Lots of lists! DAGGER’s favorites of 2019 (and more lists to come)
TIM’S LISTS
MY 20 FAVORITE RECORDS OF 2019 (in no particular order)
Jeanines- S/t (Slumberland)
Purple Mountains- S/T (Drag City)
Monnone Alone- Summer of the Mosquito (Lost & Lonesome)
Mick Trouble – Here’s the Mick Trouble LP (Emotional Response)
Pernice Brothers- Spread the Feeling (Ashmont)
The Resonars- No Exit (Trouble in Mind)
Rocket 808- S/T (12XU)
Thigh Master- Now For Example (Goner)
Seablite- Grass Stains and Novacaine (Emotional Response)
Ex Hex- It’s Real (Merge)
Versus – Ex Voto (Ernest Jenning Record Co)
Nots- 3 (Goner)
Rocketship- Thanks To You (Darla)
Dream Syndicate- These Times (Anti)
The Paranoid Style – A Goddamn Impossible Way of Life (Bar None)
Business of Dreams- Ripe for Anarchy (Slumberland)
The Safes- Winning Combination (Bickerton Records)
The Gotobeds- Debt Begins at 30 (Sub Pop)
The Black Watch- Magic Johnson (ATOM Records)
Comet Gain- Fireraisers Forever! (Tapete)
WAIT! HERE’S 20 MORE!
Vivian Girls- Memory (Polyvinyl)
Bob Mould- Sunshine Rock (Merge)
Modern Nature- How To Live (Bella Union)
Robert Forster- Inferno (Tapete’)
David Kilgour- Bobbie’s a Girl (Merge)
Piroshka- Brickbat (Bella Union)
The Armoires- Zibaldone (Big Stir Records)
Dark Blue- Victory is Rated (12XU)
The Persian Leaps- Electrical Living (Land Ski Records)
Sasha Bell- Love Is Alright (Both Sides Now)
Frankie Cosmos- Close It Quietly (Sub Pop)
USA/Mexico- Matamoros (12XU)
Moving Targets- Wires (Boss Tuneage)
Red Sleeping Beauty- Stockholm (Matinee)
Redd Kross- Beyond the Door (Merge)
The Treasures of Mexico- Everything Sparks Joy (Shelflife)
In Deed- Everest (Big Stir Records)
The Catenary Wires- Til the Morning (Tapete)
Foxhall Stacks- The Coming Collapse (Snappy Little Numbers)
The Vandoliers- Forever (Bloodshot)
WAIT!! EVEN 20 MORE…
Tiny Ruins- Olympic Girls (Bada Bing!)
Bruce Springsteen- Western Stars (Columbia/ Sony)
Sebadoh- Act Surprised (Dangerbird)
Le Superhomard- Meadow Lane park (Elefant)
James Clarke Five- Parlour Sounds (The Beautiful Music)
The Boys with the Perpetual Nervousness – Dead Calm (Pretty Olivia)
Tennis Club- Pink (Elefant)
Parsnip- When the Tree Bears Fruit (Trouble in Mind)
The Muffs- No Holiday (Omnivore)
The Kyle Sowashes- I Don’t Know What To Tell You (Anyway Records)
The Vapour Trails- See You In the Next World (Futureman Records)
Jason Hawk Harris- Love and the Dark (Bloodshot)
Trip Wire- Once & Always (Big Stir Records)
Lloyd Cole- Guesswork (EAR Music)
Mike Krol- Power Chords (Merge)
Bubblegum Lemonade- Desperately Seeking Sunshine (Matinee)
The Silent Boys- By the Light of the Moon (Bossy Lil Thing Records)
The Pearlfishers- Love and Other Hopeless Things (Marina)
Spray Paint- Into the Country (12XU)
The Ocean Blue- Kings and Queens/ Knave and Thieves (Korda)
I also really enjoyed records by……Unhappy Fly, I Was a King, The Hussy, 75 Dollar Bill, Snail Mail, Apex Manor, Mike Gale, Rob Laufer, Richard X, Heyman, Skull Practitioners, Todd Herfindal, Young Guv, New Pornographers, Scott Gagner, The Memory Fades, Mudhoney, The Well Wishers, Golden Pelicans, The Reds, Pinks and Purples, Lucille Furs, The Umbrella Puzzles, Westkust , Mondello , Johnny Couch, Weyes Blood, Spearmint, Corridor, Joy Cleaner, Elva, Possible Humans, Blue Jeans, the BVs, etc .etc.
COLLECTIONS/ REISSUES
The Springfields- Singles, 1986-1991 (Slumberland)
The Victims- S/T (In the Red)
Dream Syndicate- The Days of Wine and Roses (Fire)
Stephen Duffy- I Love My Friends (Needle Mythology)
Human Switchboard- Who’s Landing in my Hangar (Fat Possum)
The Dum Dum Boys- Let There Be Noise (In the red)
Soul Asylum- Made to be Broken & While You Were Out (Omnivore)
Holiday Flyer- The Rainbow Confection & Try Not To Worry (Darla)
Metz- Automat (Sub Pop)
The Toms- The 1970 Sessions (Futureman Records)
SOME LISTS BY DINA HORNREICH
In a not-so comprehensive (mostly desultory) manner I have thrown this list of current zeitgeisty kinds of things that I encountered in one way or another that had various compelling bits, chunks, and other substantial nuggets (if not their complete entirety) of a musical persuasion that provided something engaging, amusing, enlightening, challenging, discordant, or otherwise worthwhile for my freaky mind, body, and soul to chew on in this last year of 2019. There are always tons and tons of things that I missed and/or never got to (but always meant to) so not exhaustive whatsoever. More a reflection of where I’ve been these days and how I’ve gotten here... (and will try to remain, if circumstances allow.)
Some Recorded Albums:
● Sneaks: Highway Hypnosis (Merge)
● The World: Reddish (Microminiature)
● Sacred Paws: Run Around the Sun (Merge)
● Trash Kit: Horizon (Upset the Rhythm)
● A-WA: Bayti Fi Rasi (BMG)
● Sleater-Kinney: The Center Won’t Hold (Mom + Pop)
● Ex Hex: It’s Real (Merge)
● Angel Olsen: All Mirrors (Jagjaguwar)
● Vagabon: s/t (Nonesuch)
● GRLwood: I Sold My Soul to the Devil When I Was 12 (sonaBLAST!)
● Girl Friday: Fashion Conman EP (Hardly Art)
● Tacocat: This Mess is a Place (Sub Pop)
● Karen O/Danger Mouse: Lux Prima (BMG)
● Cherry Glazerr: Stuffed and Ready (Secretly Canadian)
● Habibi: Come My Habibi single (Muddguts)
● Haim: Hallelujah EP (Columbia)
● Grimes: “We Appreciate Power”/”Pretty Dark” demo/”4AEM”/”Violence”/”So Heavy I Fell Through The Earth” various pre-album release singles (4AD)
● Madame Gandhi: Visions EP - Extended Versions (self-released?)
● Chai: PUNK (Burger)
● Kero Kero Bonito: Civilisation I single (Polyvinyl)
● Solange: When I Get Home (Columbia)
● UT: Conviction reissue (Mute)
Some Live Performances (mostly in Denver, CO):
● Hadgaba/Hal Aqua and the Lost Tribe (Denver Klezfest 2019 at Mercury Cafe)
● Jonathan Richman (Swallow Hill)
● Kristen Hersh (Hi Dive)
● Ex Hex/Moaning (Bluebird)
● Sleater-Kinney/Joseph Keckler (Ogden)
● Angel Olsen/Vagabon (Gothic)
● Holygram (Oriental)
● Cellista (Mercury Cafe)
● The Beths/Girl Friday (Globe)
● GRLwood (Globe)
● Tacocat/Paranoyds (Larimer)
● Short Shorts/Potty Mouth (Lost Lake)
● Nots (Lost Lake)
● Spiritualized (Gothic)
● Breezy Porticos (Chez Hinely)
● Church Fire/Glitter Vomit (Rhinoceropolis)
● FemmeFest 2019: Rare Byrds (Museum of Contemporary Art Denver)
● Love Languages/Teenage Fanclub (Bluebird)
● Girls Rock Denver Showcase 2019 (Summit Music Hall)
● Vivien Goldman (in-store at Rough Trade Records NYC)
● Imperial Teen (in-store at Twist’n Shout Records)
Some Books:
● Women Who Rock by Evelyn McDonnell
● Dayglo: Poly Styrene by Celeste Bell and Zoe Howe
● Revenge of the She-Punks by Vivien Goldman
● Why Karen Carpenter Matters by Karen Tongson
● Hardcore Anxiety: A Graphic Guide to Punk Rock and Mental Health by Reid Chancellor
● Liz Phair: Horror Stories (memoir)
● Frame of Mind: Punk Photos and Essays From Washington DC (and Beyond) 1997-2017 by Antonia Tricarico
● Girl in a Girl Band by Malia James
Some Film/TV (if not content relevant entirely, for its soundtrack minimally):
● Judy (BBC Films)
● Transparent (Amazon Series, Season 5/Musical Finale)
● Dolemite is My Name (Netflix Original Film)
● 2 Dope Queens (HBO Season 2, Episode 3)
● Trinkets (Netflix Series, Season 1)
● Blinded by the Light (New Line Cinema)
● Shrill (Hulu Series, Season 1)
● The Marvelous Mrs. Maisel (Amazon Series, Season 3)
● Big Mouth (Netflix Series, Season 3)
● A Handmaid’s Tale (Hulu Series, Season 3)
● GLOW (Netflix Series, Season 3)
● Orange is the New Black (Netflix Series, Season 7)
Some Radio/Podcast Outlets:
● She’s A Punk (podcast)
● Indie 102.3 FM (local station formerly Open Air CPR)
● KGNU 1390 AM (local station)
● Radio 1190AM KVCU (local station)
And to go full circle around in the weird miasmic disorientations of blogs/zines, and every tool in between...I could mention the writers at Bust, Bitch, Pitchfork, even… DAGGER. But credit for discoverability also includes the vending platforms of Spotify/Bandcamp/Apple Music/Soundcloud themselves (and their haunted algorithms) as well as musicians’ various social media counterparts (which may or may not include their publicists) on Twitter, Facebook, Instagram, etc. (and where does YouTube fit in exactly?) which means the industry will eventually eat itself. Happy New Year, ladies and germs. Who knows what the next decade will bring? Whatever it may be, let it be progress rather than random changes for no apparently good reasons.
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