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#To digress into TUG spoiler territory...
katakaluptastrophy · 6 months
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Can we talk about Magnus in Harrow the Ninth? Because there's a tendency to paint him as this constantly cheerful figure and he's not - he's just very Fifth.
He's the only person who seems even slightly upset about the whole gun-toting horror thing:
“Did the Sleeper get them?”
“Only by assumption,” said Harrowhark, while Abigail’s dolt of a husband said, “I bloody hope so.”
“Magnus,” Abigail said, a touch disapprovingly.
“Well, if the Sleeper didn’t, that’s two maniacs with an ancient weapon and a love of blowing off faces, dear,” said Magnus.
And he's got a very low opinion of Silas:
"She won’t tell me what he said to her, just that he ‘was horrid.’”
“Cheeky little so-and-so,” said Magnus. “If he were my son, I’d give him something to think about. I’m not surprised he’s gone to ground.”
“I would hope your son might be of different character,” said his wife, half-smiling.
“Protesilaus should have biffed him.”
“It’s strange,” said Abigail, ignoring her husband’s exhortations to biffing.
Behind the jolly Jeeves and Wooster-esque talk of biffing people, let's remember that this is Magnus - who from Gideon's POV never saw a teenager he didn't want to adopt - earnestly wishing that a grown man had hit a 16 year old kid.
And when Harrow explains that she thinks she saw him jump to his death, Magnus isn't particularly sympathetic:
“We should have made him a greater priority,” said Lady Pent.
Magnus said, “I’m not certain.”
and
“We didn’t need him,” he said bracingly.
Abigail said, “We need everyone.”
“I never thought he was quite the thing.”
This "never quite the thing" line is the same one Abigail uses when she says Ianthe shouldn't have become a Lyctor and you get the sense it has a quite specific meaning on the Fifth. You get the distinct feeling Magnus is saying "good riddance" in response to a teenager's apparent suicide.
And then of course there's Magnus' conversation with Harrow as the River bubble collapses, as Harrow debates whether she should leave her body to Gideon:
She said: “If I go back, it will finally destroy her soul.”
It was Magnus who stepped forward and looked at Harrow face-to-face. And perhaps she felt that more keenly: that he was the man who had, in Gideon’s own words a lifetime ago, been nice to her cavalier. His mouth was hard now, but his eyes were as kind as they had ever been. And kindness was a knife.
He doesn't pull any punches in laying out his understanding of the situation to Harrow:
“This whole thing happened because you wouldn’t face up to Gideon dying,” he said, which was a stab as precise as any Nonius had managed. “I don’t blame you. But where would you be, right now, if you’d said: She is dead? You’re keeping her things like a lover keeping old notes, but with her death, the stuff that made her Gideon was destroyed. That’s how Lyctorhood works, isn’t it? She died. She can’t come back, even if you keep her stuffed away in a drawer you can’t look at. You’re not waiting for her resurrection; you’ve made yourself her mausoleum.”
His wife looked at Harrow’s face and murmured, “Magnus, you’ve made your point,” but he uncharacteristically ignored her.
He's trying to get through to her in a very fraught situation, but he's certainly not pulling his punches:
“You’re a smart girl, Harrowhark. You might turn some of that brain to the toughest lesson: that of grief.”
Abigail is also trying to talk her out of things, but she's much more discursive and apologetic. Magnus is kind, but it's kindness as a knife, not a cushion.
Magnus is so often written off as just a silly, goofy character, when he's more complicated than that. He's allowed to have a very real frustration with the River bubble and with Harrow, however much he does also care for her and want to help her.
And you know what, he's a CFO stuck in a horrorscape with his delighted ghost nerd wife and a bunch of soldiers. He runs with it - he cracks one of his House ordinal jokes while physically tackling a gun-toting ghost and makes a decent go at it before getting shot. But he's very much out of his comfort zone, angry, and no longer entirely held back by propriety.
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