#Angela Missoni

[fashionbooksmilano]

Missoni Donna Estate 2014 - Missoni Mare Estate 2014

Missoni Donna 42 pagine , Missoni Accessories 41 pagine, Missoni Mare 24 pagine 13,5 x 20 cm

euro 40,00

email if you want to buy [email protected]

Firmata da Angela Missoni basata sui quattro elementi naturali, aria, fuoco, terra e acqua

Ricami in rilievo, intarsi in pizzo traforato, pailettes, bande di frange spiccano sulle silhouette fluide e lineari; orli, tagli asimmetrici e nuovi volumi per le maniche sorprendono e si mescolano tra loro a creare l’immagine di una donna cosmopolita. Legata alle tradizioni, ma in continua evoluzione. E’ in quest’ottica, che tra le stampe, un disegno d’archivio rielaborato in chiave grafica, presenta il logo della griffe che campeggia su t-shirt, gonne e top come su una serie coordinata di sofisticati accessori.

Abiti monospalla, drappeggi, severe gonne dritte a coprire le ginocchia svelano alti spacchi con sfondo piega in seta, pantaloni morbidi fermati sulle caviglie. Giacchine e camicie che toccano il punto vita affiancano t-shirt oversize e spolverini chiusi da nodi metallici. Una palette di colori decisi, intensi. Bianco e nero, arancio, viola, turchese, bluette, sottolineano le stampe, regalandogli un sapore Pop.

24/05/23

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#Missoni #Missoni Estate 2014 #Missoni Mare 2014 #Missoni Accessori Estate 2014 #Angela Missoni #fashion collection catalogue #fashion books #rare book #fashionbooksmilano

[sunraysandrunway]

Missoni Spring 2005 Ready-to-Wear

#missoni #angela missoni #runway #fashion #spring #2005 #ready to wear

[francoisgoize]

2023 - Angela Missoni, Rosita Missoni & Margherita Maccapani Missoni - Neiman Marcus Awards ©François Goizé

#francois goize #neiman marcus #wwd #awards #Margherita Maccapani Missoni #Angela Missoni #Rosita Missoni #margherita missoni

[theoriginalsupermodels]

Missoni - Spring 2000 RTW

#fashion #fashion show #missoni #spring 2000 rtw #2000 #missonispring2000rtw #angela lindvall

[savelindsaylohan]

Angela Lindvall @ Missoni Spring/Summer, 2000 Ready-to-Wear

#angela lindvall #missoni #uploaded

[newpurse]

Let’s give it up to Luca Missoni, who made some of the sluttiest men’s clothes in the late 90s and early 2000s before Angela took over menswear.

#Luca missoni #missoni #menswear

[yano2519]

Interesting Guest Column at The HW Reporter

The 'Outlander' star and former model speaks out on a proposed state bill that would reform modeling agencies, creating, she says, "basic protections for fashion's creative workforce."

Long before I started acting, I spent almost 10 years working as a fashion model. I walked the runways of brands such as Victoria’s Secret and the fashion houses of Louis Vuitton, Givenchy, Chanel and many others. But despite my success, I still experienced the detriments of working in a largely unregulated industry, like not getting paid on time, if at all. Everything changed when I became an actor, but it’s still the same grind in fashion — and worse.

On the surface, acting and modeling have a nearly identical business structure: Agencies book gigs on your behalf as talent. Why, then, do these two industries have totally different responsibilities to their creative workforces?

Well, for one thing, fashion is an industry largely made up of young women and girls. To many, the labor of models is not seen as “work” but rather the benefits of winning a genetic lottery. So, models are perceived as being privileged, with no talent or skill, and therefore unworthy of basic protections or even empathy. That’s contrasted with actors who are seen as talented — and even get an entire, widely televised awards season celebrating those talents — on top of the protections they enjoy from being part of a heavily unionized workforce.

But the real issue here is that many modeling agencies have created and benefited from a system in which they take zero responsibility for advancing a model’s career or financial interests, but yet they dictate terms for those models. That’s vastly different to the relationship I’ve experienced with my agency as an actor.

Unlike talent agencies, which are considered employment agencies, modeling agencies are instead classified as “management companies.” Many contracts hand over “power of attorney” to modeling agencies, allowing them to accept payments and negotiate pay rate on behalf of the model without her knowledge; deposit checks and deduct unexplained expenses on top of a hearty commission; force models and creatives to sign multi-year, exclusive contracts that auto-renew, without any obligation to book them jobs; and they even can give third parties permission to use a model’s image or collect royalties without having to pay the model for that usage.

And yet, modeling agencies have no fiduciary responsibility to the talent they represent. So, it’s common for agencies to negotiate low rates or even payment “in-trade,” i.e., in the form of clothing, while collecting overcharged rents from stuffing 10 girls into a two-bedroom apartment.

While I was lucky to be represented by some amazing agents when I modeled, I still experienced what in any other industry would be considered massive violations of my rights as a worker. While working in Milan, I amassed earnings of €240,000, but I never saw a dime of it. That’s because the financial backers behind the agency had allegedly siphoned off their models’ money to private bank accounts and the agency declared bankruptcy. Recovering those earnings would have required calling every single client I had worked for — including Miuccia Prada, Domenico Dolce, Stefano Gabbana, Angela Missoni and so on — and asking them to testify that they had hired me for my time. That clearly was not a winning strategy if I wanted to continue working. I was not the only model to lose money from this agency, nor did I even incur the largest loss. To my knowledge, no funds were ever retrieved.

After that, I knew I’d had enough. I did something models are told never to do: I told my agency that I refused to continue working for another brand who never paid on time until I received all the money I was owed. It took a year to get my earnings.

Shortly after that experience, I pursued my dream of acting. And suddenly, for the first time in my working life, I knew when my paycheck was coming and how much would be in it. There was finally a structure to when my day would start and end. And there were contracts, which I would have access to and my own lawyer could discuss with me. These were the dramatically simple changes I experienced when my career was in the hands of talent agencies who are obligated to act on behalf of their client’s interests.

Every worker deserves that level of financial transparency. Now, a new bill in New York could disrupt that power imbalance that’s ruled the $2.5 trillion fashion industry for decades.

The Fashion Workers Act, which the Model Alliance launched earlier this year, would close the legal loophole through which management companies escape regulation and engage in predatory behavior. It would create basic protections for fashion’s creative workforce by forcing companies and clients to do outlandish things such as pay talent within 45 days of completing a job, provide talent with copies of their contracts and agreements and conduct a reasonable inquiry into health and safety on the set they’re sending talent, to name a few.

Models are taught to take these injustices in stride: Be cool and don’t rock the boat. That doesn’t breed an environment for organizing. And it’s why New York lawmakers must act and pass the Fashion Workers Act and change the rules of the industry for good.

Caitriona Balfe is an actress, producer and former fashion model. Since 2014, she has starred as Claire Fraser on Starz’s historical drama Outlander, for which she has received five Golden Globe nominations. Most recently, she starred in Kenneth Branagh’s film Belfast, for which she received SAG Award and BAFTA Award nominations. Balfe has also starred in such films as Ford v Ferrari, Money Monster, Now You See Me, Escape Plan and Super 8.

[updateparishilton]

December 03, 2011 —  Loren Ridinger And Jeffrey Kalinsky Host Evenings In Vogue With Angela Missoni And Vittorio Missoni For Exclusive Summer 2012 Missoni Preview Presented By Nordstrom.

Paris Hilton attends Evenings in Vogue with Angela Missoni and Vittorio Missoni for exclusive summer 2012 preview presented by Nordstrom at Casa de Suenos in Miami.

#paris hilton #flashback #evenement #2011

[thequeengisele]

I read someone ask what the hell gisele did before Victoria’s Secret and they said she was just a VS model to them. 😭🤣

Well she didn’t sign her Victoria Secret contract until 2000.

Here’s a little of what she accomplished pre VS:

-in 1998 she worked for all the big Vogues in editorials,walked for every major fashion designer and had ad campaigns for Versace,Chloe,Ferre,Missoni,Ralph Lauren and Valentino. She was highly in demand. The new “it” girl in fashion. She had covers for British Vogue,Vogue Brazil,i-D,Allure,ELLe,Marie Claire,Cosmo,Arena magazines. She worked with the biggest photographers; Helmut Newton,Steven Meisel,David Sims,Patrick Demarchelier,Mario Testino,Michel Comte,Ellen von Unwerth,Michael Thompson.

-1999 she was so big in fashion, she won Vogue model of the year award at age 19 beating out other heavy contenders at the time Carmen kass,Angela Lindvall,Maggie Rizer and Frankie Rayder. Given to her by Anna Wintour…She went onto be put on the cover of American Vogue with the headline “return of the sexy model”. She was the poster child for the anti waif models. She was in ad campaigns for Celine,Dolce & Gabbana,Versace,Valentino. She went onto have 3 American Vogue covers all in one year at only age 19. When celebs were beginning to saturate the covers…covers for W magazine 3 times,ELLe,Vogue Brazil,Vogue UK,Vogue Paris,Vogue Italy, (the big 4 Vogues accomplished at age 19). Numero Magazine,Harper’s Bazaar. Continuing to work with all the photography giants.

She walked the runways for Alberta Ferreti,Alexander McQueen,Anna Sui,Balmain,Blumarine,Calvin Klein,Carolina Herrera,Celine,Chanel,Chloe,Dior,Dolce & Gabbana,Dkny,Donna Karan, Gianfranco Ferre,Givenchy,Gucci,Helmut Lang,Hugo Boss,Jean Paul Gaultier,Jil Sander,John Galliano,Lanvin,Loewe,Louis Vuitton,Marc Jacobs,Marni,Max Mara,Michel Kors,Missoni,Miu Miu,Moschino,Narcisco Rodriguez,Oscar de la Renta,Prada,Ralph Lauren,Salvatore Ferragamo,Rifat Ozbek,Sportmax,Tommy Hilfiger,Valentino,Versace,Versace Haute Couture,Victoria’s Secret,Yves Saint Laurent ;and many more)!

That is all pre Victorias Secret and pre Leo….any more questions?

#gisele bundchen #supermodel #fashion #gisele #models #beautiful #model #beauty #queen #icon #supermodels #tom brady #vogue #editorial #brazil #hair #pretty #body #victoria's secret #brazilian

[brian-in-finance]

Caitríona Balfe COURTESY OF JAMES HOUSTON

Guest Column: Caitriona Balfe Urges N.Y. Lawmakers to Pass Fashion Workers Act to Protect Models

The 'Outlander' star and former model speaks out on a proposed state bill that would reform modeling agencies, creating, she says, "basic protections for fashion's creative workforce."

Long before I started acting, I spent almost 10 years working as a fashion model. I walked the runways of brands such as Victoria’s Secret and the fashion houses of Louis Vuitton, Givenchy, Chanel and many others. But despite my success, I still experienced the detriments of working in a largely unregulated industry, like not getting paid on time, if at all. Everything changed when I became an actor, but it’s still the same grind in fashion — and worse.

On the surface, acting and modeling have a nearly identical business structure: Agencies book gigs on your behalf as talent. Why, then, do these two industries have totally different responsibilities to their creative workforces?

Well, for one thing, fashion is an industry largely made up of young women and girls. To many, the labor of models is not seen as “work” but rather the benefits of winning a genetic lottery. So, models are perceived as being privileged, with no talent or skill, and therefore unworthy of basic protections or even empathy. That’s contrasted with actors who are seen as talented — and even get an entire, widely televised awards season celebrating those talents — on top of the protections they enjoy from being part of a heavily unionized workforce.

But the real issue here is that many modeling agencies have created and benefited from a system in which they take zero responsibility for advancing a model’s career or financial interests, but yet they dictate terms for those models. That’s vastly different to the relationship I’ve experienced with my agency as an actor.

Unlike talent agencies, which are considered employment agencies, modeling agencies are instead classified as “management companies.” Many contracts hand over “power of attorney” to modeling agencies, allowing them to accept payments and negotiate pay rate on behalf of the model without her knowledge; deposit checks and deduct unexplained expenses on top of a hearty commission; force models and creatives to sign multi-year, exclusive contracts that auto-renew, without any obligation to book them jobs; and they even can give third parties permission to use a model’s image or collect royalties without having to pay the model for that usage.

And yet, modeling agencies have no fiduciary responsibility to the talent they represent. So, it’s common for agencies to negotiate low rates or even payment “in-trade,” i.e., in the form of clothing, while collecting overcharged rents from stuffing 10 girls into a two-bedroom apartment.

While I was lucky to be represented by some amazing agents when I modeled, I still experienced what in any other industry would be considered massive violations of my rights as a worker. While working in Milan, I amassed earnings of €240,000, but I never saw a dime of it. That’s because the financial backers behind the agency had allegedly siphoned off their models’ money to private bank accounts and the agency declared bankruptcy. Recovering those earnings would have required calling every single client I had worked for — including Miuccia Prada, Domenico Dolce, Stefano Gabbana, Angela Missoni and so on — and asking them to testify that they had hired me for my time. That clearly was not a winning strategy if I wanted to continue working. I was not the only model to lose money from this agency, nor did I even incur the largest loss. To my knowledge, no funds were ever retrieved.

After that, I knew I’d had enough. I did something models are told never to do: I told my agency that I refused to continue working for another brand who never paid on time until I received all the money I was owed. It took a year to get my earnings.

Shortly after that experience, I pursued my dream of acting. And suddenly, for the first time in my working life, I knew when my paycheck was coming and how much would be in it. There was finally a structure to when my day would start and end. And there were contracts, which I would have access to and my own lawyer could discuss with me. These were the dramatically simple changes I experienced when my career was in the hands of talent agencies who are obligated to act on behalf of their client’s interests.

Every worker deserves that level of financial transparency. Now, a new bill in New York could disrupt that power imbalance that’s ruled the $2.5 trillion fashion industry for decades.

The Fashion Workers Act, which the Model Alliance launched earlier this year, would close the legal loophole through which management companies escape regulation and engage in predatory behavior. It would create basic protections for fashion’s creative workforce by forcing companies and clients to do outlandish things such as pay talent within 45 days of completing a job, provide talent with copies of their contracts and agreements and conduct a reasonable inquiry into health and safety on the set they’re sending talent, to name a few.

Models are taught to take these injustices in stride: Be cool and don’t rock the boat. That doesn’t breed an environment for organizing. And it’s why New York lawmakers must act and pass the Fashion Workers Act and change the rules of the industry for good.

Caitríona Balfe is an actress, producer and former fashion model. Since 2014, she has starred as Claire Fraser on Starz’s historical drama Outlander, for which she has received five Golden Globe nominations. Most recently, she starred in Kenneth Branagh’s film Belfast, for which she received SAG Award and BAFTA Award nominations. Balfe has also starred in such films as Ford v Ferrari, Money Monster, Now You See Me, Escape Plan and Super 8.

The Hollywood Reporter

Remember… The Fashion Workers Act, which the Model Alliance launched earlier this year, would close the legal loophole through which management companies escape regulation and engage in predatory behaviour. — Caitríona Balfe in THR

#Tait rhymes with hat #Good times #Regulation #The Fashion Workers Act #New York law #Hollywood Reporter #2 June 2022

[saket-jain-blog]

Stanley Tucci: Searching For Italy showcases the culinary scene in fashion-conscious Milan

Stanley Tucci: Searching for Italy, the critically-acclaimed six-part CNN Original Series that follows Academy Award nominee Stanley Tucci in Milan as he travels across Italy to discover the secrets and delights of the country’s regional cuisines, continues on CNN International this weekend.

In the fourth episode, airing on Sunday 11th July, Tucci eats and drinks his way around Milan, Italy’s second biggest city and the business powerhouse. Tucci visits the largest cathedral in Italy, meets one of Italy’s biggest fashion dynasties, and goes fishing on Lake Como.

Episode Synopsis:

Milan is the capital of Lombardy. It’s Italy’s second biggest city and the business powerhouse.

Stanley’s first stop is the Duomo, the largest cathedral in Italy where he meets Italian journalist Beppe Severgnini. Beppe explains the Milanese eat food for work. But in recent years Milan has become a culinary mecca. Stanley heads to Ratana', a buzzy restaurant led by chef Cesare Battisti. Cesare shows Stanley how to ace a schnitzel, which he contends is Milanese, not Austrian despite the Germanic sounding name.

Milan is home of the aperitivo - a post-work drink served with a light snack. Stanley goes for aperitivo with social media star Tess Masazza and afterwards they head to one of Milan’s super cool bars where you need a password to enter. Here he drinks a refreshing black martini, prepared by one of Milan’s best mixologists, Morris Maramaldi.

Milan is one of the four fashion capitals of the world. While there, Stanley meets one of Italy’s biggest fashion dynasties, the Missonis. Family matriarch Rosita, her daughter Angela and her grandson Francesco cook Stanley some family favorites – tender succulent brasato, creamy polenta and freshly foraged mushrooms.

Next, Stanley heads to the Orobic Alps to meet cheese maker Paolo Ciapparelli. Paolo makes Bitto Storico Ribelle – an ancient cheese made from the milk of alpine herds. The cheese is so incredible that Stanley feels inspired to make pizzoccheri – a noodle made from buckwheat. His film crew try it and love it. But it’s only when the locals give the thumbs up that Stanley is happy.

Stanley then goes fishing with amateur angler William Cavadini on Lake Como. William has formed an association to protect Como from global warming. Stanley catches perch and they head to William’s to cook it with rice, butter and sage.

Stanley’s wife Felicity joins him in Como and together they head back into Milan to Osteria del Treno, a former HQ for the rail workers union. The menu is classic Milanese – veal chops and risotto, good quality but reasonable prices. All classes of people eat here at the huge tables, often to the sound of live music, singing and dancing. It’s a far cry from money-driven fashion-conscious Milan - but a wonderful tribute to the people who built Milan from the ground up.

#stanley tucci #italia #italian food #food #culinaryadventures #italy

[mindymaerenee]

Check out this listing I just added to my Poshmark closet: Vintage Angela Missoni Striped Knit Jacket Textured Long Blazer Size 40.

[sunraysandrunway]

Missoni Fall 2004 Ready-to-Wear

(Model: Julia Stegner)

(Model: Diana Dondoe)

(Model: Daria Werbowy)

(Model: Elise Crombez)

#Missoni #Angela Missoni #fashion #runway #fall #2004 #ready to wear #Julia Stegner #Diana Dondoe #Daria Werbowy #Elise Crombez

[delectablywaywardbeard-blog]

Il manifesto al femminile di Margherita Maccapani

(ANSA) – ROMA, 16 GIU – “La liberazione del corpo femminile sarà sempre meno una provocazione” dice Margherita Maccapani, terza generazione della famiglia Missoni, che oggi ha presentato alla Milano Fashion week dedicata alle proposte per lui la prima collezione del suo Brand Maccapani. Al suo fianco, mamma Angela e nonna Rosita. ” Questa collezione è un guardaroba indossabile dalla mattina alla…

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[theoriginalsupermodels]

Missoni - Fall 2000 RTW

#fashion #fashion show #missoni #fall 2000 rtw #2000 #missonifall2000rtw #angela lindvall

[savelindsaylohan]

Angela Lindvall @ Missoni Fall/Winter, 2000 Ready-to-Wear

#angela lindvall #missoni #uploaded