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bosspigeon · 3 years

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one for sorrow

Pairing: Gen, M!Detective/Mason Word Count: 3483 Summary: Juniper Fenn reflects on memories, nursery rhymes, loneliness, and wanting to be wanted.

Just a little (uh... kinda big, actually?) character study for my soft boy, Juni! It wound up a lot more emotional than I originally intended, but I like having this insight into his character.

CW for (implied) deadnaming, misgendering, coming out, and in the last portion a non-graphic post-sex scene with some allusions to said sex ahfdsjh.

One for sorrow, two for joy.

He thought the needle would hurt more than it did. He closes his eyes and looks away, and the artist gives him the hairy eyeball when he clutches at Tina’s knee, like she’s afraid he’ll jump off the bench and bolt for the door. He wants to ask if that’s happened before, but he thinks he’s made enough of a fool of himself so far.

“You sure you’re good?” she asks, giving him an out. Somehow, that just strengthens his resolve.

He takes a slow breath and nods, closing his eyes.

He hears the buzzing, and when the machine first touches skin, he almost jumps, but he’s more worried about looking like more of a baby than he already does than he is startled, so he bites his lips and forces himself to holds still. And it does hurt, but not like he thought it would. He squints one eye open to watch the progress of the first line over his skin. He expects to be repulsed, like when he’s having bloodwork done, and he has to look away from the needle going into his arm. But this is different, somehow. Doesn’t make his stomach turn.

“This is the quietest I’ve ever seen you,” Tina teases, when the first wing has taken shape. He almost jumps again, but he manages to contain it to a twitch. He’s going to tip the artist as much as he’s able after this is done, just for dealing with someone as fidgety as him.

He chews at his lip. “It’s… I dunno. I wouldn’t say it feels good, but it’s kind of soothing, in a weird way?”

She leans over, watching, and the artist gives her a bit of a look, so she backs up again. “Have you told your mum?” she asks.

He snorts out a laugh and looks away, back at the stencil on his arm that will soon be filled in with black feathers and ringed with flowers. “Of course not. She’d probably kill me.”

“She doesn’t like tattoos?” Tina tilts her head, watching his face like she’s waiting for him to start whining about how it hurts. She’s always been the tougher of the two of them, and he’s got no illusions about that, so he’s sort of proud of himself for keeping his cool—as much as he’s got anyway.

He shrugs the arm that’s not under the machine, and wonders when he’ll get his next tattoo. He’s already got ideas for more, and knowing that it’s not so bad as he was worried it would be is exciting. Not to mention, it’s something that’s just for him. Not for anyone else. He’s… never really done anything like this before. “I don’t know what she likes, but I doubt she’d approve.”

She sucks her teeth and he squeezes her knee again when she gives him that soft, sad look she sometimes does when his mum comes up in conversation. “What’s it going to be?” she asks suddenly. Tina’s a good friend, changing the subject before he can get moody about it.

“A magpie,” he says softly, looking back down to watch the lone bird slowly taking shape on his skin.

Three for a girl, four for a boy.

He asks what happened to all the pretty paintings around the house when he’s ten, because they disappear sometime after one of Mum’s visits, when she seemed more distant than usual. Maybe she hopes he won’t notice, but he misses them immediately. The house is too bare without them, it feels so lonely. It’s always been lonely, ever since Dad passed, but the bare walls make it even lonelier. Mum brushes it off, of course. He’s used to it at this point, so he doesn’t push her, but he’s also stubborn, so he goes looking. He’s even more determined when she tries to shut him up by replacing them all with clean, impersonal prints in neat little frames. He finds them in the attic, tucked away in a box, each one slipped carefully into a protective sleeve or folder and wrapped in tissue paper. He finds a dreamy matted watercolor of him as a baby, fat and freckly and smiling with no teeth, and he has to take a minute to sit down and cry as quietly as possible before he can start going through the rest. There’s a folder of scrawled pencil portraits, too. He finds one of Mum sitting on a pier, peeking back over her shoulder with her hair blowing in the wind. She’s smiling. He can’t remember the last time he saw her smile.

There’s a self portrait that makes him laugh through his tears, because the reflective surface Dad seems to have used as his mirror is a Christmas ornament, so his face is distorted, one eye huge, his tongue out, drawing himself drawing. He keeps that one for sure, and a few of the other ones he thinks he can get away with. An oil pastel of a wooden swing dripping with honeysuckle, a colored pencil drawing of the library, a few studies of people and plants and animals, and another watercolor of the three magpies, sitting in a juniper tree.

There are three magpies painted on his bedroom wall, from back when it was his nursery. Dad painted them right after he was born, before they brought him home from the hospital. They’d waited until he arrived to know what his gender would be. Of course, he went and messed that up, like he did most things. Sometimes he wonders if Dad would be disappointed, or if he’d think it was funny.

They used to be above his crib, and then his bed when he outgrew that, but he moves his bed to the opposite side of his room when he’s fourteen, and covers them with a poster. He thinks for sure Mum’s going to give him an earful about it, but he’s surprised she hasn’t tried to cover them up herself. He supposes it’s not really an issue, since when she is home, it’s not like she spends any time in his bedroom.

And then he's sixteen, and he’s been practicing his watercolor for years at this point. Sometimes, he creeps into the attic when he’s got the house to himself, rifles through Dad’s paintings, studies his style for as long as he can. He’s been old enough not to need a proper nanny for years now, though someone comes to check up on him frequently and make sure he’s got food and necessities, but beyond that he’s got plenty of time alone. He sits in the attic until he's sore from the wooden floor, trying to think of how Dad’s hands might have looked while he worked, the speed and angle of his brush strokes. He doesn’t think he can find anything new at this point, as many times as he’s snuck up here to look at Dad’s work, but out of the blue, he finds what might have been a really nice landscape, if it weren’t marred by fat little handprints in bright yellow and green, as if he’d smeared his hands across the palette the second Da took his eyes off it, and slapped them down in the middle of the paper. He comes back to it a lot, when he spends time in the attic, because when he looks at it, he swears he can hear what he imagines Dad’s laugh sounded like, his voice calling him a little menace with all the fondness in the world.

And then he’s eighteen, and he’s alone on his birthday. Mum calls, tells him she loves him and she would come and visit him later on, so they could do something together, but she couldn’t take the day off. She tells him how proud she is of her daughter being all grown up, and he winces, but keeps his mouth shut.

And then he maybe gets a little bit drunk, drags out his paints and brushes, rifles through the portfolio hidden carefully in the back of his closet, and finds the painting with the juniper tree and the three magpies

He takes another shot to steady his nerves, and paints in a fourth.

Five for silver, six for gold.

He shouldn’t be surprised Mum doesn't come to his graduation, but that doesn’t mean it doesn’t hurt. She’s busy, she’s always been busy, she’s been busy since he was a toddler.

He was stupid to believe anything he did would be important enough for her to bother with. To believe that he could matter to anyone enough.

Tina’s stepmum had more foresight than he did, inviting him along to her and Tina’s celebration dinner at a fancy restaurant out of town, and he has to take a minute to cry in the bathroom after they proudly present him with a messily wrapped gift and a card that practically explodes with glitter when he open it, but he can’t even pretend to be annoyed because it has his name in it, and while he's trying very hard not to break down crying in public, Tina hugs him so tightly his spine creaks and tells him she couldn’t have wished for a better brother.

When they drop him off at home, his eyes are still red and a bit wet, he’s full of good food and affection, and he’s smiling like an idiot in spite of the fact that he can’t stop sniffling. The heavy sterling silver magpie skull charm rests against his collarbone, the weight comforting in a way he can’t hope to put into words. He'll never forget Tina’s dewy, smiling eyes as she clasped it around his neck and told him proudly, “Now you’ve got two.'"

He falls into bed holding the charm, reluctant to take it off, but knowing he should put it somewhere safe before bed. He exhales a happy sigh, laughing a bit wetly to himself.

And then his phone vibrates in the pocket of his slacks, and his heart seizes in his chest.

He doesn’t have to check the ID to know who it is. Nobody ever calls him, and his eyes flicker anxiously to the pressed dress in its plastic garment bag still hanging untouched on the back of his closet door. He’d given Tina the expensive name-brand heels for her own graduation outfit, because even if he did want them, he couldn’t walk in the damn things anyway. Lucky for him, they wear the same size shoe.

He takes a moment to calm his breathing, but that means he has to fumble to answer the call before it ends, and he winces when he sees two more missed calls in his log. “Mum!” he blurts, his voice instinctively pitching higher. “Hi! How are you?”

“I’m fine,” she tells him easily. “I’m sorry again I couldn’t make it today. There was a—”

“A big project, I know,” he finishes. It’s always a project, or a trip, or a meeting. The details are always scant, but Mum knows how to make it sound big and important and in need of her attention. He’s tried not to be bitter about it, but there’s always been a part of him that wishes, for once, she’d decide he was important enough to need her attention. “It’s okay, Mum.” It’s not, it never was, but it would be selfish of him to tell her that. She’s got enough to worry about.

“Well, I didn’t want you to think I’d forgotten, so I had a gift delivered. It should have arrived today.”

He bites back a sigh. He wonders if it would be easier if she had just forgotten. If it would hurt less than knowing she always made the decision not to see him. “Oh, I’ll go check!” he blurts, trying to inject as much enthusiasm into his voice as possible. He rolls out of bed and heads for the door, poking out to check the mailbox. Of course, inside there is a slim, rectangular package, wrapped in tidy brown paper. The address and names are printed on stickers.

He takes it inside with the phone tucked against his shoulder, weighing the box in his hands. It’s light, and he wants to be excited about whatever it is, but he’s suddenly drained from the day, from crying and laughing and crying some more.

The dining room, somehow, has always felt more lonely than anywhere else in the house, and he’s never been able to figure out why, but he puts the package on the table and starts picking at the neat wrapping. Mum is quiet on the other end of the phone, waiting, and Juni wants to break the odd silence, but can’t even begin to think of what to say. He wishes he didn’t bite his nails, because it takes him way too long to break into the pristine paper, and inside is a long red jewelry box. When he lifts the lid, there is a delicate gold necklace resting on a soft velvet pad, understated and objectively lovely, if not really his style, but it’s the note that flutters out of the box that catches his attention. His eyes skim the note, expecting her usual platitudes that he sometimes wonders if she has someone else type for her.

I am so proud of the woman you’ve become.

His breath leaves him in a painful, strangled rush, his lungs squeezing tight in his chest. And before Mum can speak, he blurts "I can't take this," trailed by a ragged sob.

“Of course you can,” she says gently, kindly. “I know how you get about expensive gifts, but really, it’s no trouble—”

His head fills with screaming static when she calls him what she’s always called him, what she doesn’t know better than to call him, because he’s never told her. He’s never had the chance, it’s never been the right time, it felt wrong not to do it in person, but whenever he sees her in person he feels like he shouldn’t waste the time with her by bringing up something so…

“My name is Juniper!” It explodes out of him, louder than he’s ever been with her, and it stuns her into silence. “I’m not your daughter!” he cries desperately, “I’m your son. You can’t be proud of the woman I’ve become, because I’m not a woman!” He sounds insane, he knows he does, shrill and frantic, but his heart is hammering so hard he feels dizzy, the walls are yawning wide around him, the dining room feels huge and so empty and so bleak. He’s never felt more alone in this dark, quiet house he’s spent his entire life rattling around in than he does in this exact moment, and it’s suffocating. His phone drops from shaking fingers onto the floor, and he drops with it, curling into a ball and struggling to remember how to breathe, dizzily hoping he won’t need to go scrambling for his inhaler. His fingers clench so tightly around the heavy silver charm he’s almost worried he’s going to snap the simple leather cord, but he needs to ground himself or he feels like he’ll dissolve entirely.

He hears Mum calling the name that’s not his, and when he finally manages to fumble his phone with nerveless fingers, he winces seeing the screen is cracked. “I’m sorry,” he sobs weakly, his eyes burning with tears. “I’m sorry, I’m sorry, I’m so sorry.” He can’t even be sure what he’s apologizing for, but he knows he has to, especially when he slams the end call button and buries his face in his knees so he can cry alone in the dark.

Seven for a secret, never to be told.

Juni’s skin is starting to get clammy, but he’s too comfortable to move. Eventually, he’s going to have to, if for nothing else than to get up and get cleaned up, but for now, he’s happy, if a little chilly. He nuzzles into the soft curls dusted across Mason’s chest, and lets his eyelids fall to half-mast, just open enough to absently count the freckles hidden under the chest hair, inevitably lose count, and start counting again. Mason smells good, cooling sweat and sandalwood, and dozy as he is, it takes a moment for Juni to realize he doesn’t really smell like smoke at all anymore. His room doesn’t smell lke smoke, either, he realizes. His heart thuds hard behind his ribs.

He gets distracted when a shiver rolls over him, the chill suddenly overwhelming against his sticky skin, and he curls further into Mason’s chest in an attempt to leach some of his warmth.

Mason clicks his tongue, and Juni’s whole body stiffens, worry zinging into his gut to rattle around there like a bird in a too-small cage. Mason shifts underneath him, and he starts to roll away, to apologize, to get out of his hair, before a strong hand clasps the back of his neck.

“Hold still,” Mason grunts, sitting up and patting around for the edge of the blanket. He pulls it out from under them both, which almost sends the detective rolling off the bed against his will this time, but Mason's hand shifts down to spread across his lower back and hold him steady until he can get them both tucked underneath.

He flops back against the pillows again, one arm tucked under his head and the other loose at his side, and slowly, cautiously, Juni crawls his way under it. The hand lands on his hip and squeezes, and Juni settles his head back on the vampire’s chest just in time to hear the pleased little rumble there. He flushes down to his chest and bites his lip, distracting himself by petting at Mason’s chest hair.

And then he pokes his flat, brown nipple and says, “Boop!” on some stupid impulse, and giggles like an idiot.

Mason scoffs and rolls his eyes, but shifts so that Juni’s thigh hitches up over his. “Keep that up, sweetheart, and we’ll be going into round two sooner rather than later.” Juni can feel the truth in that statement against his thigh, and he blushes so hotly he knows Mason can feel it at every point their bodies are touching. He might be approaching supernova levels of heat when Mason smugly adds, “Well, round two for me. Three for you.”

He hides his face in Mason’s chest with a long groan. “I’m going to explode,” he declares. “I’m going to collapse like a dying star.”

Mason laughs, sharp and startled and shockingly bright, and Juni’s head shoots up so he can see his face. His hair is a mess, but of course it still looks amazing, hanging around his face in loose, sweat-damp spirals. His vulpine grey eyes are crinkling at the corners, even his sharp nose wrinkling in a way that makes Juni’s heart almost stop. And his mouth, usually either pinned into a scowl, or twisted into a sly (and stupidly attractive) smirk, is curled into a smile, breathtaking in its open softness.

God, I love you, Juni wants to cry, his heart pounding in counterpoint to the desperate, silent declaration he traps behind his teeth by digging them into his lower lip so hard he’s almost afraid he’s going to make himself bleed. And it doesn’t stop. I love you, I love you, I love you drums in his chest, hums through his blood, and when Mason catches him looking, he reaches out to push the tangled forelock of curls hanging in Juni’s eyes out of his face, cupping his cheek to pull him into a kiss. Juni shivers and braces his hand on Mason’s chest, feeling the vampire’s heart thumping there, steady and stable and achingly familiar. His own matches it beat for beat, and thankfully his mouth is too occupied for the pulsing plea of love me, love me, please love me to spill out. So he dives into it, clings to it, and when Mason breaks away to let him breathe, Juni buries his mouth against the arch of his throat instead, presses messy kisses to his collarbones, his chest, his shoulders, throttles the words before they can escape him and pushes them into touches instead. Touches can’t damn him the way words can.

There’s a soft, shameful part of him he ignores like he always has that whispers to him that maybe, just maybe, if he pours enough of himself into every kiss, every touch, that the words will finally be understood. That the weak little part of him he buries deeper and deeper every time it cries out will finally be seen, and answered, and cradled tenderly in someone’s strong, freckled hands.

But until then, it will sit there in his chest under lock and key and ache, like all his secrets do.

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