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#Also NOT that my current stuff isn't conceptually interesting i just think like. something that plays more outside of sport. Idk
bsaka7 · 9 months
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other secret conundrum or whatever is i want someone to tell me if my fic now is like better or different or the same or whatever than it was idk a year ago. i think it definitely is from two years ago and i do think it's changed stylistically despite writing the same kind of. tight sexually confused and intra/inter-personally complicated pov. but maybe i also feel that bc my audience has changed and like. the other ppl around me writing have changed (which i am sooo heavily influenced by whoever I'm talking to at least content wise. i like to write things my people like). is that weird i don't think it's weird. i also want to write something well plotted and like conceptually interesting again tho. who knows.
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the-algebra-thing · 1 year
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I've said before that I think chip would be big on contemporary, if anything. like me, he has a love of moves that look very cool, and unlike me, he does not have some unknown connective tissue disorder, and can pull it all off LMAO
on this note, his balance and instinctual spatial awareness are really good, thief training etc, and this lends itself really well to a ton of inversions, complex balances, even lifts. he's not as analytical as jay is about it; he's not super aware he possesses these qualities, he just Does and they help him figure out what needs to tuck and hold and brace to achieve the image he wants. despite this intuition, he's not actually strong enough to lift jay, who is like half a foot taller than him, or gillion, who is shorter than him, just built like a brick wall—but he is better than either of them at conceptualizing fun ideas for them to try out in pairs or all together.
he never got any classical or modern training, and so he's not into the technical aspect for its own sake whatsoever—he is invested in the space between what looks cool and what feels good. he has a huge respect for flow and improv for improv's sake, but he isn't so devoted to that feeling and flow that he completely casts aside looks and composition and appearances like I think edyn does. edyn, in my head, is—by now, at least—straight contact improv ideology, but that's a different beast for a different time. regardless, chip does not sacrifice appearances, and is always actively searching for what is most awesome. if hes working without a mirror he'll drag someone over to watch his current thought, give feedback, and scheme with him to bring out the full potential of whatever he's working on.
he won't shy from hip hop, but he's definitely more into acrobatics and floorwork than you could categorize as strictly hip hop. nothing about it is strict, really; he just wanted to dance, and so he did, and because he never quite got the guidance everyone else did, he ended up with a mashup of influences he picked up along the way. contemporary isn't truly its own dance style at all—it's often thrown in next to modern, but really it's a combination that draws on disciplines with full histories, like ballet and modern, and newer styles, like jazz and lyrical. it's just meant to push the boundaries of those genres and look really awesome. I think his style is, in the end, very heavy and grounded—it's also very conducive to chairography. chip could do soooo much with a folding chair. he could entertain himself for hours on that thing I think. he also can and will lean on his surroundings (railings, banisters, walls, windowsills, seating surfaces) just to see what happens—to push his poses, for compositional interest, or just to achieve a different, more dramatic feeling.
in the same vein chip also swings ollie around like he's nothing, since he's so much smaller, and ollie obviously lives for it, small boy developing vestibular sense or whatever. this inherently works towards ollie developing that same sense of balance and spatial awareness—so chip is unknowingly passing on to him a really important and useful skill that they are both unaware of, really. even without all this dance stuff I think that's something that chip has in canon that nobody thinks or talks about, despite how incredibly valuable I think it has proven to be to the crew.
took some time today to put together small base playlists I can listen to while I do these drawings for chip and a few other characters; chips is here if you're interested! I'm not interested in dance as a competition or a purely analytical practice so music influences my work, whether it's choreographing or drawing, more than really anything else. I don't have regular character playlists; thats not what this is—it's just an auditory representation of everything I've tried to outline here. I couldn't do one for chip and not gil, jay, and lizzie, so maybe those posts are also in the near future for me. crossing my fingers lmao they've been on my drawing to do list for ages
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vyvesvi · 1 year
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2022 music recap! (1/3?)
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soloists:
after a tough battle, i finally settled on my top three soloists of 2022! this was such a great year for female solo artists in all markets. lexie liu and bibi undoubtedly played a huge role in my year, gaining 255 scrobbles and 287 scrobbles from me, respectively. what pushed lexie liu over the edge to claim the #1 spot is the uniqueness of her third studio album "the happy star," which just released this month! fun fact: lexie liu is the only artist to maintain a song in my top 10 for the past four years! it was time to admit that she's one of my favorite artists overall. i highly recommend most of the happy star (i don't personally care for gaia or shanti) but especially magician, fortuna, 3.14159, and ganma.
bibi is an interesting case- the songs of hers i listened to most, pado and eat my love (2021), are not her most popular (or even her core style). but there's something about them that scream 4.5 gen. if they were released by any rookie gg right now i'm sure they'd be hits. bibi also released an album this year, which i really liked overall! i would recommend the intro (yes, the intro), witch hunt, and motospeed 24. i have to admit that i'm not really a stan, but bibi really impressed me this year!
i have less to say about youha's satellite (currently my 9th most listened song with 48 scrobbles), despite loving it a lot. i just want a girl group to do this style. i want youha to make this her main style. it's just too good- good enough to elevate her to 3rd on my soloists list. "love you more," is her first mini and she killed it, so i'm looking forward to a bright 2023 :)
note: honorable mentions are not in any particular order, i love them all but i need to move on to the other categories lmfao
male releases:
it was a tough year for male artists in my opinion. my only bright spot was my top 3.
xiso/senji and alpha are new discoveries for me! i don't have much to say about them somehow but i would highly recommend you give them a listen! seni oilai (my 4th most listened song with 54 scrobbles) is the first song in kazakh that i've ever heard! the bass is everything to me- it's like this song was designed to take over my brain lmfao. xiso & senji are what i would call part of the onlyoneof extended cinematic universe. they work together a lot, along with haeil (and iiso iirc) and are doing some really cool stuff right on the edge of kpop and krnb.
kb actually held the #1 artist slot in my library with 219 streams for several months before being overtaken by bibi and lexie liu. he still, however, holds the #1 song spot with be free. oddly enough, i don't even think be free is necessarily "the best" of onlyoneof's solo project (that honor goes to junji's be mine) or the best conceptual execution (that would be yoojung's begin). but it is the one that scratched my brain just right. this project is so good y'all TT
gg releases:
i didn't call this one female releases because the soloists would overwhelm the list lmfao. that said, 2022 was definitely a gg year in kpop! oddly enough, despite primarily being a gg stan i actually don't stan any of the monster rookies that debuted this cycle? and i would be hard-pressed to pick a favorite honestly (i might write a whole post about 4th gen later, we'll see). that said, love dive was undoubtedly my gg soty. i don't have scrobble info for it as i primarily listened to it a ton before i got a tracking app, but according to apply music it was my number one song this year. i'd guess that the real rank is probably between 6 and 13.
lesserafim's the great mermaid isn't for everyone but it was certainly for me! another one that i listened to earlier in the year, so apple music has it at #14. i just think it's really unique and i would lovee to see a performance of it. lsf has a bright future and i'm excited to see where they go from here. (i'm also proud of them for not releasing singles lmfao!)
tripleS...i have so much to say about them that i've circled back around to having nothing to say. their first temporary subunit's mini album, access, was really solid in my opinion, but i know it's not for everyone. regardless, i think that the positive reaction to generation was 100% warranted. it's so fun!! i'll have more to say about them in a later post but yeah. my girls. i'm so excited for ot10 debut early next year!
with how much i loved purplekiss' pretty psycho, it's a bit evil for it to now not be in my top 3. i still think it's a great song (my #7 on apple music) but it's aged a lot more than the other songs on the list, including others on the same album. it's still great though, i just wish it had better choreo and was a title.
up next: concepts/albums/throwbacks/debuts
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