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bruundamm52-blog · 5 years

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Whether you're a veteran workout enthusiast or you simply started raising weight, our assortment of stamina training and also health and fitness devices supplies fantastic alternatives for a lot of skill and also health and fitness degrees. Regular blood sodium levels are between 133 and 145 mEq/L, as well as my first examination carried out in Maine Medication at 6 a.m. on Sunday revealed a level of 126, which then dropped to 124 by 8 a.m. My research study also reveals that a coma frequently occurs at 120. This brand-new device needs guinea pig to track and touch a collection of blinking lights spread around the field of vision, while simultaneously calling out numbers that flash for an instant in the facility of the grid.

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Slusar is thrilled the team will certainly start with a home rink, a clothing space, preferential treatment when it involves exercise times as well as, hopefully soon, a place for dryland training. When the youngsters give him attitude - even if it's just one individual - he has them run sprints in the street outside the fitness center. By doing this, CrossFit targets just what it calls the significant elements of physical conditioning: cardiorespiratory health and fitness , stamina, muscle strength as well as endurance, adaptability, power, speed, dexterity, accuracy, equilibrium, and also coordination. While there is evidence that people who exercise for years might experience fitness and also wellness gains in later life, there's additionally evidence that several of those hard-earned advantages could disappear if you quit exercising. You only need about 12 minutes of Super-Slow type toughness training once a week to attain the exact same development hormonal agent manufacturing as you would certainly from 20 mins of Top Physical fitness sprints.

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ikkegoemikke · 7 years

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A team of scientists explore an uncharted island in the Pacific, venturing into the domain of the mighty Kong, and must fight to escape a primal Eden.

Genre : Adventure/Fantasy Country : USA/China/Australia

Cast : Tom Hiddleston : James Conrad Brie Larson : Mason Weaver Samuel L. Jackson : Preston Packard

Director : Jordan Vogt-Roberts

My opinion on “Kong : Skull Island”

“I call them skull crawlers. Why? Cause it sounds unique.”

Is there really nobody else wondering why the actresses in a King Kong movie are so attracted to this giant ape? Honestly, I’m always asking myself the same question. Is it because Kong “King of all places he appears in” is such an impressive appearance, radiating power and protection? Or is it its primitive nature? No idea! But that monkey has good taste in my opinion. In every movie he’s looking full of desire at the lady in distress who crossed his path yet again. Now, these are always women who’ll drive that primitive monkey bananas (how appropriate). Also in this new Kong movie, the lady who’s being helped by the dreaded monkey, looks breathtaking and appetizing.

Keep staring at Brie and you’ll forget about the giant ape.

“Kong: Skull Island” contains a number of successful facets I was quite enthusiastic about. Personally I thought that the soundtrack was superb. The action scenes are really masterful at times. And Brie “The Gambler” Larson walking around the whole movie in an undershirt, was a brilliant idea. Onslow in “Keeping up appearances” also wears it all the time, but isn’t really a treat for the eyes. But looking at Brie Larson wearing such a piece of nothing, makes you forget there’s also a giant monkey on the island. The rest isn’t so impressive though. The story is quite superficial and simple. It merely serves as a steppingstone for an actionable monster story full of breathtaking graphic violence. Some ridiculous situations are of a laughable level and some scenes look as if they were copied from “Apocalypse now” (A kind of homage apparently). Even on the helicopters you’ll see an identical sound system that spews deafening music from the 1970’s, as in the mentioned milestone.

Are you sure this is pure CGI ?

Who cares? I don’t. There’s only one thing I expect when watching a new King Kong movie. An impressive and frightening creature. Certainly the moment he produces that famous primal roar. And to be honest, this is the first time I was wondering if it wasn’t a real primate. Because it looks so lifelike. If they had made an intellectually story full of meaningful dialogues and scientific gibberish, it probably wouldn’t be good either. Just compare the last “Godzilla” movie and this one. How many percent of screen time did Kong have in this picture compared to that other monster? In my view, it’s remarkably more. You don’t have to wait long for his appearance. After the entertaining second world war scene, with two rivals ending up on this cursed island (apparently there was no apocalyptic storm there at that time), you’ll soon see those penetrating eyes of the giant monkey.

Too much opium caused it, I guess.

It’s the sophisticated special effects that will cause you to quickly forget about the imperfections in the story. For example, the first confrontation between Kong and the impending battalion of combat helicopters was portrayed phenomenally. But on the other hand it was so obnoxiously stupid. They are witnessing how a giant monkey destroys one helicopter after the other. Smashing every single aircraft into millions of pieces. And yet, there’s no pilot who concludes that it might be better to send his heli into another direction. Away from the furious monster. Too much psychedelic music and hallucinogens during their tour in Vietnam might have something to do with it. When Brie Larson wants to lift a crashed heli just by herself so she could free a giant water buffalo, like a real animal activist, I almost choked in my popcorn.

The caricatural characters fit this movie.

You can call most of the human characters caricatural. But in a way, they fit perfectly in this movie. Especially Samuel L. Jackson who crosses the island looking for retaliation and who’s determined to kill Kong. The psychotic tirades of him with hollow expressions such as “This is one war, we’re not gonna loose“, sometimes seem pretty lame. But actually I enjoyed these silly rants. The same goes for John Goodman’s character. A so-called scientist who has set up this expedition for other reasons than he initially explained. And then there’s the Robinson Crusoe on duty, John C. Reilly, who has been on this island for years now and sees a possibility to escape from this hellhole (most funny personage). Tom Hiddleston and Brie Larson are actually the most normal characters. One of them rolling with his muscles as a professional tracker. The other displaying some other muscles as an anti-war photographer.

An outstanding monsterfilm

The rest of the cast is not that important eventually. They only serve as props and are being used as bait to the colorful collection of giant monsters. So expect a series of flying, sliced and crushed victims. But despite the thin story and the fact that human fellow actors only serve as decorative pieces, this monster film is a true spectacle. As a monstermovie lover, you must admit that the battle between Kong and the giant octopus is nevertheless outstanding and fantastic enough to give you the heebie-jeebies. The teaser in the end predicts a sequel (Well,money still makes the world go round). It isn’t something I’m looking forward to. But the terrifying confrontation between those two opponents, Kong and Godzilla, could use a reboot. Apparently we have to wait for that until 2020. Bring it on, for all I care.

My rating 6.5/10 Links : IMDB

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fathersonholygore · 7 years

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AMC’s Better Call Saul Season 3, Episode 1: “Mabel” Directed by Vince Gilligan Written by Vince Gilligan & Peter Gould

* For a recap & review of the Season 2 finale, “Klick” – click here * For a recap & review of the next episode, “Witness” – click here We start Season 3 with another black-and-white flash forward into the future of Jimmy McGill a.k.a Saul Goodman a.k.a Gene the Cinnabon manager (Bob Odenkirk). Nancy Sinatra croons “Sugartown” as we watch his daily life at the Cinnabon in the mall. Far from where we saw him in Breaking Bad, juxtaposed beautifully with the place we follow along in the current timeline of Better Call Saul; one of the fascinating parts of the writing and the progression of characters is how Gilligan & Co. pull off making his journey into a, at times, non-linear adventure. In turn, this keeps things fresh even though we already know where Jimmy/Saul ends up down the road. What I’m most interested in is where Gene goes from this point post-Breaking Bad, or if he continues on in his purgatorial existence, a fitting end for a greasy guy such as himself. Eating lunch alone on a bench he winds up seeing a sketchy young man who looks to be hiding, in trouble. Rather than let the kid go on, he rats him out to the cops. Then in a burst he tells the kid to say nothing, and advises him to get a lawyer. That old Saul came loose, even for a second. Gene’s not as measured as he once seemed. Later while glazing some buns he passes out. Yikes. To the current timeline. Jimmy and Chuck (Michael McKean) are back where we left them, when the younger brother confessed to his brother believing no one else would hear. Not knowing Chuck was hiding a tape recorder the entire time. All the while Jimmy thinks everything’s well, or at least stable. A situation he can manage. The brothers reminisce about being younger, triggered by The Adventures of Mabel which Jimmy finds in Chuck’s bookcase. For the first time, they actually seem like brothers. Not for long, though. The older of the two reminds with an ominous tone: “You will pay.” Kim Wexler (Rhea Seehorn) is doing her best to keep her chin up, too. Despite the rollercoaster of a life she has sitting next to Jimmy. He’s not exactly a dream dude to be involved with in business, or in friendship, love, et cetera. Eventually I have to believe Kim won’t be able to reconcile her morality with being on his side. She already knows he’s not on the level, but just doesn’t realise how deep the well of deceit goes. But as always, the problem is that Jimmy’s such a likeable loser that it’s very tough not to root for him. Jimmy: “For ten minutes today Chuck didn‘t hate me. I forgot what that felt like.” Meanwhile, Howard Hamlin (Patrick Fabian) hears Chuck’s tape of Jimmy and the confession. Certainly the secret recording isn’t enough to hold up in court; Chuck knows. So why have the tape at all? Does it involve Kim? Of most interest to me is Mr. Mike Ehrmantraut (Jonathan Banks). He was out in the desert, and found a note telling him to get away. A warning, but from whom exactly? Mike does the smart thing, speeding away from the scene then checking his car for any kind of devices; nothing. He heads to a scrapyard and has a closer look. And I mean a CLOSER FUCKING LOOK. Mike uses every last ounce of his training to look through the guts of his car, inspecting each inch with precision. Like he can smell it yet can’t seem to find the thing. Finally, he discovers something hidden in the gas cap. THE GAS CAP! An ingenious, tedious place to hide a tracking device. That’s some next level deviousness. But now Mike has some idea, a starting point leading to whoever’s keeping an eye on him so close.

Jimmy receives a visit from Captain Bauer (Brendan Fehr), one of the military gentlemen whose eyes he pulled the wool over when needing to cut a commercial. Anyways, he’s not happy. Slick talkin’ Jimmy tries to sell him a load of horseshit, that doesn’t work. Either Jimmy takes the ad down or “there‘ll be hell to pay.” He doesn’t dig that, so he threatens to take it to court and win. The captain advises him, in his own way of speaking, that eventually Jimmy’s going to get what he deserves. From the flash forwards and seeing Breaking Bad, we know this to be true. With his newly acquired knowledge, Mike switches out his gas cap to head off after work. At an old warehouse he meets his friend the veterinarian (Joe DeRosa) to get himself some gear. Pricey, too: $1,000. Back to Kim, over at Mesa Verde she’s doing great work. As always. Worse still she knows the treachery, the guilt eats her. How long before it eats her alive? Every time she hears about Chuck and his supposed mistake, it’s like a stab in the gut. Also, in the office – that rainbow… any imagery connections to that in Season 2? I’d like to revisit that. Over at Chuck’s place, he has to get Ernesto to help him change batteries in the tape recorder. The thing is on when he changes them, he hears a bit of Jimmy confessing. This sends the old gentleman into a fit of anger, trying to make sure Ernesto won’t ever tell anybody about what he’s heard. “There could be terrible consequences,” Chuck convinces him with a torrent of quasi-threatening language. Mike, Mike, Mike; what will you think of next? He’s like the counter-intelligence king of the streets, using all that police knowledge from busting criminals, learning their ways, to fuel his own criminal enterprises. Except right now it’s like espionage, trying to discover who’s on the other end of the surveillance on him. He’s reversing the cat and mouse aspect of the dangerous game that’s being played, or at the least trying to do so. And he loves pistachios. Fucking loves them. I don’t blame him, either; they’re great. After a long night of waiting, Mike sees a vehicle stop. Someone retrieves the GPS tracker from the gas cap then they’re off into the night fast as they came. So, Mike has a lead on where they’re headed. Want to take a guess? Might have something to do with Los Pollos Hermanos, maybe?

Great start to the season! I don’t care if people say the show’s slow moving. It’s meant to; the storytelling and the character development and the plot moves are all spectacular. Great music and score, as well. Excited for “Witness” next week. Welcome back. Better Call Saul – Season 3, Episode 1: “Mabel” AMC's Better Call Saul Season 3, Episode 1: "Mabel" Directed by Vince Gilligan…

#Better Call Saul #Bob Odenkirk #Cinnabon #Gene #Jonathan Banks #Nancy Sinatra #Rhea Seehorn #Saul Goodman #Season 3 #Sugartown #Vince Gilligan

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thewoofer · 7 years

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Review | Kong: Skull Island (2017)

In addition to all the rehashing Hollywood is doing these days, it has become very fond of something called the Cinematic Universe, thanks, no doubt, to Marvel’s seemingly esoteric business model. It wants every property and franchise to interconnect and speak to each other, sometimes discarding relatively new iterations in an attempt to wipe the slate clean and begin again. Remember Andrew Garfield as Spider-Man? I don’t, and that was just 2 years ago. Remember Christian Bale as Batman? Wait, Christian who? And now you’re telling me they’re doing another King Kong movie? What was wrong with the old one?

Nothing, of course. It just didn’t fit in with the plan. So here comes Kong: Skull Island, the brand new adventure that’s supposed to up the ante, raise the stakes and deliver on its promise to usher in a new Shared Universe with Godzilla. And if its marketing campaign is anything to go by, it should be a wild, thoroughly satisfying ride. But let me just say – it’s really, really not. This is a dumb old movie, quite possibly the Jurassic World of 2017.

It’s rather remarkable how little actually happens here, despite all the larger-than-life creepy crawlies the CGI puts on display. The great beast is revealed way too early, killing all suspense. We still get soldiers calling Kong a monkey (wasn’t this settled in kindergarten?). There is an entire scene devoted to Kong tearing a giant squid to pieces, y’know, because he can. There is literally a standoff between Kong and Samuel L. Jackson as a horde of exploding helicopters rains down around them. And the cast. My word. Not for a long while have I witnessed such an expansive cast do absolutely nothing in an action movie.

Tom Hiddleston plays James Conrad, a tracker basically hired to sift through some sand and look off ominously into the distance, while Jackson’s army colonel Preston Packard huffs and puffs and tries to bring the ape down with toothpicks. John Goodman and Corey Hawkins play the scientists responsible for bringing everyone to the island in the first place. There are a bunch of soldiers under Preston’s command, including Toby Kebbell, who – I’m not kidding – is given screen time that amounts to about four syllables. Brie Larson’s “photojournalist” does nothing but take pointless pictures and wear skin-tight tops. And, of course, there’s your token Asian presence, pencilled in by Jing Tian, who’s not even important enough for an introduction. Fifty points if you can tell me her name and what she does.

Kong, therefore, can’t rely on its human characters for any kind of support. The entire film is essentially a two-hour setup for the future and a needless reminder of the past, with Goodman babbling on about how the Earth actually belongs to prehistoric creatures and will become the stage for a mammoth showdown. Didn’t we hear all this in Godzilla (2014)?

What it does do well is deliver a few impressive action sequences – but then how many modern blockbusters don’t? Scenes in which Kong fends off numerous overgrown lizards are edited with urgency and pump some blood into the movie’s otherwise limp veins, but even they seem like hollow echoes of Peter Jackson’s King Kong (2005), a vastly superior giant gorilla picture.

What we end up with is a reboot (or a sequel, or a remake, or whatever it wants to be) that succeeds only on a superficial level, by shifting the timeframe of the story from the 1930s to the 1970s and doing away with the film crew and the damsel in distress. On a deeper front, Kong: Skull Island is one big mess, offering a pointless human element, some inadvertently laughable moments, and a genuinely underwhelming experience. 1933 Kong must be turning in his grave.

#the critical reel #movie review #film review #kong skull island #king kong #kong skull island review #tom hiddleston #brie larson #Samuel L. Jackson #samuel l jackson #john goodman #godzilla

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ikkegoemikke · 7 years

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Kong : Skull Island (2017)

A team of scientists explore an uncharted island in the Pacific, venturing into the domain of the mighty Kong, and must fight to escape a primal Eden.

Genre : Adventure/Fantasy Country : USA/China/Australia

Cast : Tom Hiddleston : James Conrad Brie Larson : Mason Weaver Samuel L. Jackson : Preston Packard

Director : Jordan Vogt-Roberts

My opinion on “Kong : Skull Island”

“I call them skull crawlers. Why? Cause it sounds unique.”

Keep staring at Brie and you’ll forget about the giant ape.

Are you sure this is pure CGI ?

Too much opium caused it, I guess.

The caricatural characters fit this movie.

An outstanding monsterfilm

My rating 6.5/10 Links : IMDB

Your Score

[Total: 0 Average: 0]

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