#Philippe Carly

[undergroundrockpress]

Joy Division au Plan K (Bruxelles), 1980.

Photo de Ian Curtis par Philippe Carly.

#rock photography #Joy Division #Philippe Carly #ian curtis #1980 #post punk

[legendarytragedynacho]

Ian Curtis with Joy Division, 16 oct 1979 at La Raffinerie du Plan, Brussels, Belgium

📷 by Philippe Carly

#music #musician #musica #rock #rock music #singer #rock singer #punk rock #post punk #ian curtis #joy division #philippe carly

[kiki-de-la-petite-flaque]

Debbie Harry by Philippe Carly

#debbie harry #Philippe Carly

[elektroblues]

Patrick Codenys performing with Front 242. Vooruit, Ghent, Belgium, 11 February 1989. Photos by Philippe Carly.

#theres more pics on philippe carly's site but when i went there i blacked out and suddenly my phone is filled only w photos of patrick #front 242 #patrick codenys

[philoursmars]

Marseille. Je suis retourné au Musée des Beaux-Arts après quelques années..

- Simon Renard de Saint-André : “Vanité”

- Noël Coypel : “Apollon et Marsyas”

- Philippe de Champaigne : “Le Ravissement de Sainte Madeleine”

- Jean Daret : “'La Déploration du Christ à la chandelle”

- François Carli (d'après Pierre Puget) : “Saint Sébastien”

- vue d’une des salles

#marseille #musée des beaux-arts #art #simon renard de saint-andré #noël coypel #philippe de champaigne #sainte madeleine #apollon #marsyas #vanité #crâne #françois carli #pierre puget #baroque #saint sébastien

[sowhatifiliveinfukuoka]

Lisa Gerrard (Dead Can Dance) (1985)

© Philippe Carly

#4AD RECORDS #DEAD CAN DANCE #LISA GERRARD

[valseorcstra]

Siouxsie Sioux backstage, join hands tour c.1979 // by Philipp Carly

#siouxsie sioux #siouxsie and the banshees #alternative goth #1979

[antichrstar]

Siouxsie Sioux, by Philippe Carly (1979)

#siouxsie sioux #siouxsie and the banshees

[punkrockhistory]

Happy Birthday to Jennifer Dixon aka Fur Dixon, American singer, songwriter and bass player for the Cramps, born on this day 1961 in White Plains, USA

Photo by Philippe Carly

#punk #punks #punkrock #womenofpunk #punkbassist #furdixon #history #punkrockhistory #otd

[hypnoticvamp]

Siouxsie Sioux, 1979.

photographed by Philippe Carly

#aesthetic #goth aesthetic #goth #gothic #siouxsie sioux #siouxsie and the banshees #70s #1979

[freddieraimbow74]

16 April 1978 - Queen performed @ Vorst Nationaal (Forest National), Brussels, Belgium 🇧🇪

‘News Of The World’ Tour

At the beginning of the concert, the crown tilted off to one side, as seen in the last picture. The crown was raised on a four-switch system and two of the switches didn't work. The band left the stage, the crew started the process over, and the show went on as normal. In 2012, Brian May recalled the night:

"We had, at the time, this huge lighting rig in the shape of a crown, because we were Queen, right? At the beginning of the show it was down on the deck. It's down on the stage as a sort of introduction to the show. We played with a sort of intro tape or whatever, and lots of smoke came out and it lifted off like a rocket from the stage. At this point we're underneath it because we're getting ready to play. It's powered by these chain hoist things; it's not actually rocket powered, you know. So on this particular occasion they wired up the chain hoists wrong, and I was on the side that went down and I was like, 'Oh, fuck! Let's get out of here real quick.' Looking back on it, it was amusing, but at the time it was a little scary. It's a definite Spinal Tap moment."

In 2001 he likened its obtuse angle to being like the sinking Titanic, and how they (and the road crew) had to leave the stage. "We went, 'do we preserve our dignity or our lives here?' It turned out to be one of those things, as often happens, which was special and very nice, because when we eventually get back on and do it properly there was this great bond between us and the audience, because they realized that we're human and stuff can go wrong. It was one of the greater nights that I remember. It was a really good night."

(Source: QueenLive .Ca )

Here’s a fabulous fan story:

“I attended the Queen concert in Brussels, Belgium on 16. April 1978 (or 17. April but I think it was the 16th).

I can not explain it very well (my English is not that good) but when the concert started there was a big problem with the crown that was going up. The right side was going up but the left side of the big crown stayed down. The band members were a bit confused and it was clearly they were afraid the the crown was coming (falling) down again so they were not standing under the crown while they were performing the fast version of We Will Rock You. Also the public was a bit confused. Every one saw this was not an normal situation.

After playing the fast version of We Will Rock You Freddie excused himself for the technical problems and he promised to set this right by playing an extra long concert. Which they did!

During the second song of the concert the crown came down again and was immediatly lifted up again and now everthing worked out well and safely! I can remember while I was sitting in my classroom at the Sint Norbertus School in Antwerp a couple of days before the concert that a huge robot which is on the News of the World sleeve came by. The robot was towed by a truck and it was VERY impressive to see. Every one at school talked about that robot.

The two Queen shows in Brussels were sold out immediately and a 3rd show was added a couple of days later. I was at all 3 shows.” 🤩

Written by Geert

Thank you for the wonderful story to QueenConcerts @ Martin Skála. All Rights Reserved © 2002-2020

All pictures with the exception of the last were taken by Philippe Carly

Thanks to Rob Schoorl for the photo of the crown, scanned in from a 1978 fan club magazine.

#freddie mercury #queen band #brian may #roger taylor #jhon deacon #musique #queen #music #original character #j’adore

[kiki-de-la-petite-flaque]

The CRAMPS’ Poison Ivy

Ph © 1986 Philippe Carly

#The CRAMPS #Poison Ivy #Philippe Carly

[theunderestimator-2]

Eyeless In Gaza captured by Philippe Carly in Zele, Belgium, back in 1981. The band name of the English musical duo of Martyn Bates and Peter Becker has nothing to do with one of the world's longest continuing military-political conflicts but it's actually a reference to the 1936 novel Eyeless in Gaza by Aldous Huxley, a nightmarish account of the life of a socialite and a book title influenced by John Milton's 1670 play Samson Agonistes, though the main character's battle to break away from the disastrous embrace of violence and his quest for an alternative to the moral disillusionment of the modern world could be perceived as the missing link between fiction and reality. The band has been active since 1980, playing an eclectic blend of post punk and cinematic ambience, mixed with pop-oriented melodies, which made it difficult to be categorized:

"The combination of strange, unearthly guitar from Bates and Becker's technology sometimes suggests what might have happened had the Durutti Column and early Depeche Mode collaborated" (Ned Raggett).

It's been really long since I last thought about this band but due to the war updates and latest horrific developments on Gaza conflict, they suddenly came to mind. My thoughts are with the innocent victims caught up in the horror and violence of this ongoing fucked up situation.

(via)

#eyeless in gaza #1981 #belgium #post punk #experimental art #pop #new wave

[cosmonautroger]

Siouxsie Sioux by Philippe Carly

#siouxsie sioux

[sowhatifiliveinfukuoka]

Lisa Gerrard (Dead Can Dance) (1985)

© Philippe Carly

#4AD RECORDS #DEAD CAN DANCE #LISA GERRARD

[valseorcstra]

Siouxsie by Philipp Carly (1980)

#siouxsie sioux