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rainybasementpaper · 28 days

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Cos Ahmet

Dismantling of the Body

A Guest speaker from this module that grabbed my attention was Cos Ahmet, as his work is unconventional and esoteric in my opinion his performance art works, perfectly captures what people either adore or despite contemporary art for. Ahmet graduated from John Moore's with a master's in fine art and now has a studio at the Royal Standard, where the artist collaborates with other artists in residency, continually with Garry Finigan. Focusing on his solo work, Ahmet explores materials in all forms from textile work to more metaphorical pieces blurring the boundaries between material and body. In bodies of work such as from the bones to the skin Cos uses the idea of fractures and repairs in pipes as representations of the body- using domestic objects to paraphrase the body as pipe joints are labelled elbow joints the link is evident. It delves into concepts of dismembered and separated parts and the use of domestic and industrial elements. This was inspired by the work of Hans Bellmer who focused on mutilation of dolls and the dismantling of the body throughout the majority of his work, the surrealist portrayals of dolls/ women are unsettling and incomplete.

What is it to be a body now?

Ahmet references Keira O’Riley, an Irish post-war artist employing visual, performance and feminist art through the 90’s up to the present. O’Riley ‘speculative reconfigurations of The Body in its most expanded sense, across multiple spaces, scales, and temporalities, often but not always, working with site, duration, and context as generative elements’ (http://www.kiraoreilly.com/statement) . The artist focuses on body politics and is now a crucial figure in biological arts and ecology in Helsinki. In response to the question she posed; what is it to be a body now? Ahmet created The Presence of Relics (2020) and To Disperse Is To Cause (2020) which inspired by O’Riley, using clear tape and film to create a phantom impression of itself and the concept of shedding his own skin. The Presence of Relics consists of the body and the box becoming one, as Ahmet shows bodies disappearing, morphing into a type of mass.

Acknowledging the Choreographic Object

The artist is well informed by art history, with the readings of Erin Manning and the works of William Forsythe, Alan Kaprow and Franz Erhad Walther shaping his art. Franz’s performance pieces from the 60’s were conceptual, with participation of people covered/ wearing a fabric, stretching miles between the people. This is referenced in Ahmet’s Sensing the Inbetween (2020) with the same name as Walther’s. Ahmet created the piece in a different material, replacing the fabric with clear film and box’s that performers were shrouded in. Within the context of social differences, Ahmet’s rendition is indicative of Covid as the two are stood socially distanced and in their respective bubbles. The artist also informed a separate piece of Ahmet's collection; as he was prompted to make an object he could disappear into. Cos achieved this through using the material of a survival blanket, in Curious Being (2021) he created a performance piece on Crosby beach during the first lockdown of Covid-19, adding an extra layer to the blanket for structure Ahmet was inside the object in order to ask the question when does the body stop being a body and become material?

Mannings ideology of ‘Choreography happens everywhere, all the time’

Ahmet follows artists such as O’Riley by exploring the naked body in performance and video, as seen in the exhibition of Proposition (2022) at gallery Dodo in Brighton. The piece includes a nude man with translucent plastic or film over his face, while holding a clear box over his genitals. The artist intends to depict how a body interacts with unfamiliar objects, disappearing into and becoming a material. I see this as why Ahmet works with transparency, as it adds a juxtaposition of hiding the performer while being completely visible.

Ahmet continues to divulge in merging material and body through Your Normal Surface Is Not Available where he covers himself in foil to immerse himself into the background of a survival blanket gradually. The video capturing the process of his face being covered increasingly, eventually hiding his eyes, then ends with the model beginning to take the mask off, although the audience does not see his entire face. This is done through performance in a video edited giving his face transparency, adding a factor of fantasy, and almost creating a liminal space within the video, with a soundtrack of eerie music composed by fellow artist Gary. Ahmet hails his inspiration from Bruce Nauman’s Art of Make-Up Series (1967-68).Nauman is an American artist who in this video is stood topless, applying white paint to himself until completely covered, the ritual is repeated with pink, green and black makeup displayed through four screens at once.

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16over6 · 2 months

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Asking for a friend. She is an art student at Forsyth Tech and is looking for space to kept her artwork as she has not space at home. She also has very limited funds. Do you have space available and if so, what is the cost?

Hi! Thanks for contacting us! For information about Classroom, Studio Space or renting the Landing Gallery, please email us; [email protected] - Jennifer

Studio space begins at $250

#artist studio

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industry-and-enterprise · 3 months

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Compass Gallery

Compass Gallery, Glasgow's oldest contemporary art gallery established in 1968, has been a pivotal force in supporting emerging artists, both new graduates and established talents.

The gallery showcases a monthly program featuring solo and themed exhibitions, including the renowned 'New Generation Show.' Since its founding in 1969, the gallery has actively scouted fresh talent across Scotland, fostering a lively arts scene. Pioneering initiatives like Christmas Shows and New Generation Shows have become industry standards.

Compass Gallery, originally founded as the New Charing Cross Gallery, evolved under the guidance of Cyril Gerber into a prominent player in the Glasgow art scene. Notable artists, including Peter Howson and Jennifer McRae, debuted as new graduates in annual exhibitions, a groundbreaking concept initiated by Gerber.

The gallery's contributions extend to exhibiting mature artists like David Bellany and Elisabeth Frink, highlighting its enduring influence on Scottish contemporary art. With a friendly atmosphere and an engaged staff, Compass Gallery continues to enrich Glasgow's artistic landscape with its imaginative and diverse exhibition program.

Strange Field

Strange Field, established in 2012, is a dynamic platform fostering creative experimentation, learning, and development, with a strong commitment to underrepresented and early-stage career artists. Situated at both French Street and The Pipe Factory in Glasgow's East End, Strange Field envisions accessible creative platforms embedded in communities, catalysing increased creative development, education, experimentation, and inclusion.

The organisation prioritises supporting underrepresented and early-career artists, emphasising accessibility and resilience within the arts. It actively engages with the local community in Glasgow's East End as a catalyst for creative change and improved quality of life through cultural activities.

Striving for best practices, Strange Field operates with a non-hierarchical governance model known as Policy Governance or Carver Governance, fostering co-operative working and organisational resilience.

The curated programme includes exhibitions, events, residencies, and workshops, focusing on early career and underrepresented artists. Strange Field provides affordable studios for artist production, a unique application writing support service, and is actively working towards an open community art school at The Pipe Factory.

French Street offers affordable, first-come-first-served studios with rates inclusive of bills, ranging from £95 to £200 per month. While the studios are wheelchair accessible, there is currently no accessible WC. Studios provide 24-hour access, Wi-Fi, and open-plan spaces with natural daylight.

Strange Field is expanding its studio provision at 111/113 French Street and developing an alternative arts education program—a community art school—to overcome barriers preventing diverse participation in creative activities.

In summary, Strange Field stands as a vibrant hub supporting artists and communities, embodying inclusivity, creative exploration, and a commitment to fostering emerging talent.

The Pipe Factory

Friends of The Pipe Factory, driven by a Regeneration Capital Grant Fund award of £1,965,354, is set to transform Glasgow's B-listed Pipe Factory into a vibrant community and creative hub. Originally a clay smoking pipe factory from 1877 to 1955, the building's renovation project aims to revitalise it as a facility for creative activity and community well-being. The grant will facilitate internal remodelling, installation of new facilities, energy-efficient systems, and various upgrades, honouring the building's historical significance.

The Pipe Factory, built in 1876-79, designed by architect Matthew Forsyth, once employed over 500 people producing up to 14,000 clay pipes a day. Closed in 1955, the building's current project seeks to refire it as a creative and community space.

Between 2012 and 2018, The Pipe Factory Ltd ran a successful program with residencies, exhibitions, and events. In 2016, emergency repairs were undertaken, including replacing windows and a new slate roof, supported by Glasgow City Council and the Architectural Heritage Fund.

The Pipe Factory Ltd, now trading as Strange Field, played a pivotal role in creating a cultural resource in Glasgow's East End. Friends of The Pipe Factory CIC, formed in 2020, aims to continue this legacy by purchasing and redeveloping the iconic building into a creative social enterprise.

The grant will fund internal remodelling, installation of a new lift and secondary staircase, building fabric repairs, energy-efficient systems, and replacements of windows and doors, making the building accessible and sustainable.

Friends of The Pipe Factory CIC outlines six main outcomes, including increased community engagement, improvements in physical and mental well-being through arts programs, new learning opportunities, pathways to employability, support for creative industries, and the preservation of heritage.

In March 2021, Friends of The Pipe Factory purchased the building as a community asset, fuelling their ambition to create a permanent home fostering creativity and individual learning, with young people and communities at its heart.

Barras 100, a year-long celebration of the 100th anniversary of The Barras market, is the first creative project by Friends of The Pipe Factory, showcasing the building's commitment to community engagement and cultural celebration.

This ambitious project, driven by a passionate group of organisations, aims to breathe new life into The Pipe Factory, offering a space for collaboration, learning, and creative experimentation that will benefit both individuals and the wider community.

Transmission

Transmission, established in 1983, stands as a pivotal artist-run organisation in Glasgow, embodying a commitment to autonomy while being intricately connected to its membership and communities. Operating as the longest-standing artist-run space in Glasgow, Transmission engages in diverse activities, including exhibitions, events, exchanges, residencies, and publications. It serves as a social hub, fostering a present-day community while housing an archive of materials tied to its gallery's history and membership.

Transmission collaborates with artists across various initiatives, providing a platform for the production of exhibitions, events, and publications. It also facilitates exchanges, residencies, and shares resources with its membership to support activities beyond its programming.

While labouring under the banner of autonomy, Transmission acknowledges its deep interdependence on factors and players influencing its operational parameters. As a registered charity, it sustains itself through a combination of state funding, voluntary labor, and the ongoing construction of its community.

Engrained in its constitution is the commitment to keeping all Transmission activities and resources free, ensuring fair pay for everyone involved, including artists and creative practitioners. This commitment coexists with the voluntary nature of the committee managing and programming Transmission.

Beyond being an exhibition space, Transmission serves as a vibrant social hub, fostering a dynamic community of artists, creatives, and supporters. Its activities aim to bridge the gap between autonomy and the collaborative efforts that sustain its existence.

As a registered charity, Transmission embodies its commitment to fair pay and free access through a unique organisational structure managed by a voluntary committee. The committee, consisting of six individuals, operates under the ethos of Transmission, with successive two-year terms.

Transmission, with its rich history and ongoing commitment to artistic freedom, fair pay, and community engagement, remains a cornerstone in Glasgow's artist-run landscape, showcasing the intricate balance between autonomy and collaborative efforts in sustaining a vibrant creative space.

Glasgow Project Room

Established in 1997, the Glasgow Project Room originated as a space for studio members to showcase their work. Located on the first floor of the Trongate 103 centre, it has evolved into a dynamic project space that supports both the studios and a broader audience, hosting exhibitions and events by artists locally and globally. The Project Room operates without direct funding, requiring artists to fund and manage their own shows.

The studio offers an open-plan system fostering support and dialogue among a diverse community of artists working in various media. Artists in the studios have gone on to further education and international exchanges. To apply for studio space, artists can contact the committee by email or telephone, and successful applicants must demonstrate a commitment to being a visual artist and the artistic use of the studio.

Artists and curators are invited to submit proposals to Glasgow Project Room by sending six examples of their work, a CV, and an outline of their intentions for the space to [email protected]. The committee reviews proposals every three months, and responses may take this duration.

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commdesign · 2 years

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Profile Research #2

Research 18 of the leading Communication Design studios that specialise in branding in Aotearoa New Zealand. - AUT Brief

As part of our group work, we are to research 4-5 different brand companies/freelancers for our BLAD content.

Osborne Shiwan

Osborne Shiwan is a New Zealand-based branding and advertising agency, located in Auckland city. Formed in 2006, by Creative Directors Lloyd Osborne & Shabnam Shiwan, 'Osborne Shiwan' has years of experience in the design industry, working with well-known brands and have gained global recognition through their work, particularly in the commerce, arts and culture sector.

Website: https://www.osborneshiwan.com/

Clients

Art & Culture

Atamira Dance Company

Auckland Art Gallery

Govett-Brewster Art Gallery / Len Lye Centre

New Zealand Opera

Objectspace

Beauty

Ryder

Design & Architecture

O2Today / Marcel Wanderes

Sills van Bohemen

Saatchi & Saatchi

Editorial

Nanette Cameron

Nic Staveley

Penguin Random House

Govett-Brewster Art Gallery / Len Lye Centre

Fashion

Karen Walker

Godavari Diamonds

Knuefermann

Deadly Ponies

Finance

Kooyong Group

Forsyth Barr

Everedge IP

ASB Bank

Food & Beverage

Allpress

Our Land of Milk and Honey

Delverde

Hospitality

Nourish Group

Euro Bar and Restaurant

Nonprofit

Imagine Better

Tourism

Love Taupo

A Few Osborne Shiwan Projects - AWA, Karen Walker & Govett-Brewster Art Gallery / Len Lye Centre

#research

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nephaelia-sims · 2 years

Photo

Finally building the Forsythe family gallery/museum/studio :o I want a place separate from their house for showing off their art and collections, as well as a big photo studio, and maybe as a place for social events too.

I got the bills down by half (without cheats!!) by buying the Frugal reward trait for like 3 of the adults in the household LOL. So they were still 12k simoleons last week... but that’s down from 26k SO UH. Not looking forward to see what they’ll be this week (since I bought the business, that pool alone is worth like 20k) but the twins will be adults soon and hopefully I can get them to have enough reward points to get the Frugal traits too...

#ts4 builds #sims 4 builds #wip #forsythe legacy #sims 4 #ts4 #bb #my builds

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papermoonloveslucy · 3 years

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THE DARK CORNER

November 10, 1947

Synopsis ~ A former San Francisco private eye, just in back New York after two years in prison (the victim of a frame-up), finds himself a target for another send-up and murder.

Directed by Fred MacKaye with musical direction by Louis Silvers and sound effects by Charlie Forsyth

Adapted for radio by Sanford Barnett from the screenplay by Jay Dratler and Bernard Schoenfeld based on the book by Leo Rosten.

It was based on the 20th Century Fox motion picture of the same name released on May 8, 1946.

In later years, Lucille Ball was vocal about hating the experience of shooting The Dark Corner. Director Henry Hathaway's bullying reduced Ball to stuttering on set, at which point Hathaway accused her of being inebriated. At the time, Lucille Ball was suing to get out of her contract with MGM. As a result, MGM loaned her to Fox for this picture, which included a significant pay cut.

Lux Radio Theatre (1935-55) was a radio anthology series that adapted Broadway plays during its first two seasons before it began adapting films (”Lux Presents Hollywood”). These hour-long radio programs were performed live before studio audiences in Los Angeles. The series became the most popular dramatic anthology series on radio, broadcast for more than 20 years and continued on television as the Lux Video Theatre through most of the 1950s. The primary sponsor of the show was Unilever through its Lux Soap brand.

CAST

Lucille Ball (Kathleen Stewart) was born on August 6, 1911 in Jamestown, New York. She began her screen career in 1933 and was known in Hollywood as ‘Queen of the B’s’ due to her many appearances in ‘B’ movies. “My Favorite Husband” eventually led to the creation of “I Love Lucy,” a television situation comedy in which she co-starred with her real-life husband, Latin bandleader Desi Arnaz. The program was phenomenally successful, allowing the couple to purchase what was once RKO Studios, re-naming it Desilu. When the show ended in 1960 (in an hour-long format known as “The Lucy-Desi Comedy Hour”) so did Lucy and Desi’s marriage. In 1962, hoping to keep Desilu financially solvent, Lucy returned to the sitcom format with “The Lucy Show,” which lasted six seasons. She followed that with a similar sitcom “Here’s Lucy” co-starring with her real-life children, Lucie and Desi Jr., as well as Gale Gordon, who had joined the cast of “The Lucy Show” during season two. Before her death in 1989, Lucy made one more attempt at a sitcom with “Life With Lucy,” also with Gordon.

Mark Stevens (Bradford Galt) reprises his role from the film version of The Dark Corner (1946). He became a contract player for Warners at $100 a week in 1943 but they darkened and straightened his curly ginger-colored hair and covered his freckles. At first he was billed as Stephen Richards, he later changed it to Mark Stevens at the suggestion of Darryl F. Zanuck when he switched to 20th Century-Fox. He died in 1994 at age 77.

Joseph Kearns (Ralph Wickett) appeared on “I Love Lucy” as the psychiatrist in “The Kleptomaniac” (ILL S1;E27) and later played the theatre manager in “Lucy’s Night in Town” (S6;E22). His most famous role was as Mr. Wilson on TV’s “Dennis the Menace” (1959). When he passed away during the show’s final season, Lucy regular Gale Gordon took over for him, playing his brother.

In the film, the character was named Hardy Cathcart and was played by Clifton Webb.

Norma Jean Nilsson (Little Girl at the Boarding House) was a child actress who left Hollywood at age 19 after appearing in 16 films and television shows.

In the film, the character carries a slide whistle, which is not used here. She was played by Colleen Alpaugh.

Wally Maher (Fred Foss aka Stauffer) was born on August 4, 1908 in Cincinnati, Ohio. He was known for Mystery Street (1950), The Reformer and the Redhead (1950) and Hollywood Hotel (1937). He was married to Molly Bruno. He died on December 27, 1951.

In the feature film, the role was played by William Bendix, who would go on to fame as the title character in TV’s “The Life of Riley.”

Dan O'Herlihy (Anthony Jardine) was an Irish-born actor nominated for an Oscar in 1954 for Robinson Crusoe. In 1960 he made an appearance on Desilu’s “The Untouchables.” He was in two of the RoboCop movies. He died in 2005 at age 85.

In the feature film, the role was played by German-born actor Kurt Krueger.

Fay Baker (Mari Wickett) was born on January 31, 1917 in New York City as Fanita Baker Schwager. She was known for Notorious (1946), The House on Telegraph Hill (1951) and Deadline - U.S.A. (1952). She died on December 8, 1987.

In the feature film, the role was taken by Cathy Downs, making her first credited screen appearance.

ENSEMBLE

Trude Marson was seen in uncredited roles in four films from 1937 to 1947.

Noreen Gammill started her screen career as the voice of Catty the Elephant in Disney’s Dumbo (1941). She made two background appearances on “The Andy Griffith Show” (1963 and 1964), filmed on the Desilu backlot.

William Johnstone is probably best remembered as Judge Lowell on the long-running daytime drama “As The World Turns”. Prior to that he worked extensively in radio and took over the role of Lamont Cranston on "The Shadow" playing opposite Agnes Moorehead when Orson Welles left the series.

Janet Scott was a regular background voice on “Lux Radio Theatre” with dozens of episodes to her credit from 1937 to 1955.

Lois Corbett was married to Don Wilson of “The Jack Benny Program” and as such did more than a dozen episodes of the television shows with him from 1954 to 1964.

Edward Marr was seen in The Affairs of Annabel with Lucille Ball in 1938. He was also in two Bob Hope TV specials with Hope and Ball in 1966 and 1970.

Stanley Farrar was seen on “I Love Lucy” in “Home Movies” (ILL S3;E20) and “Staten Island Ferry” (ILL S5;E12). He on “The Lucy Show” in “Lucy and Arthur Godfrey” (TLS S3;E23) and “Lucy Meets Danny Kaye” (TLS S3;E15).

Herb Butterfield was born on October 28, 1895 in Providence, Rhode Island. He was known for The Halls of Ivy (1954), The House on Telegraph Hill (1951) and Shield for Murder (1954). On radio, he portrayed the Commissioner on NBC 's "Dangerous Assignment" (1949-53) and Clarence Wellman on "The Halls of Ivy" (1950-52). He died on May 2, 1957

Cliff Clark was seen with Lucille Ball in Her Husband’s Affairs (1947), Miss Grant Takes Richmond (1949), and The Fuller Brush Girl (1950).

OTHERS

William Keighley (Host and Producer) was the director of nearly 40 feature films between 1932 and 1953. His film The Adventures of Robin Hood (1938) was selected for the National Film Registry by the Library of Congress as being culturally significant.

Dorothy Lovett (Commercial Spokeswoman as Libby Collins, Hollywood Reporter) appeared as Meta Bauer on radio’s “The Guiding Light" (1945-47) and as Toni Sherwood in "The Adventures of Rocky Jordan". She did three films with Lucille Ball from 1939 to 1941.

Betty Ann Lynn (Herself, Act Two Intermission Guest) is best known for playing Thelma Lou on “The Andy Griffith Show” (1961 to 1965) which was filmed on the Desilu back lot.

John Milton Kennedy (Announcer) was the announcer of all 35 episodes of “The Loretta Young Show” from 1954 to 1955.

ACT ONE

William Keighley introduces the program, noting that many years earlier, director Fred Kohlmar saw a titian-haired young model who had great possibilities - Lucille Ball. He later had the privilege of presenting her in the film version of The Dark Corner. After a mention of Lux Toilet Soap, the program begins.

The action opens in a New York City office building on a sultry summer afternoon. Police detective Reeves visits the Offices of Bradford Galt, Private Investigator and speaks to his secretary, Kathleen Stewart.

Galt enters and Reeves wonders why Galt didn’t notify him that he moved offices after his prior unpleasantness. Galt asks Kathleen to have dinner with him. After dinner, Galt asks her to go dancing but she’s wise to his advance. As they walk down the street, they realize that they are being followed.

Kathleen takes a cab back to the office, while Galt confronts the pursuer at gunpoint, taking him back to his office for questioning. He says his name is Fred Foss, and that he’s also a private detective. Galt doesn’t believe him and decides to beat the truth out of him.

After some roughing up, Fred discloses that he is being paid to tail Galt by Anthony Jardine. In the tussle, some ink spills on Foss’s white suit. He lets Foss leave. Kathleen was supposed to tail Foss after he left the office, but he tricked her and got away.

Back at his rooming house, Foss uses the hall telephone to call art gallery owner Ralph Wickett, and his ink-stained suit is noticed by a Little Girl neighbor.

At a party for his third wedding anniversary, Wickett hangs up and is greeted by Jardine, a lawyer. Mrs. Lucy Wilding takes Jardine aside pretending to ask legal advice, but it is revealed that he is blackmailing her.

Meanwhile, Galt confides in Kathleen about his past. Jardine is trying to kill Galt because he was a former partner that Galt confronted about his blackmailing female clients. Now Jardine wants to finish the job.

Mari Wickett, Ralph’s wife, is having an affair with Anthony Jardine. She wants to run away with him. At the same time, Galt is headed there to settle the score.

End of Act One

A Lux commercial break takes the form of a story from Libby Collins, Hollywood Reporter. She says she saw Universal’s The Lost Moment starring Robert Cummings and Susan Hayward. Libby says she was on location when they filmed the big fire scene, the biggest fire ever done on a sound stage. She says that she and Susan Hayward washed the soot off their faces with Lux Toilet Soap!

At the time of the broadcast, The Lost Moment was still two weeks from being released. It opened in cinemas on November 27, 1947. The story is set in Italy, so the cast included Edward Ciannelli, who played pizzeria owner Mr. Martinelli in “Visitor from Italy” (ILL S6;E5) and Saverio LoMedico who played the Rome hotel bellboy in “Lucy’s Italian Movie” (ILL S5;E23). The film was not a box office success.

ACT TWO

An hour has past since the end of Act One and Galt is at Jardine’s door. Galt threatens Jardine, who denies tailing him.The two fight while Mari is hiding in the other room. After Galt leaves, she convinces him to run away with her.

At the Gallery, Wickett is visited by Foss. It is clear Wickett is setting up Jardine to take the fall when he has Galt killed. Foss calls Galt to betray Jardine for a price. Galt suggests a one-on-one meeting at his apartment - 904 West 52nd, apartment 307 at 8pm sharp. Wickett will send Jardine to Galt’s apartment at 7:30pm.

In reality, there is no such address. West 52nd Street in New York City ends at the the 600s block. This is similar to the Ricardo and Mertz apartment building. 623 East 68th Street, which, if real, would be in the East River!

Kathleen and Galt are supposed to meet at the movies, but he doesn’t show so he goes to his apartment at 8:30. Galt opens the door and reveals that Jardine is dead. Galt was ambushed with and knocked out with ether. He woke up to find Jardine’s body bludgeoned by the fireplace poker. Galt realizes he was set up.

Later, Galt meets Kathleen at her apartment. He couldn’t find Foss and doesn’t know where to look next.

Wickett reminds Mari that they are due at the Kinsglsey’s that night, but she begs off. He strongly hints that he knows that Mari is stepping out on him and looking to run off.

Galt suddenly realizes that Foss would have to have his white suit cleaned, so he is determined to search all the cleaners for the suit and get his address.

Foss phones Wickett, and the Little Girl is there to overhear his conversation. Foss makes a plan to meet Wickett on the 31st floor of the Grant building.

Galt and Kathleen are about to give up on the search for the suit when a cleaner comes through. They get his address and trace Foss to the rooming house where he lives. His name turns out to be Stauffer, not Foss. The landlady reports that he moved out an hour ago and doesn’t know where he went. But the Little Girl does - and spills the beans for a quarter! Galt and Kathleen head for the Grant Building.

End of Act Two

In the break, Keighley interviews Fox contract player Betty Ann Lynn, who saw filming of Daryl F. Zanuck’s Gentleman’s Agreement starring Gregory Peck and Dorothy McGuire in a “very unusual picture”.

Gentleman’s Agreement premiered on November 11, one day after this broadcast, in both New York City and Chicago. It dealt with anti-Semitism and went on to win three Oscars, including Best Picture. The cast included Lucycom alumni Mike Lally, Shep Houghton, Roy Roberts, and Amzie Strickland in uncredited roles. Betty Ann Lynn says that she also likes to watch the filming of a costume picture like The Foxes of Harrow starring Rex Harrison and Maureen O’Hara, who had 26 costumes made just for her. She notes that O’Hara has a Lux complexion.

The Foxes of Harrow was released September 13, 1947. "Lux Radio Theater" broadcast a sixty minute radio adaptation of this movie on December 6, 1948, with Maureen O'Hara reprising her movie role. The movie was the screen debut of William Schallert, who did several episodes of “The Lucy Show.” O’Hara and Lucille Ball became lifelong friends after their 1940 film Dance, Girl, Dance. Like Gentleman’s Agreement, The Foxes of Harrow also features Roy Roberts, who went on to play bank president Mr. Cheever on “The Lucy Show.”

ACT THREE

Kathleen and Galt rush to the Grant Building, where Mr. Wickett is about to settle accounts on a remote fire escape. Foss / Stauffer brings proof that Jardine is dead but Wickett throws him from the fire escape to his death.

Galt and Kathleen witness the whole incident from the street, as does the cab driver who was waiting for Foss / Stauffer. Thinking fast, Galt steals the cab which still contains Foss’s luggage. Later, we hear that the bags were only full of clothes. Kathleen urges him to keep thinking. Kathleen suddenly remembers that the Little Girl mentioned galleries. They put the pieces together and all evidence leads them to the Wickett Galleries. Galt heads there and questions the clerk. Under the guise of buying a painting, Galt inquires about meeting Mr. Wickett, and the clerk departs. Mari comes in the side door, and Galt tells her that Anthony Jardine has been murdered. She faints. Wickett comes in and when Galt tells him the truth, Ralph locks him in the gallery vault. Mari has revived and overhears Ralph’s threats, holding a gun on him. She shoots her husband dead.

Kathleen has tipped off the police, who only want to charge him with stealing a taxi cab. Kathleen asks if he can be booked at another time because they have a date at the City Hall - to get married.

End of Story

As a curtain call, Keighley chats with Lucille Ball and Mark Stevens. He congratulates Ball on the success of her stage show, Dream Girl, a play she says she will do again in San Francisco. When Keighley asks how Lucille’s busy schedule and that of her husband Desi Arnaz’s leave any time for a personal life, Ball says that they will be playing in San Francisco at the same time.

In June 1947, Lucille Ball performed at New Jersey’s McCarter Theatre in Dream Girl, a play by Elmer Rice. It also played Brooklyn, Detroit and Boston.

The San Francisco production opened just a week after this radio telecast. As Ball states, Desi Arnaz was also in San Francisco at the time, playing in the Rose Room of the Palace Hotel, a fact that was advertised in the Dream Girl program. During the Los Angeles engagement in January 1948, Ball fell ill and had to withdraw. Although she love performing on stage, her radio career and then television success did not allow her to return to the footlights until 1960.

Lucy notes that like many other busy stars, she owes her good complexion to Lux Soap!

Turning to Mark Stevens, Lucille notes that he will play an FBI man in his next project at Fox, with Keighley as director.

Although the film’s title is not mentioned, they are referring to The Street With No Name, which won’t be released until June 1948. Stevens plays Gene Cordell aka George Manley, a covert FBI agent who infiltrates a ruthless gangster mob. "Lux Radio Theater" broadcast a 60-minute radio adaptation of the movie on January 31, 1949 with Mark Stevens reprising his film role.

Keighley notes that next week “Lux Radio Theatre” will present Jane Wyman and Ronald Reagan in Nobody Lives Forever.

The Warner Brothers picture Nobody Lives Forever was released on November 1, 1946. It originally starred John Garfield and Geraldine Fitzgerald in roles taken on radio by Reagan and Wyman, who were husband and wife at the time. Of course, Reagan left Hollywood for a grander stage, first in California as Governor, then as President of the United States. He bestowed Lucille Ball with The Kennedy Center Honor in 1986.

A public service announcement asks housewives to salvage kitchen fats and turn them in at their local butcher for cash!

These were used to make supplies for wartime, such as ammunition and weapons.

Announcer Kennedy notes that Mark Stevens appeared through the courtesy of 20th Century Fox, producers of Forever Amber.

Forever Amber is a 1944 romance novel by Kathleen Winsor set in 17th-century England. It was made into a film in 1947 starring Cornel Wilde, who appeared in “The Star Upstairs” (ILL S4;E25). When “Lucy Writes A Novel” (ILL S3;E24), Ethel jokes about finding Lucy’s hidden manuscript and burning it: “We pulled down the kitchen blind and changed the name of your novel to 'Forever Ember.'”

‘DARK’ TRIVIA

In a September 1985 episode of “Remington Steele,” a character played by Stephen Dillane has the name Bradford Galt! The stories, however, are not otherwise connected.

In both the film and the radio show, Fred Foss gives his phone number as CH-elsea 4-43510. However, according to the Manhattan phone book for 1946, there were only CH-elsea 2 and CH-elsea 3 exchanges. Real phone numbers were rarely used in film or television.

When television began to supplant radio, “The Lux Video Theatre” was introduced. It was seen from 1950 to 1959. Initially, the show was a thirty-minute weekly show featuring live stage plays, but when it moved to NBC in August 1954, the show was extended to sixty minutes. As on radio, the programs were then primarily adaptations of motion pictures. The host would introduce each act, and would conduct an interview with the stars at the end of the play. Of the cast of this radio version of The Dark Corner:

William Keighley directed an episode in 1951.

Mark Stevens did an episode in 1955.

Dan O’Herlihy did five episodes.

Joseph Kearns did three episodes.

The character name Ralph Wickett replaced Hardy Cathcart for the radio show. It is likely that they could no longer get legal clearance to use the name Hardy Cathcart, necessitating the change.

The film featured Ellen Corby as a maid, a role not in the radio drama. Corby went on to be seen as Lucy Ricardo’s high school acting teacher and in several small roles on “The Lucy Show” before her best-loved role of Grandma on “The Waltons.”

The film also features background work by Sam Harris, who did 15 films with Lucille Ball, in addition to multiple episodes of “I Love Lucy” and “The Lucy Show” as well as Harold Miller, who did eight films with Lucy and two episodes of “I Love Lucy”.

The film is available on DVD complete with DVD commentary and original trailer.

#The Dark Corner #Lucille Ball #Mark Stevens #Lux Radio Theatre #Radio #1948 #Joseph Kearns #William Keighley #1947

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milliondollarbaby87 · 5 years

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The nominations were announced yesterday for the 2019 Olivier Awards which are taking place on Sunday 7th April 2019, at the Royal Albert Hall.

COMPANY A Musical Comedy _R016276

Best actor in a supporting role in a musical

Jonathan Bailey for Company at Gielgud Theatre Clive Carter for Come From Away at Phoenix Theatre Richard Fleeshman for Company at Gielgud Theatre Robert Hands for Come From Away at Phoenix Theatre

Best actress in a supporting role in a musical

Patti LuPone for Company at Gielgud Theatre Ruthie Ann Miles for The King And I at the London Palladium “The Queens” – Aimie Atkinson, Alexia McIntosh, Millie O’Connell, Natalie Paris, Maiya Quansah-Breed and Jarneia Richard-Noel – for Six at Arts Theatre Rachel Tucker for Come From Away at Phoenix Theatre

Outstanding achievement in music

Come From Away – Book, music and lyrics: David Hein and Irene Sankoff; music supervisor, arrangements: Ian Eisendrath; orchestrations: August Eriksmoen; musical director/UK music supervisor: Alan Berry; and the band of Come From Away at Phoenix Theatre Fun Home – Composer: Jeanine Tesori; lyricist/bookwriter: Lisa Kron at Young Vic The Inheritance – Composer: Paul Englishby at Young Vic and Noël Coward Theatre A Monster Calls – Original music composed by Benji Bower and performed live by Benji with Will Bower (The Bower Brothers) at the Old Vic Six – Original score, orchestrations and vocal arrangements: Toby Marlow, Lucy Moss, Tom Curran and Joe Beighton at Arts Theatre

Best new dance production

16 + A Room/Solo Echo/Bill by Ballet British Columbia at Sadler’s Wells Blkdog by Botis Seva at Sadler’s Wells Playlist (Track 1, 2) by William Forsythe for English National Ballet at Sadler’s Wells The Unknown Soldier by Alastair Marriott for the Royal Ballet at Royal Opera House

Outstanding achievement in dance

Akram Khan for his performance in Xenos at Sadler’s Wells John Macfarlane for his design of Swan Lake at Royal Opera House Dimitris Papaioannou for his choreography of The Great Tamer at Sadler’s Wells

Best entertainment and family

A Monster Calls at the Old Vic Snow White at the London Palladium Songs For Nobodies at Ambassadors Theatre The Wider Earth at Jerwood Gallery, Natural History Museum

Best theatre choreographer

Kelly Devine for Come From Away at Phoenix Theatre Christopher Gattelli based on original choreography by Jerome Robbins for The King And I at the London Palladium Carrie-Anne Ingrouille for Six at Arts Theatre Liam Steel for Company at Gielgud Theatre

Best musical revival

Caroline, Or Change at Playhouse Theatre Company at Gielgud Theatre The King And I at the London Palladium

Best actor in a musical

Marc Antolin for Little Shop Of Horrors at Regent’s Park Open Air Theatre Kobna Holdbrook-Smith for Tina – The Tina Turner Musical at Aldwych Theatre Zubin Varla for Fun Home at Young Vic Ken Watanabe for The King And I at the London Palladium

Best actress in a musical

Sharon D. Clarke for Caroline, Or Change at Playhouse Theatre Rosalie Craig for Company at Gielgud Theatre Kelli O’Hara for The King And I at the London Palladium Adrienne Warren for Tina – The Tina Turner Musical at Aldwych Theatre

Best revival

King Lear at Duke of York’s Theatre The Lieutenant Of Inishmore at Noël Coward Theatre The Price at Wyndham’s Theatre Summer And Smoke at Almeida Theatre and Duke of York’s Theatre

Best new comedy

Home, I’m Darling at National Theatre – Dorfman and Duke of York’s Theatre Nine Night at National Theatre – Dorfman and Trafalgar Studios 1 Quiz at Noël Coward Theatre

Outstanding achievement in affiliate theatre

Moe Bar-El for his performance in Every Day I Make Greatness Happen at Hampstead Theatre Downstairs Flesh And Bone at Soho Theatre Jonathan Hyde for his performance in Gently Down The Stream at Park Theatre The Phlebotomist at Hampstead Theatre Downstairs Athena Stevens for Schism at Park Theatre

Best lighting design

Neil Austin for Company at Gielgud Theatre Howell Binkley for Come From Away at Phoenix Theatre Jon Clark for The Inheritance at Young Vic and Noël Coward Theatre Lee Curran for Summer And Smoke at Almeida Theatre and Duke of York’s Theatre

Best sound design

Paul Arditti and Christopher Reid for The Inheritance at Young Vic and Noël Coward Theatre Mike Beer for A Monster Calls at the Old Vic Carolyn Downing for Summer And Smoke at Almeida Theatre and Duke of York’s Theatre Gareth Owen for Come From Away at Phoenix Theatre Nick Powell for The Lehman Trilogy at National Theatre – Lyttelton

Best costume design

Fly Davis for Caroline, Or Change at Playhouse Theatre Anna Fleischle for Home, I’m Darling at National Theatre – Dorfman and Duke of York’s Theatre Gabriella Slade for Six at Arts Theatre Catherine Zuber for The King And I at the London Palladium

Best set design

Bunny Christie for Company at Gielgud Theatre Bob Crowley for The Inheritance at Young Vic and Noël Coward Theatre Es Devlin for The Lehman Trilogy at National Theatre – Lyttelton Anna Fleischle for Home, I’m Darling at National Theatre – Dorfman and Duke of York’s Theatre

Best actor in a supporting role

Keir Charles for Quiz at Noël Coward Theatre Adam Gillen for Killer Joe at Trafalgar Studios 1 Adrian Lukis for The Price at Wyndham’s Theatre Malcolm Sinclair for Pressure at Ambassadors Theatre Chris Walley for The Lieutenant Of Inishmore at Noël Coward Theatre

Best actress in a supporting role

Susan Brown for Home, I’m Darling at National Theatre – Dorfman and Duke of York’s Theatre Monica Dolan for All About Eve at Noël Coward Theatre Cecilia Noble for Nine Night at National Theatre – Dorfman and Trafalgar Studios 1 Vanessa Redgrave for The Inheritance at Young Vic and Noël Coward Theatre

Best new opera production

Katya Kabanova at Royal Opera House Lessons In Love And Violence at Royal Opera House The Turn Of The Screw at Regent’s Park Open Air Theatre

Outstanding achievement in opera

David Butt Philip and Roderick Williams for their performances in War Requiem at London Coliseum The English National Opera chorus for Paul Bunyan at Wilton’s Music Hall Andris Nelsons for his conducting of Lohengrin at Royal Opera House The ensemble of Porgy And Bess at London Coliseum

Best actor

Adam Godley, Ben Miles and Simon Russell Beale for The Lehman Trilogy at National Theatre – Lyttelton Arinzé Kene for Misty at Trafalgar Studios 1 Ian McKellen for King Lear at Duke of York’s Theatre Kyle Soller for The Inheritance at Young Vic and Noël Coward Theatre David Suchet for The Price at Wyndham’s Theatre

Best actress

Gillian Anderson for All About Eve at Noël Coward Theatre Eileen Atkins for The Height Of The Storm at Wyndham’s Theatre Patsy Ferran for Summer And Smoke at Almeida Theatre and Duke of York’s Theatre Sophie Okonedo for Antony And Cleopatra at National Theatre – Olivier Katherine Parkinson for Home, I’m Darling at National Theatre – Dorfman and Duke of York’s Theatre

Best director

Christopher Ashley for Come From Away at Phoenix Theatre Stephen Daldry for The Inheritance at Young Vic and Noël Coward Theatre Marianne Elliott for Company at Gielgud Theatre Rebecca Frecknall for Summer And Smoke at Almeida Theatre and Duke of York’s Theatre Sam Mendes for The Lehman Trilogy at National Theatre – Lyttelton

Best new play

The Inheritance at Young Vic and Noël Coward Theatre The Lehman Trilogy at National Theatre – Lyttelton Misty at Trafalgar Studios 1 Sweat at Donmar Warehouse

Best new musical

Come From Away at Phoenix Theatre Fun Home at Young Vic Six at Arts Theatre Tina – The Tina Turner Musical at Aldwych Theatre

Theatre: Olivier Awards 2019 – Nominations The nominations were announced yesterday for the 2019 Olivier Awards which are taking place on Sunday 7th April 2019, at the Royal Albert Hall.

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sheristump55256-blog · 5 years

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savage-kult-of-gorthaur · 1 year

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"THE WORD "GABBEH" COMES FROM THE PERSIAN "گبه," MEANING RAW, NATURAL, UNCUT."

PIC(S) INFO: Spotlight on a colorful vintage gabbeh rug [No. 9], by Forsyth Art, Saint Louis, gallery & studio. Dimensions 60 x 80 inches.

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-- FORSYTH ART (gallery and studio)

Source: www.forsythart.com/collections/vintage-rugs/products/vintage-gabbeh-rug-no-9.

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wallpaperpainting · 4 years

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Why Art Retreat Had Been So Popular Till Now? | Art Retreat

ArtPop, advance art project, borderline extended

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The Arts Board of Winston-Salem and Forsyth County has continued the borderline until apex June 21 for its alarm for artists in 12 Piedmont counties to participate in ArtPop Street Gallery.

ArtPop showcases artwork on abandoned billboards endemic by Lamar Advertising of Greensboro and Adams Outdoor Advertising of Winston-Salem. Works by six called artists, including bristles developed artists and one high-school arch artisan will be featured throughout the arena during the 2020-21 cycle.

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Bluegr anniversary cancels 2020 show

Carolina Bible Camp Bluegr Anniversary organizers accept appear the cancelation of the 2020 anniversary because of the COVID-19 pandemic.

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Always captivated the additional Saturday in September, the family-friendly anniversary featuring award-winning bluegr artists was appointed for Sept. 12 in Mocksville.

Organizers intend to accompany the anniversary aback Sept. 11, 2021, with abounding of the aforementioned artists and headliners. They appeal that supporters accomplish donations to accomplish of for absent revenues consistent from added accompanying cancellations.

Carolina Bible Camp and Retreat Center is at 1988 Jericho Church Road, Mocksville. For information, appointment https://ift.tt/2N3H02C.

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The post Why Art Retreat Had Been So Popular Till Now? | Art Retreat appeared first on Wallpaper Painting.

from Wallpaper Painting https://www.bleumultimedia.com/why-art-retreat-had-been-so-popular-till-now-art-retreat/

#Artist Painting #art retreat bali #art retreat california #art retreat france #art retreat italy #ar

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anestiefel · 4 years

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10 of the Best Spring Getaways on the East Coast

Miami

Lifeguard tower on the beach in Miami/Oyster

It might sound like a no-brainer, but Miami is queen when it comes to East Coast spring getaways. A spring break hub, the city has way more to see and do than just chugging tropical drinks on Ocean Drive (though, a night of that is always fun, too). These days, Miami’s grown-up side makes it an equally awesome spring getaway for families, couples, and singles who aren’t just fresh out of college. We love the slightly more refined hotel-and-pool scene along Collins Avenue north of Lincoln Road in South Beach. But you should also make time to head inland. Wynwood — a prime street-art destination where you can book tours — is Miami’s Brooklyn and is flush with cafes and galleries. Looking for a little bit of culture? Little Havana is the beating heart of Miami’s Cuban community and is definitely worth a visit.

Our Miami Hotel Pick: The Setai Miami Beach

View of South Beach from The Setai Miami Beach/Oyster

Looking for a taste of the finer side of Miami? The Setai is definitely for you. This stunning beach resort features an amazing spa, fitness center, and free yoga on the beach, making this the kind of place where indulging doesn’t just mean amazing food and cocktails.

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Savannah, Georgia

The dreamy Savannah Historic District/Oyster

With mild to warm weather, Spanish moss hanging everywhere, and tons of history, Savannah makes an awesome spring getaway. Timing your visit before summer hits means you’ll get to enjoy the city before it withers under Georgia’s heat and humidity. You won’t be alone, though — spring marks one of Savannah’s peak seasons. Why is that? The flowers blooming across the city give it an even more magical atmosphere and there’s a lot to do. Savannah’s cultural calendar comes to life in the spring, with events that include the Savannah Music Festival plus numerous music and dance performances. Feel like partying? Savannah’s St. Patrick’s Day Parade is legendary as well.

Our Savannah Hotel Pick: Mansion on Forsyth Park, Autograph Collection

The iconic red-brick facade of the Mansino on Forsyth Park in Savannah, Georgia/Oyster

It’s not right in the middle of the city’s tourist scene but that’s the point. That location helps make the Mansion on Forsyth Park is arguably one of the coolest hotels in town. Expect an amazing art collection, a great cooking school, and a well-liked restaurant all on-site.

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Charleston, South Carolina

The beach outside of Charleston, South Carolina/Oyster

A bit farther up the East Coast than Savannah, Charleston is equally as packed with tradition and history, all wrapped in an impossibly pretty package that’s been charming visitors for a long time. And like much of the southern U.S., mid to late spring can be beach season here. While the water will be chilly, daytime temperatures often merit showing a little skin and soaking up the sun. That weather also makes strolling the charming Charleston Historic District all the more pleasant. You’ll find the Magnolia Plantation and Gardens blooming, as well as many of the city’s historic private gardens. The late spring also brings the Piccolo Spoleto art festival, which takes place over the course of a few weeks starting in late May.

Our Charleston Hotel Pick: Market Pavilion Hotel

A suite at the Market Pavilion Hotel in Charleston, South Carolina/Oyster

If you’re hoping to be right in the heart of the Charleston Historic District, it’s hard to top the Market Pavilion Hotel’s location — as the name suggests — near City Market. The hotel itself is rich with history and has preserved its Old World style through and through.

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Asheville and the Blue Ridge Mountains, North Carolina

The Biltmore Estate outside of Asheville, North Carolina/Oyster

Springtime in Asheville and the nearby Blue Ridge Mountains is all about the outdoors. While the countryside here is most celebrated during the fall, you shouldn’t skip the spring months. Wildflowers are in abundance at this time of year, and the milder weather only adds to the magic. There are too many hikes to count in this region (check out Hickory Nut Gorge for starters), and the bright flowers of the wild rhododendron are everywhere during the later months of the season. Elsewhere, the gardens of the Biltmore Estate will be in early bloom as will the North Carolina Arboretum. Asheville itself is a great place to spend your day before and after you explore the great outdoors. Expect plenty of microbreweries, cafes, and excellent restaurants.

Our Asheville Hotel Pick: Grand Bohemian Hotel Asheville, Autograph Collection

The Deluxe King Room at the Grand Bohemian Asheville/Oyster

Only a five-minute drive from downtown Asheville and right in the Biltmore Village, this charming hotel has its own atmosphere that’s worth a stay. Expect perks like live music, a spa, and an art gallery, as well as a prime location near the Biltmore Estate and plenty of trailheads.

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Berkshires, Massachusetts

Quaint scenes like this are all over the Berkshires/Oyster

This laid-back mountain region is wonderful to explore in the spring — you’ll just need to be prepared for an array of weather. If you head to the Berkshires in March, slopes like Ski Butternut and the Catamount Mountain Resort will be open, as snow is can be in abundance due to chilly temperatures. But if you visit later in the season, consider hiking parts of the Appalachian trail, fly fishing, or bird watching. If the outdoors isn’t quite your thing, the region has great spas, yoga studios, and an amazing art museum — Mass MoCA, which is in North Adams. Towns like Stockbridge and Lenox both have enough to keep visitors busy, from antiquing to cafe-hopping.

Where to Stay: The Red Lion Inn

The Red Lion Inn in Stockbridge, Massachusetts/Oyster

This inn is a classic Berkshires hot spot, and it has everything you’d need to find peace and adventure. With incredible food, a pool, and fun bars on site, you don’t even need to hit the trails to have fun.

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Newport, Rhode Island

The coast and harbor of Newport, Rhode Island/Oyster

Newport, Rhode Island, is a quaint town with plenty of nautical fun. But what makes it so special are the small businesses and artistic culture that’s celebrated year-round. The seaside municipality is also well known for its historical preservation. In the spring, visitors can stroll through town and marvel at the opulent mansions that have made Newport famous, or explore Fort Adams State Park and its 19th-century fort. It might not be beach weather yet, but visitors can still enjoy the stunning Cliff Walk along the coast.

Where to Stay: Jail House Inn

The Jail House Inn in Newport, Rhode Island/Oyster

Just like its name suggests, this quaint Rhode Island inn used to be a jailhouse. But you’d never be able to tell. It’s within walking distance from the heart of the town and there’s a free breakfast in the morning.

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Washington D.C.

The White House lit up at night in Washington, D.C.

Around the world, spring heralds cherry blossom season. And while Japan is the most famous destination for taking in this stunning scene, the U.S. capital puts on a pretty amazing show when it comes to cherry blossoms. The tradition dates back to the early 20th century, when Tokyo gifted Washington D.C. with its first cherry trees. The official festivities generally take place in early April, and include the National Cherry Blossom Festival. Blooms can start in late March, though, so check ahead if you’re bent on visiting during peak bloom.

Our Washington, D.C. Hotel Pick: Mandarin Oriental, Washington D.C.

The Mandarin Suite at the Mandarin Oriental, Washington D.C./Oyster

The Mandarin Oriental chain is easily one of our favorite luxury hotel brands, and what better way to spend your cherry blossom weekend in D.C. than living it up in style. You’ll find everything from an excellent spa and fine dining to a great indoor pool. It’s only a 15-minute walk from the National Mall and sits along the beautiful Tidal Basin.

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Hilton Head Island, Georgia

Kayaking the lagoon near Hilton Head, Georgia/Oyster

Off the coast of Savannah, Georgia, Hilton Head Island might be small, but it has many attractions. Year after year it’s been voted one of the best places in the country for families to vacation together, as it has a lot to offer for people of all ages. Expect gorgeous beaches, sprawling golf courses, and lots of adorable ice cream parlors in town. Note that average high temperature in March is the upper 60s, but by May it’s the low 80s, which is certainly beach weather.

Our Hilton Head Hotel Pick: Omni Hilton Head Oceanfront Resort

The Studio at Omni Hilton Head Oceanfront Resort/Oyster

Bright and contemporary, this beachfront resort is a solid pick if you’re visiting in the later spring months, when temperatures are high and the ocean is calling. You can expect balconies in all rooms as well as kitchenettes.

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Catskills, New York

Street scene and antique shops in Phoenicia, New York/Oyster

The Catskills region in upstate New York is quickly becoming a rival to the Hudson Valley when it comes to cute towns and great atmosphere. Enjoy gorgeous hiking trails if it’s warm (May average highs are in the 60s) and epic ski trails if the cold is still hanging around (March average highs are in the 40s). Towns like Woodstock and New Paltz make for great daytime walkabouts — and have their own cool cafe-and-bar scene. Of course, antiquing is high on the list if you’re exploring the Catskills, and the region has it’s own must-visit local institutions, including the famous Phoenicia Diner. Even without foliage, Catskills hikes are stunning and come with amazing views. Check out Gertrude’s Nose in the Minnewaska State Preserve or the Fire Tower Hike in Woodstock (Overlook Mountain) if you’re after amazing scenery.

Where to Stay: The Roxbury

The Roxbury hotel is an attraction all on its own. It has a luxurious spa, and the decor is unlike anything else in the area. Each room embodies a different theme, ranging from The Noir Boudoir to the Angel Hair Room (dedicated to Farrah Fawcett) to The Archaeologist’s Digs.

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Manchester, Vermont

Early spring snow is common in Manchester, Vermont/Oyster

Manchester is a popular getaway in southern Vermont, tucked up high in the Green Mountains. Spring temperatures come late here, so this is a great destination for travelers looking to hit the slopes or explore the charming towns of Vermont when there’s still a chill in the air (apple cider, anyone?). The town of Manchester itself has great cafes, bars, and outlet shopping, while the mountains offer endless possibilities. March into April is still a great time to ski, and both Bromley Mountain and Stratton — one of the largest ski resorts in the northeast — are 15 and 45 minutes away by car, respectively.

Where to Stay: The Equinox

The beautiful The Equinox hotel in Manchester, Vermont/Oyster

The Equinox Golf Resort & Spa is a gigantic historic property with beautiful rooms and features including an indoor pool and spa. It’s perfect for families or individuals looking to pamper themselves or have a rustic adventure.

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You’ll Also Like:

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The post 10 of the Best Spring Getaways on the East Coast appeared first on Oyster.com.

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topfygad · 4 years

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New York’s New Neighbours | Nat Geo Traveller India

The town has a love-hate relationship with its new precinct for the uber-rich, Hudson Yards. What’s it actually like?

Cities U.S.A. Prachi Joshi | POSTED ON: September 10, 2019

Thomas Heatherwick’s Vessel is a centrepiece of Hudson Yards. Its design is impressed by the stepwells of India. Photograph By: José Fuste Raga/Agefotostock/Dinodia Image Library

New York Metropolis. The Large Apple. A metropolis so passionately immortalised in creativeness by means of films, TV exhibits, and popular culture that it appears acquainted even when you have by no means been there. The long-lasting Manhattan skyline is immediately recognisable (even after being completely altered by 9/11), its museums and artwork galleries are warrens of surprise. New York is actually a sensual feast.

And now there’s Hudson Yards, a 28-acre neighbourhood playground of the ultra-rich, constructed from scratch on the West Facet. Set atop rail yards, it’s the largest non-public actual property improvement within the U.S., the place swanky residential towers glint within the solar, and workplaces, a lodge, procuring centres, eating places, and artwork installations vie for consideration. New Yorkers have a love-hate relationship with the district—‘open to all, however not for all,’ claimed Forbes earlier this yr. A neighborhood I met on a river cruise censured it as being for the vacationer (like me). It solely made me curious—what’s it that individuals do at Hudson Yards?

eight a.m.

Hudson Yards certain attracts early birds and maybe those that revere their exercise even on trip. In case you’re one in all them, join a SoulCycle ‘cardio get together’ at 35 Hudson Yards. Hop on an indoor bike and comply with the choreography of your teacher set to some critically high-energy music. However for those who’re like me, get on the Excessive Line (thehighline.org), the two.3-kilometre elevated railroad-turned-public park, from its southern entrance at Gansevoort St. and stroll all the way in which to Hudson Yards. I see artwork installations on the way in which and nice views onto the town and the Hudson River. There’s additionally The Spur, a newly opened part of the Excessive Line (feeding straight into Hudson Yards), with planted balconies, vertical gardens, and cascading wood seating steps in an open piazza. You’ll additionally discover The Plinth, a devoted area for monumental artwork installations; the inaugural paintings is Brooklyn-based sculptor Simone Leigh’s Brick Home, a 16-foot magnificent bronze bust of a African American girl. In case you want a bathe and alter after that stroll/exercise, reserve a slot at 3Den, a pay-as-you-use area which has pristine bogs, nap pods, and free espresso—properly, leisure doesn’t come low-cost at Hudson Yards (www.goto3den.com; stage 4, 20 Hudson Yards, the place all of the retailers and eating places are situated; $6/Rs430 for each 30 minutes).

Opening later this yr, the cantilevered Edge at Hudson Yards would be the highest commentary deck within the metropolis. Photograph By: Richard Levine/Agefotostock/Dinodia picture library

Movie star Chef José Andrés’ restaurant Mercado Little Spain brings the standard bustling Spanish meals market to NYC. Photograph By: Bruce yuanyue Bi/Alamy/Indiapicture

10 a.m.

All retailers nad eating places at Hudson Yards are situated at a procuring complicated referred to as The Retailers & Eating places. Because you’re staying, seize a late breakfast of artisanal pastries and savoury entrées at celeb chef Thomas Keller’s Bouchon Bakery (stage 5) then roll up at BLVD, an expensive spa inside Neiman Marcus (stage 7) for a spot of pampering. In case you’re right here to spend, start at Neiman Marcus (stage 5-7) itself, it’s the division retailer’s first foray into NYC. Drop in at Forty 5 Ten (stage 5) the place artwork meets style, and upcoming expertise and luxurious designers rub shoulders. Elsewhere (relying in your pockets measurement) you have got every thing from Chanel, Dior, and Fendi to H&M, Uniqlo, and Zara. Japanese model Muji has a big area on stage 2 alongside Batch, a classy house furnishings retailer the place the gathering adjustments each two months. There are the same old suspects in magnificence (Sephora, M.A.C, Origins, and so forth.), or pop in at Atelier Cologne (stage 2) to create your personalised fragrance.

1 p.m.

Wander all the way down to road stage into the full of life Mercado Little Spain, celeb chef José Andrés’ upscaled model of a Spanish market harking back to Barcelona’s La Boqueria. It options two sit-down eating places and an all-day diner, however the focus is on the central mercado (market). Trawl the farm stands and grocery shops for recent produce, sausages, cheese and bread. Then do an impromptu meals crawl by means of the kiosks, sampling an empanada right here, some tapas there, and churros to complete off, interspersed with Spanish wines at one of many three bars.

Three p.m.

Shake off the post-lunch languor at Snark Park (stage 2), which options immersive exhibitions designed by Snarkitecture, a New York-based design studio. The debut set up I noticed, Misplaced and Discovered, was a monochromatic maze dotted with columns, seating areas, totems adorned with mirror tiles, fake fur, and latex, and way more (https://ift.tt/2ZCLXVF). The area additionally has a retail space with restricted version merchandise like T-shirts and toys, in addition to a Kith Treats ice cream and cereal bar. Get your espresso on the California-favourite Blue Bottle Espresso (stage 2) or the Aussie-style Bluestone Lane (stage 3).

Hudson Yards has dramatically altered the skyline of Manhattan’s West Facet. Photograph By: José Fuste Raga/Agefotostock/Dinodia Photograph Library

5 p.m.

There’s no lacking the Vessel, the gleaming, copper-coloured centrepiece of Hudson Yards. Designed by the British architect Thomas Heatherwick (who drew inspiration from India’s stepwells for this set up), the 16-storey, honeycomb-like construction is a spiral staircase of types. I consider the The New Yorker calling it a “shawarma-shaped stairway to nowhere,” and lace up my trainers to climb a few of its 154 flights of stairs comprising practically 2,500 steps. I catch my breath at one of many 80 landings for sudden views onto the town. On the prime, I look again at Downtown and Midtown Manhattan after which, flip round for a sweeping view of the Hudson River. Because the solar units, the burnished copper glows eerily. A shawarma? Possibly. However I can’t assist feeling it’s spectacular too (entry free, purchase time-specific tickets at interactive kiosks on-site or reserve on-line; hudsonyardsnewyork.com/uncover/vessel).

The ultimate section of the Excessive Line opened earlier this yr, providing direct entry into Hudson Yards. Photograph By: Richard Levine/Agefotostock/Dinodia picture library

Public artwork on the Excessive Line adjustments yearly. En Plein Air runs by means of March 2020, that includes out of doors work by eight up to date artists. Photograph By: Prachi Joshi

7 p.m.

The Shed hopes to be an thrilling cease on NYC’s cultural panorama. The multi-disciplinary arts centre bodily transforms itself to accommodate every efficiency, set up, or exhibition. Its monumental shell made from translucent Teflon-based polymer might be pulled up over your complete eight-storey venue or rolled out to embody the encircling open courtyard. The area hosts theatre and music performances, and artwork exhibitions. Upcoming occasions embrace live shows by the digital music composer Arca, conceptual artist Agnes Denes’ first complete exhibition in NYC, and creative choreographic works of William Forsythe. In November, Verdi’s haunting Requiem might be staged alongside shifting pictures by the late avant-garde filmmaker Jonas Mekas (theshed.org).

9 p.m.

Wind down at Milos Wine Bar on Stage 5 and select from practically 100 styles of Greek wines. Head as much as Estiatorio Milos to style Greek and Mediterranean seafood specialties by Chef Costas Spiliadis. At road stage, strive the Spanish riff on seafood at Mar at Mercado Little Spain; don’t miss the navajas al azafrán (razor clams cured in saffron sauce), gambas al ajilo (fats purple shrimp sautéed with garlic), and the seafood paella.

Within the hood

What to see & do close to Hudson Yards

Neighbouring Chelsea is understood for its vibrant artwork scene and there’s loads of gallery hopping to be carried out. Tempo Gallery is one the most important with two areas (540 West 25th Road opens mid-September); at present ongoing is a retrospective on American sculptor Alexander Calder and an exhibition of American painter Loie Hollowell’s summary biomorphic work (pacegallery.com).

Different galleries price testing embrace Gagosian Gallery, David Zwirner, and Hauser & Wirth. Positioned in a 19th-century heritage constructing, the Chelsea Market occupies a complete road block between West 15th and 16th Streets. It homes cafés, small eating places, meals shops, and even an artisanal flea market. Have a sit-down breakfast at Sarabeth’s Bakery, or queue up for tacos at Los Tacos or for sausages at Dickson’s Farmstand. Later, get bite-size treats at Doughnuttery, and at last gas up at Ninth Road Espresso; chelseamarket.com.

South of the market is the Whitney Museum of American Artwork, which solely showcases 20th-century and up to date American artists. The Whitney Biennial displays the creative zeitgeist and is at present on till September 22; whitney.org.

Room service

The place to remain close to Hudson Yards

The 43-storey Instances Sq. EDITION opened earlier this yr providing understated luxurious and a Michelin-starred chef behind its three eating places (editionhotels.com; doubles from $509/Rs36,000). Boutique lodge lovers, verify into the dog-friendly Staypineapple situated in Midtown, with rooms carried out up in vivid colors (staypineapple.com; doubles from $198/Rs14,000).

Chook’s-eye view

Transfer over Empire State Constructing; NYC has a brand-new commentary deck opening later this yr. At 1,100 ft above the bottom, Edge at 30 Hudson Yards would be the highest out of doors deck within the Western Hemisphere. The glass-floored ‘balcony’ juts out 65 ft and is skirted by a nine-foot wall of angled glass permitting you to actually lean over Manhattan (advance reservations at hudsonyardsnewyork.com/uncover/edge).

There are direct flights between Mumbai and Delhi to New York. Hudson Yards is on Manhattan’s West Facet between 10th and 12th Avenues, from W 30th to W 34th Streets. It’s simply accessible on foot or by public transport —the No. 7 Subway connects to Instances Sq. and past (hudsonyardsnewyork.com).

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Phong cảnh nông thôn thế kỷ 19 yên bình và thơ mộng trong tranh của họa sĩ John Ottis Adams

Những phong cảnh nông thôn và thiên nhiên yên bình và đẹp đến nao lòng ở châu Âu và nước Mỹ cuối thế kỷ 19, đầu thế kỷ 20 được lưu giữ lại qua cọ vẽ của nghệ sĩ người Mỹ John Adams, hiện vẫn đươc lưu giữ tại các viện bảo tàng và bộ sưu tập tư nhân.

John Ottis Adams (1851 - 1927) là một họa sĩ và nhà giáo dục nghệ thuật người Mỹ theo trường phái ấn tượng, người nổi tiếng với tư cách là một thành viên của nhóm họa sĩ phong cảnh Hoosier của Indiana, cùng với các nghệ sĩ William Forsyth, Richard B. Gruelle, Otto Stark và TC Steele. Ông cũng là một trong những người tham gia thành lập Hội Nghệ sĩ Phương Tây năm 1896.

[caption id="attachment_1228480" align="aligncenter" width="736"] Bức 'Gleaners at rest' (Phút nghỉ ngơi của những người thợ gặt), năm 1886. Nguồn ảnh: Web gallery of art[/caption]

Adams tốt nghiệp trường trung học Martinsville, nơi một giáo viên của Adams tại đã nhận ra khả năng nghệ thuật của ông và khuyến khích ông tiếp tục theo đuổi học tập nghệ thuật. Nhưng chỉ tới khi Adams 18 tuổi, vào năm 1869 khi ông đến thăm một Hội chợ bang Indiana, bức ‘Tranh tĩnh vật Dưa hấu’ - một tác phẩm đầu tay của William Merritt Chase - mới truyền cảm hứng cho Adams để ông quyết tâm trở thành một nghệ sĩ.

[caption id="attachment_1228482" align="aligncenter" width="736"] Bức 'Hollyhocks and Poppies' - The Hermitage (Hoa thục quỳ ở Hermitage), năm 1901. Nguồn ảnh: Blog of an Art Admirer[/caption]

Năm 1872 Adams rời Indiana để học tại Trường Nghệ thuật South Kensington ở London. Một bài tập tiêu chuẩn điển hình cho hầu hết sinh viên nghệ thuật ở London là sao chép lại tác phẩm của các bậc thầy tại Phòng trưng bày Quốc gia. Cơ duyên đã cho Adams tiếp xúc được tác phẩm của các họa sĩ phong cảnh John Constable và J. M. W. Turner.

[caption id="attachment_1228499" align="aligncenter" width="736"] Bức 'Blue and Gold" (Xanh và vàng kim), năm 1901. Nguồn ảnh: Web gallery of art[/caption]

Khi hoàn thành chương trình học năm 1873, Adams đã ở lại London để học hỏi thêm từ John Parker, một họa sĩ vẽ phong cảnh chủ yếu dùng màu nước. Cuối năm 1874 Adams đã có thể trở về Hoa Kỳ để bắt đầu sự nghiệp của mình như một họa sĩ và nhà giáo dục nghệ thuật.

[caption id="attachment_1228483" align="aligncenter" width="532"] Bức 'Thornberry's Pasture Brooklyn, Indiana landscape' (Bãi cỏ với những cây quả mọng có gai, Brooklyn, cảnh quan Indiana), năm 1904. Nguồn ảnh: Topperfecr Art.[/caption]

Trong thời gian đầu sự nghiệp, ông chủ yếu làm công việc vẽ chân dung để kiếm sống. Năm 1876, mở một xưởng vẽ ở Muncie, bang Indiana, và dành 4 năm ở đó để làm nghề vẽ chân dung. Những gia đình nổi bật nhất của Muncie đều là những khách hàng của ông.

[caption id="attachment_1228508" align="aligncenter" width="536"] 'Half-length Figure Study' (Hình nghiên cứu: bán thân), John Ottis Adams. Nguồn ảnh Artrenewal[/caption]

Nhưng tâm huyết với nghệ thuật không cho phép ông dừng lại tại đó. Năm 1880 ông quyết định tiếp tục theo học tại Học viện Mỹ thuật, Munich, Đức trong thời gian 5 năm cùng với nhiều nghệ sĩ đồng hương mà sau này cũng là thành viên của nhóm Hoosier đình đám, như T. C. Steele và Samuel Richards. Sau 2 năm làm việc ở Đức, ông trở lại Muncie, Hoa Kỳ vào năm 1887, thuê một studio ở trung tâm thành phố, và dạy các lớp nghệ thuật và vẽ tranh, tham gia các hoạt động và góp phần thúc đẩy mạnh mẽ nghệ thuật tại địa phương.

[caption id="attachment_1228485" align="aligncenter" width="736"] Bức 'Wash day, Bavaria' (Công việc giặt giũ ở Bavaria), năm 1885. Nguồn ảnh: ArtSunLight[/caption]

Một số triển lãm lớn bao gồm tác phẩm của Adams có thể kể tới Five Hoosier Painters ở Chicago, Illinois vào năm 1894, Hội chợ Thế giới tại Saint Louis, Missouri, vào năm 1904, và Triển lãm quốc tế Panama Thái Bình Dương tại San Francisco, California, năm 1915...

Mối lương duyên nghệ thuật với quê nhà Indiana và vùng Whitewater

Mặc dù đã bôn ba nhiều năm ở châu Âu và nhiều nơi trên đất nước Hoa Kỳ nhưng mối lương duyên với quê hương xứ sở đã dẫn ông quay trở lại sáng tác nghệ thuật tại chính quê hương ông.

[caption id="attachment_1228486" align="aligncenter" width="736"] Bức 'Our Village' (Ngôi làng của chúng tôi), năm 1902. Nguồn ảnh: PaintingHere[/caption]

Adams đã dành thời gian mùa thu năm 1896 cùng với Steele (thành viên trong cùng nhóm Hoosier) và những người khác tại Metamora, Indiana và quay trở lại khu vực được gọi là Thung lũng Whitewater năm 1897. Adams và Steele đã mua bất động sản cách Brookville, Indiana, trên ngã ba phía đông của Sông Whitewater vào năm 1898. Các nghệ sĩ đã cải tạo một ngôi nhà cũ, mà vợ của Steele - Libby - đặt tên là Hermitage. Nó bao gồm các studio và khu sinh hoạt riêng biệt, nơi các nghệ sĩ sống cùng gia đình và vẽ trong những tháng ấm hơn.

[caption id="attachment_1228496" align="aligncenter" width="736"] Bức 'The Farm - Prarie Dell landscape' (Nông trại - cảnh quan Prarie Dell), năm 1894. Nguồn ảnh: Topefecrt Art[/caption]

Đầu năm 1899, Adams và vợ ông - Winifred Brady Adams, một họa sĩ tranh tĩnh vật - chuyển đến ở tại Hermitage; Tuy nhiên, trong những tháng mùa đông họ vẫn trở về ở tại Indianapolis, nơi Adams tham gia thành lập một học viện nghệ thuật tại Indianapolis và làm giảng viên nghệ thuật tại trường từ năm 1901 đến 1906. Vào năm 1905, gia đình đã xây dựng một ngôi nhà (có biệt danh là Bluebelle) nhìn ra hồ Michigan tại Indiana Woods - một vùng đất vắng vẻ dành cho các gia đình giàu có.

[caption id="attachment_1228487" align="aligncenter" width="600"] Bức 'Dawn of night' (Bình minh của đêm), năm 1909. Nguồn ảnh: AMERICAN GALLERY[/caption]

Adams thôi chức tại học viện vào cuối năm 1905, và cùng gia đình quay trở lại Hermitage. Năm 1907, Adams đã mua lại quyền sở hữu của Steele đối với bất động sản này và biến nó thành nơi ở chính thức của gia đình ông. Hermitage tiếp tục được sử dụng như một studio nghệ thuật, cũng như là nơi để Adams tổ chức các lớp học nghệ thuật không chính thức.

[caption id="attachment_1228495" align="aligncenter" width="736"] Bức 'The Closing of an Autumn Day' (Cuối một ngày mùa thu), năm 1901. Nguồn ảnh: Alchetron[/caption]

Trong trận lụt lớn năm 1913, Hermitage đã bị phá hủy một phần bởi nước lũ, nhưng Adams đã xây dựng lại những phần không bị hư hại và tiếp tục sử dụng nó như một nơi ở của gia đình, nơi tụ tập của các nghệ sĩ, bạn bè và xưởng vẽ nghệ thuật. Trong khi Adams vẽ tại Hermitage trong mùa hè, vợ và các con trai của ông đã có những chuyến đi hàng năm đến Leland, Michigan. Vì thế Adams cũng thường xuyên đến Leland để tham quan và vẽ tranh.

[caption id="attachment_1228489" align="aligncenter" width="736"] Bức 'In the Whitewater Valley' (Trong Thung lũng Whitewater), năm 1900. Nguồn ảnh: Framing Paintings[/caption]

Trong thời gian sau đó, sức khỏe của ông bắt đầu đi xuống, nhưng Adams vẫn tiếp tục vẽ đến cuối đời, khám phá những cảnh quan mới bên ngoài ngôi nhà của mình ở Indiana. Năm 1915, theo đề nghị của của bác sĩ, Adams đã dành vài tháng nghỉ ngơi ở phía nam Saint Petersburg, Florida, trên Vịnh Mexico. Từ đó mỗi năm ông thường tới Florida vài lần để vẽ phong cảnh vào những tháng mùa đông. Vào mùa hè, Adams và gia đình đã dành thời gian tại ngôi nhà của họ ở Leland, Michigan và tại Hermitage, gần Brookville, Indiana.

[caption id="attachment_1228491" align="aligncenter" width="736"] Bức 'Summertimes' (Ngày hè), năm 1890. Nguồn ảnh: Gallerix[/caption]

Adams thường xuyên trưng bày tác phẩm của mình ở vùng Trung Tây, bao gồm các triển lãm của Hiệp hội Nghệ sĩ Phương Tây, Hiệp hội Nghệ thuật Indianapolis, Hiệp hội Bảo tàng Nghệ thuật Cincinnati, Hiệp hội Nghệ thuật Muncie, và Hiệp hội nghệ thuật của Richmond, Indiana, cùng với tác phẩm của các nghệ sĩ khác.

[caption id="attachment_1228492" align="aligncenter" width="736"] Bức 'Sycamores-on-the-Whitewater-landscape' (Những cây sung dâu tại cảnh quan Whitewater), năm 1901. Nguồn ảnh: Toperfect Art[/caption]

Forsyth, một người bạn lâu năm của Adams, đã nói về ông, rằng "Tình yêu vĩ đại của tâm hồn ông ấy là ngoài trời và con đường rộng mở". Theo một nhà phê bình nghệ thuật, tóm tắt về các tác phẩm của Adams, "Ông quan tâm ít hơn đến những vẻ đẹp rõ ràng, và nhiều hơn đến những vẻ đẹp khó nắm bắt".

[caption id="attachment_1228494" align="aligncenter" width="736"] Bức 'Iredescence of a Shallow Stream' (Ánh kim của dòng suối cạn), năm 1902. Nguồn ảnh: Framing Paintings[/caption]

Ngày nay, những bức tranh của John Ottis Adams được lưu giữ trong nhiều bộ sưu tập tư nhân và các bảo tàng, bao gồm Bảo tàng Nghệ thuật Haan Mansion của Indiana quê hương ông.

[caption id="attachment_1228501" align="aligncenter" width="736"] Bức 'Black-Eyed-Susans' (Nhà Susan mắt đen), năm 1895. Nguồn ảnh: Ocean's Bridge[/caption]

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