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#akaa
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akaa was so funny when it first came out because in the week leading up to it everyone was like ‘how bad can it possibly be’ and then everyone’s reaction to it was this.
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maristelina · 9 months
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【All Knowing, All Agony Creator's Comment】
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Finally, it has begun! As the opening act, I have been eagerly anticipating how the prison guards would feel about it since the production stage. The guitar part during the climax is simply a beautiful piece of music, so I focused on synchronizing the sound and Haruka visually.
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I carefully crafted the storyboard with great consideration. I paid attention to the lighting and color tones for each scene and location, so I hope you can enjoy the finer details when watching. I kindly ask for your continued support for the second trial as well. [DMYM]
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andromedako · 8 months
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11, 21, 30?
11. Do you listen to anything while drawing? If so, what
depends! sometimes its bg noise, or a song i associate w the chara, or the song influencing my drawing. surprise every time teehee
21. Art styles nothing like your own but you like anyways
in general i love like grayscale art that feels.. harsh? if that makes sense. and also like what ppl would generally consider edgy as hell. lol. i love seeing my favs fucked up
and i already answered 30 :]
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euxeris · 2 years
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this might sound super weird but am I the only one who didn't see Haruka in a more negative light after AKAA?
Well yeah I got a better understanding of his character but... that's kind of it lmao
Like 1) it seemed in character so I didn't think it was a random twisted side thrown in. 2) I can only really feel bad for the guy? Literally everything this kid does is due to being neglected and mistreated for a good chunk of his life... not saying that defends him and what he did but *fuck* is it tragic.
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evilliousmoodboards · 3 months
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possible to request an irina clockworker general moodboard?
My brain said yes but didn't know what a general moodboard for someone who switches looks would look like so went with her first look. But let's go.
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istanbulite · 2 years
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goku (from saiyuki)
idk who that is ill look tho 👀
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Ok me
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linabirb · 4 months
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milgram season 1 and season 2 mv art style comparison!
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architectsarchive · 2 years
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Aban Evi - Ne hoş bir infill
USE Studio’nun kurucuları mimar çift Mohammad Arab, Mina Moeineddini’nin kendileri ve yeni doğan kızları için tasarladığı üç katlı ev, 15. dönem Ağa Han Mimarlık Ödülü (2020-2022) kapsamında kısa listeye seçilen 20 projeden biri.
Isfahan’ın tarihi merkezinde, dar bir dikdörtgen araziye oturan, üç açık avlunun etrafında düzenlenmiş olan evin mutfağı, merkeze yerleştirilmiş. Birinci kata salon, üst kata iki yatak odası ve geniş bir İsfahan manzarası sunan bir teras ise çatı katına yerleştirilmiş.
Evin çerçeve yapısı çeşitli yatay ve dikey desenlerde döşenmiş el yapımı yerel hardal rengi tuğlalarla kaplanmış. En dış cephe ise kör bırakılmış. Tüm iç mekanların aydınlatma ihtiyacı ise üç avludan bol miktarda karşılanacak şekilde çözülmüş.
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kaynak: https://www.arkitera.com/proje/aban-evi/
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clover0101 · 2 months
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haruka and what each animal on his case represents, an analysis
before we begin, general CW for the issues haruka's story deals with (neglect, child abuse, animal death, etc).
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Throughout the MVs, animals play an important role in Haruka's story. I think each of these represents a part of Haruka, both how he perceives himself and how he wants to be perceived. Even if Haruka presumably has numerous animal victims, the ones most emphasized are dogs, fish, and rabbits.
1. RABBITS
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Haruka is seen on many occasions with his bunny plush. It’s so important that it appears not only in Weakness and Undercover but also in graffart’s collab, where each item is importan on the character's story in one way or another (like mahiru and the mantis). I see it as a toy from his childhood that he’s very attached to.
The fact that it’s specifically a rabbit is interesting to me, as the rabbit is a prey. If we go to the unique point of view of Japanese culture, rabbits are also quite related to the moon. The lunar cycles are also an important symbol in weakness, showing white, blue and finally red moons over a red sky. The origin of the relationship between rabbits and the moon is debated between admiration as they are perceived as objects of fertility and health because of their reproduction, or a legend that spread from India:
"a rabbit can't tolerate seeing people die and jumps into the fire to become food, then Indra rewards him for his sacrifice and takes him to the moon."
The theme of self sacrifice and the ultimate reward one receives for it is reinforced by Taoism, where the hare, like the moon, dies to be reborn and represents immortality. More popularly, rabbits are also associated with good fortune. It being white also points to innocence, and in turn to the pursuit of something that upon attainment brings discovery, an idea popularized by Alice in Wonderland. Even if it's more seen as a weak and tender animal, it has also been culturally represented as cruel and capable of aggression, closer to what Haruka is than the role of merely a prey. Haruka wants to be seen as weak prey that the strong hunt, to be pitied and loved for it. To be perceived as someone to be protected, as he cannot defend himself, but this is contradicted by his own actions both in weakness and throughout milgram. The prey becomes the predator and gives way to the next animal;
2. DOGS
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The dog is universally a symbol of loyalty and the effort it takes to form a training bond between a wild animal and a human. Dogs are seen accompanying men and being obedient to women.
Dogs are perceived as creatures that love unconditionally and are capable of giving everything to protect those they love.
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In terms of personality and behavior, they are the closest animals to Haruka, who accepts and actively seeks to be guided and to be faithful for someone, to be used to feel useful and not abandoned.
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Even if they are domestic, the dogs whose breeds are distinguishable are large dogs, considered to be hunting dogs. Haruka being represented as a dog also creates a parallel with kotoko, who is represented by a wolf.
Haruka being represented as a dog also creates a parallel with kotoko, who is represented by a wolf. Dogs are the friendlier, "clean" version of wolves, domesticated to be obedient, while wolves maintain a certain solitary air of independence and savagery.
However, whenever a dog is featured on screen it is accompanied by loud instrumentals and rather graphic visuals. In Weakness, child Haruka accepts and expresses affection towards the animal, who apparently is suddenly injured and runs away from him into a forest, where he is disoriented and confused. Haruka follows its footsteps and ends up seeing his hands in horror, realizing that he's the cause of its injury.
The perspective of present Haruka isn't so different, who now attacks it, destroying it until the only remains are the necklace it was wearing, ultramarine liquid and eyes, which I consider represent the opinions of others and looks that judge him.
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I think the fact that this dog bleeds the same color as Haruka's is a not-so-hidden hint at the fact that, in a way, Haruka is ending up with a part of himself (this time a bit smaller, not being human yet) to escape people's judgments.
There are also many sayings that by mistreating someone, "you are treating them like a dog", like an animal, something inferior, but that still sticks to what the human wants and believing all their words.
In AKAA, we see that instead of being a mix of at least two dogs, they're now separate entities and different breeds that dissolve as Haruka sings about being reborn. Again, dogs often appear in stories as spirit guides, helping humans enter and exit the realm of the dead safely, representing a middle ground between life and death. Dogs are followers of their owners, not leaders, and no matter how close a bond they form with humans, they are rarely recognized as equals to us.
3. FISH
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Most of the similarities between Haruka and fish are presented visually, with Haruka being a passive spectator of his own life, observing others from behind something akin to a glass wall that separates him from normal people. He's constantly surrounded by water drowning, and in one scene is even presented at a fish-eye angle, being watched by his mother.
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In AKAA we can see two specific species of fish.
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Yellow bobfish: they're very complicated fish to keep in aquariums because they release toxins when stressed and are naturally solitary once they reach adulthood, it's not recommended to have more than two in the same tank because they are territorial and aggressive among their own species, however it's friendly and sociable with fish of other species. It responds to stress with aggression and attacks its own kind (in this case other weaklings) just like Haruka.
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Clownfish: they usually inhabit anemones, forming a mutualism in which they find shelter and food. Toxins from anemones don't affect them as they develop immunity to them throughout their lives to eventually live in them. Anemones benefit from clownfishes cleaning its tentacles. Clownfish often eat parasites and are also known to steal more food from anemones than what they give in return. They are also capable of changing sex from male to female. Seeing this particular species depicted tells us a lot not only about haruka, but about his relationship with Muu, as for the first time it's not depicted as a mutual need, a codependency that endangers their lives if they become separated, but a mutually beneficial relationship where both can exist separately, but live much more comfortably by relating to each other in this way.
Extra: Insects (specifically butterflies) and parasites.
The symbolism of transformation and metamorphosis is so present that it even took the title of both voice dramas. Caterpillars can only wriggle and are no different from any worthless worm, but after a season, they manage to transform into a butterfly: beautiful, admirable, much more memorable and lovable. Having been forgiven and meeting Muu, Haruka manages to "fulfill" his metamorphosis and become someone he believes is better. Still, from what is shown in AKAA, it doesn't seem that Haruka is entirely happy with this change happening - the monarch butterflies represents ambition and perseverance, but it seems to be rejected by haruka, who crushes it in his hands
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Haruka longs for this transformation, but is unable to fully accept it happening. I think it's because no matter how much he changes and wants to be someone else, he can't get rid of the disastrous image he has of himself, or he has forced himself not to change so as not to be disliked even more by others.
Now, Kotoko is an important figure to Haruka despite not interacting much. It highlights both his codependency (or mutually beneficial relationship) with Muu as much as the fact that he assimilates a parasite.
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This is a point I've made several times before, but Haruka's way of socializing is based on taking parts of others and melding them on himself, especially women. It started by stealing his mother's necklace and taking it as his own, continues by killing Mirai and stealing what he lacks, and ends now in a much more obvious way with Muu, imitating her personality, accepting her accessories and the clothes she chooses for him and even copying her sprite pose a bit.
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If he had become closer to Yuno and Mahiru, I'm sure he would also start imitating their behaviors in one way or another. Haruka lives by taking parts of the women he surrounds herself with, and he seems to want to take something from kotoko as well, but it's still unclear what he wants.
What does all of this have in common?
Not only is the theme of change and rebirth prominent, but every animal that Haruka comes to hurt relates in one way or another to his desires, thoughts, or parts of himself. Figuratively, we can say that Haruka's case is about him eliminating and hiding every part of himself, until he murders his human victim, Mirai, who at the same time is the closest and most prominent part in him, with whom he wishes he could reconcile and exist together, accepting each other - for, unlike his other victims, Mirai is often presented as a friend and someone Haruka misses. I have yet to write Mirai's analysis on its own, so whether she is also a part of Haruka or not and whether all his kills are figurative is up to each one's choice, I tend to wander between both sides because I like both scenarios. In a less figurative way and taking the case more literally, these facts are simple trivia and interesting symbolism to consider when analyzing Haruka.
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doodles-in-sand · 9 months
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sure hope it isnt horribly obvious who my favourites are
(tumblr super crunched them this time i think please click to see the sillys in full quality)
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good-beans · 4 months
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(Okay wait I saw someone else post about hallucination, can I yell about one of the songs?)
I'm just. Insane over the emotion poured into the live version of AKAA. I didn't expect this song to hit me so hard but Shun Horie really packed it with even more sadness and desperation than the original, and it was the death of me. My favorite part of the song has always been the "mama" section, and the fact that he sounds like he's crying through it??? The two held-out screams at the end????
And the visuals make me equally crazy. The fact that he committed to the blue hair and full outfit makes it really feel like Haruka is there on stage. It really got to me realizing this was his dream come true. He's the center of attention. He's under the spotlight. Finally. He has a huge crowd watching him, looking at him, cheering for him, loving him. He looks so small surrounded by all those people. He looks out to them in disbelief, in pleading.
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I don't know man. I'm emotional.
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carlysky815 · 6 months
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“Me, the other you, I’ll take it all on.”
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harukapologist · 4 months
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sometimes, I think about the fact that Haruka has NOTHING in his real life. His father is clearly out of the picture, his mother is... you know, his classmates probably ignore (or bully) him IF he is in school currently which is a big if, and if Mirai is a real person (I'm one of the "Mirai is Haruka/a symbolism of a part of himself" truthers... I have more than one theory about his murder ok), she appeared to be the only person in Haruka's life whom he had a good relationship with... but she's dead. At his own hands' doing. And that makes me think about how that probably makes Haruka feel 10x more remorseful for his murder; he didn't kill someone of the many people in his life who treated him like trash, he killed the only person who cared about him, the only person he really had. To make matters worse in AKAA Haruka is shown to be having kinda a whole mental breakdown, I believe that the murder was an impulse decision when he wasn't in his right mind, at that time. So I can't help but imagine, when he comes back to his senses and calms down, and sees Mirai's dead body, realizing that not only is she gone but his hands will also forever be stained with her blood... sorry, I'm having a lot of thoughts about their relationship in the case that Mirai is a real person....
Mirai aside, this also makes me wonder what will happen at the end of milgram. Will Haruka just, go back to his shitty mom and awful life? It made me reconsider whether I want him to be inno in T3 or not (currently I still do plan on voting him inno) because if the outcome of being inno is returning to the outside world with absolutely zero changes made I absolutely don't want that... You could think about this for other prisoners too. If Mikoto went back to his regular life, he'll start killing himself working again. If Amane went back to her regular life, she'll probably get punished and we know how inhumanely cruel her cult is when it comes to punishments (a fucking taser... on a child...) I'm just going to keep thinking about my half-joke AU where the prisoners live together as a found family after kidnapping Haruka and Amane from their households
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andromedako · 8 months
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ish of the mael and mizuki
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hell yeas
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euxeris · 2 years
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I'm over here losing my mind over the Haruka verdict... I genuinely cannot think of which answer would be better. To be honest, I think he deserves innocent in round 3? But I don't want to give him a triple inno bc I feel like that could be detriment to himself in a different way? Somebody knock me out I've used my brain too much.
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supercantaloupe · 2 years
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being a primarily Musicals guy getting more into Opera as of late, it really makes me kinda disappointed seeing how much One Single Production of a musical (typically its original broadway or occasionally west end run) becomes The definitive version of the show. and analysis of the show then tends to treat production and text as inseparable or even identical
like man. opera ppl...y'all have it so good...so many wildly different productions of the same (popular) operas are available to watch filmed, or at your local opera company. i can google don giovanni and find like 10 completely different productions at the click of a button, and none of them are Inherently more the "right" or "wrong" way of being don giovanni. i can have my own opinions on which ones i think work best (and boy do i), but the fact that so many different versions of the same show exist at all is a sign that you CAN have different interpretations of the same text -- and they're all still the same opera, fundamentally. production ≠ text ≠ the whole show
but with musicals i very much feel like, because of how The Industry works, One Production easily becomes The definitive vision of the show. certainly this has to do with the scarcity of filmed musicals when compared to opera (along with bootleg culture + the broader trouble of accessibility in musicals), as well as the (over)prevalence of replica productions, and i think also the age of most musicals is much younger than most operas so there's less time for new productions to be made let alone become popular. like i don't think it's a coincidence that oklahoma!, arguably the oldest true book musical, is the only musical i can think of where a radically nonreplica production gained such popularity and acclaim that it challenges the previous (Very well established!) interpretation of the text as the Definitive version of the show for many audience members. and because of that, it's one of the only shows where the analysis and discourse of the show makes a clear(ish) distinction between the text and the production itself. the vast majority of musicals do not receive the same treatment
it kinda bums me out knowing that musical ppl don't get the same exposure to new visions of a text outside the dominant broadway/west end blockbuster productions. i know regional theater exists and by gd do i feel like it is underrated in its importance to the development of theater literacy in audiences but unfortunately regional productions only VERY rarely get publicized outside of their regions, and therefore can't meaningfully contribute to conversations about a particular musical the same way a broadway production can.
idk i've Long felt that the way musicals become defined by a single production is a fault both of the industry and of the fandoms, and i've been a snob about that here for years. but getting more into opera lately has made me realize just how prevalent the issue is, bc opera Does Not operate the same way.
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