#Mildred Gonzalez
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Miscellaneous OCs
Name: Ginevra ‘Ginny’ Watson.
Title: Bumblebee: No Rest For The Wicked.
Fandom: Transformers.
Summary: TBA.
Faceclaim: Sofia Wylie.
Name: Princess Ruth of Camelot/Morticia of Ravenbow.
Title: The Prophecy of Camelot.
Fandom: The School For Good and Evil.
Summary: TBA.
Voiceclaim: TBA.
Name: Princess Helen of Camelot.
Title: The Prophecy of Camelot.
Fandom: The School For Good and Evil.
Summary: TBA.
Voiceclaim: TBA.
Name: Eva Anderson.
Title: Kick Ass Lives On.
Fandom: Kick Ass.
Summary: TBA.
Voiceclaim: TBA.
Name: Dawn.
Title: Seldom All They Seem.
Fandom: Maleficent.
Summary: TBA.
Faceclaim: Malina Welssman.
Name: Luna/Willow.
Title: Seldom All They Seem.
Fandom: Maleficent.
Summary: TBA.
Faceclaim: Millie Bobby Brown.
Name: Samantha ‘Sam’ Tennyson.
Title: Young Plumbers.
Fandom: Ben 10 (Classic Continuity).
Summary: TBA.
Voiceclaim: TBA.
Name: Rook Shing.
Title: Young Plumbers.
Fandom: Ben 10 (Classic Continuity).
Summary: TBA.
Voiceclaim: TBA.
Name: Skye Thordottir/Sky Foster.
Title: Princess Protection Program: Beyond Earth.
Fandom: Princess Protection Program.
Summary: TBA.
Faceclaim: Millie Bobby Brown.
Name: Tess Carmen.
Title: Princess Protection Program: Beyond Earth.
Fandom: Princess Protection Program.
Summary: TBA.
Faceclaim: Peyton Elizabeth Lee.
Name: Cecelia ‘Cece’ Ross.
Title: Welcome To The Owl House.
Fandom: The Owl House.
Summary: TBA.
Voiceclaim: TBA.
Children Of The Moon:
Summary Of The Story: When the Guardians defeated the Boogeyman, they believed they had defeated him for good and that it was over. How wrong they were. Soon, fear is being risen by Pitch Black somehow despite him being dead last they saw of him, and nightmares are growing as darkness threatens the world once more. The Guardians aren't alone in this fight though, as the Moon appears to have decided to take matters into his own hands, and chosen new guardians to be trained to be the new guardians. But can they be trained in time to defeat the darkness, or will the world finally be taken over by fear once more?
Fandom: Rise of The Guardians.
Quotev Link
*Alix- Eventual Guardian of Freedom- Voiceclaim: TBA.
*Puck- Eventual Guardian of Mischief- Voiceclaim: TBA.
*Isleen- Eventual Guardian of Illusions- Voiceclaim: TBA.
*Noelle- Eventual Guardian of Laughter- Voiceclaim: TBA.
*Hyacinth/Hya- Eventual Guardian of Will- Voiceclaim: TBA.
*Lavernia/Nia- Eventual Guardian of Wisdom- Voiceclaim: TBA.
*Jemma Bennett- Child of Jamie- Voiceclaim: TBA.
Upside Down: The Power Within:
Summary of Series: TBA.
Fandom: Winx Club.
*Lilith/Lily- Fairy of The Shadows- Voiceclaim: TBA.
*Pandora- Fairy of Myths and Legends- Voiceclaim: TBA.
*Holly- Fairy of Snow- Voiceclaim: TBA.
*Sonata- Fairy of Music- Voiceclaim: TBA.
*Juliet- Fairy of Stars- Voiceclaim: TBA.
*Aurora- Witch of The Sun- Voiceclaim: TBA.
*Lucine/Luci- Witch of The Moon- Voiceclaim: TBA.
*Beryl- Witch of The Jewels- Voiceclaim: TBA.
*Fauna- Witch of Animals- Voiceclaim: TBA.
*Cinderella/Ella- Witch of Fire- Voiceclaim: TBA.
*Alexandra- Voiceclaim: TBA.
*Charlotte/Charlie- Voiceclaim: TBA.
*Grace- Voiceclaim: TBA.
*Elijah- Voiceclaim: TBA.
*Oliver- Voiceclaim: TBA.
The Next 9th Grade Ninja:
Summary of Series: TBA.
Fandom: Randy Cunningham: 9th Grade Ninja.
*Wendy Burton- The New Ninja- Voiceclaim: TBA.
*Mildred Watts- Best Friend- Voiceclaim: TBA.
Rising From The Ashes (Hunger Games What If):
Summary of Book: TBA.
Fandom: Hunger Games.
*Willow Hawthorne- Middle child of Prim and Rory- District 12 Tribute.
*Fern Hawthorne- Eldest child of Prim and Rory.
*Avina Barry- District 11 Tribute.
*Grover- District 11 Tribute.
*Elena and Finley- District 10 Tributes.
*Knox and Anya- District 9 Tributes.
*Winter and Andres- District 8 Tributes.
*Harlee and Damien- District 7 Tributes.
*Tanner and Joelle- District 6 Tributes.
*Mallory and Jensen- District 5 Tributes.
*Jack and Lizzie- District 4 Tributes.
*Daxton and Charlie- District 3 Tributes.
*Roman and Clarisse- District 2 Tributes.
*Quartz and Jasper- District 1 Tributes.
The Tale of Two Avatars:
Summary of Series: TBA.
Fandom: Last Airbender/Korra.
*Anzu- Twin Fire Avatar.
*Yuina- Twin Fire Avatar.
*Minato- Firebender- Ally of Yuina.
*Silla- Waterbender- Ally of Anzu.
*Xia- Earthbender- Ally of Anzu.
*Dawa- Airbender- Ally of Anzu.
*Youta- Airbender- Ally of Yuina.
The Path of The New Avatar:
Summary of Series: TBA.
Fandom: Last Airbender/Korra.
*Gui- Believed Earth Avatar.
*Cuifen- The real Avatar.
*Arya- Jinora’s and Kai’s Child- AIrbender.
*Yua- Korra’s and Asami’s Adopted Child- Firebender.
*Panuk- Waterbender.
*Rong- Twin Earthbender.
*Suen- Twin Earthbender.
The Legacy of Magic:
Summary of Series: TBA.
Fandom: Wizards of Waverly Place.
*Jenna Russo- Child of Justin and Juliet.
*Sara Russo- Child of Justin and Juliet.
*Kyle Russo- Child of Justin and Juliet.
*Zoe Greyback- Only child of Alex and Mason.
*Parker Beakerman- Child of Zeke and Harper.
*Cooper Beakerman- Child of Zeke and Harper.
*Harry Russo- Child of Max.
Star Wars: The Force Lives On:
Summary of Story: TBA.
Fandom: Star Wars.
*Ailyn Skywalker- Adopted child of Rey and Finn- Jedi.
*Solia Skywalker- Adopted twin child of Rey and Finn.
*Vera Skywalker- Adopted twin child of Rey and Finn.
*Tycho Skywalker- Adopted child of Rey and Finn.
*Mide Skywalker- Adopted child of Rey and Finn.
*Daro Dameron- Child of Poe and Zoe.
*Darth Rel/Crix Harend- Sith- Bad guy.
Prime: The Next Geneation:
Summary of Series: TBA.
Fandom: Transformers Prime.
*Joseph ‘Joe’ Darby- Eldest child of Jack- Guardian: Arcee.
*Jane Darby- Youngest child of Jack- Guardian: Arcee.
*Randy Esquivel- Only child of Raf- Guardian: Bumblebee.
*Markus Lelung- Twin child of Miko- Guardian: Bulkhead.
*Maisey Lelung- Twin child of Miko- Guardian: Bulkhead.
The New Mystery Gang:
Summary of Series: TBA.
Fandom: Scooby Doo.
*Dominic Jones- Eldest child of Fred and Daphne.
*Frances Jones- Middle child of Fred and Daphne.
*Donald Jones- Youngest child of Fred and Daphne.
*Samantha ‘Sam’ Rogers- Child of Shaggy.
*Stacey Rogers- Adopted child of Shaggy.
*Vincent Dinkley- Child of Velma.
*Vivian Dinkley- Child of Velma.
*Swiper- Pup of Scooby.
Once Upon A Time...:
Summary of Series: TBA.
Fandom: Regal Academy.
*Felix Snowwhite- Eldest child of Rose and Hawk.
*Lily Snowwhite- Middle child of Rose and Hawk.
*Hugo Snowwhite- Youngest child of Rose and Hawk.
*Suyin Beast- Twin child of Travis and Ling-Ling.
*Juan Beast- Twin child of Travis and Ling-Ling.
*Nicholas Beast- Child of Astoria and Shawn.
*Casper Beast- Child of Astoria and Shawn.
*Hope Frog- Child of Joy and Esquire.
*Rickey Broomstick- Child of Vicky.
*Mary Broomstick- Child of Cyrus.
*Emerald Stepsister- Twin child of Ruby.
*Jasper Stepsister- Twin child of Ruby.
*Donna Ugly Duckling- Eldest child of Gerald.
*Linda Ugly Duckling- Youngest child of Gerald.
*Luke Whale- Child of Finn.
*Hanna Tom Thumb- Child of Leene.
*Rosette Swan- Eldest child of Odette.
*Paulette Swan- Youngest child of Odette.
*Pinocchian- ‘Child’ of Pinocchia.
*Ivy Ogre- Child of Violet.
Beyblade: Battle X:
Summary of Series: TBA.
Fandom: Beyblade Metal Saga.
*Niko Goto- Female lead.
*Asahl Sakurei- Computer user friend.
*Sakura Tamura- Friend.
*Emiko Imar- Rival.
Beyblade: Heirs:
Summary of Series: TBA.
Fandom: Beyblade: Metal Saga.
*Pegasau Hagane- Eldest child of Gingka and Madoka.
*Runa Hagane- Twin child of Gingka and Madoka.
*Seisho Hagane- Twin child of Gingka and Madoka.
*Hoshi Hagane- Youngest child of Gingka and Madoka.
*Ririsu/Yuri- Only child of Ryuga.
*Reon Tategami- Eldest child of Kyoya.
*Shibere Tategami- Youngest child of Kyoya.
*Unmei- Only child of Hyoma.
*Kayo Tendo- Only child of Yu.
*Ajun Hazama- Eldest child of Hikaru.
*Demetora Otori- Only child of Tsubasa.
*Heza Yumiya- Twin child of Kenta.
*Maku Yumiya- Twin child of Kenta.
*Deruta Kadoya- Twin child of Masaume.
*Jemini Kadoya- Twin child of Masaume.
*Evurin- Child of Doji- Leader of Nebula- Villain.
A Different Kind of Normal:
Summary of Series: TBA.
Fandom: Lab Rats.
*Viola Davis- Bionic Girl.
*Benjamin ‘Ben’ Jones- Bionic Boy.
*Mariana ‘Mari’ Gonzalez- Bionic Girl.
*Levi Owen- Crush of Ben.
*Evelyn ‘Eve’ Tee- Crush- Friend-later-Crush of Viola.
*Cameron Jackson- Friend of Mari.
*Bella Newman- Best friend of Ben.
*Milo Kingston- Bully of the three.
*Wyatt Watson- Later villain.
*Juliana Parker- Villain.
*Trinity Stark- Main villain.
*Hazel Reilly- Neighbor.
Welcome to Sky High:
Summary of Story: TBA.
Fandom: Sky High.
*Azalea ‘Aza’ Peace- Eldest child of Warren and Layla.
*Florian Peace- Youngest child of Warren and Layla.
*Rachel Stronghold- Only child of Will.
*Zane- Twin child of Magneta and Zach.
*Seth- Twin child of Magneta and Zach.
*Paige- Only child of Ethan.
Legacy of The Charmed Ones:
Summary of Series: TBA.
Fandom: Charmed (Original).
*Wyatt= Matthew, Pandora and Poppy Halliwell.
*Chris= Penny, Pamela and Prudence Halliwell.
*Melinda= Petra, Arthur and David Halliwell.
*Peyton= Carter, Paulina and Patience Halliwell (all adopted).
*P.J= Pearl, Hayden and Primrose Halliwell.
*Parker= Jackson, Chase and Bailey Halliwell.
*Tamora= Imogen, Maxwell and Lilith Mitchell.
*Kat= Reed, Luke and Skylor Mitchell.
*Henry. Jr= Simon and Jane Mitchell.
Maddie 10:
Summary of Series: TBA.
Fandom: Ben 10 (Classic Continuity).
*Cameron ‘Cam’ Tennyson- Eldest child of Ben and Julie.
*Madeline ‘Maddie’ Tennyson- Youngest child of Ben and Julie.
*Roxanne ‘Roxie’ Tennyson- Only child of Gwen and Kevin.
*Rook Quill- Eldest child of Rook Blonko.
The New Ninjago:
Summary of Series: TBA.
Fandom: Lego Ninjago.
*Aine- Child of Skylar and Kai.
*Ruth- Only child of Lloyd.
*Frtiz- Robot child of Zane and P.I.X.A.L.
*Orion- Eldest child of Cole.
*Terra- Youngest child of Cole.
*Clara- Eldest child of Jay and Nya.
*Miles- Twin child of Jay and Nya.
*Tobias- Twin child of Jay and Nya.
Danny Phantom: Next Generation:
Summary of Series: TBA.
Fandom: Danny Phantom.
*Freddie Fenton- Eldest child of Danny and Sam.
*Regan Fenton- Middle child of Danny and Sam.
*Spike Fenton- Youngest child of Danny and Sam.
*Harley Foley- Eldest child of Tucker and Valerie.
*Roxy Foley- Youngest child of Tucker and Valerie.
*Harper Fenton- Only child of Jazz.
*Poe Fenton- Only child of Dani.
*Martin Baxter- Eldest child of Dash and Paulina.
*Victoria Baxter- Youngest child of Dash and Paulina.
*Hunter- Only child of Star and Kwan.
*Joey- Only child of Mikey.
*Aaron- Only child of Tiffany and Nathan.
*Dylan Shaw- Friend of Freddie.
*Wyatt Roberts- Friend of Freddie.
*Ace Hyde- Friend of Freddie.
Zombies: Next Generation:
Summary of Story: TBA.
Fandom: Disney Zombies.
*Zadie Necrodopolis- Twin child of Zed and Addison.
*Zayne Necrodopolis- Twin child of Zed and Addison.
*Zayla Necrodopolis- Youngest child of Zed and Addison.
*Winona Zambi-Lykensen- Only child of Eliza and Willa.
*Whitney Lykensen- Only child of Wyatt.
*Wayne Barkawtiz- Only child of Wynter.
*Bucky Buchanen. Jr- Eldest child of Bucky.
*Briella Buchanen- Youngest child of Bucky.
*Braxton- Twin child of Bree and Bonzo.
*Bryce- Twin child of Bree and Bonzo.
*Kacey- Only child of Lacey.
*Macey- Only child of Stacey.
*Dacey- Only child of Jacey.
*Gracey- Only child of Tracey.
*Doris Dumpson- Villain.
Winx Club: Next Generation:
Summary of Series: The Magic Dimension has long since remained to be safe ever since the Winx Club moved on with their lifes, a few becoming queens, a few becoming rich and a few remaining happy enough with their families.
It is now a new year for schools like Alfea, Red Fountain, Cloud Tower and even one of the known Wizard schools, Boderra.
Attending the schools are none other then the Winx's children, and many of their allies children too.
But so are the Trix Children.
Just as the new school year looks ready to be another typical one, the new generation finds themselves suffering under legacies, and most of all, the wrath of the new Trix.
The Winx Children will have to reform their parents teams, gain allies and stop the Trix Children once and for all, before Magix turns into something its not....
Quotev Link
Fandom: Winx Club.
*Aideen Daphne- Eldest child of Bloom and Sky- Fairy of Fireworks.
*Ember Vanessa- Child of Bloom and Sky- Fairy of The Dragon Flame.
*Kadence Martin- Eldest child of Musa and Riven- Fairy of Music.
*Luciana Luna- Twin child of Stella and Brandon- Fairy of The Moon.
*Azalea Miele- Child of Flora and Helia- Fairy of Art.
*Maxima Musa- Child of Tecna and Timmy- Fairy of Technology.
*Halzea Marion- Child of Daphne and Thoren- Fairy of Air.
*Eva Morgana- Child of Roxy and Nex- Fairy of Mythological Beasts.
*Nimue- Only child of Selina- Fairy of Snakes.
*Rosabeth- Eldest child of Krystal and Roy- Fairy of Nature.
*Aurora Stormy- Child of Icy and Darko- Fairy of Snow.
*Kyra Bloom- Twin child of Stella and Brandon- Witch of The Sun.
*Ursa Darcy- Eldest child of Ivy and Darko- Witch of Ice.
*Tove Icy- Twin child of Stormy- Witch of Lightning.
*Ophelia- Only child of Mirta and Lucy- Witch of The Burning Stars.
*Lilith- Only child of Diaspro- Witch of Jewels.
*Castor Mike- Child of Bloom and Sky.
*Skylar Elizabeth- Child of Bloom and Sky.
*Blair Tecna- Child of Musa and Riven.
*Neron Radius- Eldest child of Stella and Brandon.
*Lazuli Saladin- Eldest child of Flora and Helia.
*Linux Jako- Eldest child of Tecna and Timmy.
*Ethan Nex- Child of Daphne and Thoren.
*Kai Teredor- Twin child of Aisha and Nabu- Wizard of Waves.
*Musa Niobe- Twin child of Aisha and Nabu- Wizard of Healing.
*Vulcan Oritel- Eldest child of Daphne and Thoren- Wizard of Fire.
*Uri Sky- Child of Daphne and Thoren- Wizard of Legends.
*Dillon Klaus- Eldest child of Roxy and Nex- Wizard of Animals.
*Valhalla Riven- Only child of Darcy- Wizard of Illusions.
*Raiden Crow- Twin child of Stormy- Wizard of Thunder.
*Hayden Thoren- Youngest child of Bloom and Sky.
*Riya Flora- Twin child of Musa and Riven- Fairy of Sound.
*Jaron Sky- Twin child of Musa and Riven- Wizard of Sound.
*Thea Musa- Youngest child of Stella and Brandon- Fairy of Twilight.
*Gale Rosabeth- Youngest child of Flora and Helia.
*Zeno Nabu- Youngest child of Tecna and Timmy- Wizard of Electricity.
*Corventina Ligeo- Youngest child of Aisha and Nabu.
*Jorck Aidan- Youngest child of Daphne and Thoren.
*Lyall Thoren- Child of Roxy and Nex.
*Kefira Nebula- Youngest child of Roxy and Nex.
*North Valtor- Youngest child of Icy and Darko.
Name: Clara Heafley.
Title: Bodyguard: Prey.
Fandom: Bodyguard.
Summary: In a constantly changing world, the need for protection grows.
A teenager is the least likely suspect for a protector- but that's exactly what Clara Heafley relies on to do her job. Her job? Being a professional bodyguard trained in surveillance, anti-ambush techniques, hostage survival and unarmed combat. When she's given the task to protect the Prime Minister's daughter, her protection skills face the ultimate test.
Carla however, doesn't want protection. She just wants to have a normal life. Unaware that Clara is her bodyguard, she tries to hide from security while taking Clara along for the ride. But unknown to her and Clara, her father's rival is not willing to accept defeat.
And with a common tactic being to target enemies loved ones, this anger slowly morphs him into a vulture, with the Prime Minister's daughter being his prey.
Quotev Link
Faceclaim/Voiceclaim: TBA.
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THE SHIPPS
Eoin "vigil" Byrne - Daniel Sharman // gustave "doc" kateb ~ milo ventimiglia
Elora "valkyrie" Vogel - Lauren German // michiel "thatcher" cowden ~ charlie cox
Sarah Flament - Inbar Lavi // olivier "lion" flament ~ matt bomer
Maja Wiśniewski - Rachel Keller // demetria brunsmeier ~ priscilla quintana
Cecile "frost" Charpentier - marie avgeropoulos // john "thermite" tracer-cohen ~ hugh dancy
Kingsley "blackbeard" Graham - David Giuntoli // nienke "iana" meijer ~ emilia clarke
Altiva "Mira" Messias - Eiza Gonzalez // ryad "jackal" ramírez al-hassar ~ pedro pascal
Zofia “zofia” Refn Höelscher - Scarlett Byrne // maxim "kapkan" senaviev ~ armie hammer
Donnatella Haugland - Candice Accola // eirik "ace" haugland ~ gaspard ulliel
Ioanna “Gridlock” Borisovna - Caity lotz // maeve "buck" kriergaard ~ rooney mara
Abel “Warden” Sartori - Alvaro Morte // sanaa "nomad" el maktoub ~ najwa nimri
Aimée “Twitch” Chauveau - Sophie Cookson // myrtle "glaz" shulman ~ aya cash
Laufar “Fuze” Bladwood - Bill Skarsgard // jaimini "kali" kalimohan shah ~ anya chalotra
Caecilia “IQ” Colias - Michelle Borth // thaysa "caveira" neves ~ tainá müller
Dominica “Bandit” Brunsmeier - Priscilla Quintana // lana maria kantor ~ emeraude toubia
Eun Jung "dokkaebi" Bak - im jinah // benjamin "smoke" black ~ michiel huisman
Bae Sooyeoung "Aruni" Park - Yeri // yumiko "hibana" imagawa ~ karen fukuhara
Natasyia "Finka" Melnikova - Phoebe Tonkin // letizia "ying" castillo ~ angelique boyer
Ahmed "Wamai" Aziz - Rami Malek // elżbieta "sun" bosak ~ florence pugh
Piero "Maestro" Bianchi - Tom Hardy // aria "alibi" de luca ~ jameela jamil
Millicient "Blitz" Fischer - Lily Rabe // mildred belladini ~ sarah paulson
Leonoro "Kaid" Nguyen - Aiden Turner // agathe elizabeth "nokk" donaldson ~ eleanor tomlinson
Sébastien "Rook" Brodeur - Chris Evans // marius "jäger" streicher ~ sebastian stan
François "Montagne" Couture - Henry Cavill // mary "ash" eliza mizrachi ~ jessica chastain
Georgina Kateb - Mandy Moore // cordelia "lesion" mei lin ~ chloe bennet
Maria Guadalupe "Goyo" Sánchez - Ana de Armas // miles "castle" campbell ~ idris elba
Fayola "Melusi" Buhle - Tessa Thompson // erika "maverick" thorn ~ brie larson
Achilles "Pulse" Rehan - Oliver Stark // maximilian "mozzie" desreaux ~ ryan guzman
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Wrestling Inspiration
As part of the wrestling AU, @scream-qween and I were talking about the different kids and wrestlers who could have served as inspiration for them. Let’s pretend for a second the WWE exists in this universe. Other wrestler suggestions are welcome, I’m just picking ones I’m familiar with (and I’m relatively new to wrestling - I’ve only watched for two years and only watched WWE).
Note: I am referring to the wrestlers as in their kayfabe personas. Any mention of them here should not be read as an endorsement of anything they may have said or done elsewhere.
Mal = Paige, Sonya Deville, Mandy Rose, Undertaker, Kane, Ruby Riott, Sarah Logan, Liv Morgan, Jody Threat, Molly McCoy, Maria Manic, Tamina and Nia Jax (as a heel).
Uma = Kairi Sane, Io Shirai, Becky Lynch, Roman Reigns, Drew McIntyre, Sasha Banks, Creatures of the Deep, Trish Stratus, Jordynne Grace, The Sea Stars, Chyna, Rhea Ripley, Shotzi Blackheart, Lita, Allie, Kofi Kingston, Nia Jax, Beth Phoenix, Randy Orton, Seth Rollins, Bianca Belair, and Ronda Rousey.
Freddie = Undertaker, Kane, Cameron, Carmella, Damian Priestly, Bray Wyatt, Ember Moon, AJ Lee, Paige, New Age Outlaws, Hawlee Cromwell, Elias, Sanity, Su Yung, Nikki Roxx, Aliyah, and Ruby Riott.
Celia = Undertaker, Bray Wyatt, New Age Outlaws, Ember Moon, Tamina, Aleister Black, Sting, Solo Darling, Nikki Roxx, Willow Nightingale, and Vivian St. John
Jay = Baron Corbin, Stone Cold Steve Austin, The Miz, Natalya, Seth Rollins, Becky Lynch, Dean Ambrose, Imperium, British Strong Style, Pete Dunne, Goldberg, Ember Moon, Big Show, Jericho, Bret Hart, Bullet Club, Kurt Angle, Rey Mysterio, Alex Zayne, Roman Reigns, Warhorse, The Rock, and the Undertaker
Evie = Nikki Bella, Brie Bella, Alexa Bliss, Sasha Banks, Cameron, Mandy Rose, Naomi (especially as a face), Scarlette Bordeaux, Velveteen Dream, Laynie Luck, Breezango, Kylie Rae, and Bayley (especially at the height of her ‘hugger’ days), Charlotte Flair and Ric Flair.
Carlos = Carmella, R-Truth, the Usos, New Day, Shield (as faces), Mark Henry, Big Show, Heath Slater, Undisputed Era, Jordynne Grace, Alex Ohlson, IFHY, Lana, Marko and Logan Stunt, No Way Jose, Lucha House Party, Xyberhawx 2000, and Naomi.
Harry = Nikki Cross, Drew McIntyre, Aleister Black, AJ Lee, Bray Wyatt, Kane, Kairi Sane, Shayna Baszler, Space Pirates, Becky Lynch, Jon Moxley, Jordynne Grace, The Sea Stars, Creatures of the Deep, Damian Priestly, Ember Moon, Randy Orton, Shawn Michaels, Mick Moretti, The Carnies, Undertaker, and Finn Balor (as the demon).
Gil = Brock Lesnar, Braun Strowman, Bobby Lashley, Randy Orton, Drew McIntyre, New Day, Heavy Machinery, Space Pirates, the Viking Raiders, Oleg the Usurper, Creatures of the Deep, Warhorse, Mark Henry, Kane, Big Show, and Kairi Sane.
Ben = John Cena, Kurt Angle, Bruno Sanmartino, Bret Hart, Finn Balor, Diamond Dallas Page, Bayley, Naomi, Natalya, Boomer Hatfield, Levi Everett, Dynamite Dino Dude, and Roman Reigns (especially after he came back from leukaemia).
Chad = Baron Corbin, Randy Orton, Carmella (as a heel), the Miz (as a heel), the Shield (as heels), Kane, Sasha Banks (as a heel), Shane McMahon, Stephanie McMahon, Triple H, Shawn Michaels, Vince McMahon, Darin Corbin, GPA, Breezango, and the Usos.
Lonnie = Asuka’s NXT heel run, Xia Li, Becky Lynch (especially as ‘the Man’), Sonya Deville, Gail Kim, Bianca Belair, Minerva, Velveteen Dream, Johnny Gargano, Jason Jordan, The Bar, Titus O’Neil Rhea Ripley, Shayna Baszler, Tamina, Lacey Lane, Mia Yim, and Natalya.
Jane = Bayley, Asuka (as a face), Candice LeRae, Dakota Kai, Bobby Roode, Sara Del Ray, Summer Rae, Willow Nightingale, Solo Darling, Jordynne Grace, and Charlotte Flair
Audrey = SASHA BANKS, Charlotte Flair, Bianca Belair, the Rock, AJ Lee (as a heel), Alexa Bliss, Nikki Bella, Brie Bella, Mercedes Martinez, Velveteen Dream, Renee Michelle, Roman Reigns, Princess Kimberlee, Mickie James, Lacey Evans and Tamina.
Jordan = Sasha Banks, Carmella, R-Truth, Cameron, Miz, Maryse, Nikki Bella, Nia Jax, Becky Lynch, Natalya, CM Punk, Roddy Piper, Tegan Nox, Santana Garrett, Kacy Catanzaro, D-Generation-X, Molly Holly, LuFisto, Lacey Lane, Ronda Rousey.
Ally = Harley Wonderland, Nikki Cross, Allison Wonderland, Alexa Bliss, Maria Kanellis, Rhea Ripley, Lita, Elias, Heavy Machinery, EFFY, AJ Lee, Bayley, and Lacey Evans, Nina Samuels, Jinny.
CJ = Kairi Sane and Io Shirai are all she cares about.
Aziz = Ricochet, Ali, AJ Styles (as a face), B-Team, Bayley, Dolph Ziggler, Jinder Mahal, Finn Balor, Kurt Angle, Dana Brooke, the New Day, Jordan Devlin, Sonny Daze, Goldust.
Herkie = Shinsuke Nakamura, Rusev, Kevin Owens, Brock Lesnar, Mark Henry, Samoa Joe, Bobby Lashley, Becky Lynch, Titus O’Neil, Shelton Benjamin, Kurt Angle, Mandy Rose, and Punishment Martinez.
Maddy = AJ Lee, Aksana, Ember Moon, CM Punk, Paige, Emma, Lita, Charlotte Flair, Rosa Mendes, Victoria, The Beautiful People, Ric Flair, The Ascension, Laycool, and Alexa Bliss, Jinny, Reina Gonzalez.
Ginny = Alexa Bliss, Alicia Fox, Candice LeRae, Mandy Rose, Charlotte Flair, Maryse, Zelina Vega, Lana, Randy Savage, Maria Kanellis, Dolph Ziggler, Laycool, The Iiconics, Candy Floss, Carmella.
Harriet = Kairi Sane, Io Shirai, Mia Yim, Shane Saber, Shelly Martinez, Shayna Baszler, Paul and Katie Lea Burchill, Rhea Ripley, Batista, Kay Lee Ray, Jazzy Gabert, Natalya, Becky Lynch, and Toni Storm.
Ruby = Bayley, Bobby Roode, Dolph Ziggler, Naomi, New Day, Candice LeRae, Dakota Kai, Lucha House Party, Rey Mysterio, Bianca Belair, Jericho, No Way Jose, Dana Brooke, Xia Brookside, Carmella and R-Truth, Humberto Carrillo, Jurassic Express, Cain Velasquez, Andrade, Sin Cara, Zelina Vega, Sarah Stock, Catalina Garcia.
Anxelin = Baron Corbin, Alexa Bliss, Carmella, Charlotte Flair, Ember Moon, Sasha Banks, Paige, Eddie Guerrero, Apollo Crews, Cedric Alexander, Dana Brooke, Titus O’Neil, Shelton Benjamin.
Yi-Min = She’s mostly seen Chinese wrestling promotions, so Black Mamba, Ho Ho Lun, King of Man, Ash Silva, Slam, Hangwan, Voodoo, Candy Brother, Dalton Bragg, and Jason New are her inspirations from those promotions. She’s got a few wrestlers whose careers she follows in English though - Xia Li, Karen Q, Lin Byron, Kenny Li, Rocky, and Big Boa.
Arabella = Daniel Bryan, Rowan, Brie Bella, Asuka, Rusev, Lana, Natalya, Alexa Bliss, Braun Strowman, Becky Lynch, Sami Zayn, Sasha Banks, Finn Balor, Apollo Crews, The Miz, Mandy Rose, Goldust, Elias, Bayley, Bobby Roode, Charlotte Flair, Jimmy Uso, Naomi, Shinsuke Nakamura, Big E, Carmella, Ember Moon, Mickie James, Bobby Lashley, Jinder Mahal, Alicia Fox, Kevin Owens, AJ Styles, Jeff Hardy, R-Truth, and Nia Jax.
Jade = Aliyah, Jayme Hachey, Bianca Belair, Vanessa Borne, Abbey Laith, Ayesha Raymond, Candice LeRae, Dakota Kai, Jazzy Gabert, Kairi Sane, Kavita Devi, Kay Lee Ray, Lacey Evans, Marti Belle, Mercedes Martinez, Mia Yim, Miranda Salinas, Nicole Savoy, Piper Niven, Princesa Sugehit, Rachel Evers, Reina Gonzalez, Renee Michelle, Rhea Ripley, Sage Beckett, Santana Garrett, Sarah Logan, Serena Deeb, Shayna Baszler, Taynara Conti, Tessa Blanchard, Toni Storm, Xia Li, Zeda, Tegan Nox, Barbi Hayden, Deonna Purrazzo, Jessica James, Lei’D Tapa, Nicole Matthews, Alundra Blayze, Lita, Triple H, Corey Graves, Aerial Monroe, Allysin Kay, Ashley Rayne, Hiroyo Matsumoto, Io Shirai, Isla Dawn, Jessica Elaban, Jinny, Kacy Catanzaro, Kaitlyn, Karen Q, Killer Kelly, Lacey Lane, Meiko Satomura, MJ Jenkins, Priscilla Kelly, Vanessa Kraven, Xia Brookside, Zatara, Zeuxis, Beth Pheonix
Zevon = Steve Austin, Triple H, Brock Lesnar, Batista, Rey Mysterio, Undertaker, John Cena, Randy Orton, Edge, Sheamus, Roman Reigns, Shinsuke Nakamura, Asuka, Becky Lynch, Seth Rollins, Drew McIntyre, Charlotte Flair, Booker T, William Regal, Bad News Barrett, Baron Corbin, Christian, The Miz, Daniel Bryan, CM Punk, MVP
Anthony = Steve Austin, Triple H, Kurt Angle, Rob Van Dam, Brock Lesnar, Batista, John Cena, Randy Orton, AJ Styles, The Miz, CM Punk, Daniel Bryan, Seth Rollins, Roman Reigns, Kazuchika Okada, Kenny Omega, Ted DiBiase, Ric Flair, The Rock, William Regal, Prince Devitt, Charlotte Flair, Sasha Banks, Mustafa Ali, Prince Nana, Prince Puma, Awesome Kong, Mickie James, Michelle McCool, Madison Eagles, Gail Kim, Cheerleader Melissa, Paige, Nikki Bella, Asuka, Ronda Rousey, Becky Lynch, Natalya, Jimmy Jacobs, Aliyah, Alexa Bliss, The Authority, Kairi Sane, Carmella, Toni Storm, Chrissy Rivera, Chelsea Green
Claudine = Michelle McCool, Kurt Angle, Roman Reigns, Rey Mysterio, AJ Styles, Quinn Ojinnaka, Eddie Guerrero, Pat Patterson, Shawn Michaels, Naomi, Nor Diana, Goldberg, Mustafa Ali, Kacy Catanzaro, Ricochet, Candice LeRae, Mandy Rose, Lacey Evans (as a face), Bayley (as a face), Becky Lynch (as The Lasskicker), Dana Brooke, Sami Zayn (as a face).
Diego = Elias, Street Profits, R-Truth, Carmella, Sasha Banks, Bayley, Shawn Michaels, Jericho, Cameron, Naomi, Marty Jannetty, Shayna Baszler, Drake Maverick, The Rockstar, John Cena, Lita, Mickie James, Jeff Jarrett, Jeff Hardy, Matt Hardy, Samoa Joe, Lio Rush, Braun Strowman, Rusev, The Rock, Aiden English, Bobby Roode, Hulk Hogan, Lana
Opal = Ricochet, Kota Ibushi, Rey Mysterio, Io Shirai, AJ Styles, Jeff Hardy, Evan Bourne, Owen Hart, Jushin Thunder Liger, Kane, Randy Savage, Scott Steiner, Lita, Christian, Jamie Noble, Matt Hardy, Gail Kim, Daniel Bryan, Xavier Woods, Kofi Kingston, Tajiri, Zelina Vega, Ayako Hamada, Aliyah, Naomi, Mio Shirai
Ariana = Lady Apache, La Amapola, Marcela, Lioness Asuka, Dynamite Kansai, Chigusa Nagayo, Dump Matsumoto, Mae Young, Luna Vachon, Leilani Kai, Sarah Stock, Natalya, Cheerleader Melissa, Ayako Hamada, Beth Phoenix, Mariko Yoshida, Gail Kim, Mickie James, Sara Del Rey, Akira Hokuto, Alundra Blayze, Judy Grable, Wendi Richter, Bull Nakano, June Byers, Jaguar Yokota, Chyna, Sherri Martel, Awesome Kong, Lita, Mildred Burke, Aja Kong, Trish Stratus, Manami Toyota, Becky Lynch, Charlotte Flair, Paige, AJ Lee, Marie LaVerne, Joyce Grable, Ann Casey, Sue Green, Rachel Dubois, Debra, Stephanie McMahon, Victoria, Candice Michelle, MsChif, Sasha Banks, Asuka, Michelle McCool, Madison Eagles, Jazz, Jacqueline, Nikki Bella, Alicia Fox, Ivory, Roman Reigns, and Seth Rollins
Lil’ Shang = Edge, Christian, Rey Mysterio, Triple H, Shawn Michaels, Brett Hart, Jim Neidhart, Undertaker, Kane, Finn Balor, Ho Ho Lun, Big Boa, Rocky, The Rock, Rikishi, Mick Foley, Kurt Angle, Chris Jericho, Daniel Bryan, Jinder Mahal, Booker T, Fit Finlay, R-Truth, Trish Stratus, Lita, Victoria, Jazz, Molly Holly, Beth Phoenix, LuFisto, Lance Storm, Road Dogg, Umaga, The New Day, Bianca Belair, Street Profits
Artie = Tyler Bate, Trent Seven, Pete Dunne, Jordan Devlin, Kenny Williams, Ligero, Nick Aldis, Drew McIntyre, Finn Balor, Sheamus, Becky Lynch, Nikki Cross, Paige, James Drake, Bea Priestley, Ayesha Raymond, Zoe Lucas, Tegan Nox, Layla, Lana Austin, Bad News Barrett, Drake Maverick, Isla Dawn, Priscilla Kelly, Joe and Mark Coffey, Finlay, Nadia Sapphire, Eddie Dennis, Mark Andrews, Morgan Webster
Carina = Andre the Giant, Tamina, Lana, Maryse, Taynara Conti, Gisele Shaw, Becky Lynch, Charlotte Flair, Sasha Banks, Trish Stratus, Rhea Ripley, Indi Hartwell, Alexa Bliss, Bayley, Liv Morgan, Natalya, Toni Storm, Kay Lee Ray, Nia Jax, Mortar, Tegan Nox, Chyna, Lita, Asuka, Kairi Sane, Io Shirai, Kagetsu, Melanie Cruise, Shotzi Blackheart, Dakota Kai, Mia Yim, Candice LeRae, Riho, Sarah Logan, Hikaru Shida, Aja Kong, Bull Nakano
Doug is a manager. As a manager, his inspirations are Paul Heyman, Zelina Vega, Lana, and Bobby Heenan.
Smee kids and Elle are commentators. The boys tend to like Michael Cole, Beth Phoenix and Byron Saxton. Elle tends towards JR, Corey Graves and Renee Young.
Dizzy is a reporter back stage, but her favourite wrestlers to watch are Bayley, Kylie Rae, Breezango, and Princess Kimberly as a face. She gets her professional inspiration from Renee Young, Gene Okerlund, Charly Caruso and Cathy Kelley.
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Mildred Gonzalez - Mildred J Gonzalezgarcia - M J Gonzalezgarcia - Mildred Gonzales - Mildred Gonzalez - (832) 955 3477
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Mildred Gonzalez - Mildred J Gonzalezgarcia - M J Gonzalezgarcia - Mildred Gonzales - Mildred Gonzalez - (832) 955 3477
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Performance by an actress in a supporting role
Regina King in "If Beale Street Could Talk" (WINNER)
Amy Adams in "Vice"
Marina de Tavira in "Roma"
Emma Stone in "The Favourite"
Rachel Weisz in "The Favourite"
Best documentary feature
"Free Solo" Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill (WINNER)
"Hale County This Morning, This Evening" RaMell Ross, Joslyn Barnes and Su Kim
"Minding the Gap" Bing Liu and Diane Quon
"Of Fathers and Sons" Talal Derki, Ansgar Frerich, Eva Kemme and Tobias N. Siebert
"RBG" Betsy West and Julie Cohen
Achievement in makeup and hairstyling
"Vice" Greg Cannom, Kate Biscoe and Patricia DeHaney (WINNER)
"Border" Goran Lundstrom and Pamela Goldammer
"Mary Queen of Scots" Jenny Shircore, Marc Pilcher and Jessica Brooks
Achievement in costume design
"Black Panther" Ruth Carter (WINNER)
"The Ballad of Buster Scruggs" Mary Zophres
"The Favourite" Sandy Powell
"Mary Poppins Returns" Sandy Powell
"Mary Queen of Scots" Alexandra Byrne
Achievement in production design
"Black Panther" production design: Hannah Beachler; set decoration: Jay Hart (WINNER)
"The Favourite" production design: Fiona Crombie; set decoration: Alice Felton
"First Man" production design: Nathan Crowley; set decoration: Kathy Lucas
"Mary Poppins Returns" production design: John Myhre; set decoration: Gordon Sim
"Roma" production design: Eugenio Caballero; set decoration: Barbara Enriquez
Achievement in cinematography
"Roma" Alfonso Cuaron (WINNER)
"Cold War" Lukasz Zal
"The Favourite" Robbie Ryan
"Never Look Away" Caleb Deschanel
"A Star Is Born" Matthew Libatique
Achievement in sound editing
"Bohemian Rhapsody" John Warhurst and Nina Hartstone (WINNER)
"Black Panther" Benjamin A. Burtt and Steve Boeddeker
"First Man" Ai-Ling Lee and Mildred Iatrou Morgan
"A Quiet Place" Ethan Van der Ryn and Erik Aadahl
"Roma" Sergio Díaz and Skip Lievsay
Achievement in sound mixing
"Bohemian Rhapsody" Paul Massey, Tim Cavagin and John Casali (WINNER)
"Black Panther" Steve Boeddeker, Brandon Proctor and Peter Devlin
"First Man" Jon Taylor, Frank A. Montano, Ai-Ling Lee and Mary H. Ellis
"Roma" Skip Lievsay, Craig Henighan and Jose Antonio Garcia
"A Star Is Born" Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow
Best foreign language film of the year
"Roma" Mexico (WINNER)
"Capernaum" Lebanon
"Cold War" Poland
"Never Look Away" Germany
"Shoplifters" Japan
Achievement in film editing
"Bohemian Rhapsody" John Ottman (WINNER)
"BlacKkKlansman" Barry Alexander Brown
"The Favourite" Yorgos Mavropsaridis
"Green Book" Patrick J. Don Vito
"Vice" Hank Corwin
Performance by an actor in a supporting role
Mahershala Ali in "Green Book" (WINNER)
Adam Driver in "BlacKkKlansman"
Sam Elliott in "A Star Is Born"
Richard E. Grant in "Can You Ever Forgive Me?"
Sam Rockwell in "Vice"
Best animated feature film of the year
"Spider-Man: Into the Spider-Verse" Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller (WINNER)
"Incredibles 2" Brad Bird, John Walker and Nicole Paradis Grindle
"Isle of Dogs" Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson
"Mirai" Mamoru Hosoda and Yuichiro Saito
"Ralph Breaks the Internet" Rich Moore, Phil Johnston and Clark Spencer
Best animated short film
"Bao" Domee Shi and Becky Neiman-Cobb (WINNER)
"Animal Behaviour" Alison Snowden and David Fine
"Late Afternoon" Louise Bagnall and Nuria Gonzalez Blanco
"One Small Step" Andrew Chesworth and Bobby Pontillas
"Weekends" Trevor Jimenez
Best documentary short subject
"Period. End of Sentence." Rayka Zehtabchi and Melissa Berton (WINNER)
"Black Sheep" Ed Perkins and Jonathan Chinn
"End Game" Rob Epstein and Jeffrey Friedman
"Lifeboat" Skye Fitzgerald and Bryn Mooser
"A Night at The Garden" Marshall Curry
Achievement in visual effects
"First Man" Paul Lambert, Ian Hunter, Tristan Myles and J.D. Schwalm (WINNER)
"Avengers: Infinity War" Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick
"Christopher Robin" Christopher Lawrence, Michael Eames, Theo Jones and Chris Corbould
"Ready Player One" Roger Guyett, Grady Cofer, Matthew E. Butler and David Shirk
"Solo: A Star Wars Story" Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy
Best live action short film
"Skin" Guy Nattiv and Jaime Ray Newman (WINNER)
"Detainment" Vincent Lambe and Darren Mahon
"Fauve" Jeremy Comte and Maria Gracia Turgeon
"Marguerite" Marianne Farley and Marie-Helene Panisset
"Mother" Rodrigo Sorogoyen and Maria del Puy Alvarado
Original screenplay
"Green Book" written by Nick Vallelonga, Brian Currie, Peter Farrelly (WINNER)
"The Favourite" written by Deborah Davis and Tony McNamara
"First Reformed" written by Paul Schrader
"Roma" written by Alfonso Cuaron
"Vice" written by Adam McKay
Adapted screenplay
"BlacKkKlansman" written by Charlie Wachtel and David Rabinowitz and Kevin Willmott and Spike Lee (WINNER)
"The Ballad of Buster Scruggs" written by Joel Coen and Ethan Coen
"Can You Ever Forgive Me?" screenplay by Nicole Holofcener and Jeff Whitty
"If Beale Street Could Talk" written for the screen by Barry Jenkins
"A Star Is Born" screenplay by Eric Roth and Bradley Cooper and Will Fetters
Achievement in music written for motion pictures (Original score)
"Black Panther" Ludwig Goransson (WINNER)
"BlacKkKlansman" Terence Blanchard
"If Beale Street Could Talk" Nicholas Britell
"Isle of Dogs" Alexandre Desplat
"Mary Poppins Returns" Marc Shaiman
Achievement in music written for motion pictures (Original song)
"Shallow" from "A Star Is Born" music and lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt (WINNER)
"All The Stars" from "Black Panther" music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; lyric by Kendrick Lamar Duckworth, Anthony Tiffith and Solana Rowe
"I'll Fight" from "RBG" music and lyrics by Diane Warren
"The Place Where Lost Things Go" from "Mary Poppins Returns" music by Marc Shaiman; lyrics by Scott Wittman and Marc Shaiman
"When A Cowboy Trades His Spurs For Wings" from "The Ballad of Buster Scruggs" music and lyrics by David Rawlings and Gillian Welch
Performance by an actor in a leading role
Rami Malek in "Bohemian Rhapsody" (WINNER)
Christian Bale in "Vice"
Bradley Cooper in "A Star Is Born"
Willem Dafoe in "At Eternity's Gate"
Viggo Mortensen in "Green Book"
Performance by an actress in a leading role
Olivia Colman in "The Favourite" (WINNER)
Yalitza Aparicio in "Roma"
Glenn Close in "The Wife"
Lady Gaga in "A Star Is Born"
Melissa McCarthy in "Can You Ever Forgive Me?"
Achievement in directing
"Roma" Alfonso Cuaron (WINNER)
"BlacKkKlansman" Spike Lee
"Cold War" Pawel Pawlikowski
"The Favourite" Yorgos Lanthimos
"Vice" Adam McKay
Best motion picture of the year
"Green Book" Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga, producers (WINNER)
"Black Panther" Kevin Feige, producer
"BlacKkKlansman" Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee, producers
"Bohemian Rhapsody" Graham King, producer
"The Favourite" Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos, producers
"Roma" Gabriela Rodriguez and Alfonso Cuaron, producers
"A Star Is Born" Bill Gerber, Bradley Cooper and Lynette Howell Taylor, producers
"Vice" Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin Messick, producers
I am terrible at keeping up with news /awards and I can’t get to them all, but I thought a list might be nice.
#movies and entertainment#oscars#oscars 2019#movies#awards#films#list#nominations#selected#academy awards
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BEANSONBREAD AWARDS 2021 - BEST GIG
AWARD NO.4 - BEST GIG OF 2021
PAST WINNERS
2020 > Hannah Diamond @ The Exchange, Bristol - 4/3/20 (see full list HERE)
2019 > Black Midi @ Fiddlers, Bristol - 20/6/19 (see full list HERE)
2018 > Kero Kero Bonito @ The Village Underground, London - 11/9/18 (see full list HERE)
2017 > Richard Dawson @ Fiddlers, Bristol 23/6/17 & Richard Dawson @ Green Man Festival, Wales 17-20/8/17 (see full list HERE)
2016 > Death Grips @ Simple Things Festival, Colston Hall, Bristol - 22/10/16 (see full list HERE)
2015 > Super Furry Animals @ Green Man Festival - Wales 21-23/8/15 (see full list HERE)
2014 > FKA Twigs @ Trinity, Bristol - 9/10/14 (see full list HERE)
2013 > These New Puritans @ Simple Things Festival, Bristol - 12/10/13 (see full list HERE)
2010 > Francois & The Atlas Mountains @ Fence Homegame, Scotland - 11/3/10 (see full list HERE)
2009 > Wild Beasts @ The Thekla, Bristol - 3/10/09 (see full list HERE)
2008 > Animal Collective & Atlas Sound @ Koko, London - 22/5/08 (see full list HERE)
2007 > King Creosote & Fence Collective @ Glastonbury Festival - June 07 (see full list HERE)
—
Not many again this year with covid still a thing. Just a couple of festivals and a few others.
Special mention for the old covers band who i saw in a barn in Cornwall (late May) who were the first bit of live music i’d seen since March 2020.
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THE RUNNERS UP (in no order)
Yo La Tengo @ Komedia, Bath (16/11/21)
Spectres @ Special Brew, Bristol (17/9/21)
Mildred Maude @ Rough Trade, Bristol (24/11/21)
Mumble Tide @ Crofters, Bristol (1/12/21)
William Doyle @ Rough Trade, Bristol (1/12/21)
Self Esteem (unplugged) @ Rough Trade, Bristol (24/10/21)
Self Esteem @ The Fleece, Bristol (29/11/21)
Jockstrap @ The Louisiana, Bristol (25/10/21)
Katy J Pearson @ End Of The Year Festival (3/9/21)
Pozi @ End Of The Road Festival (4/9/21)
Hen Ogledd @ End Of The Road Festival (4/9/21)
Squid @ End Of The Road Festival (4/9/21)
Black Country, New Road @ End Of The Road Festival (3/9/21 > 5/9/21)
Dry Cleaning @ End Of The Road Festival (5/9/21)
Wesley Gonzalez @ End Of The Road Festival (3/9/21)
Crack Cloud @ Green Man Festival (22/8/21)
Ed Dowie @ Green Man Festival (21/8/21)
Pictish Trail @ Green Man Festival (21/8/21)
Giant Swan @ Green Man Festival (21/8/21)
Mogwai @ Green Man Festival (21/8/21)
Richard Dawson @ Green Man Festival (21/8/21)
Alabaster DePlume @ Green Man Festival (19/8/21)
Katy J Pearson @ Green Man Festival (20/8/21)
Jockstrap @ Green Man Festival (19/8/21)
-
THE TOP 5 GIGS OF 2021
5. Little Simz @ End Of The Road Festival (5/9/21)
4. Richard Dawson @ End Of The Road Festival (5/9/21)
3. Caroline Polachek @ The Roundhouse, London (28/10/21)
2. Self Esteem @ Heaven, London (17/11/21)
1. Self Esteem @ Green Man Festival (22/8/21)
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Yo.
La verdad aún no se quien soy yo, mis gustos cambiaron en un año, esos cambios aún sido constantes, llegue al punto de perderme y no encontrarme, sigo tratando de descifrar que soy, que seré, sigo esperando que de repente una luz aparezca y me diga, esta eres tú y esta es tu vida, que no haya límites y pueda tener una nueva vida, porque en esta sigo pérdida..
Se que soy Heidi Danae Duran Gonzalez, que nací el 5 de mayo del 2004, que me gusta todo tipo de música y escribir lo que siento aunque sólo lo termine leyendo yo y entendiendo yo, se que mi comida favorita son las enchiladas verdes, los tacos y la pizza , que puedo tomar coca hasta explotar y que amo ver todo tipo de películas que no conozco, que mi primer libro leído completo trato sobre el libertinaje en Sodoma, que las únicas amistades más larga que he tenido han sido 16 años con mi mamá y 5 años con mi amiga Mildred, que antes creía en que existían los mejores amigos, hasta que me di cuenta que en mi peor momento jamás estuvieron, que amaba ser sociable y conocer gente, ahora sólo me reservó para mí, prefiero estar sola, que volver a confiarle a alguien mi amistad y mi lealtad, que mi primer amor lo tuve a los 15, sólo duro 9 meses, pero será esa persona que siempre voy a recordar y adorar de por vida, soy esa persona que se culpa de todo, porque siente que siempre será así.
Soy esa persona, que trato de mejorar y cambiar todo de si, con tal de ver a la demás gente feliz y que volvieran a estar conmigo como antes, y no lo hicieron, y pasó al contrario, porque me perdí a mí misma y todo lo que había construido.
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“Políticas del deseo: para todes, tode.”
Centro Cultural Kirchner, marzo 2020.
Una celebración de la soberanía de los cuerpos, la diversidad de género y las disidencias
La exhibición Políticas del deseo: para todes, tode reúne obras de más de 250 fotógrafas, poetas, compositoras, músicas, cantantes, bailarinas y diseñadoras de todo el país. Desplegada en doce salas del cuarto, quinto y sexto piso del Centro Cultural Kirchner, cuestiona las categorías identitarias, celebra la soberanía de los cuerpos y otorga un lugar central a la diversidad de género y las disidencias.
Kekena Corvalán, curadora de la exhibición, propone un diálogo entre las artes visuales y las artes vivas; incluyendo obras de carácter tradicional, artes domésticas, instalaciones, intervenciones performáticas, artivismos y propuestas ecofeministas, entre otras manifestaciones.
Artistas
Eje: Somos las Hijas Abril Barrado ,City Bell Ana Payro, CABA Andrea Passut, CABA Cecilia Teruel, Santiago del Estero Cristina Piffer, CABA Cristina Schiavi,CABA Germaine Derbecq Diana Aisenberg, CABA Diana Dowek, CABA Elba Bairon, CABA Fátima Pecci Carou, CABA Gabriela Halac, Córdoba Lucia Von Spragher, Córdoba Marcia Schvartz ,CABA María Elena (Ñahuis), Santiago del Estero María Martorell, Salta Mariana Olivares, San Juan Marina Curci, Lanús Mildred Burton, Entre Ríos Roxana Toledo, Chaco Sarina Cano (Ñahuis), Santiago del Estero Silvana Lacarra, Santa Fe Silvia Lucero, La Plata Guadalupe Fernandez, CABA Andrea Brunotti, CABA Azul Blaseotto,CABA Evangelina Aybar, Salta Guadalupe Garriz , Buenos Aires Marina Olmi, CABA Moma Mozetich,Bariloche Nosotras Proponemos, todo el país Escuelas de Arte América López Ailen Possamay Cami Márquez Camila Castro Carolina Chorolque Jimena Morales Lorena Franco Lucía González Maia Rosario Maciel Micaela González Pañuelazo Sofía Monzón Victoria Avella Eje Vivas y Deseantes Constanza Ruibal, Córdoba Debora Kirnos, CABA María Torrallardona, La Plata Mariela Paniagua, San Luis Patricia Hakim,CABA Soledad Dahbar, Salta Susana Sanabria, Palomar- Buenos Aires Valeria Anzuate, Misiones Amalia Boselli (arteMA) Maria Laura Vazquez (arteMA) Caro Guiña (arteMA) Jimena Fuertes, CABA Adriana Albi,CABA Agustina Scliar ( Proyecto Petra), CABA G.R.A.S.A, distintos lugares Daniela Rubio (Proyecto Petra), CABA Eleonora Ghioldi, CABA Inés Alicabe, La Plata Laura Nieves (Electrohacedoras) Luisa Lerman (Proyecto Petra), CABA Luli de Pedro (Proyecto Petra), CABA Mariela Becker (Proyecto Petra), CABA Marlin Velasco (Electrohacedoras) Melisa Aller, CABA Piren Benavidez (Electrohacedoras) Rocio Inmensidades, Ituzaingó Roma Vaquero Díaz, CABA Silvana Solari, Cipolleti- Río Negro Verónica Padín, Neuquén Camila Barcellone, CABA Manuela de la Cruz, Salta Yuliana Balmaceda (Fansine Heliográfico), San Juan Sofía Manrique (Fansine Heliogáfico), San Juan Melisa Díaz (Fansine Heliográfico), San Juan Mariana Arias (Fansine Heliográfico), San Juan Emilia Coll (Fansine Heliográfico), San Juan Claudia Vilela Luco (Fansine Heliográfico), San Juan Ana Contreras (Mutágenas artistas feministas del Conurbano) Carla Lucila Alvarez (Mutágenas artistas feministas del Conurbano) Cecilia Acuña (Mutágenas artistas feministas del Conurbano) Cristyn Gonzalez (Mutágenas artistas feministas del Conurbano) Daiana Rose (Cromoactivismo) Diana Guzmán, La Rioja Elena Blasco, CABA Guillermina Mongan (Cromoactivismo) Laura González Vidal, Buenos Aires Lidia González,CABA Malena Leal (Mutágenas artistas feministas del Conurbano) María Celeste Destéfano (Mutágenas artistas feministas del Conurbano) María de los Angeles Capelli (Mutágenas artistas feministas del Conurbano) María Florencia Venditti (Mutágenas artistas feministas del Conurbano) María Pichot, CABA Mariela Scafatti (Cromoactivismo) Marina de Caro (Cromoactivismo) Michelle Rozen,CABA Miriam Peralta,CABA Natalia Forcada,CABA Natalia Iñíguez (Mutágenas artistas feministas del Conurbano) Nilda Rosemberg, Río Gallegos- Santa Cruz Pamela Neme Scheij (Mutágenas artistas feministas del Conurbano) Paula Senderowicsz, CABA Romina Di Pietro (Mutágenas artistas feministas del Conurbano) Rosana Cassataro, Mar del Plata Silvana Lanchez, Buenos Aires Silvana Spagnotto, San Luis Valeria Dincoff (Mutágenas artistas feministas del Conurbano) Valeria Venditti (Mutágenas artistas feministas del Conurbano) Victoria Mussotto (Cromoactivismo) Victoria Palacios (Mutágenas artistas feministas del Conurbano) Violeta Capasso, CABA Vivas nos queremos, CABA Majo Malvarez, CABA Adriana Lestido, CABA Eleonora Korsatz, Salta Guada Piqué Patricia García Adriana Flores (Altar Siglo XXI) Alejandra Latino (Altar Siglo XXI) Alicia Calegaro (Altar Siglo XXI) Angeles Baudevin (Altar Siglo XXI) Aurora Gagliolo, Catamarca Ayelén Guarino (Altar Siglo XXI) Bar Hassen, CABA Beatriz Sobuá (Altar Siglo XXI) Carmín Micheli (Altar Siglo XXI) Cristina Rocha, Bariloche Daniela Zacur (Altar Siglo XXI) Debora Kirnos (Río Memoria), CABA Taller Flotante -Orilleras. Proyecto Rio Feminista, Entre Ríos Dora Morgen, CABA Duli (Altar Siglo XXI) Elia Gasparolo (Altar Siglo XXI) Estela Torres (Altar Siglo XXI) Florencia Breccia, Mendoza Gabriela Olivieri (Altar Siglo XXI) Gisele Jazmín Gabriel (Altar Siglo XXI) Gladys Silva, Buenos Aires Gloria de Paola (Altar Siglo XXI) Gloria Polo, Formosa Greta Saavedra (Altar Siglo XXI) Irma Cacia (Altar Siglo XXI) Ivana Ponzio (Altar Siglo XXI) Karina Ruiz (Proyecto Emilia), Azul Liliana Straini (Altar Siglo XXI) María Fernanda Medina (Altar Siglo XXI) Maria Paula Doberti (Río Memoria), CABA Marisa Rossini, Tucuman Marta Brizuela (Altar Siglo XXI) Mónica Ocampo (Altar Siglo XXI) Nadia Antoun, CABA Nadia Puentedura, Santiago del Estero Natalia Romano, Río Gallegos Paola Ferraris, CABA Patricia Domínguez (Altar Siglo XXI) Rosa Latorre (Altar Siglo XXI) Sandra Soto (Altar Siglo XXI) Silvia Barrios (Altar Siglo XXI) Silvia García, Mar del Plata Sofía Korol (Altar Siglo XXI) Sonia Tortosa (Altar Siglo XXI) Susana Babot, Tucumán Virginia Corda (Río Memoria), CABA Virginia Rodríguez (Altar Siglo XXI) Ximena Pereyra, Santa Fe Andrea Brunotti (Acciones Buenalistas) Carolina Moncada (Acciones Buenalistas) Celina Yohai (Acciones Buenalistas) Silvia García (Acciones Buenalistas), Mar del Plata Paula Doberti, CABA Alejandra Faiazzo, Neuquén Trinidad Metz Brea, CABA Carlota Beltrame, Tucumán María Rocha, Santiago del Estero Bandera Warrior Amanda Bustamante Daniela Zapata Evangelina Acuña Georgina González Juliana López Mara Ailén Zeballos Maria de la Paz Castiñeira María del Mar Gelabert Victoria Zapata Eje Rematriadas Ana Gallardo, México Claudia Fontes, Brighton Liliana Porter, Nueva York Magdalena Beccarini, Milán Marie Orensanz, París Nora Ancarola, Barcelona Eje El deseo cuerpifica Monserrat LLao Y Mariu Fernandez, Salta Majo Prieto, Coronel Suárez Valeria Fornes, CABA Paola Lunch, Neuquén Mar Díaz, CABA Graciela Rodriguez, Río Gallegos Victoria Ipas, Florencio Varela, Buenos Aires Bettina Muruzábal, Río Gallegos Licha Bernal, Chaco Carolina Grillo, Salta Luciana Bertellys (Las Guarangas), San Luis Laura Elgueta (Las Guarangas), San Luis Azucena Orozco (Las Guarangas), San Luis Andrea Imberti (Las Guarangas), San Luis Neda Olguin (Las Guarangas), San Luis Vicky Freire, CABA Romina De Gioia, CABA Laura Elgueta, SanLuis Bordando disidencias Alejandra Fenocchio, La Boca Alina Percovich, CABA Mecha Falke CABA Valentina Rivas Robles, La Plata Vicky Power, Bahia Blanca Rocío Corbera, Olivos Alana Rodriguez (Vejez Lésbica), CABA Alejandra Barrientos (Marronas) Alma Gonzalez, CABA Ana Wahren (S.A Oficina de Estampas) , CABA ByWacha (Marronas) Clara Barnes, CABA Emmanuel Franco (Marronas) Felicitas Quispe (Marronas) Flora Nómada (Marronas) María Sofía Larroca (S.A Oficina de Estampas), CABA Mariposa Kountaras, Buenos Aires Noelia Mercanzini (Estampa Feminista), CABA Parafinas Doradas, Buenos Aires Paula Colavitto (Vejez Lésbica), CABA Paulx Castex (Estampa Feminista), CABA Soledad Apaza (Marronas) Eje: Eticas del Cuidado Ana Copto (Colectivo Viento Negro), Río Gallegos Bomba de lana, Rafaela Adriana Bustos, Buenos Aires Celina Galera, Catamarca Alicia Esquivel, CABA Eva Dolard, La Pampa Federica López, Rosario Fernanda Bonill (Colectivo Viento Negro), Río Gallegos Gabriela Juarez, Buenos Aires Guadalupe Gómez Verdi, Buenos Aires Jael Caeiro, Ituzaingó, Buenos Aires Lucía Bianchi, CABA Rosana Linari, Puerto Madryn María Inés Guantay, Tucuman Monica Alvarado, Ushuaia Mónica Millán, Posadas Mara Paz, Córdoba Gabriela Sol Morales, Córdoba Roxana Ramos, Salta Silvana Castro, San Clemente Silvana Torres, Río Gallegos Valentina Mariani, Corrientes Eleonora Filippi
https://cck.gob.ar/eventos/politicas-del-deseo-para-todes-tode_3783#:~:text=La%20exhibici%C3%B3n%20Pol%C3%ADticas%20del%20deseo,dise%C3%B1adoras%20de%20todo%20el%20pa%C3%ADs.&text=Esta%20definici%C3%B3n%20es%20la%20que,proyectos%20art%C3%ADsticos%20que%20se%20exponen.
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El Hatillo 30 de Enero del 2020
Buenos días, este resumen de noticias llega a ustedes gracias a @NotiHatillo /La Ceiba de Ramón Muchacho /Alcaldía de @ElHatillo
Titulares
@PoliciaHatillo es una institución que ha venido avanzando. Nosotros tenemos claro hacia donde vamos. Tenemos claro cual es nuestro proyecto de seguridad y lo hemos venido desempeñando. #SeguimosTrabajando
@eliasayegh : Mientras en toda #Venezuela los cuerpos de seguridad se están diluyendo, en #ElHatillo seguimos haciendo grandes esfuerzos para mejorar a nuestros funcionarios policiales y nuestra capacidad operativa. #LoHacemosPosible
@eliasayegh Hoy le toca al Comisario General Sergio Olivio Gonzalez mejorar lo que haya que mejorar y corregir lo que haya que corregir, pero dará continuidad a todo el trabajo que se ha venido realizando durante estos 2 años en nuestra @PoliciaHatillo. #SeguimosTrabajando
Nuevo apagón afecto sectores del Hatillo, #AsoOcho, #LosGeranios #LaCabaña #ElHatillo resultaron afectados por explosión de Transformador.
Hatillanos se encuentran a la espera del inicio del ciclo semanal de agua por parte de @HIDROCAPITALca. Confían en que este se mantendrá constante en esta oportunidad.
Continúan labores de mantenimiento vial en varios sectores del municipio con el fin de brindar a los conductores mayor seguridad.
Descifrado: Procurador de Juan Guaidó coloca su cargo a la orden tras no poder cumplir sus funciones.
Descifrado: El procurador de la República, José Ignacio Hernández, designado por Juan Guaidó, colocó su cargo a la orden luego que los partidos Primero Justicia y la fracción 16J se abstuvieran de apoyar la aprobación del fondo para litigios por parte de la Asamblea Nacional.
Descifrado: "Para facilitar los consensos necesarios para avanzar en esta acción, pongo a su disposición el cargo de Procurador Especial de la República", explicó en el documento.
Guaidó: El régimen cubano es responsable de la crisis en Venezuela. Presidencia (E) ratificó su rechazo a la injerencia del régimen cubano en Venezuela.
TSJ de Maduro desconoció la Comisión para la Reorganización de Telesur nombrada por Guaidó.
Noticiero Digital: Asamblea Nacional Constituyente “aprobó” modificación de ley de la FANB para incluir a los milicianos como componentes del ejército venezolano.
Tal Cual: Maduro y ANC crean impuesto de entre 5% y 25% para compras con divisas.
La reforma parcial del Impuesto al Valor Agregado establece que “se aplicará una alícuota adicional que estará comprendida entre un límite mínimo de cinco por ciento (5%) y un máximo de veinticinco por ciento (25%) a los bienes y prestaciones de servicios pagados en moneda extranjera…”
Tal Cual: ANC aprueba sin discusión reforma de ley para indexar impuestos y multas al euro.
El Nacional: Teniente de la GNB retuvo a la periodista Mildred Manrique en el Palacio Federal Legislativo.
El SNTP indicó que a la comunicadora le quitaron su identificación y la llevaron a la Vicepresidencia del Parlamento luego de haberle hecho una pregunta a Diosdado Cabello, presidente de la ANC, reseña El Nacional.
El Nacional: Sede administrativa de la AN se encuentra cerrada por supuesta inspección general.
Presuntamente es una orden del presidente ilegítimo del Parlamento, Luis Parra, aunque los trabajadores denunciaron que no tienen ninguna información al respecto, reseña El Nacional.
La Patilla: Chavistas de la “esquina caliente” tomaron arbitrariamente la Catedral de Caracas.
La Ceiba: Diosdado Cabello había pedido, hace unas semanas, que los revolucionarios confrontaran a sacerdotes católicos, en retaliación a la encíclica leída dura la procesión de la Divina Pastora.
La Ceiba: Cabello acusó a Monseñor Mario Moronta de encubrir casos de pedofilia dentro de la iglesia venezolana.
El Pitazo: Maduro muestra imágenes del traslado de la exsenadora Aída Merlano. Con chaleco antibalas y escoltada por agentes de la Faes, la excongresista colombiana salió del juzgado y permanece bajo custodia del gobierno de Maduro.
El Nacional: Maduro dice que está dispuesto a restablecer relaciones consulares con Colombia.
"Maduro fue quien decidió romper relaciones políticas y diplomáticas con Colombia": Duque
VOA: BCV reportó que las reservas internacionales ascienden a $6.721 millones. Jesús Casique, economista, advierte que la república no tenía márgenes tan mínimos desde hace 46 años, cuando acumulaba $6.612 millones.
Crónica Uno: Comercios en Caracas se abren a aceptar dólares rayados y deteriorados.
El Pitazo: Goicoechea asegura que surtirán las gasolineras del país con apoyo de Citgo.
Reuters: Enfermedades en cultivos agravan crisis alimentaria en Venezuela.
Tal Cual: FMI estima caída del 10% en Producto Interno Bruto de Venezuela para 2020.
Alejandro Werner, director del Hemisferio Occidental del FMI, explicó que las cifras del PIB en Venezuela se deben al descenso de la producción de petróleo, la hiperinflación, el colapso de los servicios públicos, y al desplome del poder adquisitivo.
FundaRedes consignó documento para exigir que se permita el ingreso de la CIDH a Venezuela.
El Nacional: Delsa Solórzano denuncia que el régimen extorsiona a dirigentes de su partido a través de Franklyn Duarte.????
El Pitazo: Fallece de un infarto en tanquero de Pdvsa el oficial Carlos Lovera. Fuentes ligadas a la industria aseguran que Lovera falleció mientras estaba en su jornada de trabajo. Antes el excomisario Iván Simonovis había denunciado que el oficial murió en extrañas circunstancias. El buque iba a Cuba.
InSightCrime: Venezuela es el país latinoamericano con más homicidios tras registrar 16.506 en 2019.
El Nacional: Mike Pompeo exigió la liberación de los seis directivos de CITGO.
PROVEA: Terrorismo de Estado generó 574 víctimas y 23 asesinados bajo torturas en 2019.
EFE. Michael Spindelegger, director del Centro Internacional para el Desarrollo de una Política Migratoria: Miles de personas seguirán abandonando Venezuela y Colombia en 2020 para viajar a España y otros países europeos, consolidando un fenómeno que comenzó el año pasado.
Reuters: EEUU respalda el programa para asentar a migrantes venezolanos en Brasil.
Infobae: Alias “El Vic” escapó de prisión, uno de los más peligrosos operadores de “El Chapo” Guzmán.
AFP: Casa Blanca prohibió publicar el último libro de Bolton por contener información clasificada.
El País: El Parlamento Europeo da luz verde al Brexit en el último trámite político.
Infobae: China confirmó que ya son 170 los muertos por coronavirus y anunció unos 1.700 casos nuevos. Los infectados ascendieron 7.000 y las autoridades sanitarias registraron otros 38 fallecidos en las últimas 24 horas. La OMS hizo un llamado “al mundo entero a actuar”.
Infobae: China bloqueó en la OMS un alerta internacional por el coronavirus para no perjudicar su imagen.
Infobae: Donald Trump firmó el nuevo tratado de comercio con México y Canadá.
El País: Bruselas pide que los países de la UE excluyan a proveedores de “alto riesgo” en el despliegue de 5G.
S&P: -0.09%; Dow:
+0.04%; Nasdaq: +0.06%.
Infobae. Misterio en Tailandia: desapareció la amante del rey y crecen las sospechas macabras.
Clarín. Mauricio Macri fue elegido presidente de la Fundación FIFA: “Es un nuevo rol adicional que desempeñaré con honor”. Su relación con Gianni Infantino, clave para el logro. Lo votó el directorio de FIFA. En febrero, retoma actividad política.
“Estamos completamente devastados”: el primer mensaje de la esposa de Kobe Bryant tras la tragedia.
Meridiano: NBA no cambiará logo por Kobe Bryant.
Impiden pasar a Nadal en las instalaciones del Abierto de Australia por olvidar su credencial.
Real Madrid aplastó con goleada al Zaragoza para meterse en cuartos de Copa del Rey.
Meridiano: Astros oficializa a Dusty Baker como manager.
Meridiano: Pablo Sandoval acuerda con Gigantes por un año.
El Nacional: Cardenales solo lleva a siete protagonistas de la final a la Serie del Caribe.
Pocos peloteros del equipo campeón cuentan con la visa de entrada a Puerto Rico, por lo que fue necesario volver a contactar a importados dados de baja, amén de sumar los 14 refuerzos.
La rotación de abridores será de estreno, reseña El Nacional.
Efemérides de hoy.
1500 - en Brasil, el navegante Vicente Yáñez Pinzón es el primer europeo que avista la desembocadura del río Amazonas.
1648 - en Münster (Alemania) se firma la Paz de Westfalia, finalizando la Guerra de los Ochenta Años entre Países Bajos y España.
1649 - en Londres es decapitado el rey Carlos I de Inglaterra.
1661 - en la Abadía de Westminster (Londres), Oliver Cromwell es desenterrado (había fallecido el 3 de septiembre de 1658) y sujeto a una ejecución ritual.
1766 - en Lima se funda la Plaza de Toros de Acho.
1790 - en el río Tyne (Northumberland, Inglaterra) se prueba el primer bote salvavidas.
1820 - el irlandés Edward Bransfield (1785-1852) llega a la península Trinidad (la punta norte de la Península Antártica (primer avistamiento de la Antártida).
1835 - en el Capitolio de los Estados Unidos, un enfermo mental llamado Richard Lawrence intenta el asesinato del presidente Andrew Jackson (primer intento de asesinato sobre un presidente de Estados Unidos).
1841 - la ciudad de Mayagüez en Puerto Rico es destruida por un incendio.
1847 - la ciudad californiana de Yerba Buena es renombrada como San Francisco.
1856 - en las cercanías de Constitución (Chile) naufraga el vapor Cazador. Mueren más de 400 personas, siendo la mayor tragedia naval ocurrida en Chile.
1900 - en Sudáfrica, las fuerzas británicas solicitan refuerzos a Inglaterra en su guerra contra los bóer.
1923 - en el marco del Tratado de Lausana, Grecia y Turquía firman el Acuerdo para el Intercambio de Población.
1925 - el gobierno de Turquía expulsa de Estambul al patriarca Constantino VI.
1933 - en Alemania, Adolf Hitler asume la Cancillería del Reich. Véase Machtergreifung.
1938 - formación en Burgos (España) del Primer Gobierno nacional de España (1938-1939), en el que Francisco Franco asume oficialmente los cargos de Jefe de Estado y de Gobierno.
1943 - en el marco de la Segunda Guerra Mundial, se libra el segundo día de la batalla de Rennell Island. Un torpedo japonés hunde al destructor Chicago.
1943 - en el gueto de Letichiv (Ucrania), la Gestapo comienza la ejecución masiva de judíos. Mueren cerca de 7000 personas.
1944 - en el marco de la Segunda Guerra Mundial, las tropas estadounidenses desembarcan en Majuro.
1945 - en aguas del mar Báltico, un submarino soviético hunde el barco hospital Wilhelm Gustloff. Es la mayor tragedia naval de la historia humana, con más de 9000 muertos, casi todos mujeres, niños y heridos.
1945 - en el marco de la Segunda Guerra Mundial, 126 marines estadounidenses y la resistencia filipina liberan a 500 prisioneros del campo de prisioneros de Cabanatúan.
1945 - en la Segunda Guerra Mundial, Adolf Hitler da su último discurso en el duodécimo aniversario de su llegada al poder.
1948 - en Nueva Delhi (capital de India), el extremista hindú Nathuram Godse asesina al pacifista Mahatma Gandhi, líder de la independencia de India.
1968 - en el marco de la Guerra de Vietnam, comienza la ofensiva del Tet cuando las fuerzas del Viet Cong lanzan una serie de ataques sorpresa en Vietnam del Sur. Aunque la ofensiva fue rechazada, comenzaría a levantar las primeras protestas en contra de la guerra en Estados Unidos.
1969 - en la azotea de Apple Records (en Londres), el grupo de rock The Beatles tocan su último concierto. Fue suspendido por la policía.
1972 - en Derry (Irlanda del Norte) sucede el Domingo Sangriento. El ejército británico dispara contra una manifestación por los derechos civiles. Mueren 13 manifestantes y 14 quedan heridos. Queda desprestigiada la vía no violenta para resolver el conflicto entre católicos y protestantes.
1972 - Pakistán se retira de la Commonwealth.
1989 - en Kabul (Afganistán) se cierra la embajada de Estados Unidos.
1994 - Péter Lékó se convierte en el gran maestro más joven del mundo del ajedrez.
1996 - Yuji Hyakutake descubre el cometa Hyakutake. Fue el más brillante del año, y uno de los que pasó más cerca de la Tierra.
1998 - en Sevilla, ETA asesina a tiros al concejal del PP Alberto Jiménez-Becerril y a su esposa Ascensión García.
2000 - en el Océano Atlántico cerca de Costa de Marfil, se estrella un avión de la compañía aérea Kenya Airways, matando a 169 personas.
2003 - Bélgica reconoce los matrimonios del mismo sexo.
2005 - en Irak se realizan las elecciones para elegir una Asamblea Nacional Constituyente que debe redactar una nueva Constitución para el país y además nombrar un presidente de la República, un primer ministro y al resto del Gobierno provisional. Simultáneamente se celebran las elecciones regionales para elegir los Consejos Legislativos de todas las provincias iraquíes; dichos Consejos deben elegir posteriormente a los gobernadores provinciales. Pero estas primeras elecciones democráticas en la historia iraquí son empañadas por el boicot de la minoría árabe suní a los comicios.
2007 - en Estados Unidos se lanza al mercado el sistema operativo Windows Vista de Microsoft, sucesor del Windows XP (que había sido lanzado en 2001).
2012 - a 47 kilómetros al suroeste de Ica (Perú), a las 0:10 horas sucede un terremoto de 6,2 grados en la Escala de Richter. Deja al menos 119 heridos.
La Cita de Hoy.
No se pueden alimentar hambrientos con estadísticas.
David Lloyd George (1863-1945) Político británico.
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RIFF 2018: Woman at War, Jonas Mekas Exhibition and Camilla Strøm Henriksen on Phoenix
by Matt Fagerholm
October 8, 2018 |
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“You know who would’ve loved this movie? Roger Ebert!” declared Anne Hubbell, founder of Tangerine Entertainment, during our chat at the Reykjavík International Film Festival. She was discussing Yann Gonzalez’s cheerfully blood-spattered melodrama “Knife + Heart,” and I couldn’t help agreeing with her, considering Ebert’s love of Brian De Palma and bold genre mash-ups including his own, “Beyond the Valley of the Dolls.” A day after I posted my enthusiastic review of the picture, Hubbell and her fellow jury members gave “Knife + Heart” RIFF’s top prize—the Golden Puffin, awarded to first or second-time directors—praising Gonzalez’s ability to defy labels “using confidence, humor and a thrilling juxtaposition of love and loss.” Earning a Special Mention was “Styx,” Wolfgang Fischer’s riveting thriller about the refugee crisis that is still in the running for the LUX Prize, presented in November by the European Parliament. Nominated alongside it is Benedikt Erlingsson’s “Woman at War,” a superlative example of Icelandic cinema, showcasing not only the landscape’s distinctive beauty but also its inherent drama.
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Through various tourist sites are accessible by road along the country’s perimeter, the vast majority of Iceland consists of uninhabited terrain, with sand and volcanic glass covering a desert terrain well over 12,000 miles in size. This is the sort of desolate locale ripe for a suspenseful set-piece, and as Halla—the notorious activist in Erlingsson’s film—scampered about its rugged surface, outwitting every helicopter and drone aiming to take her down, I was reminded of Cary Grant’s infamous battle with the deadly crop-duster in Hitchcock’s “North by Northwest.” As played by Halldóra Geirharðsdóttir with winning perseverance and warm eyes that can fire daggers without warning, Halla is a woman after Mildred Hayes’ heart, so determined to raise awareness about industrial corruption that she has no qualms with torpedoing a few power lines in the process.
When she marches toward the camera to a quirky militaristic anthem evocative of “Moonrise Kingdom” during the opening credits, the camera pans over to reveal a three-piece band performing the soundtrack live. This conceit soon proves to be much more than a one-time sight gag a la Count Basie’s cameo in “Blazing Saddles,” as the musicians repeatedly materialize along with a Greek chorus of sorts, embodying the conscience and tireless spirit of Geirharðsdóttir’s protagonist in melodic form. The score by Davíð Þór Jónsson, who also composed the music for Erlingsson’s previous festival favorite, “Of Horses and Men,” ranks among the year’s best, emerging as a literal character in the movie without diffusing any tension or emotional nuance. Geirharðsdóttir is equally delightful as Halla’s twin sister, Ása, a bohemian yoga instructor whose dislike of extremism may make her an unlikely ally in her sibling’s uncompromising crusade.
Halla’s rage at profit-driven forces threatening to forfeit our survival by ruining the environment beyond repair couldn’t be timelier, especially when the government attempts to antagonize her by claiming that she has declared war on working people (there are echoes here of Trump’s motives behind championing the coal industry). How Erlingsson and co-writer Ólafur Egilsson go about tackling this topic is by turns poignant and comedic, leading to some well-earned moments of catharsis that had me cheering, such as when Halla—clad in a Nelson Mandela mask—yanks a drone out of the sky before smashing it to bits. Her ambivalence toward bringing new life into the world has caused her to put plans for adoption on hold, but when a four-year-old girl is left orphaned by the war in Ukraine, her attitude toward the future begins to shift. The film’s lyrical final shot comes as close to encapsulating mankind’s current self-imposed predicament as any I’ve seen in 2018.
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Photo of Jonas Mekas by Joanna Kedzierska.
Jonas Mekas, the godfather of American avant-garde cinema whose diaristic chronicling of everyday life predated the modern internet by several decades, was set to be RIFF’s Guest of Honor until ill health caused him to reluctantly cancel. The 95-year-old auteur was still eager to conduct his scheduled masterclass vila Skype, and his exuberance was euphoric to behold. At one point striking a kung fu pose, Mekas displayed the energy of a man one-fifth his age, consistently punctuating the word “cinema” with an exclamation point. He rejects work that lingers on misery, opting to continue crafting “a celebration of life on this planet.”
Born in Lithuania a day before Christmas, Mekas vividly recalled in a 2015 interview how his brother gave him a still camera on his birthday, which just so happened to be the same week that Russian tanks rolled into his country. His first-ever pictures were taken of the tanks, causing a disgruntled lieutenant to rip the camera from his hands and destroy the footage. After being imprisoned for eight months with his brother in a labor camp, they eventually settled in New York, where the filmmaker still lives today. With online media liberating his intuitive creativity just as it did for David Lynch, Mekas launched his own site in 2006, where his experimental uploads continue to push the form in provocative ways. I particularly love his manifesto on the eternal youth of cinema, produced in honor of its centennial, where he insists that the art form can never age because “it is always beginning.” He considers his camera an extension of his hand, and will continue to use the same one until it needs to be replaced (he currently operates a GoPro).
Like a Flower in a Field, Mekas’ first solo exhibition in Iceland, debuted two days prior to the masterclass at Reykjavík’s Ásmundarsalur art gallery. Skillfully curated by Francesco Urbano Ragazzi, the exhibition featured three monitors compiling excerpts of the filmmaker’s online diaries. Likening the sprouting of flora in New York with the spontaneity of his artistry, Ragazzi selected 45 images of flowers captured in Mekas’ work to align the gallery windows, bathing the white-walled room in colorful light. A collection of handwritten statements from the director also covered the walls, my favorite being, “We do not need perfection! We need nervous breakdowns!”
Advertisement
Perfection certainly wouldn’t be the word to describe the masterclass itself, which was marred by poor reception that rendered Mekas’ answers nearly unintelligible. Every time his voice cut out, I silently recited the Icelandic mantra taught to me by the festival’s indispensable guest coordinator, Martiina Putnik: “þetta reddast,” meaning, “Oh well, it will work itself out somehow!” And work itself out it did, thanks in large part to Mekas’ indomitable spirit. So expressive were his gesticulations and jovial grins that they told us everything we needed to know, even when his words were obscured. He loved interacting with the audience, waving to each of us on the monitor as the camera scanned the crowd. I asked him about his belief in the importance of changing one’s mind—which he memorably voiced in defense of Paris Hilton—and how the chronically divided American populace could benefit from this perspective. This question elicited one of Mekas’ most animated responses, arguing that we are doomed to rot if we remain stuck in one way of thinking. He concluded the Q&A by taking a recording the audience with his GoPro (pictured above), making us the latest addition to his intimate oeuvre.
[embedded content]
Among the best movies I saw at RIFF was “Phoenix,” the first directorial feature effort of Norwegian actress-turned-filmmaker, Camilla Strøm Henriksen. She made her film debut in Martin Asphaug’s acclaimed 1989 drama, “A Handful of Time,” for which she earned the Best Actress prize at Norway’s Amanda Awards. During our chat at RIFF, Henriksen credited the picture with bringing a new energy to her nation’s cinema, increasing the number of high-quality films that were made there. Her interest in directing spawned from her frustration with the acting business and the difficulty in acquiring good roles, ultimately finding that she preferred telling stories rather than acting in them. Henriksen’s extensive experience in directing television, including over 100 episodes of Scandinavia’s longest-running soap, “Hotel Cæsar,” was an ideal training ground for the tight turnaround of independent filmmaking, since it required her to shoot a great deal in a small span of time, moving fast while being clear with her intentions.
The heroine of “Phoenix” is Jill (Ylva Bjørkaas Thedin), a girl on the cusp of celebrating her 14th birthday, whose unstable mother (Maria Bonnevie) and estranged father (Sverrir Gudnason) have caused her to become the sole parental figure in her family. Jill’s younger brother, Bo (Casper Falck-Løvås), may be pint-sized, but he’s also wise behind his years, able to see directly through the lies he’s fed. Henriksen first began developing “Phoenix” 12 years ago, around the same time I began my career as a published film critic. Both of us have vivid memories of seeing Guillermo del Toro’s 2006 masterpiece, “Pan’s Labyrinth” on the big screen for the first time, an experience that Henriksen found immensely influential as she crafted her own psychological portrait of a young girl.
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“I saw it eight times and loved it, even though fantasy is not really my kind of thing at all,” Henriksen told me. “I was inspired by how seamlessly the director blended fantasy with melodrama full of pathos. My grandparents had worked in puppet theatre, and I grew up with the Norwegian fairy tales that they performed. The monsters in these stories externalized the fear of things in life that are too terrifying for children to fully comprehend. I thought that element would fit naturally into this family drama, where we are authentic in the psychology without allowing it to become the sort of social realist picture that bores me to death. Having the story be viewed from Jill’s heightened and subjective point-of-view is what draws in the audience. She has a very strong ambivalence toward her mother. In a way, she hates her and deep down, wants her dead, but that’s something she could never admit to herself. That little monster in the film externalizes her resentment and fear of her mother—all these feelings that are still undigested.”
Henriksen makes a point of not specifying the insidious disorder afflicting Jill’s mother, and says that no particular research was needed since the story was based on events from her own childhood. Her years of therapy have been immensely helpful, serving as a form of research by teaching her so much about herself. In terms of understanding the mind of an actor, Henriksen draws from her own personal experiences as well. She is well aware of how actors must bare their souls onscreen, and won’t be able to do so unless they feel they are in safe hands. Thedin’s remarkably assured and unmannered debut performance is a testament not only to her talent but the mastery of Henriksen’s direction.
“From the moment we first met, Ylva had this wonderful open curiosity about her,” said Henriksen. “Not only did she have an intuitive understanding of drama, she also had a great sense of empathy that really touched me. That wasn’t something that I was specifically looking for, but I realized when I met Ylva that this quality is important for the role of Jill. She taught me a lot, actually, because I initially had been looking to cast children whom you could sense were carrying a big burden. Both Ylva and Casper are very resourceful and you feel that they will survive even as their parents go under. The film is an ode to the strength and courage of children. I wanted to show that in a truthful way without being simplistic. There is no clear solution for their plight, but they have each other.”
Advertisement
Swedish production designer Eva Norén, whose credits include Tomas Alfredson’s 2008 landmark, “Let the Right One In,” collaborated with Henriksen to find subtle ways in expressing the characters’ inner journey through the mise-en-scène. Nearly the entire first half is set within the family’s claustrophobic loft, aside from one entrancing sequence set in Jill’s class, where she develops a crush on the boy seated next to her. The educational rainforest footage projected onto the screen before them makes it appear as if they being doused with water, a deft metaphor for the bracing sensations being felt by the girl.
“It’s the one moment where Jill finds a window to the world opening up,” noted Henriksen. “So much of her focus is inwards, since her life is centered around taking care of her family, while trying to get her mother on her feet. She has very little space to actually dream or invest in her own life—in a life that is outside the world of the family. With her mother planning for a job interview and her father due to arrive home in time for her birthday, Jill is now clinging to enough hope that enables her to have a moment of freedom. That scene in class is where she finally opens herself up to something else—her own sexuality—before her hopes are crushed. The subtlety with which this is conveyed came about through the writing process. Though the shooting script was quite close to the first draft, it came together only after a great deal of decluttering. I knew in my heart what I wanted the ending to be, but I didn’t trust it until that last draft.”
“Phoenix” will be released this Friday, October 12th, in Norway, and it is my deep hope that the film will receive the U.S. distribution it deserves. In my review published during the festival, I likened the film to Charles Laughton’s 1955 knockout, “The Night of the Hunter,” an enduring classic that I was delighted to hear Henriksen cite among her chief references. The haunting rendition of “Fly Me To The Moon” sung by a young girl over the end credits reminded me the famous sequence in Laughton’s film, where little orphaned Pearl (Sally Jane Bruce, dubbed by Betty Benson) comforts her brother by singing “Once Upon a Time There Was A Pretty Fly” as they sail along a river at night. Whereas Robert Mitchum’s sociopath-in-preacher’s clothing was the evil force tearing apart the children’s family, in the case of “Phoenix,” it is the even scarier scourge of mental illness.
Advertisement
“My music supervisor, Goran Obad, and I thought it would be lovely to have a young girl singing at the end,” recalled Henriksen. “We wanted somebody who sung well, but not too well—who didn’t hit all the notes. So he found a 14-year-old girl who isn’t an established star, but is obviously a good singer, as you hear during the credits. What I hope the song conveys is that the children were able to take something positive from their parents. Jill and Casper share a resourcefulness and an ability to express love that is, in some way, indicative of how they were brought up. Even though it’s going to be hard for them moving forward, they will be able to find joy in life.”
If I were asked to compare RIFF to any previous festival I’ve attended, the closest equivalent would be Ebertfest, the jubilant movie marathon annually held at Roger Ebert’s alma mater in Champaign, Illinois. Both events prioritize the moviegoing experience above all else, and celebrities are invited not to promote a project but to have their work honored. The stars aren’t on hand for interview opportunities, but that makes one’s interactions with them all the more meaningful. Mads Mikkelsen, recipient of this year’s Creative Excellence Award, chatted with me about how his brilliant 2012 collaboration with director Thomas Vinterberg, “The Hunt,” has become all the more radical in our current sociopolitical climate, challenging us to break the stigmas surrounding what can and cannot be discussed in regards to allegations of abuse. I treasured the opportunity to tell honorary guest and jury member Shailene Woodley that her performance in James Ponsoldt’s 2013 gem, “The Spectacular Now,” is one of the best I’ve ever seen. As the camera holds on her character during the film’s breathtaking final moment, every conflicted feeling she harbors for her ex ripples across her face, suggesting the many directions she could go, none of which are guaranteed.
After Helga Stephenson, former head of the Toronto International Film Festival and mentor to RIFF festival director Hrönn Marínósdóttir, was honored at a festive ceremony, she spoke with me about her fond memories of Ebert, whom she knew since the late ’70s. The tribute to Stephenson was held at Bessastaðir, the residence of Icelandic president Guðni Thorlacius Jóhannesson. When I got the chance to meet the president, I told him how refreshing it was to see a literate head of state who was knowledgable about history, supports universal health care and speaks in complete sentences. He savored every last one of my well-deserved compliments, asking me to “please continue,” before getting swept back up into the crowd. Photographer Donald Gíslason, a longtime friend of Guy Maddin’s, had endless great stories to share about Icelandic culture and the vibrant history of the festival, which has always taken full advantage of its natural surroundings (back in 2015, a screening took place in a “secret cave”). I also must give special thanks to photographer Joanna Kedzierska for her excellent film recommendations, her impromptu tour of Reykjavík’s nightlife and most of all, her friendship.
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During my daily strolls to screenings at the Bíó Paradís, I passed a costumed singer (pictured above) who serenaded passersby with beautiful tunes, one of which moved me so deeply that it became the official anthem of my entire trip. “Goodnight, Irene,” the American folk standard first recorded by Huddie ‘Lead Belly’ Ledbetter, nailed the bittersweetness I felt as one of the greatest adventures of my life came to a close. As the plane lifted off the runway at Keflavík Airport, taking me back to a country of toxic 24-hour news cycles and misogynistic Supreme Court justices, my paraphrased version of Ledbetter’s song ran through my mind…
Goodbye, Iceland
Goodbye, Iceland
I’ll see you in my dreams
Next Article: NYFF 2018: Ray & Liz, Asako I & II, Hotel by the River Previous Article: NYFF 2018: Divide and Conquer, What You Gonna Do When the World’s on Fire?, Film Noir Revivals
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RIFF 2018: Woman at War, Jonas Mekas Exhibition and Camilla Strøm Henriksen on Phoenix
“You know who would’ve loved this movie? Roger Ebert!” declared Anne Hubbell, founder of Tangerine Entertainment, during our chat at the Reykjavík International Film Festival. She was discussing Yann Gonzalez’s cheerfully blood-spattered melodrama “Knife + Heart,” and I couldn’t help agreeing with her, considering Ebert’s love of Brian De Palma and bold genre mash-ups including his own, “Beyond the Valley of the Dolls.” A day after I posted my enthusiastic review of the picture, Hubbell and her fellow jury members gave “Knife + Heart” RIFF’s top prize—the Golden Puffin, awarded to first or second-time directors—praising Gonzalez’s ability to defy labels “using confidence, humor and a thrilling juxtaposition of love and loss.” Earning a Special Mention was “Styx,” Wolfgang Fischer’s riveting thriller about the refugee crisis that is still in the running for the LUX Prize, presented in November by the European Parliament. Nominated alongside it is Benedikt Erlingsson’s “Woman at War,” a superlative example of Icelandic cinema, showcasing not only the landscape’s distinctive beauty but also its inherent drama.
Through various tourist sites are accessible by road along the country’s perimeter, the vast majority of Iceland consists of uninhabited terrain, with sand and volcanic glass covering a desert terrain well over 12,000 miles in size. This is the sort of desolate locale ripe for a suspenseful set-piece, and as Halla—the notorious activist in Erlingsson’s film—scampered about its rugged surface, outwitting every helicopter and drone aiming to take her down, I was reminded of Cary Grant’s infamous battle with the deadly crop-duster in Hitchcock’s “North by Northwest.” As played by Halldóra Geirharðsdóttir with winning perseverance and warm eyes that can fire daggers without warning, Halla is a woman after Mildred Hayes’ heart, so determined to raise awareness about industrial corruption that she has no qualms with torpedoing a few power lines in the process.
When she marches toward the camera to a quirky militaristic anthem evocative of “Moonrise Kingdom” during the opening credits, the camera pans over to reveal a three-piece band performing the soundtrack live. This conceit soon proves to be much more than a one-time sight gag a la Count Basie’s cameo in “Blazing Saddles,” as the musicians repeatedly materialize along with a Greek chorus of sorts, embodying the conscience and tireless spirit of Geirharðsdóttir’s protagonist in melodic form. The score by Davíð Þór Jónsson, who also composed the music for Erlingsson’s previous festival favorite, “Of Horses and Men,” ranks among the year’s best, emerging as a literal character in the movie without diffusing any tension or emotional nuance. Geirharðsdóttir is equally delightful as Halla’s twin sister, Ása, a bohemian yoga instructor whose dislike of extremism may make her an unlikely ally in her sibling’s uncompromising crusade.
Halla’s rage at profit-driven forces threatening to forfeit our survival by ruining the environment beyond repair couldn’t be timelier, especially when the government attempts to antagonize her by claiming that she has declared war on working people (there are echoes here of Trump’s motives behind championing the coal industry). How Erlingsson and co-writer Ólafur Egilsson go about tackling this topic is by turns poignant and comedic, leading to some well-earned moments of catharsis that had me cheering, such as when Halla—clad in a Nelson Mandela mask—yanks a drone out of the sky before smashing it to bits. Her ambivalence toward bringing new life into the world has caused her to put plans for adoption on hold, but when a four-year-old girl is left orphaned by the war in Ukraine, her attitude toward the future begins to shift. The film’s lyrical final shot comes as close to encapsulating mankind’s current self-imposed predicament as any I’ve seen in 2018.
Photo of Jonas Mekas by Joanna Kedzierska.
Jonas Mekas, the godfather of American avant-garde cinema whose diaristic chronicling of everyday life predated the modern internet by several decades, was set to be RIFF’s Guest of Honor until ill health caused him to reluctantly cancel. The 95-year-old auteur was still eager to conduct his scheduled masterclass vila Skype, and his exuberance was euphoric to behold. At one point striking a kung fu pose, Mekas displayed the energy of a man one-fifth his age, consistently punctuating the word “cinema” with an exclamation point. He rejects work that lingers on misery, opting to continue crafting “a celebration of life on this planet.”
Born in Lithuania a day before Christmas, Mekas vividly recalled in a 2015 interview how his brother gave him a still camera on his birthday, which just so happened to be the same week that Russian tanks rolled into his country. His first-ever pictures were taken of the tanks, causing a disgruntled lieutenant to rip the camera from his hands and destroy the footage. After being imprisoned for eight months with his brother in a labor camp, they eventually settled in New York, where the filmmaker still lives today. With online media liberating his intuitive creativity just as it did for David Lynch, Mekas launched his own site in 2006, where his experimental uploads continue to push the form in provocative ways. I particularly love his manifesto on the eternal youth of cinema, produced in honor of its centennial, where he insists that the art form can never age because “it is always beginning.” He considers his camera an extension of his hand, and will continue to use the same one until it needs to be replaced (he currently operates a GoPro).
Like a Flower in a Field, Mekas’ first solo exhibition in Iceland, debuted two days prior to the masterclass at Reykjavík’s Ásmundarsalur art gallery. Skillfully curated by Francesco Urbano Ragazzi, the exhibition featured three monitors compiling excerpts of the filmmaker’s online diaries. Likening the sprouting of flora in New York with the spontaneity of his artistry, Ragazzi selected 45 images of flowers captured in Mekas’ work to align the gallery windows, bathing the white-walled room in colorful light. A collection of handwritten statements from the director also covered the walls, my favorite being, “We do not need perfection! We need nervous breakdowns!”
Perfection certainly wouldn’t be the word to describe the masterclass itself, which was marred by poor reception that rendered Mekas’ answers nearly unintelligible. Every time his voice cut out, I silently recited the Icelandic mantra taught to me by the festival’s indispensable guest coordinator, Martiina Putnik: “þetta reddast,” meaning, “Oh well, it will work itself out somehow!” And work itself out it did, thanks in large part to Mekas’ indomitable spirit. So expressive were his gesticulations and jovial grins that they told us everything we needed to know, even when his words were obscured. He loved interacting with the audience, waving to each of us on the monitor as the camera scanned the crowd. I asked him about his belief in the importance of changing one’s mind—which he memorably voiced in defense of Paris Hilton—and how the chronically divided American populace could benefit from this perspective. This question elicited one of Mekas’ most animated responses, arguing that we are doomed to rot if we remain stuck in one way of thinking. He concluded the Q&A by taking a recording the audience with his GoPro (pictured above), making us the latest addition to his intimate oeuvre.
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Among the best movies I saw at RIFF was “Phoenix,” the first directorial feature effort of Norwegian actress-turned-filmmaker, Camilla Strøm Henriksen. She made her film debut in Martin Asphaug’s acclaimed 1989 drama, “A Handful of Time,” for which she earned the Best Actress prize at Norway’s Amanda Awards. During our chat at RIFF, Henriksen credited the picture with bringing a new energy to her nation’s cinema, increasing the number of high-quality films that were made there. Her interest in directing spawned from her frustration with the acting business and the difficulty in acquiring good roles, ultimately finding that she preferred telling stories rather than acting in them. Henriksen’s extensive experience in directing television, including over 100 episodes of Scandinavia’s longest-running soap, “Hotel Cæsar,” was an ideal training ground for the tight turnaround of independent filmmaking, since it required her to shoot a great deal in a small span of time, moving fast while being clear with her intentions.
The heroine of “Phoenix” is Jill (Ylva Bjørkaas Thedin), a girl on the cusp of celebrating her 14th birthday, whose unstable mother (Maria Bonnevie) and estranged father (Sverrir Gudnason) have caused her to become the sole parental figure in her family. Jill’s younger brother, Bo (Casper Falck-Løvås), may be pint-sized, but he’s also wise behind his years, able to see directly through the lies he’s fed. Henriksen first began developing “Phoenix” 12 years ago, around the same time I began my career as a published film critic. Both of us have vivid memories of seeing Guillermo del Toro’s 2006 masterpiece, “Pan’s Labyrinth” on the big screen for the first time, an experience that Henriksen found immensely influential as she crafted her own psychological portrait of a young girl.
“I saw it eight times and loved it, even though fantasy is not really my kind of thing at all,” Henriksen told me. “I was inspired by how seamlessly the director blended fantasy with melodrama full of pathos. My grandparents had worked in puppet theatre, and I grew up with the Norwegian fairy tales that they performed. The monsters in these stories externalized the fear of things in life that are too terrifying for children to fully comprehend. I thought that element would fit naturally into this family drama, where we are authentic in the psychology without allowing it to become the sort of social realist picture that bores me to death. Having the story be viewed from Jill’s heightened and subjective point-of-view is what draws in the audience. She has a very strong ambivalence toward her mother. In a way, she hates her and deep down, wants her dead, but that’s something she could never admit to herself. That little monster in the film externalizes her resentment and fear of her mother—all these feelings that are still undigested.”
Henriksen makes a point of not specifying the insidious disorder afflicting Jill’s mother, and says that no particular research was needed since the story was based on events from her own childhood. Her years of therapy have been immensely helpful, serving as a form of research by teaching her so much about herself. In terms of understanding the mind of an actor, Henriksen draws from her own personal experiences as well. She is well aware of how actors must bare their souls onscreen, and won’t be able to do so unless they feel they are in safe hands. Thedin’s remarkably assured and unmannered debut performance is a testament not only to her talent but the mastery of Henriksen’s direction.
“From the moment we first met, Ylva had this wonderful open curiosity about her,” said Henriksen. “Not only did she have an intuitive understanding of drama, she also had a great sense of empathy that really touched me. That wasn’t something that I was specifically looking for, but I realized when I met Ylva that this quality is important for the role of Jill. She taught me a lot, actually, because I initially had been looking to cast children whom you could sense were carrying a big burden. Both Ylva and Casper are very resourceful and you feel that they will survive even as their parents go under. The film is an ode to the strength and courage of children. I wanted to show that in a truthful way without being simplistic. There is no clear solution for their plight, but they have each other.”
Swedish production designer Eva Norén, whose credits include Tomas Alfredson’s 2008 landmark, “Let the Right One In,” collaborated with Henriksen to find subtle ways in expressing the characters’ inner journey through the mise-en-scène. Nearly the entire first half is set within the family’s claustrophobic loft, aside from one entrancing sequence set in Jill’s class, where she develops a crush on the boy seated next to her. The educational rainforest footage projected onto the screen before them makes it appear as if they being doused with water, a deft metaphor for the bracing sensations being felt by the girl.
“It’s the one moment where Jill finds a window to the world opening up,” noted Henriksen. “So much of her focus is inwards, since her life is centered around taking care of her family, while trying to get her mother on her feet. She has very little space to actually dream or invest in her own life—in a life that is outside the world of the family. With her mother planning for a job interview and her father due to arrive home in time for her birthday, Jill is now clinging to enough hope that enables her to have a moment of freedom. That scene in class is where she finally opens herself up to something else—her own sexuality—before her hopes are crushed. The subtlety with which this is conveyed came about through the writing process. Though the shooting script was quite close to the first draft, it came together only after a great deal of decluttering. I knew in my heart what I wanted the ending to be, but I didn’t trust it until that last draft.”
“Phoenix” will be released this Friday, October 12th, in Norway, and it is my deep hope that the film will receive the U.S. distribution it deserves. In my review published during the festival, I likened the film to Charles Laughton’s 1955 knockout, “The Night of the Hunter,” an enduring classic that I was delighted to hear Henriksen cite among her chief references. The haunting rendition of “Fly Me To The Moon” sung by a young girl over the end credits reminded me the famous sequence in Laughton’s film, where little orphaned Pearl (Sally Jane Bruce, dubbed by Betty Benson) comforts her brother by singing “Once Upon a Time There Was A Pretty Fly” as they sail along a river at night. Whereas Robert Mitchum’s sociopath-in-preacher’s clothing was the evil force tearing apart the children’s family, in the case of “Phoenix,” it is the even scarier scourge of mental illness.
“My music supervisor, Goran Obad, and I thought it would be lovely to have a young girl singing at the end,” recalled Henriksen. “We wanted somebody who sung well, but not too well—who didn’t hit all the notes. So he found a 14-year-old girl who isn’t an established star, but is obviously a good singer, as you hear during the credits. What I hope the song conveys is that the children were able to take something positive from their parents. Jill and Casper share a resourcefulness and an ability to express love that is, in some way, indicative of how they were brought up. Even though it’s going to be hard for them moving forward, they will be able to find joy in life.”
If I were asked to compare RIFF to any previous festival I’ve attended, the closest equivalent would be Ebertfest, the jubilant movie marathon annually held at Roger Ebert’s alma mater in Champaign, Illinois. Both events prioritize the moviegoing experience above all else, and celebrities are invited not to promote a project but to have their work honored. The stars aren’t on hand for interview opportunities, but that makes one’s interactions with them all the more meaningful. Mads Mikkelsen, recipient of this year’s Creative Excellence Award, chatted with me about how his brilliant 2012 collaboration with director Thomas Vinterberg, “The Hunt,” has become all the more radical in our current sociopolitical climate, challenging us to break the stigmas surrounding what can and cannot be discussed in regards to allegations of abuse. I treasured the opportunity to tell honorary guest and jury member Shailene Woodley that her performance in James Ponsoldt’s 2013 gem, “The Spectacular Now,” is one of the best I’ve ever seen. As the camera holds on her character during the film’s breathtaking final moment, every conflicted feeling she harbors for her ex ripples across her face, suggesting the many directions she could go, none of which are guaranteed.
After Helga Stephenson, former head of the Toronto International Film Festival and mentor to RIFF festival director Hrönn Marínósdóttir, was honored at a festive ceremony, she spoke with me about her fond memories of Ebert, whom she knew since the late ’70s. The tribute to Stephenson was held at Bessastaðir, the residence of Icelandic president Guðni Thorlacius Jóhannesson. When I got the chance to meet the president, I told him how refreshing it was to see a literate head of state who was knowledgable about history, supports universal health care and speaks in complete sentences. He savored every last one of my well-deserved compliments, asking me to “please continue,” before getting swept back up into the crowd. Photographer Donald Gíslason, a longtime friend of Guy Maddin’s, had endless great stories to share about Icelandic culture and the vibrant history of the festival, which has always taken full advantage of its natural surroundings (back in 2015, a screening took place in a “secret cave”). I also must give special thanks to photographer Joanna Kedzierska for her excellent film recommendations, her impromptu tour of Reykjavík’s nightlife and most of all, her friendship.
During my daily strolls to screenings at the Bíó Paradís, I passed a costumed singer (pictured above) who serenaded passersby with beautiful tunes, one of which moved me so deeply that it became the official anthem of my entire trip. “Goodnight, Irene,” the American folk standard first recorded by Huddie ‘Lead Belly’ Ledbetter, nailed the bittersweetness I felt as one of the greatest adventures of my life came to a close. As the plane lifted off the runway at Keflavík Airport, taking me back to a country of toxic 24-hour news cycles and misogynistic Supreme Court justices, my paraphrased version of Ledbetter’s song ran through my mind…
Goodbye, Iceland
Goodbye, Iceland
I’ll see you in my dreams
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A portion of Route 21 is now named in honor of Roberto Clemente
As it slices through Newark, Route 21 cuts through one of the largest Puerto Rican communities outside of Puerto Rico.
So it only makes sense to name the highway – or at least a portion of it – after the great baseball player from Puerto Rico who wore the number 21 his entire 18-year career with the Pittsburg Pirates.
On a cloudy Friday alongside the busy state highway on Third Avenue, state Sen. M. Teresa Ruiz joined elected officials and others to unveil a sign designating a section of the roadway as the Roberto Clemente Memorial Highway.
But Ruiz, who sponsored the legislation to name the highway in honor of Clemente, was clear that it was for more than his legendary skills on the baseball field.
“Roberto Clemente is someone whose contributions went far beyond the world of sports. He was an inspiration to Latinos, but he was a trailblazer, a legacy maker and an inspiration to all,” said Senator Ruiz (D-Essex). “I am proud that this stretch of highway in Newark will forever bear his name.”
Ruiz was joined by Newark North Ward Councilman Anibal Ramos Jr. and Councilman Luis Quintana, both of Puerto Rican heritage who sponsored a resolution in the City Council.
“I want to thank Sen. Ruiz for leading the effort to have this section of Route 21 named in honor of Roberto Clemente,” Ramos said. “Not only is he a hero to many Puerto Ricans, but he was a great American. I will always feel a sense of pride in my Puerto Rican heritage whenever I drive down this road.”
Ramos relayed the story about how Clemente led the effort to have Opening Day cancelled. It was April 8, 1968, just four days after Martin Luther King Jr. was assisnated and one day before his funeral. Clemente, who had become an admirer of King, refused to play. Major League Baseball eventually gave in and moved opening day to April 10.
A host of other Puerto Rican elected officials also attended, including Councilman Carlos Gonzalez, Essex County Freeholder Robert Mercado along with Assemblywoman Eliana Pintor Marin, Council President Mildred Crump and Mayor Ras J. Baraka.
“It is only right and fitting to have a stretch of Route 21 named after Roberto Clemente, a man whose athletic feats were only matched by his humanitarian efforts," Baraka said. "His life’s example transcended the baseball field and his enduring spirit continues to impact and influence the lives of many in our great city.”
Clemente already enjoys one honor in Newark. In 2012, an 8-foot statue of Clemente was unveiled outside of Branch Brook Park on Bloomfield Avenue and Lake Street in Newark with money raised privately by Essex County Executive Joseph DiVincenzo and Liga Roberto Clemente de Newark, a Little League in Newark’s North Ward. The statue is similar to one by sculptor Susan Wagner outside PNC Park in Pittsburgh.
“Roberto Clemente will always have a special place in the heart of many Newarkers,” Quintana said. “Naming Route 21 after him is a great way for Newark to honor the legacy of a great American.”
Clemente was voted the Most Valuable Player in the 1971 World Series and was an acknowledged leader on the field.
Following the 1972 baseball season, Clemente organized a relief effort to provide emergency assistance to the victims of a Nicaraguan earthquake. In order to ensure that essential supplies reached those for whom they were intended, Clemente flew to Nicaragua on a cargo plane – a mission from which he would never return. On December 31, 1972, the plane carrying Roberto Clemente crashed into the sea, killing everyone on board.
Clemente was posthumously inducted into the Baseball Hall of Fame in 1973, becoming only the second player for whom the five-year mandatory waiting period was waived. In his honor, the Newark Bears retired the number 21 jersey in 2009 at a ceremony at Bears and Eagles Riverfront Stadium.
The bill (S-1462) was approved by the Senate and the Assembly in March 2016 and signed into law on June 30, 2016. Roberto Clemente Memorial Highway extends from milepost 3.90 to milepost 5.83 in Newark.
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Movies worth seeing this holiday season, none about Santa Claus
The second category includes exclusively seasonal fare: “A Bad Moms Christmas” (now in theaters); the Nativity-themed animation “The Star” (Nov. 17); and “The Man Who Invented Christmas” (Nov. 22), a story about Charles Dickens and the writing of “A Christmas Carol.” But those films have, by definition, a short shelf life, with sell-by dates of Jan. 2.
“Holiday,” in the first and loosest sense of the word, suggests a break from routine. Although looking forward to a great new movie brings a sense of anticipation akin to an unopened present, it’s a gift that, if chosen carefully, will keep on giving regardless of the season. With that in mind, here are 14 upcoming films to put on your wish list. Some of them we’ve already taken a peek at, and others we can’t wait to unwrap.
Opening dates are subject to change.
Trailer: 'Justice League'
Months after the events of "Batman v Superman: Dawn of Justice," Bruce Wayne and Diana Prince assemble a team of meta-humans to face the catastrophic threat of Steppenwolf. (Warner Bros. Pictures)
Justice League
Cast: Ben Affleck, Gal Gadot, Jason Momoa, Ezra Miller, Ray Fisher, Henry Cavill, Ciarán Hinds
Despite “Batman v Superman: Dawn of Justice” ending in the apparent death of Clark Kent — let’s not forget that dirt levitating off his coffin, suggesting a resurrection of some kind — it’s virtually certain that the Man of Steel (Cavill) will show up in the new sequel, and we don’t just mean in that dream sequence from the trailer. With luck, Gadot’s Wonder Woman will bring a little of the mojo that made her recent movie a megahit. Returning director Zach Snyder and his collaborators have indicated that the new adventure — which features Hinds as the main villain, Steppenwolf — will be a lot more fun than “BvS,” as Batman, played by Affleck, teams up with Wonder Woman to recruit the Flash (Miller), Aquaman (Momoa) and Cyborg (Fisher) as allies. (Nov. 17, PG-13)
Mudbound
Cast: Carey Mulligan, Jason Clarke, Garrett Hedlund, Jason Mitchell, Mary J. Blige, Rob Morgan
Based on Hillary Jordan’s 2008 novel— winner of the Bellwether Prize for fiction — this 1940s-set drama by filmmaker Dee Rees (“Pariah”) retains the book’s technique of rotating narration between six characters: three members of a poor white farming family in rural Mississippi (Mulligan, Clarke and Hedlund) and three members of a family of black sharecroppers (Mitchell, Blige and Morgan). Set before, during and after one man from each family (Hedlund and Mitchell) is shipped off to fight in World War II, the epic tale — which will also be available on Netflix — explores the theme of racism, with heartbreaking potency. (Nov. 17, R)
Trailer: 'Three Billboards Outside Ebbing, Missouri'
Mildred (Frances McDormand) is a single mother grieving and feeling immense guilt over the rape and violent murder of her teenage daughter. When the police fail to act, she rents three billboards to air her grievances. (Fox Searchlight)
Three Billboards Outside Ebbing, Missouri
Cast: Frances McDormand, Woody Harrelson, Sam Rockwell
McDormand delivers a tour de force as the mother of a murdered teenage girl who channels her grief and guilt into anger directed at the small-town police chief (Harrelson) who has yet to make an arrest in her daughter’s case. By turns serious and darkly funny, filmmaker Martin McDonagh’s drama — which also features a complex performance by Rockwell in the role of a violent, racist cop — feels significantly more substantial than the English director’s previous work, which includes “In Bruges” and “Seven Psychopaths.” (Nov. 17, R)
Coco
Cast: Anthony Gonzalez, Benjamin Bratt, Gael García Bernal
The voice-over in the trailer for “Coco,” an animated adventure set in the Land of the Dead of Mexican folklore, intones: “No living person has ever visited their world — until now.” Um. Maybe the folks at Disney/Pixar forgot a little animated feature from 2014 called “The Book of Life,” which features a Mexican hero traveling to — you guessed it — the Land of the Dead. Setting accusations of plagiarism aside for the moment, Pixar’s new film is about a little boy (Gonzalez) who accidentally gets stuck in the underworld. “Coco,” which was visually inspired by the art of Mexican printmaker José Guadalupe Posada, won’t be the last word on the Day of the Dead theme. A sequelto “The Book of Life” is already in the planning stages. (Nov. 22, PG)
Trailer: 'Roman J. Israel, Esq.'
The plot follows the experienced lawyer of Roman J. Israel, who begins to manage a large firm after his boss has a heart attack. It stars Denzel Washington, Colin Farrell and Carmen Ejogo. (Sony Pictures)
Roman J. Israel, Esq.
Cast: Denzel Washington, Colin Farrell, Carmen Ejogo
Writer-director Dan Gilroy’s legal drama about the existential crisis that results when a pro-bono crusader for the disenfranchised goes to work for a fancy firm, making a morally compromising decision in the process, may share some themes with Gilroy’s “Nightcrawler.” Like that 2014 examination of journalistic ethics — a bravura performance by an emaciated Jake Gyllenhaal — the new film features Washington transformed for the title role of a disheveled legal savant, with a shaggy Afro, aviator-frame glasses and mismatched suits. (Nov. 22, PG-13)
Trailer: 'The Disaster Artist'
The film is based on Greg Sestero and Tom Bissell's non-fiction book of the same name and chronicles the making of their 2003 cult film "The Room." (A24 Films)
The Disaster Artist
Cast: James Franco, Dave Franco, Seth Rogen, Zoey Deutch, Alison Brie
Is it possible to make a good movie about a bad one? A very, very, bad (yet hysterically funny) one? Based on the 2013 book by Greg Sestero and Tom Bissell about Sestero’s experience as an actor in “The Room” — a film that has been called “the ‘Citizen Kane’ of bad movies” — “The Disaster Artist” stars James Franco as the cult film’s enigmatically accented writer, director, star and producer, Tommy Wiseau. You’ll probably want to bone up on the source material — meaning Wiseau’s film, if not the book — first. It’s frequent midnight-movie fodder. (Dec. 1, R)
Trailer: 'Darkest Hour'
Winston Churchill (Gary Oldman) faces a crucial moment against Adolf Hitler's army at the beginning of WWII.(Focus Features)
Darkest Hour
Cast: Gary Oldman, Lily James, Kristin Scott Thomas
Call it the flip side of “Dunkirk.” Opening in early May, 1940 — just before Winston Churchill was named prime minister of Britain — this period drama tracks, in minute detail, the backroom strategizing that took place as Parliament and Churchill’s war cabinet struggled to find a way to rescue British soldiers stranded on the beach at Dunkirk. In its essence, “Darkest Hour” — which boasts an award-worthy performance by Oldman as Churchill — is about the buildup to a single speech: Churchill’s “We shall fight on the beaches” address to the House of Commons on June 4, 1940, which galvanized the nation for the coming Battle of Britain. (Dec. 8, PG-13)
Trailer: 'The Shape of Water'
Director Guillermo del Toro's latest movie is a romantic fantasy horror, starring Sally Hawkins, Michael Shannon and Octavia Spencer. (Fox Searchlight)
The Shape of Water
Cast: Sally Hawkins, Octavia Spencer, Doug Jones, Michael Shannon, Richard Jenkins, Michael Stuhlbarg
The latest adult fairy tale from Guillermo del Toro (“Pan’s Labyrinth”) centers on the unlikely bond that develops between a mute cleaning woman (Hawkins) and an amphibious humanoid creature (Jones) who is being kept in a secret government lab. Set in 1962, at the height of the Cold War, and referencing midcentury monster movies and musicals, del Toro’s swooningly romantic film is less thriller than love letter to old Hollywood. (Dec. 8, R)
Trailer: 'Call Me By Your Name'
Based on the 2007 novel, a young man named Elio (Timothée Chalamet) living in Italy in the '80s, meets Oliver (Armie Hammer), an academic who has come to stay at his parents' villa. A passionate relationship develops between the two men as they bond over their sexuality and Jewish roots. (Sony Pictures Classics)
Call Me By Your Name
Cast: Armie Hammer, Timothée Chalamet
Based on the 2007 novel by André Aciman, “Call Me by Your Name” centers on a summer romance in scenic Italy between a 20-something academic (Hammer) and the 17-year-old son of his mentor. (Chalamet, who has drawn praise for his performance as the precocious boy, also makes an impression in the new film “Lady Bird”). The buzzy film, which has proved to be a popular favorite at recent festivals, has won praise for its sensitive portrayal of forbidden love, while also reportedly drawing comparisons to a “Moonlight” for rich, white people. (Dec. 15, R)
Trailer: 'Ferdinand'
This 3D animated movie tells the story of Ferdinand, a Spanish fighting bull who prefers smelling the flowers and practicing non-violence. (20th Century Fox)
Ferdinand
Cast: John Cena, Kate McKinnon, Anthony Anderson, Bobby Cannavale, Gina Rodriguez
Wrestler-turned-actor Cena voices the title character: a pacifist bull who refuses to face the toreador in this animated adaptation of Munro Leaf’s classic children’s book. The style of animation — from Blue Sky Studios — deviates, as it must, from Robert Lawson’s charming black-and-white illustrations in the original 1936 book, but the story comes courtesy of a reliable, if not familiar, name: Carlos Saldanha, who directed or co-directed five films in the studio’s popular “Ice Age” and Rio” franchises. (Dec. 15, PG)
Star Wars: The Last Jedi
Cast: Daisy Ridley, John Boyega, Mark Hamill, Adam Driver, Oscar Isaac, Carrie Fisher
The demand for early tickets to Disney’s latest installment in the Star Wars franchise — which centers on Rey (Ridley) as she learns to control the Force under the tutelage of Luke Skywalker (Hamill) — was so great that Fandango and other sites experienced digital traffic jams last month. Now comes news, courtesy of the Wall Street Journal, that the studio is so confident in its new product that it plans to take an unprecedented 65 percent cut of revenue from theaters (compared with the more typical 55 to 60 percent). Theater owners will also be contractually obligated to screen the film for four weeks on the largest screen. Sounds like the Empire is feeling pretty good about its new Death Star. (Dec. 15, not yet rated)
Trailer: 'Downsizing'
"Downsizing" imagines what might happen if, as a solution to over-population, Norwegian scientists discover how to shrink humans to five inches. Paul (Matt Damon) and his wife Audrey (Kristen Wiig) decide to leave their lives behind and shrink themselves. (Paramount Pictures)
Downsizing
Cast: Matt Damon, Kristen Wiig, Christoph Waltz, Jason Sudeikis
Social satirist Alexander Payne has turned his magnifying glass on the Midwest (“Nebraska”), Hawaii (“The Descendants”) and California wine country (“Sideways”). In “Downsizing,” he tackles the whole planet. Written with longtime collaborator Jim Taylor, this futuristic fantasy imagines a world in which people can opt to miniaturize themselves to the size of dolls as a solution to the Earth’s overpopulation crisis. As Damon’s character finds out when he agrees to undergo the procedure, when one man shrinks, his problems grow, along with the size — metaphorically — of his heart . (Dec. 22, not yet rated)
Trailer: 'The Post'
Directed by Steven Spielberg, “The Post” stars Meryl Streep and Tom Hanks, and tells the story of the paper's handling of the Pentagon Papers. (20th Century Fox)
The Post
Cast: Tom Hanks, Meryl Streep, Alison Brie
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Call it Star Wars for wonks. In Steven Spielberg’s latest slab of Oscar bait, Hanks plays the late Washington Post editor Ben Bradlee, with Streep as the paper’s late owner, Katharine Graham. The fact-based drama is about the newspaper’s 1971 decision to publish classified documents — known as the Pentagon Papers — that showed that the administration of Lyndon B. Johnson had lied to Congress and the American people. Calling all Washington policy and media types: Your popcorn-movie awaits. (Dec. 22, not yet rated)
Trailer: 'Molly’s Game'
Written and directed by Aaron Sorkin, "Molly's Game" tells the story of Molly Bloom (Jessica Chastain) as she builds an underground poker empire for Hollywood celebrities.(STXfilms)
Molly’s Game
Cast: Jessica Chastain, Idris Elba, Kevin Costner
Writer Aaron Sorkin (“Steve Jobs,” “The West Wing”) makes his directorial debut in a film based on Molly Bloom’s 2014 memoir of her time running an underground poker club catering to such Hollywood elites as Matt Damon and Leonardo DiCaprio. Chastain, in a title role that continues the multiple-Oscar nominee’s habit of playing steely, successful women who have virtually no personal lives, “roars through the performance,” as the Hollywood Reporter put it, “with a force and take-no-prisoners attitude that keeps one rapt.” (Dec. 25, not yet rated)
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Entrada #2
- Holly, en sus días pasados, solía robar.
- Jueves es día Sing Sing de Holly
- El brasileño que sale con Mag se llama José Ybarra - Jaeger. Su madre es alemana, y trabaja la mayoría de la semana en Washington.
- “Fred” sigue a una chica que le recordó a una chica llamada Mildred Grossman.
- Nota que ella y Holly tienen en común que ellas jamás cambiarían.
- La chica que siguió a la biblioteca termino siendo Holly.
- Mag y Holly hacen fiesta de Nochebuena.
- Holly le dá a “Fred” una pajarera y le hace prometer que nunca meterá a ningún animal (ella está en contra de animales encarcelados; zoológicos).
- “Fred” le dá una medalla de San Cristobal de Tiffany´s.
- “Fred” y Holly tienen una tremenda pelean, no especifican. Sólo que hubo varios temas.
- Después de la pelea, se va de vacaciones invernales en febrero a Brazil.
- Mag sufre quemaduras de primer grado por el sol.
- Después de la llegada de Holly, “Fred” y ella no hablan mucho. “Fred” le regresa la pajarera por dejándola afuera de su puerta. Al siguiente día “Fred” nota que la misma pajarera está en la basura, así que “Fred” la recupera.
- Una persona, alrededor de los cincuenta, se la pasa siguiendo a “Fred”. Esa persona termina siendo el esposo de Holly, Doctor Golightly (médico de caballos) y revela que su verdadero nombre es Lulamae Barnes.
- Doc. le cuenta a “Fred” como conoció a “Holly”: una de las hijas de Doc. Golightly atrapó a Lulamae y a su hermano Fred buscando comida en Tulip, Texas, y los trajo ante él. Doc. viendo que tan frágiles, débiles y desnutridos estaban, decidió “adoptarlos”. Una vez que Lulamae se ve de mejor estado, se vuelve cada vez más y más hermosa. Esto causa que Doc. le pidiera ser su esposa, a los catorce. Ella acepta y se vuelve la madre de los hijos de Doc. Él le cuenta a “Fred” como sus hijos hacían todo el trabajo, ella no movía ni un dedo. Luego, ella se harta de vivir aislada y se escapa a Nueva York.
- Holly, al ver a Doctor Golightly, se quedó pasmada y luego de unos minutos, se abrazaron como si no se hubiesen visto en años, lo cual si pasó.
- Mientras “Fred” y Holly llevaban a Doc a la estación de autobuses, Holly le repetía como ella no iba a regresar con él a Tulip, Texas, lo cual él no captó hasta llegar. Esto lo entristeció demasiado.
- Al final de las paginas leídas, “Fred” y Holly terminan en un bar hablando de lo ocurrido.
<< En nuestra, opinion esta parte del libro estuvo mucho mas dinámica que lo previo que leímos, ya que ocurrieron diversos acontecimientos; “Fred” empieza a descubrir el pasado oscuro de Holly, que ella tanto deseaba esconder; Holly comienza una mejor relación con “Fred” ya que a él no le importa todo lo que ha vivido y tenido que pasar. También notamos como la personalidad de Holly es más egoísta y narcisista. “Fred” se compadece un poco más de Holly ya conociendo su pasado y aprende más de su comportamiento. Creemos que la historia estaba un tanto confusa pero definitivamente esta parte estaba mucho mejor; ¡había misterio, una familia secreta, toda una vida secreta! En esta actividad hemos aprendido muchas cosa de cada una y ¡nos ha gustado mucho esta manera de trabajar! >>
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Manifestantes oficialistas y colectivos armados atacaron a trabajadores y diputados de la Asamblea Nacional (AN) mientras salían del Palacio Federal Legislativo.
Más de 350 personas llevaban más de siete horas secuestradas dentro de las instalaciones.
A las 6:00 pm, Borges expresó que lo ocurrido hoy es lo que pasará de instalarse la asamblea nacional constituyente. Detalló que siete diputados fueron heridos y cinco están hospitalizados.
Desde antes de las 12:00m los civiles armados se apostaron en todas las entradas de la Asamblea Nacional y comenzaron a asediar el sitio, hecho que ocurrió después de que el vicepresidente Tareck El Aissami y representantes del tren ministerial irrumpieran en el Salón Elíptico del Palacio para conmemorar el Día de la Independencia. A pesar de que este recinto es jurisdicción del gobierno nacional, no se realizó la notificación necesaria a la directiva del Parlamento.
Los sujetos lanzaron decenas de cohetones hacia el interior de la sede de la Asamblea, algunos de estos hirieron a periodistas.
#5Jul 6:28pm Comienzan a salir de la AN. Sin embargo, oficialistas siguen atacando a las personas – @GabyGabyGG http://pic.twitter.com/XiJJRgIQAx
— Reporte Ya (@ReporteYa) 5 de julio de 2017
Al salir de la AN oficialistas nos lanzaron botellas, piedras palos y pirotécnicos. Hay mucha violencia y ahora estamos en Pajaritos 1/2
— Mildred Manrique (@milmanrique) 5 de julio de 2017
2/2 siguen lanzando fuegos artificiales contra la sede administrativa. Rompieron las puertas de la entrada. La situación es muy violenta
— Mildred Manrique (@milmanrique) 5 de julio de 2017
AN … 6.39pm. Oficialistas se burlan de cómo salen personas de la AN http://pic.twitter.com/JR83u5ykYc
— Gabriela Gonzalez (@GabyGabyGG) 5 de julio de 2017
Comienzan a salir de la AN. Sin embargo, oficialistas siguen atacando a las personas #5Jul http://pic.twitter.com/ujbylWix7W
— Gabriela Gonzalez (@GabyGabyGG) 5 de julio de 2017
Mientras desde balcón del bloque GPP ponen música y bailan, oficialistas lanzan piedras y botellas a las personas q intentaban salir de AN http://pic.twitter.com/LH5v6SrOJG
— Gabriela Gonzalez (@GabyGabyGG) 5 de julio de 2017
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La entrada Oficialistas rompen puerta de vidrio y agredieron a trabajadores de la AN mientras salían del Palacio aparece primero en Noticias Diarias de Venezuela.
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AISD Names New Principal Candidates
ABILENE, Texas (KTAB/KRBC) – In a press release from the Abilene Independent School District, two new candidates for principal positions have been announced.
Mildred Petty of Clack Middle School will be the new principal for Martinez Elementary School, and pending board approval, Joey Gonzalez of Lake Highlands High School in Richardson, TX will be the new principal for Craig Middle School.
Announced in March, Petty will be taking over for Michael Garcia, who is set the be the new principal for Abilene High School. Joey Gonzalez takes over at Craig for Dr. Dan Dukes, who will be the new Executive Director of Student Services.
Mildred Petty has spent her entire career at Clack Elementary, working from teacher’s aide all the way to assistant principal over the past 17 years.
Gonzalez has been in school administration since 2005, all in the Richardson ISD. His wife, Kate, is an Abilene native.
AISD Superintendent Dr. David Young said this of the two candidates in the press release: "While Ms. Petty has spent her entire career at the middle school level, she possesses the skills necessary in the area of relationships, instructional leadership and community and cultural awareness to lead Martinez in the future. Mr. Gonzalez comes to us with valuable experience in secondary administration at two different junior high schools and the high school level. We are excited about his family moving to Abilene."
These recommendations will be presented to the Board of Trustees at it’s June meeting.
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