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tombofmemories · 1 year

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Sleep Token - Take Me Back To Eden (May 19th)

#Sleep Token #Album Art #Take Me Back To Eden #Chokehold #The Summoning #Granite #Aqua Regia #Alternative Metal #Metalcore #Post Metal #Progressive Metal #Spinefarm Records #Vessel #Can already tell this will be album of the year #Music #New Music

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triste-guillotine · 5 months

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BARATHRUM "Legions of Perkele" CD 1998 ("In most of processes in the grimoires, Demons are subordinate to the magician, Or can be subordinated. But there is another group of rituals in which the force of evil is master and worshipped. Those connected with the pact with the devil, The witches' sabbat and black mass.")

"Castle stands on the islands of stone It is surrounded by dark waters Centuries on its place For centuries more it shall do the same

It's history so cruel The fort was cursed by eerie doom There's a witch enclosed into the wall No one knows exact place where There's a tree on the wall More than thirty feel tall It is said it's roots Grew from the heart of sorceress Every night she haunts On the corridors of fort Her restless soul Wanders in those huge halls

Autumn long time ago The colossal stone fort Inside that dark walled castle Beautiful young female dwelt

Dark sorceress, daughter of the castle lord Dark sorceress, worshipper of the Ramlord

Dark witch used black magic Gestic magic in the war In was against warriors Wielders of the curved sabres

Dark sorceress, daughter of the castle lord Dark sorceress, worshipper of the Ramlord

Another stormy night during that autumn of fights The enemy broke the gates and came with their sharp blades Sorceress casted the spell to protect the castle She performed her rite against intruders with sabres

Sky turned to dark The sorceress draw the mark Mark of the Ramlord in the air Strongest thunderstorm was created Lightnings everywhere Electricity in the air Lightning casted the shadows Of the Ramlord onto the wall Enemy saw that shape And because of that they escaped The shadow of the Ramlord On the wall of black powered fort (Behold) dark sorceress, daughter of the castle lord (Hark) dark sorceress, worshipper of the Ramlord...!"

#Barathrum #Black Metal #Demonos Sova #G'Thaur #Anathemalignant #Nattasett #Spinefarm Records #Occult Art #Heil Sova !

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thisnoisemademe · 3 months

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Blinded by greed, thy kingdom come.

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thephotopitmagazine · 3 months

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SLEEP TOKEN ANNOUNCE SPRING 2024 TOUR

LISTEN TO “TAKE ME BACK TO EDEN” ALBUM SLEEP TOKEN ANNOUNCE SPRING 2024 TOUR RADIO CITY MUSIC HALL + RED ROCKS AMPHITHEATRE SHOWS SOLD OUT WITHIN MINUTES TOUR TO FEATURE SPECIAL GUEST EMPIRE STATE BASTARD Sleep Token are pleased to announce their Spring 2024 headline North American tour. These dates are in addition to the Red Rocks Amphitheatre and Radio City Music Hall dates, which were…

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#Empire State Bastard #on tour #Sleep Token #Spinefarm Records #Take Me Back To Eden #The Teeth of God Tour

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gbhbl · 5 months

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Album Review: A Chapter Called Children of Bodom by Children of Bodom (Spinefarm Records)

The curtain closes on the story of Children of Bodom with the final chapter, A Chapter Called Children of Bodom. The Finnish melodic death metal band will release the closing album of their career, a live recording from their final show at Helsinki Ice Hall in 2019, on 15th December via Spinefarm Records. Children of Bodom need no introduction really, but, just in case, they were a Finnish…

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#A Chapter Called Children of Bodom #Alexi Laiho #Are You Dead Yet #Bodom #children of Bodom #Daniel Freyberg #Follow the Reaper #Helsinki Ice Hall #Henkka Seppälä #Janne Wirman #Jaska Raatikainen #Lake Bodom #Spinefarm Records

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thepermanentrainpress · 1 year

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Gallery: dayseeker @ Commodore Ballroom - Vancouver, BC Date: April 26, 2023 Photographed by: Josh Papalia

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rockyoushow · 2 years

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SAINT ASONIA Announce New “Extrovert” EP + Share “Wolf”

SAINT ASONIA ANNOUNCE ‘EXTROVERT’ EP SIX-SONG EP ARRIVES NOVEMBER 18 VIA SPINEFARM + FOLLOWS THIS SUMMER’S ‘INTROVERT’ EP BAND SHARES “WOLF” VISUALIZER Hard rock juggernaut Saint Asonia, featuring former Three Days Grace front man Adam Gontier and Staind guitarist/founding member Mike Mushok, have announced their second EP of the year. The six-song ‘Extrovert’ EP will arrive on November 18…

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#Adam Gontier #Mike Mushok #Saint Asonia #Spinefarm Records #Staind #Three Days Grace

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m3t4ln3rd · 2 years

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Dayseeker share "Dreamstate" visualizer

Band: DayseekerSong: “Dreamstate”Album: Dark SunRelease Date: November 4th, 2022Label: Spinefarm Records Frontman Rory Rodriguez said of the track: “‘Dreamstate’ is about my experiences in dreaming of my father, who passed last July and truly feeling like we were communicating while it was happening. It was a beautiful thing to experience on one hand… but also very heartbreaking and…

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#Dark Sun #Dayseeker #Dreamstate #Spinefarm Records

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planetmosh · 2 years

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Killing Joke announces a very special UK show at the Royal Albert Hall on March 12th 2023

Killing Joke is proud to announce ‘Killing Joke – Follow The Leaders’, a very special UK show at the Royal Albert Hall on March 12th 2023. Killing Joke will be performing their first two albums in their entirety; 1980’s self-titled debut album followed by their second album “What’s This For…!” “We are living in the most dangerous period in human history in which extinction from nuclear war…

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#Jaz Coleman #Killing Joke #Killing Joke – Follow The Leaders #new album #Press release #spinefarm records #tour dates

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senorboombastic · 7 months

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Album Review: Creeper - Sanguivore

Words: Ben Forrester Despite being victims to a lockdown album release in 2020, Southampton punk rock gang Creeper did not let the pandemic deter them. They made sure that they saw out the release of their brilliant second LP by stepping into arenas with Alice Cooper and The Cult, as well as frolicking around Europe with My Chemical Romance, not to mention playing their biggest headline shows to…

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#Album Review #American Noir #Birthday cake for breakfast #Creeper #Eternity In Your Arms #Further Than Forever #Sacred Blasphemy #Sanguivore #Sex Death and The Infinite Void #Spinefarm Records #Teenage Sacrifice #Tom Dalgety #Will Gould

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tonguesofdestruction · 1 year

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Diablo Swing Orchestra – Pacifisticuffs CD Kritik

Mit “Pacifisticuffs” erschien am 8. Dezember 2017 das bisher letzte Album der schwedischen Band Diablo Swing Orchestra und das erste mit der neuen Sängerin Kristin Evegård und Schlagzeuger Johan Norbäck. In alter Tradition vereint die Gruppe auf diesem Longplayer Heavy Metal, Rock, Swing, klassisches Einflüsse wie Jazz, Bluegrass, Disco, Folk, Gospel, Blues, Tango und Latin. Außerdem wurde der…

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#Diablo Swing Orchestra #Pacifisticuffs #Spinefarm Records

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thisaintascenereviews · 1 year

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Dayseeker - Dark Sun After a certain point in their careers, a lot of metalcore bands run into a crossroads -- they can either make the same album over and over again, and never evolve into anything more, or they can evolve past their metalcore roots and make an album that certainly alienate certain fans of the “older stuff.” That’s the unfortunate paradox that a lot of bands in that vein deal with; they can either remain stagnate and never change, ultimately being irrelevant, or they can change their sound, and attempt to grow, only for fans to hate it, because it doesn’t sound like the material they already like. You’re damned if you do and damned if you don’t, because a lot of fans, especially heavy music fans, are very fickle, but I always applaud bands when they take a risk, even if it doesn’t work well with. Hell, I still applaud bands for sticking to their guns, too, because if they don’t sound tired or uninspired, they can truly make some great stuff. Two sides of the same coin can be applied to a couple of albums from this year, those being the new Devil Wears Prada album, Color Decay, and the new Miss May I album, Curse Of Existence. These are both bands that were very popular in the late-00s and early 2010s, but they’ve faded out of the spotlight since then, despite having loyal fanbases that still listen to them and support them to this day. The Devil Wears Prada have moved away from their brand of brutal and heavy metalcore to more of a post-hardcore / metalcore meets hard-rock sound, and Color Decay is a great slice of that. It doesn’t sound like they only made the album to appease the “mainstream,” but because they wanted to genuinely evolve, and it works pretty well. On the other hand, Miss May I’s Curse Of Existence doesn’t sound anything different from their past material, but it sounds like they had a fire lit under their asses, because this record sounds vicious, heavy, and intense, as well as refreshing. It sounds nostalgic, but not in a pandering kind of way, just that they really had some inspiration. In other words, it’s possible to make similar-sounding albums over and over, and it’s also possible to branch out, both without pandering to anyone in particular or sacrificing what makes you unique and good. Enter another metalcore band that’s slowly but surely been going down the hard-rock / alt-rock pipeline, and that’s Dayseeker. These guys have been around for the last decade, but they’ve only gotten recognition within the last seven years with their second album, 2015′s Origin. I remember listening to them when that album came out, and it was this cool mix of post-hardcore, metalcore, electronic, and a bit of prog-rock, but it was a lot. They’ve slowly made their sound more accessible, and their last LP, 2019′s Sleeptalk was a really good and catchy album that combined post-hardcore, electronic music, hard-rock, and alt-rock for a really compelling, rather unique, and interesting album showcased them in a very good spot. They were going the way of Issues, who are a band that was very unique from the get-go, but they slowly incorporated more outside influences from metalcore, including funk, R&B, and hip-hop. Dayseeker has kind of done that, too, including some bits of pieces of R&B, but they went more into the pop-rock, electronic, and hard-rock spheres. I’ve been excited for their new album, Dark Sun, because I didn’t really know what to expect with it. If it was anything like Sleeptalk, I’d absolutely love it. That was one of my favorite albums of 2019, and it was interesting, because of their experimentation. It showed how well that can work, but I don’t know if I really like Dark Sun that much, at least as much as Sleeptalk, anyway. This album gives me a lot of mixed feelings, and part of why I brought up metalcore bands eventually coming to that crossroads later in their careers is because Dayseeker does that same thing, and it’s really come to fruition here. They’ve definitely strayed from the heavy sounds of their first few albums, but Dark Sun is more or less a hard-rock / pop-rock album with a little bit of post-hardcore thrown in. Sleeptalk had a handful of heavier moments, too, but it was still rooted in that post-hardcore sound, especially with its guitarwork, whereas this moves way more into hard-rock territory. Thankfully, though, it’s not the butt-rock type that you’re thinking. They have an electronic and R&B edge to their sound, even still, that makes them stick out a little bit, so this album doesn’t become a generic butt-rock fest, but it’s definitely not as unique as their earlier work. With that said, this band’s main weapon has always been vocalist and lyricist Rory Rodriguez. He’s one of the best post-hardcore / rock vocalists that I’ve heard in a long time, and even on their earlier work, he stuck out like a sore thumb. He’s not as good as some of the other heavyweights in the genre, such as Tyler Carter, Jonny Craig, Tilian Pearson, Kurt Travis, and all of those guys, but he’s got a nice voice, and his lyrics are top notch. He has such a way with words, and even on this record, the lyrics are fantastic. His voice is very well-suited for this kind of music, too, especially on tracks with a more prominent pop and electronic feel. If there’s one reason to listen to this album, it’s for his voice, and for his lyrics. It’s kind of the same reason why I really liked the new Fit For A King album, The Hell We Create, because vocalist Ryan Kirby gave us the best vocal performance I’ve heard from him, and his lyrics are some of the most personal I’ve heard from him, too, and the same can be said here. I just wish the music itself was better, and while I said that this album is still kind of unique, some songs just don’t do anything for me. It could be that the album’s sound of mixing hard-rock, pop-rock, and electronic kind of runs together, and some songs are just super bland, especially if you take out Rodriguez’s vocals. I feel like this album wouldn’t work as well as it does without his vocals, because this just sounds like a generic hard-rock / pop-rock album without it. To be fair, this isn’t bland butt-rock, either, and I’ll take this kind of hard-rock over that, but some songs are just so boring, it’s hard for me to stay invested. A few songs are great, and for the most part, the album’s pretty good, so I’d say that their shift into a more accessible band has been successful, for the most part, but it’s not quite as good as their earlier material, especially Sleeptalk. Sleeptalk is where the band perfectly got the balance of being heavy and catchy. This one is definitely more on the catchier side, and that’s fine, but they sacrifice some of their uniqueness on here. I might give it a few more listens, just to see if the album grows on me any more, but it just hasn’t grown on me that much from my first listen. I enjoy it, but something just feels “off” about it. It’s a good album, and it sounds great, it’s produced well, but the music itself is just kind of boring and bland, especially for Dayseeker, who were one of the more unique and interesting bands of the genre. They were one of the bands that got me into back into metalcore in the late 2010s, because I had stopped listening to it, since a lot of it became very bland and uninspired, but those guys were doing something unique and interesting. Dark Sun is a good album, and it’s worth hearing if you’ve never listened to this band before; you wouldn’t have anything to compare this to, and if you look at it on its own, it’s good, but there’s something missing from it that I can’t put my finger on.

#dayseeker #dark sun #metalcore #post-hardcore #spinefarm records #hard-rock #rock #pop-rock #electronic

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triste-guillotine · 5 days

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BARATHRUM "Venomous" CD 2002 (Heil Sova !)

1. Witchmaster 2. Sinister Autumn 3. Hills of the Nurn 4. Black Flames and Blood 5. Lusifer 6. Would you Sleep with the Demon 7. Soaring up from Hell 8. Black Death 9. Gloomy Fallen Angel 10. Venomous

"From the ruins of once so great realm We rise for the new millenium of the strong Bold and brave warriors to wield steel of old To bring ancient glory once more to unfold !

Symbol of sixmillion Monument of devastation

The broud bearers of the broken armed cross Marching over fields and Alien Gods A mountain of skulls to tell the story Their victims united to witness his glory !

Marching hordes on the hill of the Nurn I hope they all in their graves they turn ! In torchlit rows through the Jetblack night Warriors of dark holocaust's bride ?"

#Barathrum #Black Metal #Demonos Sova #G'thaur #Nuklear Tormentörr #Anathemalignant #Pelceboop #Abyssir #Spinefarm Records #Occult Art #Heil Sova !

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thisnoisemademe · 30 days

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We all take the light for granted when we're smothered in love.

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thephotopitmagazine · 5 months

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SLEEP TOKEN ANNOUNCE RADIO CITY MUSIC HALL PERFORMANCE SET FOR MAY 22, 2024

LISTEN TO “TAKE ME BACK TO EDEN” ALBUM SLEEP TOKEN ANNOUNCE RADIO CITY MUSIC HALL PERFORMANCE SET FOR MAY 22, 2024 Come May 22, New York City shall gather in Worship at the esteemed Radio City Music Hall for an exclusive Sleep Token performance. Those wishing to attend may register their interest at http://www.teethofgod.com to obtain their unique access code, in preparation for the exclusive…

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#on tour #Radio City Music Hall #Sleep Token #Spinefarm Records #Take Me Back To Eden #The Summoning

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gbhbl · 1 year

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Album Review: Crown Lands - Fearless (Spinefarm Records/Universal Music)

The word you’re looking for, to describe this album, is ‘stunning’.

Juno Award-winning, powerhouse rock duo Crown Lands – Cody Bowles (vocals and drums) and Kevin Comeau (guitar, bass, and keys) – will release their sophomore studio album Fearless on March 31st through Spinefarm /Universal Music Canada. Opening their new record with one of the ballsiest moves possible, Crown Lands introduce listeners to Fearless with Starlifter: Fearless Pt. II. An 18+ minute…

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#Album Review #Crown Lands #Fearless #Spinefarm Records #Universal Music

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