#Or uh... all the other ghosts that try to kill Watanuki

[completeoveranalysis]

Of Yūko's customers, which ones you find most memorable?

Most memorable customers, you say?

I hope you don't mind me using this as an excuse to make an arbitrary list by way of answer. (Arbitrary lists, my beloved...)

Yuuko's Customers In Order Of How Well I Remember Them

(Though I will exclude all the bigger characters for fairness. So, Syaoran, Watanuki, Lava Lamp, Fai, Kurogane, Doumeki, Himawari, Seishirou, Ashura, Tomoyo, etc, etc. Regular xxxHolic customers only!)

10. Birdcage Customer

What was this about? Was he even a customer? We just don't know!

But the thing most memorable about this whole situation is the most pressing question: WHY DO YOU HAVE EVIL WOLVERINE'S SYMBOL ALL OVER YOUR HOME? It's even on his front sign!

WHO ARE YOU?????

9. The Liar

Mostly at the bottom because I can't resist the irony. She's the first big customer we see - but what do we really know about her? Absolutely nothing, because she lied every step of the way!

What can we really remember about someone who never actually told us anything about herself?

Though I guess you could say her ending causes quite an impact.

8. Monkey's Paw Customer

Did I forget this had happened? Perhaps!

She's one of those cases where the cause and effect are so clear that the rest of the cast might as well not even be there - and I think most of her story IS told through scenes entirely from her perspective.

I think the most memorable thing about her is the Sheer Audacity of hunting down a monkey's paw and being convinced that, actually, she already knows what it does so it can't possibly go wrong. Love that for her. Would kill for this confidence.

(Not literally - but she kind of did that also)

7. Ame Warashi

Her impeccable style. Her winning charm. She's an icon.

I had just completely forgotten that she was also a customer at one point.

She makes up for it for being absolutely great in every scene she was in, but what are you going to do in a list based purely on how well I remember the customer part? Woops! My bad!

6. Karasu Tengu

They get huge points for this being a Central Event in the narrative, but also I completely forgot they were in this as customers. The entire plot scenario? Incredible! Character defining! Et cetera!

The actual Karasu Tengu themselves? Woops! I forgot they were there. My fault though!

5. The Computer Addict

I love this one. She's so ahead of the curve that she was addicted to the internet back when you had to be on the pc to use it. Honestly, relatable. I also went through a phase like this as a young teen, so the struggle was real.

Little did we all know that in the present day the accessibility of the internet would be so rampant that she literally wouldn't even need that pc to indulge her habits anymore. Oops!

But that aside Yuuko is peak during this arc and I love everything about it. Especially the fact that Yuuko just hangs out on message boards in her free time? Wonderful information. I can do so much with this.

4. Oops! All Ghosts

Another incredible storyline. The twists are preserved by some sneaky panels from Watanuki's perspective and Yuuko's morally grey approach to the whole situation is wonderful. What if you wanted to get rid of the ghost in your home, only to find out that YOU were the ghost all along? It has the DISTRESS. It has the CONFLICT. It has the TRAGEDY. 10/10

3. Haunted Photo

Another customer with Peak Audacity. Trying to wish away the consequences of your own actions? Committing something awful but being unable to actually look at the proof yourself? The ultimate wish being an anxiety inducing curse that is sure to fail? Love it.

It's also one of those juicy situations where the morality of the situation basically drives itself. The customer causes her own problems and can't actually be saved - and doesn't deserve it either.

And honestly I think CLAMP should get a lot of credit for having the haunting effects of a photograph slowly turning around in a purely static medium. They really pulled that off.

I still love the evil smile in the photograph the last time we see it. PURE memorable.

2. The Twin

WE LOVE HER? WE LOVE HER.

Being consistently cut off and run down and overwritten and slowly clawing your way out of the situation through the sheer desire to be your own person?

And then the answer is a haircut?

It's another glimpse into the side of Yuuko that really does try cut people a good bargain. The wish could have been taken in any number of ways, but Yuuko went for the easiest and most affordable way that would genuinely help the customer actually fix her life on her own. She didn't specifically need supernatural help for this, but it was the route that presented itself, and it was the one that got her the help she needed when she needed it. Very hitsuzen, very relatable, very identifiable storyline that sticks with you.

Just like the final entry!

1. Kohane

Listen do I even need to explain this one.

Kohane is like THE storyline. It's THE example of what it's all about. It's not entirely supernatural in nature but completely heart wrenching. It has Watanuki playing a central role in fixing the problem, setting up for his future (or at least, what I assume it will be). It ties xxxHolic to Tsubasa and hints at a secret tool that will help with someone later.

And it has Kohane! You can't go wrong.

#I'm not counting the ghost who tries to kill Watanuki #because she was lonely #Or uh... all the other ghosts that try to kill Watanuki #Didn't buy anything! Not customers! #replies #traditionalartist #not liveblogging the reservoir chronicle #xxxholic #Oh am I doing a ranking list for no reason? #YES ABSOLUTELY #Listen I love it #I'll rank anything for any reason #But also #The thematic links between all the longer Customer arcs? #The overlaps between the computer addict the twin and kohane? #The line between the haunted photo and kohane's mother? #Wonderful #I love how they play with themes all the way through #But in different flavours and in different stages

[filliteapot]

I'm going to use this part of what you said in a previous answer that made me really curious "the way of the authors to tell the story is another matter" to know your top 5 (or ~10) of that :)

Ah :D I guess the easier way to put it would be “This time I chose my favourite styles basing on art style mostly, but if I were to choose my fav storytelling/mix of art and how authors tells it/what they want to transmit, the odrer/the list would be different” :”) So some authors/stories on the list of my fav storytelling (not sure if it's the right term for what i mean but let's use this) are the same I put in the previous list. The titles and authors won’t be surprise for you, but I’ll list them anyway. Warning: I love talking about such things a lot, so I suddenly wrote a lot.

(Ask me my top 5-10 anything)

1. Literally anything by Takaya Natsuki. You have no idea how #tired I am of all the discussions about both adaptations of her Furuba (which is better which is worse no listen to me bc I Have an Opinion of High Authority) when not a single adaptation quite got her style in storytelling, foreshadowing and especially presenting her characters’ personal drama. I think I espcially love her for not throwing it all in your face right away, being careful at hinting at things (so that you don’t quite get some parts of the characters’ thoughts and inner struggles until you learn the facts and it hits you) and for leaving you some space to use your own brain what you think about this or that storyline. (Tamura Yumi does it too which makes her my second fave author). Also, years after reading and rereading her works I see better how storylines are entwinted and unfolding, and it still makes me yell “HOW does she do it” every time I go back to Furuba and her other works and see something new. I love her Hoshi wa Utau (which hits hard and is painfully real in the matter of parents/children’s conflicts), and Liselotte to majo no mori (darkish fairytale with hopeful messages) and wish more people knew about them too, not only Furuba.

2. Kouno Fumiyo’s Yunagi no Machi Sakura no Kuni. I first read this manga a long time ago and was dying of happiness when it got published in my country bc oh my gosh. It’s a historical thing, it’s a heavy thing, she does have such unique style (my first thought was ”ah looks cute, like children books illustrations” and then it killed me) and approach to place panels on pages or transitions between scenes or past and present (I think some comic researcher or smth even called it innovative). The page that struck me the most was a spread near the end of this story, presenting a character in his older years sitting on the beach of a river in Hiroshima and him in the same place right after the war. Perhaps it doesn’t sound so original but this work and these two pages live rent free in my soul to this day.

3. Ando Yuki’s oneshots (and Machida-kun). She is my favourite short stories author, she just knows how to tell it so that I got tuned in from the start. Be it a school slice of life or basically Edith Piaf’s song Hymne à l'amour presented in the form of manga oneshot, they give me immense joy. And oh, there’s almost always a twist near the ending I can’t predict. Her characters act a bit weird and take weird decisions sometimes but I think it’s what makes them feel so real to me.

And it’s cheating, but while I’m talking about oneshots, I want to mention Midorikawa Yuki and her shorter-than-Natsume stories. Because they give me a similar feeling to Ando’s oneshots - the atmosphere is different, but the way they touch my heart is the same. Don’t get me wrong, I love Natsume and its structure (main characters and their personal jouney through unrelated stories of other people/not humans), but I love Midorikawa’s shorter stories much more.

4. Takamatsu Misaki’s Skip to Loafer. One of the best slice stories I’ve ever read. Right amount of drama and comedy, a cast of characters with different problems and motivations. I can’t help but think “Oh I wish I were able to create a story like this one day”. Also, someone wrote about it: “let me live the wholesome high school life i didnt have” and ugh I felt it :”))

5. Yazawa Ai’s stories: Nana and Gokinjo Monogatari. Did “Nee, Nana” moments kill my soul every time it was used in the story? Yes, absolutely. Did it make me cry? Don’t even ask.

6. Nishi Keiko’s stories: Otoko no Isshou, Koi to Gunkan. A person I know described her stories like this: “If life goes the wrong way, it’s better to go home”, and I think it sums it up. Both of the stories I listed are about ordinary life in small towns, they both me melancholic and somehow cozy feeling. Both stories have themes and characters that don’t really interest me much, but when I read them, I usually cry. It’s another A+ slice of life author imo.

7. Tsukuba Sakura’s Mekakushi no Kuni. It’s dear to me for special reasons. There a girl who sometimes sees future when touches other people, there is a boy who sees the past all the time he does the same, there’s another boy... And NO evil organizations chasing them for their superpowers, NO global plots or problems or author’s will to condemn society, no deep philosophy questions about time and so on. Just normal slice of life of not so normal peoplewho try to cope with this particularity they have and fit the world they live in. (I wish authors realized the potential of such slice of life centered urban fantasy but they keep failing me aiming at the Global, sigh)

8. Torino Nanko’s Toripan. It’s basically authors essays on her daily life and mostly birdwatching, but ugh it’s so good. Peak comedy about birds and heartfelt pages for when she speaks about her memories or remarks on nature, it’s so full of love towards this world and life. After I read Toripan I feel like I become kinder and better :DD

(author’s A+ faces and haiku about sparrows in the winter)

9. Watanuki Yoshiko’s Manatsu no Delta. I read it some time ago and my first thought was “Wow, this IS how you touch an unpleasant yet existing problem”. I’ll certainly be waiting for this author’s other works.

10. Ikuemi Ryo’s stories, especially the ones featuring metaphorical ghosts (Kiyoku Yawaku, Torch Song Ecology) and Taiyou ga Mite Iru. Joseis with ghosts are my fave thing on earth, and Ikuemi’s great at it. But she can make any theme totally worth digging into, be it school life or cheating and complicated family relationships. I think TGM is her work that left the deepest trace in my soul because I was reading it when it was ongoing, for three years, and it’s basically just something that makes you die slowly looking at how not so bad people fk up their life decisions bc of their unresolved traumas and issues but you can’t take your eyes of it and then need several years of therapy after reading such manga. And she doesn’t even preech or say you should not live like this. She’s like “this is a life story I want to tell, take whatever you want from it” and I’m like “gooosh this is so painful and looks so real and makes me feel things, I love it”. Ikuemi Power as it is. (Life teaches me nothing, I lowkey want to read something like TGM again and Akaneda Yuki’s Saraba Yoki Hi fulfills this wish of mine, but uh I’m so glad it’s rarely updated)

(text: Nire is here to kill me)

Thanks for such ask, it was fun :D

#replies #flowerymoments #ask memes