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What you will see in this article is really the very beginning...

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What you will see in this article is really the very beginning of hardbass culture. Hardbass is essentially sub genre of electronic music, which obviously originated in Russia, someplace in 2000’s. It is defined with fast pace, strong bass beats (AKA donk bass), with periodic lyrics. Dress code is generally budgety outfit, the majority of typically Adidas tracksuit. Holy carriers of hardbass culture are gopniks, which are typically seen crouching in groups, drinking and, obviously, doing hardbass. Here in next few minutes you will learn everything about the normal gopnik specimen in his natural environment. As we said, hardbass began to establish in Russia, precisely in St. Petersburg, with leaders like DJ Snat, Sonic Mine and X Job. After few years, it began to spread out through VKontakte, Russians version of Facebook, and by 2010, numerous “copycat” artists and videos of EDM songs began to sprout all over Russia, Ukraine and Belarus. Individuals were crouching and pump dancing in classrooms, busses, work stations, malls, basically everywhere. In the future, people began doing this pump dancing thing at famous landmarks and places in their home town to reveal something in your city that you’re proud off, and to show that you like your city. In some nations hardbass was used for a slightly different purpose, like a form of public rebellion, such as in Serbia, where people were utilizing it to oppose about Kosovo, or Chile, where trainees utilized it to protest against the federal government cutting funds for education. However, in all fairness, EDM music is a type of (hillarious) dance and we should use it and comprehend it as a type of socializing and home entertainment, while expressing yourself! A few of the most popular artists nowadays are DJ Blyatman, XS Project, Hard Bass School, YURBANOID, Celebration Factory etc. Get in your Adidas, get a bottle of beer and hardbass the night away! It all began as a type of joke that went too far– four people from St. Petersburg were trying to mock stereotypical gopniks (low-life Russian criminals) but ended up winning their appreciation rather, and after that the entire thing went viral worldwide. You have actually most likely seen it, a minimum of in a video. A number of men and sometimes ladies worn tracksuits, their faces frequently covered with masks or balaclavas, collect in a circle and move their bodies (or in some cases just their heads) to really loud and primitive music with unique basslines and a quick pace. The whole picture is attractive as hell.

What is a Gopnik?

Gopnik is a stereotype and subculture in Russia, Ukraine, Belarus and other former Soviet republics to describe boys of sometimes lower-class suburban areas originating from families of poor education and earnings.

Ignore ballet. In the 2010s, it was an uniquely Russian kind of music called hard bass that conquered the world. However before this, it discovered its way to the hearts and ears of countless Russian individuals. In a very unusual way. As frequently happens in Russia, people took something foreign and then Russified everything the way to the bitter end. Hard bass traces its roots back to pumping house, a Western-born genre of techno with a fast pace and rhythmic bass area (Klubbheads are a good example of pumping home). But then it encountered some severe Russian culture phenomena. Paradoxically, for the innovators of hard bass, integrating Western rhythms with the tracksuit clothing used by gopniks (petty goons or scallies) was simply the method to have a laugh. As Lenta.ru put it, the hard bass movement was originally planned as mockery of the “rave gopniks” who would participate in huge rave parties however had no concept what rave culture was originally about (peace, love and techno). Therefore it was that in 2010 4 young people living St. Petersburg published a video on Youtube teasing the absurd dancing of gopniks– moving your ankles around and stomping your legs back and forth. While dancing, it is also essential to make an unique gesture with your hands clenched into fists and just a thumb and little finger extending. The “song” that they carried out to was quite simple: “Raz-raz-raz, eto hard bass!” (something like “Hey-hey-hey, this is hard bass!” in English) but it likewise consisted of a bit of healthy lifestyle propaganda. The guys pointed out that their archenemies are different kinds of chemically produced drugs and that they drink only kvass. Obviously, this too was a joke making fun of gopniks’ pride in their apparently healthy lifestyle– healthy primarily in the sense that they wear tracksuits every day.

Perhaps the paradox was too subtle though because lots of real gopniks who viewed the video didn’t detect it and related to it on a genuine level. No drugs, a basic dance and music to run over the ground to– what’s not to like? Therefore it was that this weird new design, purposefully elegant and ridiculous, started to grow in popularity. With time, the circumstance grew pretty intricate, with 2 separate kinds of hardbass music fans emerging– those who sincerely liked it and those who were teasing it. In some cases the line between them was (and is) very thin, so now when you see the latest funny video with a lot of individuals dancing to hard bass in tracksuits, it is hard to inform if they are severe hardline gopniks or simply fooling around. The hard bass fan website hardbas.ru informs us “It is the pursuit of favorable energy and objection to fool oneself with drugs that lags the hard bass philosophy. Hard bass will help make your life better and more favorable.” That seems a little pretentious, but who we are to evaluate? Then suddenly, the author diverts off in a dubious political instructions: “In numerous cities, hard bass is likewise a Russian alternative to Lezginka (a nationwide Caucasian dance that people of Caucasian origin in some cases perform in the streets).” There are conservative activists amongst hard bass fans, and in 2013 they even attempted to perform “a hard bass protest” dance in the center of Moscow but were apprehended by the authorities. Nonetheless, hard bass is, as a general rule, not about politics. It helped Russia draw attention from the West, albeit in a strange method. Numerous Youtube blog writers now simulate the Russian accent and explain how to behave like a real Russian patsan (a more considerate term that gopniks usage to describe each other) by squatting, consuming sunflower seeds, using Adidas tracksuits and, naturally, dancing to some premium hardbass music. Just remember that this all began as a parody. What basically began as a Russian take on hard house has spread out across the world through social networks and developed into a form of viral demonstration. Local hard bass crews arrange flash mobs called “mass attacks,” where packs of masked youths “pump dance” strongly in public while baffled passerbys pick up speed and try their finest to prevent eye contact. The entire routine is filmed and published onto YouTube, where– instead of curl up and pass away under a barrage of keyboard warrior hate– it’s managed to motivate new hard bass crews that have sprouted westward across the continent.

What is hardbass music?

Hardbass or hard bass (Russian: хардбасс, tr. hardbass, IPA: [xɐrdˈbas] is a subgenre of electronic music which originated from Russia during the late 1990s, drawing motivation from UK hard house, bouncy techno, Scouse home, and hardstyle. Hardbass has become a central stereotype of the gopnik subculture. Originating in Saint Petersburg in the early 2000s, hard bass resembles every other range of generic dance music popular with young Europeans who dress solely in budget plan sportswear: 150-160 BPM, four-to-the-floor beats, and tacky ‘90s synths. This is generally Russian donk. The only real distinction is that instead of hearing a Boltonion drawl chewing on a Greggs cheese-and-onion piece tell you to “put a donk on in it,” you periodically get a Russian MC spitting something in Cyrillic that I have actually been too frightened to penetrate Google translate. Championed by home-grown manufacturers like DJ Snat, Sonic Mine, and XS Job, regional record label Jutonish was your one-stop purchase all your hard bass requirements. By all accounts, hard bass would not remove beyond Saint Petersburg for the next couple of years, and even Muscovites appeared to prefer listening to the noise of rusting Soviet equipment grind into disrepair over the St. Pete’s sound, but eventually, hard bass’ mundanity would be what moved it into the international awareness.

The truth that you could drop a hard bass track at a gabba night in Holland, or a poky rave in Spain, indicated that there was a lot of cross-pollination in between the scenes, with European DJs dipping into hard bass celebrations in Russia and vice-versa. This is how Dr. Poky, the primary face at Sound Makers records, marched from a sea of gurning faces and ended up being the hard bass messiah, preaching the pump bass gospel through a grassroots Facebook marketing campaign. Initially from Russia’s eastern steppes, Dr. Poky first relocated to Madrid, where he went far for himself as DJ in the local “poky” scene, before ultimately settling in France. It was on an eventful trip to Russia that he first experienced the infamous hard bass “pumping dancers.” “When I DJed in Russia in 2009, I saw some video on the internet of two or three guys dancing in the street to hard bass as a joke,” Dr. Poky told me over Skype, “They put the video on the internet, on a program called VKontakte.” If you’re not familiar with bootleg social networks platforms, VKontakte is Russia’s answer to Facebook, with a 195 million profile-strong following, largely based in Russia, Belarus, Ukraine, Moldova and Kazakhstan. Hard bass now had an audience, and as we’ve seen in the after-effects of “Gangnam Style” and Soulja Kid, with sufficient inexpensive laughs and a viral video, you too can leave your grubby mark on the worldwide linked loins of modern-day popular culture.

By 2010 copycat videos started appearing in Belarus, Ukraine, and throughout Russia. Pumping dancers were pump-dancing in class, in shopping malls, on public transport, on football pitches, and even on the actions of the National Academic Bolshoi Opera and Ballet Theatre in Minsk. Groups could be as small as three or four dudes (and it’s pretty much always men) or as huge as numerous lots, however the general goal is to get as lots of people as possible pump-dancing at an innovative location that nobody has ever tried before, or somewhere where you make the greatest problem out of yourself– and if you don’t get it on video, it didn’t happen. Simply in case you’re having trouble imagining pump dancing, let me simplify for you: think of a lot of hunched-over guys treading grapes, arms bent at the elbow, hands formed into beach bottom “hang loose” gestures, casually flailing their forearms up and down. That’s pump dancing. Straight from the off, a few common threads started emerging; the pumping dancers were constantly big on reppin’ either their country or their native city, and most of the videos were recorded at distinct regional landmarks most likely to include in regional tourist board pamphlets. “It has to do with showing the city where you live, the piece de resistances, to reveal it’s genuine. This is my city and I like it– we dance to hard bass here too,” exposes Dr. Poky. Another commonality was an overarching sense of masculine aggressiveness, and spending plan sportswear. Mass attacks appear like fight scenes from hooligan flicks like The Football Factory. In one Ukrainian video, two groups of hooded youths approach each other in a city underpass, hands raised overhead and chanting as if there’s a lot of obscenely overpaid professional athletes kicking a ball around nearby. After a brief pause, they charge at their equivalents in a relocation that reminds me of a wall of death that I saw at an Agnostic Front program when I was 15, before breaking into fits of pump-dancing upon effect. It’s like seeing a musical adaptation of the 2011 London summer season riots composed by Blackout Crew. In all fairness, this isn’t just special to EDM music; among gabba’s most significant anthems is “Rotterdam Thug” by the Rotterdam Terror Corps that samples the impassioned chants of Feynoord fans. Pondering hard bass’ withstanding appeal with football punks, Dr. Poky explains, “It’s simple for them to bring people and make a video. It’s low-priced promo to demonstrate how hard they are.” I’m pretty sure dancing hasn’t been utilized to intimidate people since the Jets and Sharks threw down in West Side Story, but whatever.

At some time in late 2010, hard bass slipped under the digital Iron Curtain and made its method onto YouTube, pump dancing into the cumulative worldwide consciousness. Over the course of 2011, hard bass teams sprouted in Slovakia, Serbia, Lithuania, and the Czech Republic. In Belgrade, one mass attack attracted around 200 barely-pubescent kids, while others took place as far away as France, Spain, and even Chile. Mass attacks were increasingly taking place outside of federal government buildings and, to the untrained eye, should have appeared like political demonstrations by means of ham-fisted line dancing. Were they trying to say something to political leaders? Dr. Poky explains: “Some people make videos due to the fact that they enjoy hard bass and want share it with the world, however some other people use it to promote their own program. In Chile, trainees used it to protest against the federal government cutting money for education, in Serbia for example, some of them used videos to oppose about Kosovo.” The first crew to explicitly use hard bass as a political platform were Russian group Hard Bass School,“ who saw themselves as an eastern bloc Minor Threat. As Dr. Poky elaborated: "You have some video on Internet with a man smoking cigarettes, then some person comes and states 'Why do you squander your money and time smoking cigarettes or taking drugs? You need to be wearing a Hard Bass School t-shirt and dancing to Hard Bass!’” Yeah, let’s get high on tee shirts! In Belgium, Jeune Nation, the Hitler Youth-esque junior wing of Francophone nationalist movement, COUNTRY, use0 electronic music in their nonstop battle versus Islam. With Halal dietary standards becoming progressively typical in supermarkets and school kitchens across Charleroi, they unceremoniously took the streets last April wearing pig masks and staged a mass attack in defense of their inalienable right to pork products. Political gains were limited, however sighs of exasperated offense were at an all time high. Over in the Czech Republic, anti-authoritarian hard bass teams are persuaded that the recession marks the start of a counter-cultural revolution, as Mord explains: “Society is staggering on the edge. Today’s financial crisis is not simply a cost-effective problem; it’s a crisis of culture. We believe that this crisis is a significant one which a huge social shift and transformation is on the horizon. We want to contribute.”

Okay, however isn’t pump dancing a bit of an unclear way to make a declaration? Why do not you make some banners and scream cute slogans like everybody else does? Team member Mord argues, “That’s simply another system-approved form of habits. How can you protest against the system if you continue to play it’s game? How you want to alter rules if you behave by the rules? Take a look at the Occupy Wall Street motion. Where are they now? What did they in fact attain?” However how precisely is rhythmically simulating the early stages of the red wine making procedure a much better revolutionary tactic than civil disobedience? “Think about the symbolic power! Groups of masked individuals making noise and dancing where they’re not supposed to is a lot more outrageous than ten times as many individuals marching with banners and screaming slogans! We are provoking people to think a bit more about what they see around them; people are desensitized to opposing crowds, however everyone responds to hard bass.” Though Nenad, from Serbia’s hard bass team, included a more level-headed answer: “To us, it’s a type of interacting socially and home entertainment and it lets us reveal our viewpoint. We won’t alter anything, but at least we get to reveal our position.”

What is EDM music?

Electronic dance music, likewise known as dance music, club music, or simply dance, is a broad series of percussive electronic music categories made mainly for bars, raves and festivals. And I guess that’s the real point of EDM music– it’s just kids trying to run the hormonal onslaught of adolescence as best they can and hope it brings them some sort of purpose and belonging. When one Prague hard bass crew got together to go garbage selecting in a regional forest, I don’t think a lot of them really provided a shit about the environment, or dreamt of trolling Japanese whaling vessels with the Sea Shepherd Preservation Society, they probably simply wanted to hang out with their pals. Due to the fact that, basically, adolescence sucks and not everybody gets to be prom queen, so why not indulge in hard bass?

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