“The men sat in the next booth at the Brown Derby. My back was to them. Suddenly I perked up as I heard my name.
“Liz Renay,” one of them said. “There’s a girl who had some tough breaks.”
“She brought it on herself,” the other voice said.
“Still … it’s kind of sad. She wasn’t just another one of those French pastries who come to Hollywood to look for fame. She had it. She has one of the most beautiful faces I ever saw. You know, she just missed being great.”
I turned to get a look at the man who had just spoken. I recognized him as William Ornstein, a reporter for Hollywood Reporter.
Ornstein spoke again: “Yeah, that Renay really could have made it big. She was on the way to becoming a superstar. Add a few good breaks and subtract a few of the bad ones and you know, she could have been Marilyn Monroe.”
/ From Liz Renay’s chatty, meandering autobiography My Face for the World to See (1971) /
Born on this day: the sublime Liz Renay (née Pearl Elizabeth Dobbins, 14 April 1926 - 22 January 2007) – b-movie actress / burlesque queen / jailbird / naive outsider painter / gangster Mickey Cohen’s moll / “Streaking Grandmother” / authoress of multiple volumes of sordid memoirs (including My First 2,000 Men and Staying Young) / all-round kitsch icon and the woman hailed by John Waters as “my idea of total glamour.” For Waters’ fans, Renay is venerated for her performance as Muffy St Jacques in punk masterpiece Desperate Living (1977) - especially for her acidic delivery of lines like, "I was having an erotic dream!" and "I sleep in the room next door - naked!" She’s also memorable in The Thrill Killers (1964) and The Hard Road (1970).
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Every word I ever utter shall be considered a royal proclamation!
Desperate Living, John Waters (1977)
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The Thrill Killers (Ray Dennis Steckler, 1964)
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Tino Avelli artwork for 1977 John Waters film "Desperate Living" starring Mink Stole, Edith Massey, Liz Renay and Jean Hill.
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The men sat in the next booth at the Brown Derby. My back was to them. Suddenly I perked up as I heard my name.
“Liz Renay,” one of them said. “There’s a girl who had some tough breaks.”
“She brought it on herself,” the other voice said.
“Still … it’s kind of sad. She wasn’t just another one of those French pastries who come to Hollywood to look for fame. She had it. She has one of the most beautiful faces I ever saw. You know, she just missed being great.”
I turned to get a look at the man who had just spoken. I recognized him as William Ornstein, a reporter for Hollywood Reporter.
Ornstein spoke again: “Yeah, that Renay really could have made it big. She was on the way to becoming a superstar. Add a few good breaks and subtract a few of the bad ones and you know, she could have been Marilyn Monroe.”
/ From My Face for the World to See (1971) /
Died on this day: the vivacious Liz Renay (née Pearl Elizabeth Dobbins, 14 April 1926 - 22 January 2007) – b-movie actress / burlesque queen / convicted felon / naive outsider painter / gangster Mickey Cohen’s moll / “Streaking Grandmother” / authoress of multiple volumes of sordid memoirs / all-round kitsch icon and the woman hailed by John Waters as “my idea of total glamour.” For Waters’ fans, Renay is venerated for her performance as Muffy St Jacques in punk masterpiece Desperate Living (1977) - especially for her acidic delivery of lines like, "I was having an erotic dream!" and "I sleep in the room next door - naked!" She’s also memorable in the 1964 exploitation shocker The Thrill Killers. Thanks to my friend Grant I’m currently reading Renay’s biography My Face for the World to See. Her writing style can best be summarized as “chatty.”
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