#Eric and Lorne my beloveds!

[navtastic]

Rude gay ppl who point and stare

#Eric and Lorne my beloveds! #art #fanart #dungeons and dragons cartoon #dungeons and dragons the animated series #dndc

[darkwarrior101-blog]

Best Tv Series Of All Time

'South Park' 1997-Present

Matt Stone and Trey Parker touched America somewhere specific and deep, and also you must respect their authori-teh. Year after yr, this cartoon began, Matt Stone informed Rolling Stone, "We would see achievement as lastly getting to the point where we get canceled because no one gets it." So here's to not exactly twenty years of failure – and hopefully 20 more.

'Monty Python's Flying Circus' 1969 74

And now for some thing completely various. The best comedy cock tail – five British intellectuals along with a token American clod, Terry Gilliam, running amok about the BBC. Monty Python were the Beatles of comedy, each one an indispensable aspect in the chemistry, from John Cleese rage to Eric Idle -stick wordplay. The Pythons were godfathers to all ambitious jokers who adopted – Lorne Michaels and Chevy Chase satisfied in line for an Ultimate Goal screening. But these 45 episodes stay the comedic equivalent of Mount Everest: the mountain with all the biggest tits on earth, forbidding, aloof, terrifying.

'Game of Thrones' 2011-Present

The night is dark and full of terrors, particularly. With its premise of "The Sopranos in middle earth," it is the HBO fantasy sequence that broke through style boundaries to stake its claim as one of the most compellingly realistic dramas on the air, going beyond George R.R. Martin's publications. It may grab attention with the nudity, the dragons and severed heads, but in your mind it's a thriller. As Martin told Rolling Stone, "History is written in blood, a gold mine – the kings, the princes, the generals along with the whores, and all the betrayals and wars and confidences. It's better than 90 percent of exactly what the fantasists do make up."

'Cheers' 1982 93

You need a place where everybody knows your title – even supposing it's just a dive-bar in Boston total of regulars with no place else to go. Cheers started with an emphasis on the mis-matched passionate banter between Ted Danson's washed-up Red-Sox pitcher Sam and Shelley Long's up tight bookworm Diane. ("Over my dead body!" "Hey, do not b-ring last night into this.") But it regularly renewed it self by bringing in new blood like Kelsey Grammer, Kirstie Alley and Woody Harrelson. Cheers was like that bar, to the point where you can tune in to see which regulars would hang tonight.

'The Daily Show' 1996-Present

The fake news show that became more credible in relation to the news. Comedy Central began The Daily Present in 1996, when Jon Stewart took over in 1999, but it hit its stride. The Everyday Present got more abrasive as the the headlines got worse. Stewart had the rage of a man who'd signed on in the end of the Bill Clinton years, only to finish up with an America significantly scarier and uglier for, and also the anger showed. "It really is a comic box lined with sadness," he advised Rolling Stone in 2006. While the franchise struggles on without him, Everyday alumni John Oliver and Samantha Bee keep that hardhitting spirit on their own shows.

'Twin Peaks' 199091, 2017

"These women are authentically dreamy," Twin Peaks auteur David Lynch told Rolling Stone in 1990. "They are all just chef chicks. And they're just jam-packed with strategies." The little town of Twin Peaks is complete of the women as well as their deadly secrets, from senior high school homecoming queen Laura Palmer that is murdered to alive-and- how seductress Audrey Horne. Several years after Blue Velvet, Lynch's surreal Pacific Northwest secret followed Kyle MacLachlan as FBI agent Dale Cooper, on a search for damn-good espresso along with the the answer.

'Deadwood' 2004-06

Al Swearengen's moral philosophy: "You can't cut the throat of every cock-sucker whose character it would boost." Spoken like a Founding Father that is true. He is the villain of David Milch's epic Western set in the mud and slime of an 1870s South Dakota gold-mining camp. At the center of it all (i.e., the saloon), Ian McShane's Al glowers, pours drinks, counts money and slices jugulars, in a frontier hellhole total of prospectors, whores, drunks and lost freaks looking for one last deadly fight to get in to (and often finding it at Al's spot). It was like McCabe & Mrs. Miller with mo Re depressing intercourse scenes. The first two seasons are strong gold, the third, flimsier, but Deadwood is about how communities get constructed – and every one of the dirty function that involves.

'The West Wing' 1999-2006

Aaron Sorkin gave America the the first choice we didn't really deserve in the benevolent President Jed Bartlet of Martin Sheen, a high-toned Catholic professor from New Hampshire. Premiering in late 1999, The West Wing played the same as a Bubba-period fantasy of the way the political potential would appear (like in case the Democrats had a little more bravery, or in the event the Republicans had a theory or two) that soon ended up being utterly out of step with the Bush-Cheney years. But Sorkin's trademark rapid-fire dialogue as well as the Bartlet administration's idealism created this a parallel-universe that was a welcome.

'Louie' 2010-Present

Louis C.K.'s stubbornly auteurist FX sit-com doesn't look or sense like any such thing else on Television – he writes, directs and stars as himself, a single-dad stand up comic in New York. If Louie wants to display himself in the car air-drumming to "Who Are You?" and mortifying his daughters, he goes for this. If he desires to abandon the half hour comedy format completely for an extended indie-movie vibe with Charles Grodin and Ellen Burstyn, he does that too. Louis C.K. May vanish in to his own head for whole seasons, however totally original emotional peaks are also hit by him just like the one when he inadvertently makes a buddy that is male and travels to Miami. (No, it does not last.)

Third Watch Season 6

'Star Trek' 196669

The Star-Ship Enterprise took off using a five-year mission: "To discover odd new worlds, to seek out new life and new civilizations," and it succeeded in making the most beloved of sci-fi franchises, maybe not just inspiring countless spin offs but also codifying fan fiction as an art form. Gene Roddenberry's original collection remains the the inspiration, with William Shatner's awesomely pulpy Capt. Kirk, Leonard Nimoy's logical Mr. Spock, Bones, Sulu, Uhura and Scotty. They speak to strange and inexplicable lifeforms – Romulans, Gorns, Joan Collins. During its three years, Star Trek endured low ratings until NBC pulled the plug, but thanks to the most doggedly faithful of TV cults (remember when "Trekkie" was an insult?), Roddenberry's vision lives long and prospers to the day.