, snickering. He continues, Canadian-modesty fully intact: “But it’s a thrill.”

youtube

How are the Roses coping with each other during season 5?

David does a lot of things this season that, for me, as a gay kid growing up, were horrifying: tree-climbing, baseball. What was your favorite David adventure to shoot this season?

So by the end of the shoot, your face was David’s. You weren’t even acting anymore.

(Laughs) The character and me as a person really came together in those moments. But yeah, I would say the excitement of our first episode back is really an indicator of what’s to come.

I can’t believe these characters are just now trying on Moira’s wigs. How did that not already happen?

Will there be more Mariah stuff? And also, how much Mariah is played on set?

A lot of Mariah is played just in my life, which seeps into my professional life. She tweeted about the show last year after the Mariah Carey reference in our season 4 finale.

youtube

You recently celebrated that tweet’s anniversary on your IG.

The last time we chatted you told me that one episode in particular this season made you cry. Why is it so meaningful to you?

And how about the episode’s impact on you?

Given that you understand the weight of this show on your audience, I’m guessing David and Patrick will never break up.

It’s the first successful relationship I’ve had in a while and it’s not even mine.

Funnily enough, me too.

For the Schitt’s Creek: Up Close & Personal tour, you and some cast members are touring various U.S. cities. How did the idea for the tour start and are there any Tina Turner musical numbers?

Regarding the writing, do you think in terms of meme-able moments in the writers’ room?

I used your face when I was disappointed by the Golden Globe nominations.

(Laughs) I’m so happy that I could be there for you in that time.

Has working on this show and writing queer characters with your dad bonded you in ways you didn’t expect it to?

from Hotspots! Magazine https://hotspotsmagazine.com/2019/02/28/schitts-creek-creator-dan-levy-talks-queer-journey/ from Hot Spots Magazine https://hotspotsmagazine.tumblr.com/post/183119013920

0 notes