Imagine you're a kid at oxford in 1983 and you're walking to class one day and you see a stoat from Ukraine (who has a higher GPA than you) squeeze past you to get to class with a little backpack on. Wild.
we need to talk about how Aabria Iyengar (along with the D20 crew) is absolutely CRUSHING it with these monster designs both aesthetically and conceptually
Wolf of Theseus is genuinely on the same level as The Thing's iconic dog-monster and it deserves all the praise for that. but ALSO the way it weaves in this recurring theme of hurt creatures doing violence to avoid being hurt more and the importance of empathy recognizing that pain in another being.
Anyone who is interested in Eldritch Horror as a genre needs to watch Burrow’s End. Aabria is giving us a master class in what makes Eldritch Horror so scary. It’s not just that there’s a big scary monster that has the wrong number of limbs or eyes (although we are getting that in the form of the hazmat suits), nor is it the wrongness of the effects of the creatures (which we get in the parasitic chipmunks), it’s how much bigger everything is than the stoats.
It’s the concept of witnessing something so much above and beyond your comprehension that you can’t describe it. It’s trying to explain what that thing is when you don’t have the vocabulary, and how strange things become when you have to dumb down what you saw so others can understand. Having to say things like “non-bear” and “blue sun”. It’s trying to explain what reading is when there’s no concept of a written language with letters. How unsettling things are when you can’t understand.
We even get the root of Eldritch Madness in Thorn. He seems strange, sketchy, and even unstable to his family, not because he’s actually “mad” but because he witnessed something incomprehensible. He understands something fundamental about the world that no one else can grasp unless they’ve also witnessed it.
Everything about this, even the pieces of the puzzle that the audience can put together with their own experiences, is made unsettling and strange.
Burrows End is SO SO good and Aabria is such a master of story telling. This season, despite being genuine DnD vs other systems Aabria has used, hasn't actually seen all that much full blown combat. Like, of course they've fought things throughout, but it's been so much more information hunting and puzzling together all the lore. But this obviously means those scenes we do have such full blown COMBAT with sets so much more important, which was obvious in the reactor....but the bear....so obviously it's been focused on in reference to Tula's reveal, or as a show of how fucked up biology wise this world they live in is and how dangerous it is in the forest.
But it's also Aabria laying such incredibly subtle groundwork. It's showing us "this is possible in this world. This happens. They can get inside of you, burrow into you, and you will be their walking warren. Parasite and host intertwined."
And then we move on...we focus on the secrets of the first stoats and learning of all these human things, and the chipmunks and bear are just fun tidbits to throwback to about how scary and fucked up things are, but no longer relevant.
Last week we heard those tapes, and I thought "that voice change there...the 'they're so sneaky'...was that a first stoat, who we only heard as squeaks, instead speaking through Dr. Wenabocker as he died?"
And I forgot about the bear too.
But the SECOND it was revealed that Wenabocker left, that his body was gone and that Phoebe left too? It all clicked.
The Bear wasn't just a fun, really cool fucked up battle set for an episode, it was incredibly important foreshadowing. The foundation, the trap, the big bad all at once hidden behind a cool, fucked up bear in the second goddamn episode of the season.
@quiddie I have never wanted anything more then for you and Erika to have a Tumblr podcast! I humbly offer names to you and will return shortly with art for your perusal and consideration! Tell Discord what we must do to get this podcast to exist and it SHALL BE DONE! 💙💙💙
Also "Fuck this nerd" is the most bold sentence Aabria has ever said as she plays the nerdiest Wizard I've ever seen outside of Laerryn Coramar-Seelie.
Listening to Worlds Beyond Number - Suvi ruining me as this child thrust out of innocence by war and violence, reunited with childhood friends and they can't seem to grasp how she has changed. The young girl who spent hours chasing a magical chicken, kneels down in the dark and the storm to slit a woman's throat.
Watching The Ravening War as Karna, my beloved chili pepper, gets caught up on war as the inheritor of a spymaster's legacy. She is still a child, who in her own words is used to being treated as dispensable. Why was she not allowed to live as a child? Will she be made a hero and a martyr, or a symbol of resistance - will they forget that she was just a kid.
I can't help but think of Murphy from Naddpod (C1e97).
"The world should have protected you, but you have been asked to protect it. What an honour. What an injustice. "