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lenofiga · 6 months

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Habetrot (Material XIII Profile)

Class: Rider True Name: Habetrot Sex: Female Origin: Scottish Faerie Folklore Region: Proper Human History British Isles/Lostbelt British Isles Alignment: Neutral Good Height: 50~60cm Weight: 10~20kg

Concept Writer: Nasu Kinoko Character Designer: Hirai Yukio Voice Actor: Itou Ayasa

CLASS SKILL

Riding: C Habetrot is too scared to ride animals, but she can control her “Flying Multipurpose Spinning Wheel” at will.

Item Construction: B Crafting tools is also right up the alley of deft-handed Habetrot. Although she can’t create Mystic Codes, her finished outfits tend to have a tinge of Mystics to them and can be used as Craft Essences instead.

Fae Eyes: C Time begins to flow slowly by viewing reality with a faerie filter, which can come in handy when parrying critical attacks from enemies.

Tam Lin: B “Keep it between us, okay? I was actually one of the original Tam Lin!”

That said, Habetrot is a Tam Lin only by title since she became one prior to the development of Gifted Names. She doesn’t suffer any penalties from fighting fellow Tam Lins.

PERSONAL SKILLS

Weaving Threads of Fortune: A It is said that Habetrot’s spun thread attracts good fortune and that clothes woven from it can immediately grant the wearer sound health. A charm that promotes emphasis on health and wellness.

This skill grants one ally debuff immunity for one turn, as well as HP recovery and increased star generation rate. Its short recharge time allows for quick successive usage.

Speedy Spinning: B Needlework and rush orders on the daily come hand in hand. To meet a bride’s absurd demands, Habetrot would sometimes finish dresses within the same day.

This skill increases her Arts performance and generously charges her NP gauge (on the same level as High-Speed Incantation) at the cost of reducing her HP by a great amount. Handle rush orders in moderation!

Guardian of Brides: EX Undeterred by any impending adversity, predicament, or malice, Habetrot stands by her philosophy of making brides happy even if it’s the last thing she does.

This skill grants one [female] ally invincibility, guts, and healing regeneration, as well as removes any ailment debuffs (curse, burn, poison). …After usage, Habetrot will perish.

NOBLE PHANTASM

Spinster Habetrot (The Wheel of Time That Weaves For You) Rank: EX | Classification: Anti-Army | Range: 10-99 | Max target: 30

Spinster Habetrot, also known as the Habbycat Cannon.

Habetrot’s original Noble Phantasm [Bridal Spinning Wheel] is a dress that accentuates a bride. However, due to various circumstances, it has been changed into an insane cannon that fires insane shots.

Magical energy is generated through the Flying Spinning Wheel rather than a Magical Reactor when Habetrot uses it. This Noble Phantasm then turns into a physical weapon that fires in the form of a railgun. The concept of natural span does not apply to it.

(Chaldea summoned Habetrot from Proper Human History, so she might not have any idea as to why this weapon is stored within her soul.)

CHARACTER

First person pronoun: boku/Habbycat | Second person pronoun: kimi/human/first name basis | Third person pronoun: aitsu/omae

〇 Personality

Habetrot can be described as introverted yet active. She shies from asserting herself but is driven in her approach when it comes to what she must do and wants to do. She likes good people and hates the wicked. Although she can distinguish good from evil as someone Neutral-aligned, she doesn’t fixate on which side counts as superior. This stems from how she generally doesn’t hate others.

Habetrot’s values are reflected as such: Peace is comfortable and much preferable, whereas conflict is draining and awful. As a general rule, let Habetrot enjoy her sewing and needlework and she’s a happy faerie.

Be it Proper Human History Habetrot or Lostbelt Habetrot, her nature proves consistent. Whenever she finds a girl she feels is the one (someone she feels has the right to become a happy bride), she pulls out all the stops to care for and support her. Habetrot refers to such girls as “my brides.” Either she will set out to find another bride immediately after sending off the former, or if she finds one more good candidate while already attending to another bride, Habetrot will become engrossed in supporting both. This has led to some describing her as easily infatuated.

Habetrot won’t admit it, but she’s a bundle of devotion. The way this faerie tends to prioritize her brides’ happiness over her own illustrates her self-sacrificing trait.

〇 Habetrot in Faerie Britain

She appears as a spinster faerie in the Fragment chapters. Together with Aesc the Savior, they settled disputes all over Britain. Habetrot’s fate changed significantly when she met Mash, who rayshifted to Fae Era Year 400… Or rather, this faerie made every effort possible to overcome her fate.

When Aesc the Savior and the original Tam Lin stepped down the stage, Habetrot roamed Britain alone and popularized the culture of wedding traditions, sending off many brides in the process.

By the time the new High Queen Era was adopted, Habetrot turned herself into a stone inside a twisted hole in the north and would stay asleep until a certain encounter in 2017. After ever so nonchalantly saving Mash in Sheffield, she would then guide the Master of Chaldea to Orkney, coming to terms with the choice she made.

She originally went by the name Totorot in the Lostbelt and only began calling herself Habetrot after waking up from her stone slumber. The reason for this is that she came to admire Proper Human History Habetrot’s way of life from the legends Mash taught her.

◇

Habetrot was originally a wild hooligan of the Wing Clan and became a member of Aesc’s party following her defeat in their duel. (Although a spinster faerie by nature, she had no means of fulfilling her innate purpose of sending off human brides in the Lostbelt. This “existential conflict” tormented her, giving rise to displaced emotions that turned her into a wild hooligan.) From that point onward, she would achieve exploits as one of the original Tam Lin who fought alongside Aesc the Savior.

The Fragment chapters also reveal that the name “Mash” was written on Mash’s shield in chalk. This was done by Habetrot. When she asked her to show the shield, she deftly wrote Mash’s name on it. The use of a tailor’s chalk is proof that it was Habetrot’s doing.

◇

Brides are “treasures” in Habetrot’s eyes because she is a faerie that will never grow into adulthood. She longs to become a bride herself, but that is a wish never to come true. So at the very least, she wants to protect the future of the beautiful girls she falls in love with at first sight. This could be seen as compensatory behavior on Habetrot’s part, or perhaps, as her radiant dream. “Maybe one day… No, scratch that. I wish I could become like them, too.”

〇 Sample Lines

Brides are great! They’re just so soft and sparkly. Pretty like flowers and dazzling like birds, get what I mean? What reason is there not to love them!

Well, that sucks. Habbycat hates fights.

Who’s your fave bride? Aww, c’mon~ How couldya keep me out of the loop~

Sure it gets grueling, but I have to push through! I’m a maiden after all!

〇 Historical Biography

Habetrot is a spinster faerie from Scottish folklore said to weave cloth with thread spun from cotton flowers and flax fibers and to make garments out of it. She is often portrayed as a small hunched old lady the size of a human child. Habetrot is also known as a faerie that helps women who are preparing for married life and tailors gown on behalf of busy brides–in other words, every bride’s dream faerie.

In addition to that, clothes woven by Habetrot are considered to be imbued with a mysterious power that relieves its wearer of their illness.

〇 Related Characters (Totorot from Fae Era Year 400)

Aesc I used to be hot-tempered, you see. Communication wasn’t my strong point, and all I could do was take my mood out on everyone around me. Despite my shortcomings, Aesc met me at my level with sincerity and invited me to travel the world together. The spell she hit me with hurt like hell, but even that pain has become a fond memory of mine!

…Which was why I was rooting for her happiness. I really was.

Mash Mash is my number one drive. She’s the one who gave my life a purpose, from the turning point to my goal. Whatever awaits us in the future, I’ll practice extensively and build as much experience as possible, all in hopes of gifting her a wedding dress as radiant as the stars with a touch of some words of gratitude.

〇 Related Characters (Habetrot)

Miss Crane Crane makes it in my top 3 reasons I’m glad to be summoned in Chaldea! There’s so much to learn from her cutting-edge expertise, not to mention she’s a phenomenal fashion pro.

If I’m being honest though, I find it a bit of a shame. ‘Cause look how pretty she is, right? I sure would love to design a Spiritron Dress modeled after her…

Artoria Caster Isn’t she a Faerie from the Inner Sea of the Planet? How come she’s such a tomboy?

Oberon I [look at him and] find myself thinking, as a fellow faerie, “Now that’s a faerie.” Oberon is the paragon of our kind on account of both his cool side and liar side.

Red Hare That’s an Asian kelpie, right? Who thinks he thinks he’s human?! Gosh, isn’t he such a character?

On another note, talking to Red Hare makes me a bit emotional. I wonder why.

Britomart No way, Britomart turned into a faerie?! When you became a Heroic Spirit, did your class change to faerie for successfully defeating a tyrant? Whoa! You’re a hero, the real deal!

Both your red and white dresses are of the highest grade, gifts from Gloriana herself… Wait, you inherited the name from your mother? Britomart II? …Whoa, hold on. I’m getting info overload from your personal history!

Mash She’s my current fave bride! I don’t know how exactly I became the guardian faerie of the Black Barrel, but even if I wasn’t, I’d still love to make a whole bunch of outfits for her. The same goes for you, who I believe will be the one linking arms with her!

Morgan Everybody says Morgan is terrifying, but she’s elegant and graceful and attentive. I like her. How could I not, when she has such a sweet visage!

…Not that I don’t get where they’re coming from. When she’s mad, the temperature in the room instantly drops below freezing.

〇 Plot Notes (Please read after clearing LB6)

Throughout their pilgrimage across Faerie Britain, the broken Black Barrel was stowed hidden inside the Spinning Wheel Habetrot rode. It ceased to function the moment they set foot in the isles and suffered further damages after being forcibly used.

During the siege of Sheffield, Mash’s “aversion to fighting”, which lay hidden in her subconscious, prompted her to abandon the Black Barrel. Habetrot happened to be around when she did and stole it from under their enemy Beryl’s nose. She then chose to continue their journey all the while hiding what she did even from Mash.

Habetrot's actions may seem motivated by curiosity and greed at a glance, but that is not the case. Simply being in possession of cutting-edge machinery, such as the Black Barrel, is in fact poison to faeries. Nevertheless, she held onto it for safekeeping until the very end all because of a hunch that Mash would one day need it.

Habetrot continued to guard the Black Barrel unbeknownst to anyone, even as it chipped away at her Spirit Origin, all so that she could send it as a gift for her dear friend Mash’s future.

COMMENT FROM THE ARTIST

Since she’s a spinster faerie, I tried incorporating spinning wheel elements into her outfit and equipment. Doing so had been a struggle, and it wasn't until I saw how she was portrayed sewing and dressmaking in the story that I thought, “Oh… I could have expanded my interpretation like that!” It kinda made me reflect on my inability to think outside the box.

By the way, the mount design is inspired not by sushi…but in fact a goldfish. No special reason, I just figured something tiny and cute would be fitting. It would make my day to know you like Habbycat. (Hirai Yukio)

#fgo #lbtl #mytled #habetrot #totorot #avalon le fae #aesc the savior #mash kyrielight #i will proofread this someday i swwear

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crehador · 8 months

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since i can't find one and need to know who to aim for...

list of reverse: 1999 jp dub cast (updated for 1.4)

210 - hirose daisuke 37 - iguchi yuka 6 - nakamura yuuichi

a knight - hayami show alien t - fukuhara anjou an-an lee - sakura ayane apple - hirakawa daisuke arcana - koshimizu ami

baby blue - suzaki aya balloon party - minase inori bette - kanzaki maki bkornblume - ueda reina blonney - saito shuka bunny bunny - ozawa ari

charlie - matsuda satsumi centurion - ikuta teru charlton - nomiya kazunori click - uchiyama kouki constantine - tanaka atsuko cristallo - aimi

darley clatter - yada kouhei diggers - tachibana shinnosuke dikke - kawasumi ayako door - shimizu sakuma druvis iii - ishikawa yui

eagle - noguchi ruriko enigma - umehara yuuichirou erick - tanaka chiemi eternity - fairouz ai

forget me not - suwabe junichi

horropedia - okitsu kazuyuki

isabella - kino hina

jessica - waki azumi john titor - konishi mai

kaalaa baunaa - ootsubo yuka kanjira - akasaki chinatsu kumar - fujitou chika

la source - yuzuki kazuka leilani - tachibana yuki lilya - kitamura eri lucy - suwa ayaka

matilda - itou ayasa medicine pocket - hanae natsuki melania - ueda kana mesmer jr. - kudou haruka mondlicht - tsumugi risa ms. moissan - kohara riko ms. new babel - uchida maaya ms. radio - odashima kazami

necrologist - wakayama shion nick bottom - satou fumiya

oliver fog - nagatsuka takuma onion - horikawa kaede

pavia - nozu pickles - saito soma poltergeist - maekawa ryouko

rabies - takagaki katsuhisa & mugiho anna regulus - yamamoto nozomi ring - sakakihara yuki

satsuki - touyama nao schneider - yuuki aoi shamane - yasumoto hiroki sonetto - uchida shu sophia - kobayashi yuu sotheby - itou miku sputnik - toba yuuko sweetheart - tanaka rie

tennant - takahashi chiaki the fool - nitta kyousuke tooth fairy - uesaka sumire ttt - sumi tomomi jiena twins sleep (lisa & louise) - kamitaka suzuka

vertin - takamori natsumi voyager - hondo kaede

x - toki shunichi

z - liyuu зима - totto

#reverse 1999 #SUWABE. SUWABE WHY AREN'T YOU PLAYABLE.#this is like... so many characters #surely not all of them are available upon release??#i think i'm even missing some like i can't find cv info on voyager anywhere #(eta: have added voyager)#none of the 1.1 and beyond charas are here either #so these must really all be 1.0? wild #why does tennant have to be 5* anyway i want to main tennant :(#anyway it's 5 so far i think #5 hpmi cvs appear (doppo dice jakurai nemu ichijiku)#enough for me to give it a shot lol #crab files

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spicyveggiesub · 1 year

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[ENG] Revue Starlight -The LIVE- #4 Climax Pamphlet Interview

Happy 6th anniversary to Revue Starlight! I managed to finish translating this interview just in time. Among other fun things, the cast of #4 left a message to each of their characters, and it's very sweet :') Translation under the cut.

Q.1

What do you think the highlight of this play is?

Mimori Suzuko: The brilliance of youth. The anxiety and anticipation of facing the future with graduation just around the corner! This world is huge, so do your best! Don't give up, Stage Girls! Without realizing it, you'll end up wanting to encourage them like that... for sure!

Kadoyama Yoko: After all, it's the Revue. It'll light a fire in the hearts of everyone who has watched and supported the plays up until now, without a doubt!

Ozaki Yuka: The theme is "Climax", so each of the Stage Girls must choose their own futures and part ways with their friends, and personally, I can relate to a lot of the feelings they're going through. Plus, there are interactions between members of the three schools of Seisho, Siegfeld, and Seiran that we haven't seen yet, so it'd be great if you paid attention to that.

Tomita Maho: It's "Climax", so there are a lot of moments that make you feel nostalgic. Please look forward to it! (laughs)

Iwata Haruki: Everyone's different paths! The different thoughts everyone's having with graduation just up ahead... and the Revue this time sure is a sight to see!!

Ikuta Teru: For Futaba, the highlight is that I'm using the most physical strength so far this time...! We're renewing the standard of what makes you feel like "there's no way Starlight can surpass this", and it's really difficult, but I'm able to feel the growth Futaba and I are experiencing together each time we practice, so every day is really fulfilling. I'll charge through with a fighting spirit!!!

Koizumi Moeka: Just like the title, it's loaded with a feeling of "Climax"! In #4, what will the Stage Girls fight against, and how will they overcome it? And there's maybe a Revue that will hit hard for the people who know about the plays so far...?

Q.2

Please tell us about your favorite song or line from the Starlight stage plays so far, as well as any related memories!

Koyama Momoyo: "Gunjou [Ultramarine]" from #2 is super super cool! It's so beautiful!!! Oh... Karen didn't sing in it, but... I watched over everyone from the back during every performance! I remember just itching to join in.

Koizumi Moeka: Through the words I said to Hisame-chan in #2, "It'll be colorful as always", I learned about Nana-chan's middle school days, and it gave me an opportunity to think once more about how Nana felt when she went to Seisho. She loves everyone in Seisho, but she also loves Hisame-chan, who she met in middle school.

Tomita Maho: I think it'd be "3･7･5･1･0", which we sang every time. When I hear it, it makes me feel like, "Stage Starlight is starting!"

Ozaki Yuka: "Grand Symphony", the curtain call song for Siegfeld's first stage play. During each performance, when all of our eyes met, everyone's expressions were brilliant, and I can't forget that moment. With the strong message of the lyric "I've made my decision to live on stage", it's a song that gives me a lot of encouragement.

Nomoto Hotaru: "I'll become the star of everyone's lives!", Yukishiro Akira's line from Delight. It makes me think "she's such an idiot~", but I can't hate her, and I can't help but think that it'll actually come true. I think it's a line that really represents Akira, and I've always loved it.

Itou Ayasa: The song "Position Zero e! [To Position Zero!]" from #1 is catchy, and the acting-like choreography was fun, so it left a deep impression on me. The lyric "I want to aim even higher" was so memorable that I thought the title was "I want to aim higher". (laughs)

Shiina Hekiru: The line "No matter which path you choose to advance on, the curtains of your lives will remain open". Once they enter this industry, these kids in the same class will make different decisions for their lives and go their separate ways. It's up to each person which path they choose, and there's a sight they can only see after they've made that decision.

Q.3

Episodes about your graduation ceremony/memories of graduation

Koyama Momoyo: Just like how Karen looked up to Starlight, I also had a play that I'd admired since I was a child, and the final audition for that play overlapped with my high school graduation ceremony...! I chose the audition, and in the end, I successfully passed. I was set to appear in the play of my dreams! I remember thinking, "You really don't know when your life is going to change, huh..."

Sato Hinata: On the day of my elementary school graduation, I didn't have any stick-on body warmers at home, so I attended with a non-sticky warmer on my stomach, and right before I received my diploma, it fell, and it was so embarrassing. I'll never forget it. I'll also never forget accepting the diploma while gripping the warmer in my right hand.

Haruki Iwata: I happened to be working on my Bachelor's thesis during the #1 revival, and during rehearsals I had everyone from the cast and staff fill out the questionnaire for my thesis...! I graduated thanks to everyone's help!! (laughs)

Mimori Suzuko: On the day of my high school graduation, there was snow piled on the ground, which is rare for March in Tokyo, and before I got to school, I fell on my butt and my skirt was soaked through...! I borrowed a spare skirt from the nurse's office and participated in the ceremony. It was a girls school, but I was popular with my juniors (laughs) so after the graduation ceremony, all of the buttons on my blazer were gone. Even the buttons on my sleeves♪

[T/N: It's a middle/high school graduation tradition for girls to ask guys they like for the second button on their blazer (more here), but if you're as (understandably) popular as Mimorin that extends to the rest of the buttons too.]

Ito Ayasa: I did a homestay abroad for two weeks in March just before graduation, and having stuffed myself full with all the food there before coming back, the photos from my graduation ended up being something incredible (laughs).

Aiba Aina: I remember staying up until midnight putting on flashy false nails, and then waking up at 5 AM to do my hair and makeup by myself as best as I could, but then it was ruined pretty quickly when I cried.

Q.4

A message to the members of your school

Maho Tomita: Every time we spend time together for a play, I realize how truly happy I am spending time creating plays together with all of you! Thank you so much for coming into my life♡

Ikuta Teru: I L O V E Y O U !!!!!!!!!!!!!! LET'S HANG OUT TOGETHER AS NINE AGAIN, OKAY!!!!!!!!!!!!!

Aiba Aina: I really can't thank you enough for coming into my life and becoming my friends. Thank you so much. When I couldn't do various things, without caring about anything like age or background, everyone gave advice to everyone, and including the ensemble cast, I just love Seisho's vibes. Let's keep sticking together from now on and forever! J'aime beaucoup tout le monde! [I love all of you so much!]

Nomoto Hotaru: To the Edel juniors. Yuka-chan and I are both doing our best as Edels. Let's stand on stage together as five again.

Kadoyama Yoko: I love you. Let's keep standing on stage together.

Shiina Hekiru: Keep on struggling. And, do not regret the path you have chosen.

Q.5

A message to the character you play

Koyama Momoyo: To Karen. The view I see from the stage with you is always colorful and radiant. I'll work hard to not lose to your brilliance, Karen! From here on as well, let's continue leaping into a yet unseen, beautiful future together! From Momoyo.

Mimori Suzuko: You went off to London without telling Karen again, I see...! The way you always decide where to go based on however you're feeling—I don't have that kind of proactiveness, and it sure is incredible. And the teacher did say that actresses are always selfish, so I think it's a good thing.

Maho Tomita: Let's go eat some yummy baumkuchen next time!!!

Sato Hinata: To Junna-chan. I can still vividly remember the moment we met. Your personality was so similar to mine, and I was a kid who thought it would be easier to give up when I was losing to someone. Since then, over the years, I was able to see many of your expressions, and before I realized it, I had gained courage from you. In order to make a decision, you need to take a big step forward, and in order to take that big step, you need an even larger amount of courage. But, Junna-chan, you taught me that taking that step can allow you to feel how big the world is. Thank you so much!! And let's keep doing our best from here on out! I hope you will continue shining brilliantly on stage with wonderful friends.

Haruki Iwata: I think you're feeling unsure about a lot of things on your new path, but you're a Stage Girl who's many times stronger than you think you are! May you continue shining on stage with strength, lovingly, and beautifully.

Koizumi Moeka: A lot of time has passed since we first met, Nana. I wonder if I've grown a bit since I met you? Up until now and from now on as well, my star is Daiba Nana, you and only you. I'll work even harder in hopes of being able to stand next to you proudly one day. Please watch over me, always.

Aiba Aina: Thank you for always pushing me forward. It's thanks to you, Claudine, that I could meet treasured friends and staff members, and overcome various obstacles! I'm really, truly happy to be able to play you, Claudine. You're "the best woman in the world" in my heart! I'll continue to work hard while looking up to you! Merci♡

Ikuta Teru: Futaba, I truly think you're amazing for deciding to go to Seisho with just a single word from Kaoruko, and then graduating from there and aiming for a new stage with your own will. I'm always learning from your hardworking and single-minded attitude. I'll do my best with all my strength so I won't lose to you! Thanks for always showing me a wonderful view!

Ito Ayasa: With how strong you are at your core, I'm sure you'll be fine no matter where you go from here on, Kaoruko. I'm looking forward to seeing your beautiful dancing in the future as well! Almost as much as Futaba-han is, I'm your number one fan too♡

Nomoto Hotaru: You're wild and free, and just live honestly on the stage, and you're so annoying, but I love you!!

Ozaki Yuka: Michiru, having walked with you thus far, I have so much respect for you and your charming personality that's hard to guess from your appearance. Please allow me to continue portraying your thoughts about acting and feelings about Akira, as dearly as I can. I'll keep working hard and aiming for greater heights in sword fighting, dancing, and acting so you won't be ashamed of me, so even when you're in Germany, let's do our best together♪ I'm worried that people will see you as a kid in Germany, Michiru~(laughs)

Kadoyama Yoko: There are so many people in this world who love you. Be confident and push forward towards your dreams. I will always be on your side.

Shiina Hekiru: You're lucky to have such wonderful students. The things you can pass down to them because you're you—please wrap them up nicely with deep love and strictness.

(JP text)

#revue starlight #shoujo kageki revue starlight #interviews #yoko's message to hisame made me cry the first time i read it.

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curestardust · 10 months

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Dust Watched: Machikado Mazoku: 2-choume

Genres: Comedy, Magical Girls (and Demons), CGCDT // 12 episodes // S01 (x)

I did go into this one with the right expectations this time! @ my review of season 1

✧ story ✧

The story continues directly from season 1's so for an overall plot description please read my review of that.

It's now the summer break and both Momo and Mikan move into the delipidated apartment building where Yuuko lives, making their involvement in the story much easier now that we don't have the school for the characters to meet. The first half of the story is looking for clues about Momo's older sister, Sakura. This portion is definitely more tightly paced, while the second half kiiiiind of focuses on Yuuko improving her powers but that usually takes a backdrop in exchange for the comedy.

Speaking of the comedy, it's very safe, cute, ridiculous, and goofy, nothing that would have you on the floor wheezing but good for an occasional chuckle. They also got better at inserting the occasional "grounded moments" inbetween the comedy so it doesn't become too tired too fast.

✧ characters ✧

Yuuko has a pretty big revelation this season but she changes the least I'd say. Momo's change is more subtle but has a big impact on the story. She doesn't seem to feel the need to keep her defences up around Yuuko anymore and admits to herself that she actually really likes her and wants to spend more time with her and you know, in a perfectly straight way not at all in a "I invited you out on a date but you didn't realize that it was supposed to be a date and brought other people with you so I'll spend the rest of the episode sulking about it" kind of way. (Momo's pining is very cute is what I'm trying to say.)

Khm, anyway, there are 2 (well, I guess 3 but that's a spoiler) new characters, Lico, a Huli Jing, and her ever-suffering boss, Manager Shirosawa, a talking bipedal tapir. They are both demons, and work at Asura Café. They get involved in the story during the search for Sakura where they play a significant part but pretty much disappear in the second half. They're a nice little addition to the cast but don't make too strong of an impression.

And to my dismay, despite Mikan moving to this town, she barely gets any actual screentime. When her magical girl powers don't need using, or her curse isn't used for a gag, she makes no substantial appearance in the story until the last 2 episodes. Probably my biggest disappointment with the show.

✧ art ✧

It's very cute, the transformations are smooth and pretty, and the visual gags are great too. It goes a little wonky on faraway shots but nothing too distracting.

✧ sound ✧

The music is *also* very cute and fluffy, not particularly my style but went well with the CGCDT comedy vibes. Of course I need to mention how delighted I was when I heard Itou Ayasa's recognizable Kyoto dialect coming out of Lico's mouth (Revstar's Kaoruko). Everyone else did a great job too.

✧ overview ✧

This style of comedy is a bit too weak for me to fully appreciate but nevertheless I had a fun time watching this season!

My Rating: 7/10

#dusty reviews #machikado mazoku

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