#Cyril Frankel

[filmap]

The Witches Cyril Frankel. 1966

Ruins Bix, Henley-on-Thames, UK See in map

See in imdb

#cyril frankel #the witches #joan fontaine #alec mccowen #cemetery #ruins #oxfordshire #bix #bix bottom #henley on thames #england #united kingdom #ruined church #folk horror #movie #cinema #film #location #google maps #street view #1966 #church

[weirdlookindog]

Joan Fontaine in The Witches (1966).

#the witches #joan fontaine #1966 #1960s movies #cyril frankel #hammer horror

[gatutor]

Cartel película "Al borde del abismo" (The very edge) 1963, de Cyril Frankel.

#Cyril Frankel #Cartel película

[abs0luteb4stard]

W A T C H I N G

A far as hammer films go I'd say it's 4.5/10.

The location, the costumes, the acting are all really good. The story has a good build up, but the finale was a little stupid for my tastes and what I used to in Hammer Films.

#THE WITCHES (1966) #THE DEVIL'S OWN (1966) #JOAN FONTAINE #Cyril Frankel #Kay Walsh #Alec McCowen #Ann Bell #Ingrid Brett #John Collin #Michele Dotrice #Gwen Ffrangcon-Davies #Duncan Lamont #Leonard Rossiter #Martin Stephens #Carmel McSharry #Viola Keats #Shelagh Fraser #Bryan Marshall #CULTS #WITCHES #DEVIL #HORROR #HAMMER FILMS #WATCHING

[fourorfivemovements]

Films Watched in 2023:

36. Never Take Sweets from a Stranger (1960) - Dir. Cyril Frankel

#Never Take Sweets from a Stranger #Cyril Frankel #Patrick Allen #Gwen Watford #Janina Faye #Felix Aylmer #Niall MacGinnis #Michael Gwynn #Alison Legatt #Bill Nagy #Hammer Films #Hammer Horror #Films Watched in 2023 #My Post

[schlock-luster-video]

On October 16, 2013 The Devil's Own was screened at the London Film Festival.

Here's some new Joan Fontaine art!

#the devil's own #the witches #cyril frankel #joan fontaine #hammer film productions #horror art #horror film #horror movies #horror #british horror #tcm underground #movie art #art #drawing #movie history #pop art #modern art #pop surrealism #cult movies #portrait #cult film

[motionpicturelover]

"Alive and Kicking" (1958) - Cyril Frankel

Films I've watched in 2022 (175/210)

A really sweet comedy with three feisty ladies in the leading roles. This was also Richard Harris's film debut.

Full film:

#films watched in 2022 #Alive and Kicking #Estelle Winwood #Katleen Harrison #Sybil Thorndyke #Stanley Holloway #Olive McFarland #Richard Harris #Cyril Frankel #Alive and Kicking 1958 #comedy #1950s cinema #1950s film #1950s comedy #black and white film #motionpicturelover's gifs

[mariocki]

Gideon's Way: The 'V' Men (1.2, ITC, 1965)

"Any theories?"

"Oh, Vane has a lot of enemies."

"Social and political. Is he blaming the police for this?"

"He considers his protection... inadequate."

"It was, as things turned out."

#gideon's way #the v men #1965 #alun falconer #cyril frankel #itc #john creasey #john gregson #alexander davion #daphne anderson #roland culver #keith baxter #angela douglas #allan cuthbertson #basil dignam #hugh ross williamson #christine finn #inigo jackson #dervis ward #dyson lovell #peter russell #a curious mixture of successes and failures. other shows had wrestled with the UK's contemporary emergence of a fascist minority (the Saint #did so several times‚ as did Strange Report‚ Special Branch and others). Falconer's script is surprisingly forthright and his politics are #not hard to discern; there's little euphemism here‚ Roland Culver's Vane is an outright fascist who spouts racist and antisemitic garbage #and has a framed picture of Hitler on his wall. we're clearly meant to find him repugnant‚ but this being a police procedural it is perhaps #naturally enough slightly hamstrung by having lead characters who must profess no political allegiance or favouritism (still‚ would it have #killed Gideon to quietly voice his distaste at some point?). much less well handled (as is unfortunately a repeat issue with this series) #is the gender politics that come into the side plot‚ in particular the way Gideon contacts the parents of a pregnant young girl who had #specifically expressed that she didn't want them to know. it's a grubby bit of paternalistic condescension on his part and an unfortunate #reflection on the attitudes of this era regarding unmarried mothers and the unspeakable (literally here) spectre of (gasp!) abortion

[dynamofilms]

School for Scoundrels (1960)

6/10

#6 #1960 #Robert Hamer #Cyril Frankel #Hal E. Chester

[particellare]

UFO - Allarme rosso... attacco alla Terra! - Cyril Frankel, Jeremy Summers, David Tomblin

UFO – Allarme rosso… attacco alla Terra! – Cyril Frankel, Jeremy Summers, David Tomblin

Scheda IMDB

View On WordPress

#Cyril Frankel #David Tomblin #Jeremy Summers

[spectaculardistractions]

If such films are agnostic-fundamentalist in their simple severity, Ealing's more 'Anglican' tone has a softer spot for gentle eccentricities, and a more nuanced tolerance of the individual. Yet Pat Jackson's The Feminine Touch (1956) not only makes this nursing life look like a girl's public school dorm but preaches that, however poor the pay, excessive the work, and iniquitous the despotism of Matron Blimp's discipline, the - P.B.N., for Poor Bleedin' Nurse? - must do her duty and buckle uncomplainingly to, compensating, by unrewarded devotion, for the indifference of the hierarchy and the community. Its mixture of jollity, disillusionment and supineness, its acquiescence in the way the Florence Nightingale tradition is traded on to expedite deliberate meanness, is quite abject. It's sensitive enough to have, somewhere, a bad conscience, which makes it all the more infuriating. It's significant that though the nurse's life is subsequently treated sentimentally (No Time for Tears) and humorously (Carry On Nurse) it has never been treated, as it cries out to be, in such a way as to provide an 'angry young woman' with a positive, human, altogether non-political opportunity for constructive direct action.

Raymond Durgnat, A Mirror for England

#raymond durgnat #a mirror for england: british movies from austerity to affluence #ealing studios #pat jackson #florence nightingale #cyril frankel #gerald thomas

[filmap]

The Witches Cyril Frankel. 1966

Mansion The Manor House, Hambleden, Henley-on-Thames RG9 6RP, UK See in map

See in imdb

#cyril frankel #the witches #joan fontaine #kay walsh #england #united kingdom #knife #witch #mansion #buckinghamshire #movie #cinema #film #location #google maps #street view #folk horror #1966

[weirdlookindog]

Joan Fontaine in The Witches (1966).

#the witches #joan fontaine #1966 #1960s movies #cyril frankel #hammer horror

[gatutor]

Anne Heywood "Al borde del abismo" (The very edge) 1963, de Cyril Frankel.

#Anne Heywood #Cyril Frankel

[drzito]

Las 211 peliculas que he visto en 2022 (parte 1)

En negrita las que os recomiendo:

1. El sexto sentido (Nemesio Manuel Sobrevila, 1929)

2. El pan nuestro de cada día (King Vidor, 1934)

3. Luna Nueva (Howard Hawks, 1940)

4. Un sueño americano (King Vidor, 1944).

5. Breve encuentro (David Lean, 1945)

6. El capitán Kidd (Rowland V. Lee, 1945)

7. Lazos humanos (Elia Kazan, 1945)

8. La bella y la bestia (Jean Cocteau, 1946)

9. Domador de sirenas (Irving Pichel, 1948)

10. La fuerza del destino (Abraham Polonsky, 1948)

11. Nunca la olvidare (George Stevens, 1948)

12. Vida en sombras (Lorenzo Llobet Gracia, 1949)

13. Milagro en Milan (Vittorio de Sica, 1951)

14. Umberto D (Vittorio de Sica, 1952)

15. Valkoinen peura [El reno blanco] (Erik Blomberg, 1952)

16. El salario del miedo (H G Clouzot, 1953)

17. La loba (Alberto Lattuada, 1953)

18. Los apuros de un pequeño tren (Charles Crichton, 1953)

19. Tarantula (Jack Arnold, 1955)

20. El ferroviario (Pietro Germi, 1956).

21. La mala semilla (Mervyn LeRoy, 1956).

22. De dode tjern [El lago de los muertos] (Kåre Bergstrøm, 1958)

23. Cover Girl Killer (Terry Bishop, 1959)

24. Horror en el Museo Negro (Arthur Crabtree, 1959).

25. Beat Girl (Edmond T. Gréville, 1960)

26. El hotel de los horrores (John Moxley, 1960)

27. La sangre seca (Yoshishige Yoshida, 1960)

28. Macario (Robert Gavaldon, 1960)

29. Marea nocturna (Curtis Harrington, 1961)

30. El poder de la mafia (Alberto Lattuada, 1962)

31. Historias de terror (Roger Corman, 1962)

32. Vida para Ruth (Basil Dearden, 1962)

33. El demonio (Brunello Rondi, 1963).

34. El especulador (Vittorio de Sica, 1963)

35. Las tres caras del miedo (Mario Bava, 1963)

36. The small world of Sammy Lee (Ken Hughes, 1963)

37. El extraño viaje (Fernando Fernan-Gomez, 1964)

38. La mujer de la arena (Hiroshi Teshigahara, 1964)

39. Los corceles de fuego (Sergei Parajanov, 1964)

40. España insólita (Javier Aguirre, 1965)

41. El ojo del diablo (J Lee Thompson, 1966)  

42. Kriminal (Umberto Lenzi, 1966)

43. Las Brujas (Cyril Frankel, 1966)

44. El desconocido de Shandigor (Jean-Louis Roy, 1967)

45. Corrupción (Robert Hartford-Davis, 1968)

46. La maldicion del altar rojo (Vernon Sewell, 1968)

47. Mr Freedom (William Klein, 1968)

48. Satanik (Piero Vivarelli, 1968)

49. Un día tranquilo en el campo (Elio Petri, 1968)

50. Queimada! (Gillo Pontecorvo, 1969)

51. Ya soy una mujer (David Greene, 1969)

52. 4 moscas sobre terciopelo gris (Dario Argento, 1970)

53. El martillo de las brujas (Otakar Vavra, 1970)

54. Lokis. Rekopis profesora Wittembacha [Lokis. El manuscrito del Profesor Wittembach] (Janusz Majewski, 1970)

55. Valerie y su semana de las maravillas (Jaromil Jireš, 1970)

56. Bahía de sangre (Mario Bava, 1971).

57. La maldición de los Bishop (John D Hancock, 1971)

58. Angustia de silencio (Lucio Fulci, 1972)

59. Lejos de los arboles (Jacinto Esteva, 1972).

60. San Francisco, ciudad desnuda (Stuart Rosenberg, 1973)

61. Torso: Violencia Carnal (Sergio Martino, 1973)

62. Sintomas (Jose Ramon Larraz, 1974)

63. Trastornado (Alan Ormsby y Jeff Gillen, 1974)

64. Blue Moon (Louis Malle, 1975)

65. El quimérico inquilino (Roman Polanski, 1976)

66. God told me to (Larry Cohen, 1976)

67. Foes (John Coats, 1977)

68. La centinela (Michael Winner, 1977)

69. La ultima ola (Peter Weir, 1977)

70. El dinero de los demás (Christian de Chalonge, 1978)

71. Cristo se paro en Eboli (Francesco Rosi, 1979)

72. La hipótesis de un cuadro robado (Raul Ruiz, 1979)

73. Profecía maldita (John Frankenheimer, 1979)

74. Impacto (Brian de Palma, 1981)

75. Vida/Perra (Javier Aguirre, 1982)

76. Los jueces de la ley (Peter Hyams, 1983)

77. Ojos de fuego (Avery Crounse, 1983)

78. 1,2,3... Splash (Ron Howard, 1984)

79. Los santos inocentes (Mario Camus, 1984).

80. Repo Man (Alex Cox, 1984)

81. Re-Animator (Stuart Gordon, 1985)

82. 007: Alta tensión (John Glen, 1987)

83. El príncipe de las tinieblas (John Carpenter, 1987)

84. Walker (Alex Cox, 1987)

85. La tumba de las luciérnagas (Isao Takahata, 1988)

86. The Dreaming (Mario Andreacchio, 1988)

87. Un lugar llamado Milagro (Robert Redford, 1988)

88. Celia (Ann Turner, 1989)

89. Cuando fuimos brujas (Nietzchka Keene, 1990)

90. Temblores (Ron Underwood, 1990)

91. Clearcut (Ryszard Bugajski, 1991)

92. Mississippi Masala (Mira Nair, 1991)

93. Un lugar en el mundo (Adolfo Aristarain, 1992)

94. Anchoress (Chris Newby, 1993)

95. Dark Waters (Mariano Baino, 1993)

96. Lo que queda del día (James Ivory, 1993)

97. Lazos Ardientes (The Wachowskis, 1996)

98. Nubes pasajeras (Aki Kaurismaki, 1996)

99. Una gran noche (Stanley Tucci, Campbell Scott, 1996)

100. Salvar al soldado Ryan, (Steven Spielberg, 1998).

101. CQ (Roman Coppola, 2001)

102. Funny ha ha (Andrew Bujalski, 2002)

103. Hotel (Jessica Hausner, 2004)

104. Noroi (Kôji Shiraishi, 2005)

105. The Dark (John Fawcett, 2005)

[suspiria76]

THE WITCHES

UK

1966

Directed by Cyril Frankel

#cult horror #british horror #hammer horror #sixties #witchcraft