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#Sparrow was pretty good? and there were a handful of fun indie rock tracks that did terribly in the contest
mothric · 2 years
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having listened to the full ASC playlist and watched two episodes, I can conclude with 99% certainty that Allen Stone was one of the only good things about it and I shouldn't have bothered.
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animalhead · 5 years
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Top 10 Albums/Songs of 2018
Top 10 Albums of 2018
10. Death Grips - Year Of The Snitch - All I could think about on my first listen of this album was Michael Jackson. It's pure theater, pure performance. Multi-layered and captivating. Metal af.
9. Olafur Arnulds - re:member - For the past couple years I've managed to slip a random soundscape/classical album into my list which I'm sure everyone greatly appreciates. Well, this year is no exception. I'll explain myself again - I live in a noisy-ass, toddler-and-baby world and my brain needs some quiet every now and again. I won't pretend to know the state of modern classical music, or what makes a classical album important today, etc. I'll just say that listening to this album makes me feel good. Olafur Arnulds never fails to give me my space.
8. Ashley Monroe - Sparrow - Maybe the saddest album of the year thematically. I don't know if I've heard a more powerful blend of poetry, soul, and country music. Sparrow feels like a crossover, but a crossover from what to what? Where did she come from? It's like Bill Withers and Carole King secretly raised a kid in Nashville. "Hands on You" is the sexiest jam of the year.
7. John Prine - The Tree of Forgiveness - I think the last time I put John Prine on my Top 10 list, I said that I had a feeling it would be his last album. Thank god I was wrong. I can't remember where I heard this, but someone said that the genius of Prine is that he infuses the absolutely domestic with sacred meaning. It's so true: who else can sing about putting stuff on layaway and taking the garbage out and somehow make it seem like the meaning of love and life? And The Tree of Forgiveness proves that he hasn't lost a single step. Just listen to "Egg & Daughter Nite, Lincoln Nebraska 1967" and then "Summer's End". Laugh, cry, repeat. I will forever love John Prine.
6. Sarah Louise - Deeper Woods - Joanna Newsom has been on hiatus and I've been getting desperate for the sort of ethereal, naturalist root music that she does so well. Luckily I found Sarah Louise, who has a Grace Slick-meets-Joan Baez-meets-Nico thing going on. I'll always be a sucker for stripped down spooky Robert Frost folk, and this one covers all the bases. Haunting. 
5. Remember Sports - Slow Buzz - I actually really liked this album so thanks TZ for recommending it; I wish I had more time with it prior to now.  Lyrically it is excellent - it's unique, vulnerable, smart, and relatable all at the same time. The vocals have that indie Pinegrove guts-exposure that makes it so believable. I would absolutely go to a show and stand in the back in my Violent Femmes t-shirt and nod along unassumingly. That said though, I can't get it out of my head that there is something so heartbreaking about this album - it's world-weary and it dares to ask the universe to give back the prom queen angst and Nick-and-Nora breakup 'sad's that were par for the course before weekly school shootings and nazis part deux. I respect it for that.
4. Mitski - Be the Cowboy - Such great instrumental breakdowns, such strange melodies, such a well-crafted album from start to finish. The way Mitski blends synth with acoustics with electric strings is perfect. She manages to be obscure and 'out there' while simultaneously being so open and accessible; no easy feat.
3. Hop Along - Bark Your Head Off, Dog - Hop Along was a breath of fresh air this year and I think I listened to BYHOD the most of any album. It's light and airy, but cutting and witty also. It plays like a 90s femme alt-rock collection and it's glued together with poignant lyrics. The vocals of Francis Quinlan are fantastic, whose improvised repetition and early indie style rings with the urgency of someone who knows something big is going to happen but can't get anyone to pay attention.
2. Saba - CARE FOR ME - Remember a little album called Good Kid, M.A.A.D City? CFM is the Chicago version. Saba takes you to the honest extremes of his emotion, pulling out raw despair and depression at times and love and hope at other times. No other album this year had me hanging on every word, rooting for the artist throughout the entire track list. To say the album feels like a movie seems to cheapen it, though it has the dramatic peaks and valleys of a blockbuster. No, it's a memoir. Saba treats the listener like a friend, venting and raging on "LIFE", laughing and dreaming on "SMILE", utterly disassembling the music industry on "GREY", and storytelling like a master on "PROM / KING". Listen to this again and then go amend your lists. Oh yeah, Chance is on it.  
1. Snail Mail - Lush - I have a hard time putting my finger on exactly why I loved this album so much this year. Maybe it's the vocals - smooth and swaying, sort of pissed off, sort of disappointed. Maybe it's the space - tracks are minimalist, echoed, and beautifully bare. I tend to lean toward the personality of it all. It feels like Lindsey Jordan is breaking free of something, and that gives the whole album an optimistic, eyes-on-the-horizon vibe that is intoxicating. Top notch album that defined the year for me.
Worst Album of 2018
Decemberists - I'll Be Your Girl - I used to get pumped when a new Decemberists album came out - their stuff was interesting, smart, nerd fuel. These days when they release an album, I only find myself thinking 'ugh just please don't be complete shit'. And this album wasn't exactly that, but it wasn't exactly anything. It's just the last of the crinkled post-its on the bottom of Colin Meloy's weird poem trashcan. There's no real heart or message anywhere. Their last good album was The King is Dead (and it was a really good album), but the band itself is increasingly feeling like Meloy's jackoff mirror. I'm pretty sure he's holding the rest of the band captive in his grapevine garland-draped, all-too-rustic cellar.
Top 10 Songs (that weren't on my Top 10 Albums) of 2018
10. Parquet Courts - "Total Football"  -  "...and FUCK TOM BRADY!"
9. Metric - "Dressed to Suppress"  -  Great track on a really fun album.
8. Natalie Prass - "Short Court Style"  -  Now That's What I Call Music 1,563.
7. Old Crow Medicine Show - "Look Away"  -  OCMS still finding beauty in the rust of the south.  
6. Kanye West - "Ghost Town"  -  Most heartfelt track on a decent, but maybe a little lazy (?) album.
5. Unknown Mortal Orchestra - "American Guilt"  - Making Americans examine our own social presence.
4. Israel Nash - "Rolling On"  -  Big full-bodied sound wall.
3. Courtney Barnett - "Need A Little Time"  -  CB gettin' deep.
2. Leon Bridges - "Beyond"  -  Pure, wonderful love song.
1. Dawes - "Crack The Case"  -  Beautiful. One of the best current singer/songwriters.
Top 5 Players from MTV's The Challenge (so sue me)
5. Sylvia - I don't know why I like Sylvia so much. She headbutted that drunken, cig-smoking mom, Marie. She's just a little firecracker. A fiesty underdog with a lot of heart.
4. Shane - Shane is a self-titled bitch. He's the snakiest, slimiest player there is. He actually threw an entire challenge so that a certain player on his team would be voted out.
3. Wes - Arguably the arch-nemesis of Bananas before Devin came along. Always hatching schemes that are way too complicated and get him thrown out.
2. Devin - The way this dude fucks with Johnny Bananas is hilarious. Someone had to come in and usher out the old heads - Devin is the man for the job.
1. Cara Maria - She's a force and completely independent. She was the first woman to ever win The Challenge solo. She can be a bit cringey sometimes, but she's a beast.
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