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briangroth27 · 5 years

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Dark Phoenix Review

The final installment in Fox's X-men franchise, Dark Phoenix, is unfortunately not one of their best, but it doesn't deserve the hate it received from critics (or the box office) either. Like Apocalypse (which I also enjoyed for the most part), Dark Phoenix falls into the middle of the X-pack; not too shabby considering there are some legitimately great movies in this series! I was looking forward to this film—I like the cast, they've got most of my favorite X-men on this team, and the Dark Phoenix Saga had been wrecked by The Last Stand so I was ready to see them give it another go—but while Dark Phoenix has some really solid ideas and cool moments, it needed another draft to fully realize its potential (another unfortunate similarity to Apocalypse).

Full Spoilers…

The X-men starting out as public superheroes with a direct line to the White House was a fun change of pace! Giving them fans that cheered them on was a cool reversal from the protest groups we saw in X-men, though for this development to really make an impact we should’ve seen more civilians hating/attacking mutants in the movies beyond the brief glimpses we got in X-men and Apocalypse, both in fight club scenes (The Gifted explored the idea that everyday racism would come from the people just as much as the government in much more detail than the movies ever have). Regardless, I loved that they were able to retain a very "X-men" quality to this new status quo, with mutants’ acceptance hinging on their continued best behavior and the idea that they would unendingly risk themselves to save the world. It was smart to not have bigotry solved only for Jean (Sophie Turner) to wreck it with her newfound power (and also because solving it off-screen would’ve been a disservice to the entire mythos as well as those who face it in real life), but to instead keep them constantly on the edge of losing everything they'd gained. Mystique (Jennifer Lawrence) was absolutely right that mutants shouldn’t have to save the world (or worse, keep saving it) to be accepted by the rest of humanity, and I wish the movie had come back to that point by the end of the film. Her argument with Charles (James McAvoy) ties back to his insistence in First Class that humanity would accept them in exchange for stopping war really nicely though. Forcing mutants to always be over-and-above model minorities works perfectly, but they should've done more with this point instead of just creating a rift between Raven and Charles and using it as stakes for Jean's fall. I would’ve liked some closing statement on where mutants’ standing landed after the events of the film; maybe even Jean or someone making Mystique’s argument to the public to force them to face themselves and the position they’d put the X-men/mutantkind in.

Speaking of Jean’s fall, Phoenix was done much better here than in The Last Stand. I think X2's idea of making Phoenix a natural evolution of Jean is a fantastic choice (as was X2-writer Michael Dougherty’s idea to have her continue to evolve into the cosmic Phoenix in his version of X3), but making Phoenix a split personality ruined that by taking it out of Jean's control and stopping it from being Jean’s story. I’d argue this is the same problem the revised comic canon has, with a space bird taking the place of a split identity but resulting in the same lack of control/meaning/development for Jean’s character. Here, they do the cosmic origin fairly faithfully, but oddly ignore Apocalypse’s revival of the "secondary mutation" plot when Apocalypse forced Jean to evolve into full-firebird status through conflict (which, by the way, is perfect for him). They could’ve easily resolved this rift by having Hank (Nicholas Hoult) tell Jean her powers had been boosted "even beyond what Apocalypse caused" or that En Sabah Nur’s “upgrade” enabled her to survive absorbing the cosmic energy into herself in the first place. As it is, that's not a big leap for viewers to make, but it should've been said in the film.

Getting into the actual mechanics of Jean trying to deal with all this new power, I think this was a mixed bag. I liked her senses opening up at the party and would’ve liked to see that enhanced awareness continue. Her crushed reaction to her father (Scott Shepard) giving her to Xavier because he couldn't forgive her for the accidental death of her mother (Hannah Anderson) or handle raising a mutant child was a rough, powerful reveal that Turner acted perfectly, but then we got to an element of Jean being confused by what she can/should do with all this power rather than acting with that power, which slowed the momentum of her character (and the story). I’d really like to see a version of the Phoenix Saga where Jean runs with her new powers rather than being manipulated or confused about what to do with them, especially if they’re insistent on doing it all in one movie. Her talks with Erik (Michael Fassbender) and especially Vuk (Jessica Chastain) offer insight into what she could be and I wouldn’t want them to have less character-building conversations in favor of meaningless fight scenes, but I wanted to see Jean take action and deal with the fallout of her choices rather than only get to the point where she’s ready to make those decisions in the first place. I would've much preferred her trying to, say, forcibly fix the world so they don't have to keep saving it like Mystique was worried about or something (especially given their obviously strong bond at the beginning).

This is another unfortunate similarity to Apocalypse: while En Sabah Nur said a lot of great stuff in that movie, despite getting rid of all the nukes and leveling Cairo, it felt like we were constantly on the cusp of him escalating things instead of actually getting to see him do what he talked about. Here, I felt like we were on the verge of Jean taking ownership of her powers, only to have her talked into denying them, try to give them away, get captured by the government, get attacked by aliens, etc. Similarly, they really needed to dig into her decision to leave Earth on a bigger level than just being scared she’d hurt people she cared about. Why not make it her choice to see what’s out there and to see what she can become instead (which would be a cool parallel to mutants as a whole not being able to develop while stuck in savior mode for humans)? Leaving Earth should’ve been something that tied to or conflicted with her hopes and dreams for her life during and after the X-men (which would’ve been nice to know before she’s forced to give all of that up in the face of this power), rather than falling back on what feels like a much more simplistic “the power is just too unsafe for her to have on Earth” idea. That idea almost looks like humans are right to fear mutants, because even they can’t safely use their powers here, and that’s the wrong message for a X-men story. I did like that Jean acting with her emotions rather than burying them was shown as a good thing here that made her stronger: that’s a great rebuttal to Xavier trying to block them off and hide pain from her to protect her.

I was very glad that the movie didn't have Xavier blocking her split personality this time, but rather that he'd covered up Jean's accidental manslaughter in an effort to help her have a normal, happy life. That was always my read from the trailers—she didn't seem like she knew she killed her parents in Apocalypse—but I didn't expect the twist that her dad had survived and didn't want her at all and I loved it. I fully bought into Xavier's "you are not broken" reassurance to young Jean (Summer Fontana), so that moment worked really well to help sell the betrayal Jean felt. I wish we’d seen Scott (Tye Sheridan), Ororo (Alexandra Shipp), Kurt (Kodi Smit-McPhee), and Peter's (Evan Peters) reaction to what Xavier did as well though. I also would've liked to see their opinions on Xavier's massive hubris here ("All I did was create a world where we can all live in peace"), as well as his insistence that they be superheroes to earn their keep. Despite the lack of opinions from everyone but Mystique, I did like seeing this side of Xavier and thought it was just as interesting to see how he handled winning as how he’d handled mutants being the underdogs for so long. I'm glad this movie didn't agree with him that it was right to manipulate Jean's mind like Last Stand did, and Charles thinking she shouldn't experience any kind of pain is a nice callback to his own attempt to ignore the pain of the world in Days of Future Past (his older self told him that hope would allow him to bear the pain of the world without breaking, and it seems that Xavier decided he should be the only one to take on that pain rather than let others bear it as well). It also works well as an early form of his attempts to keep mutants safe even to their detriment (like making them superheroes to stay in humanity’s good graces). This habit of ignoring pain was especially evident in his almost cavalier discussion with Hank after Mystique’s funeral (with a side of “you can’t criticize me when I’m hurt too”), and it took me a bit to understand that he’s trying to do the same thing to Hank that he did to Jean, just without using his powers: he can’t process the pain of his loss and doesn’t want to see anyone else “stuck” in their feelings either. I’m glad he actually apologized on the train; I wasn’t expecting that and it was a solid development. Of the things Kinberg improved this time from Last Stand, Xavier as a not-so-great guy was definitely handled much better, precisely because he was proven wrong and dealt with it.

Erik nicely (and finally) transitioned into the peaceful existence promised by Apocalypse, even if (as others have noted) the disconnect between his crimes in that movie and the government respecting him here is a little jarring. I really liked him running Genosha, though it would've been nice to comment that this community was the last stop on the mutant Underground Railroad Mystique was part of in DOFP and Apocalypse. It didn't have to be and worked just fine without that connection, but it would've been nice to say that she helped build his mutant paradise (especially given the impact losing her has on him) and that effort would’ve buttressed her argument with Xavier nicely, since she would’ve had a hand in creating a better life for mutants as well. Erik's talk with Jean about letting go of vengeance once he realized it wasn't helping was solid (he learned something from Charles back in First Class!), but I wanted the movie to bear out that he really had changed. I hated that this movie again relied on a woman getting fridged so Erik had a reason to get murdery (with added Hank rage!): that's lazy, especially since they used that already-tired plot in the last movie. I wish both of these films had Erik as a teacher at the school, but if we couldn't get that bit of 80s comics lore, surely there was another way to use Erik here. Maybe his point of view should’ve shown us what everyday mutants think of the X-men as the poster children of the atom, and how that affects their ability to have a modicum of respect/tolerance from humans. If they couldn’t find something for Erik to do except try to kill Jean, he shouldn't have been included so they could focus on the other characters more. I did like his life on Genosha essentially proving Mystique's point and enjoyed him telling Xavier to shove his speeches, even if it was in the midst of his rage. I'll also say that the ending they found for Erik and Charles—Erik taking him back to Genosha to live out the rest of their lives together—was perfect.

I loved where they took Mystique over these prequel films! We got the badass villain in the original trilogy, so seeing her morals develop for the better in these movies was a breath of fresh air and a chance to explore new, original possibilities (even if they were inspired by her actions in the Age of Apocalypse comics timeline). I liked that she came so far as to be the field leader of the X-men and thought her argument with Xavier here was great. It meshed nicely with her opinion in X2 that they shouldn't have to conform to human appearances (or, here, their expectations) to live in peace. This was an important truth to bring up and I'm surprised that it feels like the first time I've seen it addressed in an X-story. I can almost accept her bristling at fame (and the unfair burden that fame represents) as the reason she shifts into her human appearance so often, even at the mansion, but that needed to be spelled out. I liked the rapport she had with the team, especially Jean, and I wish we saw more of an impact on them when she died (if we're wishing for things, I wish she hadn't died at all). Storm especially should’ve had more of a reaction, given Mystique was her hero. The younger students get a moment, but it's more about Jean as the culprit than Mystique's loss. I wish Mystique had let Jean know she agreed with her sense of betrayal and stuck with her instead of trying to bring her back to the mansion (even if I do see why she'd want to play up their family relationship to calm her down). It also wasn't the best strategy for the team to wear their X-uniforms to meet Jean at her house: what kind of message does that send? Having Mystique run with Jean and perhaps toy with the idea that they could change humanity for the better with Jean’s new powers so they could stop fighting to earn their peace might have been a cool development of her argument. Mystique could've played the role the Hellfire Club did in the comics & the Brotherhood did in X3, but with altruistic intentions. If she had to die, I wanted it to have more meaning and purpose: it should’ve been about her and what she stood for instead of immediately being about Erik/Hank's anger and Jean's culpability. I wonder if being impaled is an echo of how Wolverine “killed” her in X-men?

I was generally disappointed by Hank's role throughout the whole movie. I didn't like that he was in his human form so often: so he never got what Mystique was saying about loving himself as he is, even with the world loving the X-men? That’s depressing and if it was meant to be a conscious decision on his part, it should’ve been explored as his own self-hatred (or maybe he is secretly afraid that humanity will turn on mutants again, so he doesn’t want to fully give himself over to embracing his Beast appearance), not brushed aside like a common secret identity. And shouldn't he have shifted into his Beast form at Mystique's funeral, since his transformation was triggered by his emotions? I liked that this borrowed bit of Hulk mechanics revealed what he truly felt in DOFP: that was a cool comment on trying to suppress your real self and way to dramatize who Hank actually was. Here, he has full control but chooses to look human most of the time, which is not a good look (even if I bet a lot of it was about letting Hoult act more clearly without the Beast prosthetics). Like others have said, Hank getting fired up to kill one of his students is an even worse look and if they had to go there, I wish it had more fallout. The movie doesn’t bother much with the betrayal Scott & Co. must feel about their leader turning on one of them like this (instead, that anger is directed at Erik as if Hank didn’t go to him). Then they just let him come back as the headmaster of a school renamed after Jean after all that? No way. Not that I don't believe in forgiveness, but his actions were brushed aside way too easily (just like Erik and Storm's team-up with Apocalypse was in the last movie). I wish he'd retired like Mystique wanted to (if nothing else, to honor her wishes) and left the school to Scott and Ororo instead (they're nearly 30, after all).

I wish there had been less focus on the First Class characters and more of a passing of the torch here. In fact, we needed a lot more of the younger team members' opinions on everything happening in this movie, especially Jean's turn. They’d spent 10 years fighting and living together, after all: surely they have strong opinions. Ororo gets the point of view that Jean’s shown who she really is and isn’t coming back, but then she immediately acts counter to that by backing Scott’s effort to bring her home (and all of this is beside the fact that she too was party to massive loss of life but got to waltz onto the team, which would’ve been an interesting perspective to bring up). I also would’ve liked to see their reaction to Xavier's betrayal (if I were them, I'd be asking how much of their own lives he might’ve changed) and their fame (how do they see their (much safer) world vs. how do the older characters (who fought for it) see it?) as well as the implications of that celebrity status. The short shrift they got was a big negative for me. I was here to see Jean, Scott, Ororo, Kurt, and Peter as the leads, but we only really got Jean out of this bunch. Scott gets some solid moments with Jean—enough to sell their romance and connection—and it’s obvious there’s a friendship amongst the younger generation of X-men, but I feel like the things Jean was going through should’ve created more shockwaves amongst her closest friends. Even with a relatively small roster, you’d never know Storm and Nightcrawler were major X-men from their showing here and Peter is almost completely sidelined after getting his own spotlight scenes in the previous two movies. I would’ve liked Erik to know Peter is his son after he awkwardly didn’t find out in Apocalypse, though it wouldn’t have fit into this movie as it is. Kurt being Mystique’s son would’ve given a unique flavor to their mission interactions, but I guess we’ll have to wait for the MCU to get that relationship.

Another conversation/argument the younger and older generations of mutants could’ve had was about whether Jean’s powers were acceptable within the mutant subculture (which is something we also need to see more of in live-action), much less to the rest of humanity. How much is “too much” mutation (Kurt might have some feelings on that vs. the others’ invisible mutations, not that he’s any more a mutant than the rest of them)? Is there a line where a mutation just won’t be acceptable to non-mutants, no matter what goodwill they’ve gained in society? What about to other mutants (and crossing that line should really come without also making Jean a killer)? With the X-men becoming accepted as the backdrop, Jean’s evolution into Phoenix and the fight against her could’ve been played as a metaphor for people who accept LGB rights but are Transphobic, which would’ve fit the themes of the X-men as a franchise and would’ve added a new layer of complexity to the mutant metaphor (though as a straight cis guy, I defer to the LGBTQ community on whether that'd actually be a good idea and a story worth telling, or if it would hurt more than it helps; it might be preferred to bring in more trans mutants to the team and deal with mutants who are transphobic rather than piling another metaphor onto it, particularly as Jean is already a white woman dealing with racism & homophobia via hatred of mutants). It could also simply be about power & control: maybe Charles and Erik ironically can’t accept the new kind of mutant Jean is (Hank’s apparent self-hatred probably wouldn’t let him either), and they could’ve built the heroes’ split out of that lack of tolerance rather than killing Mystique.

The D’Bari mostly worked for me as antagonists if that was the way Kinberg wanted to go: they made for solid, tough cannon fodder that required mutant powers to defeat. I appreciate that they included that bit of comics canon, but ultimately them being Shi’ar who’d detected Jean's growing power signature and came to extinguish the Phoenix before it destroyed another solar system would’ve worked better IMO, since they could be the authority figures for Jean that humankind couldn’t (also opening the door to the conversation of whether she needs authority figures or if she should be trusted with her power). As it is, even still being the D'Bari could've worked if they'd come to put the Phoenix Force on trial for destroying their world, with Jean an unfortunate "accomplice" to the power. With them wanting to use the power to recreate their world instead, I would’ve liked more comparison between the D’Bari wanting to reclaim their home and mutants saving the world to maintain their place in society. You can also draw a connection between their willingness to manipulate Jean into bringing back their world (or coaxing her to give up her power so they can do it themselves) instead of the harder path of accepting and dealing with their loss and Xavier trying to ignore pain altogether (I do like that parallel a lot). Both the D’Bari and Xavier reached obsessive levels, and the aliens’ obsession with recreating their home at the cost of Earth serves as a nice foreshadowing of what could happen to Jean if she doesn't deal with her pain. I understand that in a two-hour movie we can’t see nuance to every faction, but it would’ve been nice to see some variance between the D’Bari’s goals: were any of them content to live out their lives peacefully? Were these just the fanatics of their species? Did any of them initially buy in before seeing what Vuk brought them to and thought, “this is too far?”

The action was solid, with a mostly good range of power use (even if they weren't as creatively applied as in previous installments). I liked the space rescue sequence a lot (minus apparently not caring about covering Kurt's hands in the vacuum of space) and the fights in New York City and on the train were well-done and comic booky. I was disappointed in the Quicksilver super-speed scene this time and agree with others on Twitter that every character should get spotlight moments like his. Regardless, it was cool that the team didn't hold back their powers and that the effects budget had the capability to let them cut loose. Weaponizing the team’s powers through the X-jet was a great idea! The one character cutting loose that seems weird in hindsight is Kurt’s murder spree on the train: at first it didn’t strike me as particularly odd, given the X-men aren’t at a Superman-level of not killing their enemies and all comic book heroes tend to get their bloodlust elevated in live-action, but after hearing my brother and others online point it out, yeah, it’s an odd choice for him.

Simon Kinberg’s writing and direction carried over a consistent feel from the previous installments, which (like others have noted) was not the case in the transition from X2 to Last Stand. Whatever my wishes for things that they could’ve covered or done differently here, these at least felt like the same characters we’ve been following for the past 1-3 films. He kept the action clear and managed to juggle the characters who did get the most focus pretty well. The scope could’ve been a bit bigger given Jean’s potential and left me wanting more, but I liked that they kept personal focus on the characters instead of having Jean gain absolute power and then stand behind Magneto, saying nothing. I wish they had used the 90s setting a lot more: the only 90s thing about this is that the space shuttle is still in regular operation. First Class and DOFP used their decades to enhance their respective stories; I’m sorry Apocalypse and Dark Phoenix fell short of that. They could’ve at least made a nod to Scott being an X2-canon boy band fan! I get the reason for the team’s matching uniforms—Xavier wanted an orderly image—but they really should’ve used the 90s-inspired ones from the end of Apocalypse instead. They looked so much cooler! I wish they’d brought back John Ottman’s main theme as the X-theme here, because this score didn’t resonate with me like the music of the previous films did.

Dark Phoenix is definitely a mixed bag, but overall I enjoyed a lot of it while wishing it had taken things further. I admire its ambition, even if its success is hampered by the same mistakes of previous films. I’ll buy it on home video, but for the first time I’m looking forward to the MCU’s X-men relaunch more than feeling sad about losing Fox’s version (though Feige is right to let the franchise rest for a bit). While this movie doesn’t have the emotional impact that Endgame does as a culmination, the X-films (along with Blade) kickstarted the modern superhero film and the weight of the franchise’s reach and impact is not lost on me. This series has been a huge part of my life for more than half of my life and I would’ve followed these actors and characters into another adventure—I still genuinely love or like nearly all of the movies in this 19-year franchise—but I do think they’ve kinda run their course. I’m happy that this felt like an ending even though it wasn’t planned as one, and I know I’ll revisit these films even after Disney releases their take on the franchise (which should really be a long-running TV series rather than films, but that’s neither here nor there). It feels weird to say goodbye, but it’s time.

If you’re into the X-men or a fan of these films, don’t let the rotten reviews scare you off from seeing this one. It’s not perfect, but it’s well-acted and there are solid themes with good action. It’s definitely worth a trip to the theater to see this version of Marvel’s merry mutants on the big screen one last time!

Check out more of my reviews, opinions, and original short stories here!

#x-men #dark phoenix

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