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travelcenter-uk · 3 years

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The Dubai Experience: Your next travel destination!

Being a technological hub oozing with luxury Dubai boasts of an endless list of world-famous landmarks and skyscrapers. In the middle of Dubai downtown proudly stands the worlds’ tallest building – the Burj Khalifa, in its shadows lies the worlds’ largest shopping mall – The Dubai Mall and the famous Dubai fountain, the worlds’ largest choreographed water feature. It is a jaw-dropping sight to witness their police squad stepping out of supercars and flying hoverbikes while on traffic duty. By the end of 2019, Dubai held 220 world records which itself is a world record. This includes the world’s most elevated tennis court, the largest indoor ski resort and the tallest twisted tower all swaddled in a grand desert. Travel experts suggest you only need 2-5 days to see Dubai which is why you must read this article to know how you can experience Dubai on a stopover, whether you are on your way to visit your family, on holiday or even for business.

What exactly is the ‘The Emirates Dubai Experience’?

Have you ever had a connecting flight where you sat by a window just passing the time until your next flight? Just glaring at all the aircraft wondering what it would be like to get out of the airport just for a day and explore the city since you are there anyway? Well, I have faced that moment many times in my life. The good news is that it doesn’t have to be that way anymore! Emirates airlines have now made it a reality by offering their customers a chance to get out of the airport for 24 or 72 hours to explore Dubai, whether it’s to do some sightseeing or if you’re an adventure junky, you can experience the splendour of the Desert on a thrilling safari, go sky diving, take a jet ski tour or experience the largest indoor theme park in the world.

Luxury, adventure & a whole lot more!

May it be a family holiday, an adventure or merely, to experience Dubai. This hot-spot delivers unique expeditions, and it can get confusing to plan the ideal itinerary. However, when you book a Dubai experience package with Travel Center, we’ll make sure that you get the best as you experience Dubai on a stopover. A holiday with memories to last forever coupled with our readymade travel itineraries, or a bespoke itinerary made just for you!

Wondering What Benefits, you can gain from the Emirates Dubai Experience?

Complimentary in-flight services.

Exclusive meet and greet services.

Special Emirates passes with discounts for shopping outlets.

A choice of 3*-5* luxury hotels.

Daily breakfast during your stay.

Exclusive 24-hour check-in/check-out: The room will be ready from the time of flight arrival into Dubai International Airport, and check-out will be at the same time on the day of departure.

Return hotel transfers (private or seat-in-coach).

Why fly with Emirates?

Comfortable, modern and one of world’s youngest fleet made up entirely of Emirates A380 and Boeing 777s.

‘The World’s best in-flight experience’ Emirates always focuses on service excellence, innovation and safety.

Excellent reviews, ratings and numerous accolades.

Generous legroom for you to relax your feet.

ICE: Emirates inflight entertainment system with over 4500 options for everyone.

Cake and champaign to surprise your loved ones on special occasions (Please speak to Travel Center to know how to arrange this for you).

Access to exclusive lounges.

The experience is never ordinary no matter which class you fly in; ‘Fly Emirates, Fly Better.’

Travel Center the best choice for a hassle-free booking experience.

Enjoy a hassle-free service right from the inception. Travel Center has partnered up with Dubai Experience and Emirates and is able to take care of all your Dubai Experience needs. All you need to do is call us or click here and sit back, relax; as an experienced travel consultant will get in touch with you to make sure all your questions are answered, and you will receive the best value for money. Travel Center is a proud member of ABTA, ATOL and IATA; which means your money is absolutely safe and in times like this, you get all the assurance you need.

Dubai’s safety against Covid-19 & Travel

The current pandemic situation has changed the world and our lives in ways that we cannot imagine. By following the safety measures issued by the World Health Organization (WHO), Dubai has been able to protect and keep its people safe and sound. As Dubai and the rest of the world gradually gets back to normal, so will travel! Thus, the dates of your next holiday are not far away, and use this time to pre-plan your trip and book your Dubai Experience package with confidence because Dubai will be ready for adventure sooner than you think! But for the moment Dubai invites you to visit the city in a futuristic way.

Dubai: The city of the future and virtual travel

As you travel to Dubai while sitting on your armchair, take a tour through the city with “Dubai 360“. A superlative virtual travel site where you could virtually visit Dubai’s infamous landmarks, stunning skylines and brilliant aerial views of the magnificent city, its rich culture and heritage.

Still thinking? Why not send an enquiry or give Travel Center a call and see it for yourself! Do you know someone who is taking a flight with Emirates? Click here to share this article with them and let them know of this amazing opportunity. When you book your Dubai Experience package with Travel Center, you definitely save more. After all, it’s all about Travel!

Read More:- The Dubai Experience: Your next travel destination!

This Article, Information & Images Source (copyright):- Travel Center UK Blog

#travel #traveller #travelling #travelblog #travelblogger #travelgoals #travellife #travelcenteruk #travelvibes #dubai #destinations #holidaymakers

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caidendhmu676 · 3 years

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Vị Trí Park Hyatt Phú Quốc ở đâu?

Park Hyatt Phu Quoc Residences, Việt Nam™dự án park hyatt Wikiland Trong đó đã có 47 khu khách sạn đã hoạt động. Park Hyatt là thương hiệu thuộc hàng xa xỉ nhất của tập đoàn Hyatt. Park Hyatt là điểm đến hàng đầu của những người cực giàu, yêu và biết thưởng thức nghệ thuật, mang phong cách thức sống riêng biệt. Đây là 1 thương hiệu quản lý và vận hành khách sạn thượng lưu mà những dự án của họ luôn được giới siêu giàu khao khát hướng tới. Các nhà tài phiệt, ngôi sao hạng A của Hollywood luôn chọn Park Hyatt làm điểm dừng chân. Ngoài sự xa xỉ, Park Hyatt luôn dẫn đầu trong Top 10 thương hiệu khách sạn kinh doanh hiệu quả nhất. Những Park Hyatt nổi tiếng và doanh thu cao nhất trên thế giới nằm ở Bangkok, Buenos Aires, Chicago, Dubai, New York, Paris, Shanghai, Sydney, Washington D. C. TIMELESS & TAILORED: Thiết kế vượt thời gian và dẫn đầu xu hướng.

Dự án căn hộ nghỉ dưỡng Premier Residences Phu Quoc Emerald Bay được đầu tư mang nhiều tâm huyết của Tập đoàn Sun Group. Tập đoàn Sun Group là Tập đoàn tư nhân danh tiếng với các dự án được quốc tế ghi nhận như những khu nghỉ dưỡng, giải trí cao cấp: InterContinental Danang Sun Peninsula Resort, Premier Village Danang Resort, Bà Nà Hills Mountain Resort, Novotel Premier Han River… Đây cũng là “phiếu bảo hành” cho chất lượng dự án và lợi nhuận của các chủ nhân. Đồng thời, cái vốn và dòng khách du lịch đang ào ạt đổ về Phú Quốc sẽ khiến cơ hội sinh lời thêm bền vững và giá trị bất động sản nơi đây ngày càng gia tăng theo thời gian. Tập đoàn Sun Group ghi dấu ấn với những dự án cáp treo giữ phổ thông kỷ lục thế giới và các đại công viên giải trí góp phần làm thay đổi diện giả mạo du lịch tại phổ thông địa phương. Ngay tại thời điểm ký Hợp đồng mua bán, chủ sở hữu được tặng kèm 01 bộ Phiếu quà tặng “Trải nghiệm Dấu ấn Việt Nam” bao gồm những dịch vụ miễn phí tại 1 số dự án do Tập đoàn Sun Group là chủ đầu tư. Bên cạnh đó, chủ nhân căn hộ nghỉ dưỡng gia nhập Câu lạc bộ Sol Club dành cho các khách hàng đặc biệt của Tập đoàn Sun Group với đặc quyền ưu đãi tại các khu vui chơi giải trí và nghỉ dưỡng do Tập đoàn Sun Group làm chủ đầu tư. Lễ ra mắt căn hộ nghỉ dưỡng Premier Residences Cu li Quoc Emerald Bay sẽ được tổ chức tại khách sạn Park Hyatt Saigon - số 2, công trường Lam Sơn, Quận 1, TP. HCM.

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dự án park hyatt phú quốc Wikiland “Cá nhân hoá trải nghiệm của khách hàng” là câu khẩu hiệu mà Tập đoàn Hyatt nói chung và thương hiệu Park Hyatt kể riêng đề ra cũng như thực hiện trong nhiều năm qua. Ông Hoplamanzia từng lý giải khẩu hiệu này mang thông điệp đem đến cho những vị khách khó tính nhất cảm giác “thực sự đang sống” lúc lưu trú tại Park Hyatt. Tiêu biểu cho triết lý dịch vụ này là Click to find out more chương trình World of Hyatt. Mang mục tiêu xây dựng cộng đồng khách hàng trung thành, chính sách này đem tới các dịch vụ tốt nhất cho khách hàng và những lợi ích như tăng hạng phòng, miễn phí các tiện ích cao cấp… Với tác động tiêu cực của dịch bênh Covid-19, Quý 1 năm 2020 đang phải chứng kiến sự suy thoái khó tránh của nền kinh tế toàn cầu. Nhờ vậy, cộng đồng khách hàng sử dụng gói chính sách World of Hyatt trên khắp thế giới vẫn đang liên tục tăng lên. Tuy nhiên, trong cơn bão còn chưa biết điểm kết thúc, Tập đoàn Hyatt nói chung và thương hiệu Park Hyatt nói riêng vẫn có những số liệu tăng trưởng đáng ghi nhận như con số 6% có tỷ lệ tăng trưởng phòng. 1 lần nữa, tầm nhìn chiến lược và khả năng dẫn dắt tuyệt vời của ban lãnh đạo đã khẳng định uy tín cũng như giá trị của Park Hyatt, thương hiệu khách sạn cao cấp hàng đầu thế giới.

park hyatt phú quốc Wikiland “Với sự phát triển của tập đoàn Hyatt tại Việt Nam, chúng tôi rất vui mừng lúc mang thương hiệu Park Hyatt tới Phú Quốc, một hòn đảo xinh đẹp có sự đa dạng sinh học, những bãi biển tuyệt và môi trường nghỉ dưỡng thuần khiết, nguyên sơ”, ông David Udell, chủ tịch khu vực Châu Á - Thái Bình Dương của Tập đoàn khách sạn Hyatt cho hay. Ông cũng nhấn mạnh thêm, “Chúng tôi rất hài lòng lúc hợp tác với CHỦ ĐẦU TƯ BIM LAND Group trong dự án mang tính bước ngoặt này, nhằm mang thương hiệu cao cấp nhất của tập đoàn là Park Hyatt tới Phú Quốc”. Park Hyatt Phu Quoc hứa hẹn có đến 1 ốc hòn đảo biệt lập, một ngôi nhà thứ hai đầy tinh tế lấy cảm hứng trong khoảng những ngôi làng truyền thống Việt Nam. Có nội thất sang trọng mà vẫn mang đậm dấu ấn văn hóa Việt, tất cả phòng khách sạn và biệt thự đều sở hữu tầm nhìn hướng biển tuyệt đẹp.

Chúng tôi tin rằng, bề dày kinh nghiệm của Hyatt, tập đoàn khách sạn quốc tế hàng đầu và nền tảng vững chắc của BIM Group sẽ cho phép chúng tôi mở ra một kỷ nguyên mới, một định nghĩa mới về sự sang trọng và tinh tế tại thị trường Phú Quốc”. Tổng khu nghỉ dưỡng có diện tích gần 65 ha, trải dài trên đường bờ biển duyên dáng giữa dải cát trắng và những ngọn đồi xanh mướt. Tọa lạc ở mũi phía Tây Nam của đảo ngọc Phú Quốc mang vẻ đẹp thiên nhiên lôi cuốn và khuông cảnh hoàng hôn tuyệt diệu, Park Hyatt Cu li Quoc được định vị trở thành khu nghỉ dưỡng sang trọng bậc nhất. Park Hyatt Phu Quoc cách thức Sân bay quốc tế Phú Quốc 30 phút lái xe bằng lối đi thẳng qua các con phố cao tốc Bắc - Nam và 40 phút từ Dương Đông, thị trấn trung tâm của đảo. Phú Quốc là hòn hòn đảo lớn nhất Việt Nam.

Ngày 31. 10, tập đoàn Range Developments phối hợp với công ty luật Harvey Law Group đã tổ chức họp báo giới thiệu dự án Park Hyatt St. Kitts tại cảng Christophe, đảo quốc St. Kitts &Nevis (thuộc Liên hiệpAnh). Dự án Park Hyatt St. Theo thông tin đơn vị tổ chức họp báo cung cấp thì các nhà đầu tư Việt Nam chỉ cần đóng 400. 000 USD (hơn 8 tỉ đồng), cùng với khoản lệ phí 150. 000 USD thì sẽ sở hữu 1 cổ phần trong dự án nêu trên, đồng thời cả gia đình sẽ được nhập tịch để trở thành công dân của đảo St. Kitts & Nevis, thuộc khối Liên hiệp Anh. Kitts là dự án đã được phê duyệt y, nằm trong chương trình đầu tư nhập tịch của Chính phủ liên bang St. Kitts & Nevis. Dự án dự kiến khánh thành vào năm 2015, Park Hyatt St. Kitts sẽ bao gồm 200 phòng khách sạn và 50 biệt thự nghỉ dưỡng biệt lập được xây dựng trong 2 giai đoạn.dự án park hyatt Wikiland Với những ưu điểm về chính sách đầu tư định cư cũng như các phúc lợi phố hội rẻ, khí hậu tuyệt vời, Malta chính là điểm đến lý tưởng cho những ai đang tìm kiếm một tương lai viên mãn. Đầu tư vào Malta cần tuân thủ những yêu cầu gồm: Đầu tư trái phiếu chính phủ là 250. 000 euro, sau 5 năm chính phủ hoàn trả kèm lãi suất lên đến 10%; Thuê nhà ở có chi phí khoảng 800 euro/ tháng; Quyên góp chính phủ không hoàn lại 30. 000 euro. Đặc biệt, Chính phủ cung cấp "Gói cho vay tài chính", theo đó, thay vì tậu trái phiếu chính phủ trị giá 250. 000 euro, bạn chỉ cần đầu tư một khoản không hoàn lại 100. 000 euro. Như vậy, với tổng đầu tư dự kiến chưa đến 200. 000 euro, cả gia đình bạn sẽ sở hữu thẻ xanh Malta và định cư tại quốc đảo thiên đường này. Sau 3-6 tháng xét duyệt hồ sơ, nhà đầu tư cùng gia đình sẽ được nhận thẻ thường trú vĩnh viễn. Địa điểm: Park Hyatt Khách sạn mini, 2 Quảng trường Lam Sơn, Q. 1, HCMC. AT Express chuyên cung cấp dịch vụ tư vấn định cư chuyên nghiệp cộng đối tác hân hạnh tổ chức buổi hội thảo định cư: Malta - Hòn ngọc châu Âu. Quý khách ký hợp đồng tư vấn tại hội thảo, thanh toán 10% sẽ được tặng chuyến khảo sát Malta tiêu chuẩn 5 sao trị giá 3, 500 euro và được nhận khuyến mãi thêm 5% phí dịch vụ tư vấn.

Những yếu tố cạnh tranh của Park Hyatt Saigon, ngoài sự chăm sóc cá nhân, còn là thức ăn ngon và ko khí gia đình. Van der Ree cho biết khách sạn Park Hyatt đầu tiên ở vùng Đông Nam Á này sẽ cạnh tranh ko chỉ ở TPHCM mà còn ở Việt Nam và trong khu vực. Trong vòng sáu năm tới, số lượng nhân viên người nước ngoài sẽ giảm còn phân nửa và được thay thế bằng nhân viên người Việt Nam, van der Ree cho biết. Chủ đầu tư: Công ty Khách sạn Grand Imperial Saigon TNHH. Hiện khách sạn có hơn 400 nhân viên, có 15 người nước ngoài ở cương vị quản lý. Nhà điều hành: Hyatt International Corporation (Mỹ). Vốn đầu tư: 48 triệu đô la Mỹ. Dự án xây dựng khách sạn Park Hyatt Saigon được cấp giấy phép đầu tư ngày 6-7-1994, khởi công vào 1996 và tạm hoãn vào 1997 khi cuộc khủng hoảng tài chính xảy ra ở châu Á.

dự án park hyatt phú quốc Wikiland TTO - Hơn 200 doanh nghiệp trong và ngoài nước tham dự Hội nghị nhà tài trợ cuộc thi Hoa hậu Hoàn Vũ 2008 tại VN, diễn ra vào ngày 12-3 tại khách sạn Park Hyatt. Ban tổ chức HHHV 2008 chính thức công bố đêm chung kết sẽ diễn ra vào ngày 14-7-2008 tại TP. Nha Trang. Tuy nhiên, tổng giá trị của chiếc vương miện và nữ trang vẫn chưa được tiết lộ. Hội nghị đã chứng kiến lễ ký kết giữa Công ty Cổ phần Hoàn Vũ và 12 nhà tài trợ đầu tiên của NƯỚC TA tại cuộc thi HHHV 2008. Trong đó, công ty vàng bạc đá quý PNJ sẽ tài trợ vương miện chính thức (làm từ ngọc trai và kim cương) cho HHHV 2008 và tài trợ nữ trang cho những thí sinh tại của cuộc thi. Báo Thanh Niên sẽ là đơn vị bảo trợ thông tin. Đài truyền hình TP. HỒ CHÍ MINH (HTV) là đơn vị phát sóng chính thức cuộc thi HHHV 2008 bên cạnh kênh truyền hình NBC của Mỹ. Công ty Hoàn Cầu là đối tác tài trợ xây dựng sân khấu 7. 500 chỗ Crown Convention Center. Saigon Factory Outlet Mall tài trợ địa điểm tổ chức sự kiện. Công ty Yến Sào tài trợ nước uống chính thức tại cuộc thi. Vinpearl Nha Trang tài trợ dịch vụ khách sạn. Công ty Sóng Xuân (Xone) bảo trợ truyền thông trên sóng phát thanh FM Xone. Công ty Thủy Lộc tài trợ mỹ phẩm và spa chăm sóc sức khỏe và làm đẹp Shiseido trị giá 500. 000 USD. G. O. L tài trợ trang web chính thức của cuộc thi. Công ty Cổ phần đầu tư xây dựng và khai thác công trình giao thông 584 là Nhà tài trợ Bạc có trị giá tài trợ là 584. 000 ĐÔ LA. Ngân hàng Nam Á đồng tài trợ Bạc với tổng trị giá tài trợ là 777. 000 USD.

Tất cả 244 phòng nghỉ được chia thành nhiều hạng phòng khác nhau, phù hợp có túi tiền của đa số khách hàng. Đặc biệt, mỗi phòng đều trang bị đầy đủ tiện nghi hiện đại, thỏa mãn nhu cầu nghỉ ngơi và thư giãn của du khách. Bên cạnh hệ thống phòng nghỉ hiện đại, Park Hyatt Saigon còn sở hữu 2 nhà hàng chất lượng cao, bài trí đẹp mắt là Square One và Opera. Hơn nữa, mỗi phòng ở đây đều có cửa sổ và ban công rộng rãi, giúp quý khách dễ dàng ngắm nhìn toàn cảnh thành phố lung linh về đêm cũng như khu bể bơi sang trọng và khu vườn nhiệt đới tuyệt đẹp trong khuôn viên khách sạn.

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manacommonre-blog · 4 years

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Now where the defunct the 777 International Mall stands used to be the Miami Theater. We've purchased this gem. Working on this repositioning project is what we live for #miami #downtownmiami #miamitheater #flaglerdistrict #architecture https://www.instagram.com/p/B_6EgqqDhw0/?igshid=1p0al47g751ue

#miami #downtownmiami #miamitheater #flaglerdistrict #architecture

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humanhost · 5 years

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U.S. TOUR 2019

More dates and details will be added soon

Friday November 1st - Jamestown, NY at Studio Metro 316 E. 4th St. w/ Dead Nettles, Jesse & The Spirit, GC Slagle, and STCLVR 7pm - all ages - $6-$10 donations at the door This event is part of the FCH Experimental Music Series

Saturday 11/2 - Reading, Pa. at Gnome Hutch w/ Street Rat, K-Style, and Bongo Larry - 8pm, ye$

11/4 - Boston, Ma. at Charlie’s Kitchen in Cambridge 10 Eliot St. w/ The Disaster March, Rage//Quit, and Tensor - 8pm; 21+ , $5

11/5 - Ithaca, NY - Grayhaven Motel 657 Elmira Rd. w/ Bubba Crumrine, and Tender Cruncher; 6:30pm - ye$

11/6 - Rochester, NY at UUU Gallery 153 State St. w/ roselove and Lingua Lucem; 8pm, all ages

11/7 Columbus, Oh. at Dirty Dungarees Bar & Laundromat 2586 N. Hight St. w/ Double Ski Mask, and TEAM - 7pm, all ages; $5-$10 suggested donation

Friday 11/8 - Bloomington, In. at In Case Of Emergency Prress w/ John Collins McCormick, Civlized Worm, and Wenches; 8pm, $5 donation

Saturday 11/9 - Joliet, Illnois at The Drunken Donut 821 Plainfield Rd. w/ Jake Simmons & The Little Ghosts, and The Perks; 8pm - 21+

11/10 - Iowa City, Ia. at Gabe’s 330 E. Washington St. w/ Bob Bucko Jr., Mustard-In-Law, and Ruche Mere - 8pm; 18+ from 8pm to 10 / 21+ from 10 to close; $8

11/11 - Kansas City, Mo. at Stray Cat Film Center 1662 Broadway Blvd. w/ Unicorns In The Snow, and Collidescope; 7pm, all ages - $8

11/12 - Austin, Texas at Hotel Vegas 1502 E. 6th St. w/ Frosty Palms, and A01A - 9pm; 21+ , $5

11/13 - Norman, Oklahoma - Red Brick Bar 311 E. Main St. w/ S. Reidy, Amon & The Creatures, and Alma Russ FREE admission, 21+ - 8pm

11/14 - Shreveport, Louisiana - Spaced Out Jammies Party at Minicine 846 Texas Ave. w/ Ziel Zuster, and Zoe Bratile; 7pm, all ages - $5

friday 11/15 - Panama City, Fla. at The Fork And Spoon House w/ Barkers Of The Wrong Tree, Plibe, and Vitamin Seizure; 9pm

saturday 11/16 - Tampa, Fla. at In-Between w/ Cabo Boing, Slime Queen Bingo, and Watchable Wildfire (members of Run-On Sunshine); 8pm

11/17 - Orlando, Fla. at Grumpy’s Underground Eatery & Lounge 1018 Mills Ave N. w/ Formaldehydra, Alien Witch, Jocular Jostar, and TTN 9pm - $5

11/18 - Miami at Vidium in The Mana Contemporary’s 777 International Mall 145 E. Flagler St. w/ Handelman, Das Sad, and Montane; BYOB - venue parking is only on Flagler St. - 9pm, $5

11/20 - Jacksonville, Fla. at Shantytown Pub 22 W. 6th St. w/ Yabba Dabba Duul II (members of Human Host and TEAM), Demon Sky, and BeatKids; 10pm, 18+ - $7

11/21 - Wilmington, NC at The Juggling Gypsy Cafe 1612 N. Castle St.

friday 11/22 - Roanoke, Va. at Art Rat Studios w/ Mothmen, TEAM, and Mr. Thursday; 18+ - FREE admission (but please bring tip money for the artists); 7pm to 11pm

saturday 11/23 - Asheville, NC at Local 604 Bottle Shop 604 Haywood Road w/ Watermark, Spy In The Sky, and TEAM - 8pm, $5

friday 11/29 - Newark, Delaware at Newark Bike Project 136 S. Main St. w/ Paul Woznicki, and God Loves Ketamine - 9pm; a Delaweird presentation ye$

saturday 11/30 - New Hampton, NY at Dojo Dungeon w/ Spreaders, Helm, and Seltzer; 7:30pm, ye$

12/3 - East Setauket, Long Island, NY at Velvet Lounge 10 Woods Corner Rd. HH will perform here as a featured act playing a full set at an open mic event; FREE admission, but please bring money for tips/donations; 8pm An Equilibrium Production

12/4 - Toms River, NJ - The Clubhouse 53 N. Main St. w/ Damn Long Hairs, Terror Toons, and Mikita; 7pm - BYOB but NO hard liquor is allowed; $5

12/5 - White River Junction, Vt. at CATV Studios 85 N. Main St., suite 142 This will be a televised concert event produced by Vermont’s public access Channel 8 and recorded before a live studio audience; 6:30pm

friday 12/6 - Bethpage, L.I., NY at One Eyed Jack’s 380 N. Wantagh Ave. w/ Medicine Fish, Onodera, and Brian Kish’s Lounge Pants A Munoz Stockin Events Presentation

saturday 12/7 - New York, NY EARLY show at New York University 5-11 University Pl. This will be a special intimate concert which is being recorded for a later broadcast of 89.1 WNYU’s weekday program The New Afternoon Show; the event will also feature live music and spoken word performances, interviews with HH’s Earthling members and several of the invisible Human Host creatures, and there will be plenty of other therapeutically confusing surprises. Audience space is limited so please show up early, 3:00pm

12/7 - LATE show in New Jrsy at the venue ATF At The Diorama w/ Bentwaeve, Freddy Unreal, and Mother Siren plus DJ sets from Larissinha, Wilhelmina, DVL3X; hosted by The Convincing Actor and Zoloft Zombie

12/8 - Greenfield, Ma. at 10 Forward fka Root Cellar 10 Fisk Ave w/ Palberta, Chris Weisman (solo jazz guitar), and DJ Quillz - 8pm

12/9 - Saratoga Springs, NY at Desperate Annie’s w/ Zach Wright & Jack Durrup, and MIDI Forts; A Super Dark Production FREE admission; 21+ - 9:30pm

12/11 - Beacon NY at Quinn’s 330 Main St. w/ Zakk Jakk, and Adias; 8pm, FREE admission but please bring donation money for the artists; all ages

friday 12/13 - Hudson, NY at Spotty Dog Books & Ale 440 Warren St. w/ Personality Crisis Management, and Yes Selma; 8pm - $5

12/15 - Brooklyn, NY at The Nest 504 Flatbush Ave. w/ Due Funk, Easy Meat, and Yes Selma; A Basement Dwellers Production; 8pm - 21+ , $10

friday 12/20 - Baltimore, Md. at Mercury Theater 1823 N. Charles St. w/ Peach Face, Yes Selma, and Zoie & Mikey all ages - $8 to $10 - 9pm

saturday 12/21 - Hanover, Pa. at The Circle 5 East Walnut St. w/ Dinged Up, and Bad Shape; 9pm - FREE admission

saturday 12/28 - Wilkes-Barre, Pa. at Curry Donuts 178 S. Pennsylvania Ave. w/ Chelsea Smarr, Son Of A Shepherd American Cheese, Nightmare In Wonderland, and Suscon Song; all ages, no drugs or alcohol permitted

12/29 - Philadelphia at Multimedia Dome w/ Baby Seals, Big Spit, Drive To Die, Ray Gun, and Garden Of Snakes - 9pm

(image: cover art from Whitman Publishing’s ‘Starstream’ no. 1)

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readablenoise · 5 years

Text

Flowers, Fabric and The Brutal Nature of the Florida Scene- An Interview with Donzii

The Miami band discuss their inspirations, a frank, honest and necessary discussion of the South Florida music scene, and saving a Cure CD.

Miami- The building is actually humming.

Tucked in a discreet part of Downtown Miami, amidst the shadows of reflective buildings that mirror and intimidate the sky itself, the 777 International Mall is unlike anything the city, and perhaps the state, has ever built. What was once a strip mall has now become a hive for artists. Clear and spray painted black windows of the individual “booths” give a brief and captivating look into each individual process. On the bottom level, there is a bookstore, a DJ spinning records at the very edge where the ghost of what a small convenience desk might have been and a band, banging on an 808 pad and various drumheads, wrapped in green screen fabric as a cameraman films it an projects what can only be described as the type of strange, hypnotic and bizzare films you might see on adult swim at 4 in the morning on a Sunday night.

And it’s truly incredible. Reimagined and refurnished into the unexpected, it provides a home for artists, bands and people who want to immerse themselves into it.

(Photo: Jenelle DeGuzman)

It’s here that we find Jenna Balfe and Dennis Fuller of Miami post-punk group Donzii currently inhabiting, expressing themselves in the best ways possible.

With an onstage prescence and performance within the group that commands the attention of all those in radius, they also possess an energy that feels as if it were taken directly, with permission from the late 70′s. From Balfe’s Poly Styrene-esque vocals to the general feeling of community the band generate, it is something hypnotic. The world feels in muted colors or just pure black and white as you can almost smell the sweat, leather and pure electrical buzz that came from the heels of performances from those bands such as David Bowie, The Runaways, Joy Division and more.

And perhaps, most intriguing of all, is that the band do not have a clear cut sound. It is something powerful, something fierce, potent and exciting but it doesn’t necessarily exist in the realms of what has already been. It is an edge shaped by experience, hope and most of all, the promise of something better. That dreams can be achieved, from the smallest of towns, to the biggest of cities. All you need is a little faith, a little angst, and a pinch of punk.

I just want to say, the energy you guys have live, is incredible.

Jenna Balfe- Thank You! We’re having fun with it and I think that’s the main thing for us.

You’re one of the only bands that are bringing post-punk back in a good way, and it’s serendipitous because today is actually the 39th anniversary of Ian Curtis, from Joy Division’s passing.

Jenna- That’s crazy.

Are there any local acts, or even international that you guys look up to in the genre?

Jenna- There’s so many bands. I like Section 25 a lot. I really like Lizzie Mercier, and she’s more on the no-wave type of vibe but there’s elements of post-punk. What else do we like, Denny?

Dennis Fuller- Locally, there’s a few interesting emerging artists. I think Ghostflower is very interesting with their kraut-rock kind of style. There’s a band from New York-we used to live in New York; Donzii actually started in Brooklyn. I was playing drums in a band called On Oui, which has since dissolved, but after that project, myself, the singer and the bass player, and Jenna, we were throwing around ideas for about a year and a half. None of those things really materialized into a band because we moved back to Miami but the seeds were planted for Donzii to kind of go on this path, this style of music. The band that I was getting to (laughs) was The Wants, and they’re from there. They’re very similar to us because we started diverging from what we were doing, that style and being influenced by that New York city style life: very stressful, and hectic and cool…

Jenna- Too cool!

Dennis- Yeah, too cool. That’s another reason we moved back here, because they’re there still being cool and we’re….

Jenna- Not. Not cool. (laughs)

Cool is a construct though, you’re only as cool as you think you are, and you guys are doing a great job of keeping that level of confident cool.

Dennis- Thank You. And, I have depression and I don’t think I’m that cool. You know what I mean? I’m just there, constantly kind of like ‘what the fuck? I’m not doing the right thing…” There’s a lot of stuff that we think of as influences, apart from music. And a lot of that has to do with the state of political climate, our own mental states.

Jenna- It’s kind of an environmental thing.

And being from New York, how has that influenced the way you play? Though Miami is still a large city, you turn the corner in New York and there’s always a venue. Down here, it’s becoming scarcer and scarcer for bands, and fans, to find a place to play. Has that inspired you to try harder, to get that music out more?

Jenna- I feel like because there’s so few places, it’s like it can get old fast. I feel like both for audiences and bands, because you play the same places over and over again. So for us, it’s motivated us to get our music out of Miami more. Because we’ve done the circuits, it’s a cool community and we’re grateful people want us to play, but (the Miami scene) has just become so saturated. So we’re focusing on getting some tours out Miami, up Florida. We want to do an L.A. EP release, our EP is months away. It’s recorded, we’re working on the album art and it just needs to be pressed. So we’re super close to that and we wanna hit the road!

And do you have a name for the record?

Dennis- (jokingly) EP 2.

(Photo: Jenelle DeGuzman)

When I saw first saw you guys perform at iii Points, which is the definition of Miami, in a way. You have indulgence, you have emerging bands; you have the arts in one corner, something for the music lover in another, so there’s something for everyone. How did it feel to perform there, alongside all these major and more localized acts?

Dennis- I was definitely an honor to be asked to play there. We felt very fortunate and taken care of.

Jenna- I felt stoked to be playing before John Maus. Like, for me, when they first told us the line-up, I was like, “Oh, I guess it’s just the only time left.” But eventually, I owned up to how awesome this was and realized that these time slots are strategic! Festivals are competitive, strategic environments. So eventually, I owned up to the fact that no, this isn’t a fucking accident, this is an honor! They’re saying that ‘You guys are a good fit here, you’re a relatable act’. And for me that was like…because I fucking love John Maus, I look up to him, like, awkwardly.

Dennis- I feel like the festival listens to the feedback, like what the audience says, and follows that advice. It felt like it flowed really nicely. It was a warm experience…like feng shui. *laughs* My other favorite part of it, besides the music was our friend had a stand called the Little Spati. It was a little shop that our friend Tara Long set up and it was such a nice little place so… go Tara *laughs*

What would be one thing you wish you could take from New York to Miami, in an artistic sense? Because artists and people compare major cities, they can never really describe what the other lacks, or what could improve the scene they are in. Because the South Florida scene does need a lot of improvement.

Jenna- For me, I think it would be the…level of commitment. I feel like here, the commitment is very wavering, you know? There, it’s competitive to get someone’s commitment, whether it’s a friendship, an artistic relationship, but once it happens, you know it’s going to be there, it’s solid. Whereas here, it feels very “I’m not sure”. I feel like, where’s my real team in this?

Dennis- The level of commitment, not in the sense of commitment of art, in a way. There are committed people in South Florida, there are certainly people that really do support the scene and keep the scene alive. But I think in general, the commitment to…(pauses) dedication to the craft. But other than that, everyone down here is really sweet, and means well.

And that’s what makes me curious, because you have that outside perspective. Being in this scene, involved in it, the artists I’ve spoken with know the issues: that it’s both open and closed off, everyone wants to be part of something they want to lock into and they can’t. It’s frustrating, you can feel that and it’s hard.

Jenna- It feels like…it’s weird, I think about- and it might seem like I’m going on a tangent but I’m not- I feel like, before Instagram was something I really gave a shit about, I felt like I was a likable sort of person! I like people, they like me. And when I became more into this band, into my art projects, I had to be more on Instagram, because I had to promote myself, I have to promote my band. And then, I started noticing things. Like, certain people unfollowing me, or just these things that felt like shade and I’m like “People don’t like me? People don’t like me.” and you start to wonder what is real, especially within that. And I feel like, as an artist in the scene this kind of contention, and it’s always there. We’re all competing in a way, but it just feels like people are really quick to be like “Ah, fuck them.” And I feel it, and I don’t like it.

And it goes back to something I touched on with another band, where it’s that feeling of almost being from a small town; it’s competitive, and it’s fierce and it’s frustrating because all of you screaming at something but no one wants to care about everyone else screaming. There is a feeling of distrust amongst local artists sometimes and it’s difficult. In New York for example, I feel the difference is yes, everyone’s competitive but everyone’s there to listen. You have management, record labels, promoters, all eager to do their jobs

Dennis- New York itself is almost considered like some kind of pedigree. Since the time of the 70’s and CBGB’s, bands from New York is a thing. It’s almost like a university for independent bands. If you’re an independent band and you’re from New York, people are going to listen to you because you’re from New York. Whereas if you’re from pretty much anywhere else…the feeling from most people is “who cares?”.

And I don’t know if that should be true. I do think if a group is from New York, then there’s definitely something to be said for that because to live there is a struggle, and so to pursue any sort of artistry is going to be difficult and it means that you’re obviously very passionate about this, about what you’re doing. And I think that’s a valid statement for everywhere else too. And for Miami, I wish in some way there would be this sort of expectation…Seattle is another place I can think of, that has a very niche sound and that you would expect good things to come from. And, I don’t think people are necessarily on the edge of their seats waiting for the next Miami band to take the world by storm. We don’t have that here, that level of expectation.

And so that’s been kind of difficult. We’ve been playing our asses off here in Miami a lot. And…for someone that gets paranoid very easily, like myself, it just becomes crazy, to keep playing the same places. Even though that’s what The Ramones did and that’s what the Talking Heads did, they played at CBGB’s every week, and they played every night. And the thing is, it’s not the 80’s anymore, not everywhere is like CBGB’s. And for anyone who wants to say “you get better by performing”, I don’t disagree with that. But at the same time, it affects me mentally, and what I think about myself, and what I think about my art. When I play, six shows a month in my hometown, three of them at the same venue, and there’s seven people at the last one, it gets…I’m $50,000 in debt for a music education, and so it really makes me crazy. Paranoid, depressed, whatever you want to call it, it messes with my head. And the times I am happiest, I am playing music, and I’m playing it everyday. I’m presumably, hopefully playing shows every day. Just not at the same venue, and the same city (laughs).

(Photo: James Jackman)

And that’s what I want these conversations to be. To be open, to be frank about what it is for a local artist to perform in this state. And it is brutal and it’s difficult because every time a great venue comes up, like Grand Central for example, it’s replaced by real estate.

Dennis- I’d like to also segue into something else, if I may. Coming from someone that studied music…in the band, there’s two of us that studied music out of five. The way that we started the band was the things that we were taught as strict, we did not want to play upon those things. We wanted to do something different so that the result came out differently. I studied performance percussion, so this was a group where I did not want to do percussion because I wanted to create something that felt authenthic; that was not safe- that was out of my comfort zone creating music, which is behind a drumset. And that goes for everyone in the band, the other member that studied music is a performance bass player; he plays keyboard in the band. And Jenna is really a dancer, and a dance therapist, she has a Master’s Degree in dance therapy, and she’s singing. She’s singing poetry.

Jenna- I have a degree in creative writing too, but I started singing- I was involved in a few projects in my early 20’s but they didn’t really go anywhere. So I started doing other stuff, and then we started dating. …And I actually auditioned for this other band he was in, and I fucking bombed it.

Dennis- She tanked it.

Jenna- I tanked it.

Dennis- I was pretty bad.

Jenna- Like, no one could really look at me after.

Dennis- It’s that thing though being from Miami, where you don’t want to tell your friends that “you’re not very good” so it was very “We’ll see if that works!”

Jenna- I knew it was horrible.

Dennis- It was cool though, it was like “C’mon, let’s go get a drink.” (laughs)

Dennis- But then fast-forward four months, he was in this project and they said “Come on over, just fuck around a bit” it was more calm, and then I found something. Since then, my voice has just been growing. I’ve always wanted to be a singer, so it’s been life-changing. I’ve been discovering new things and I love it.

And dance and music go hand in hand with each other. As a performance artist, it flows wonderfully. And with your voice Jenna, it’s very Poly Styrene, punk and visceral but not overtly loud.

Dennis- We love X-Ray Spex, by the way. They were one of our original influences when we started the band, it was them and Lizzie Mercier.

Jenna- I think Siouxisie and the Banshees is in there for me, too.

Jenna, coming from that performance artist and dance background, do you feel that music needs more of that visual art aspect on stage, and not just, like 4 or 5 people being on stage?

Jenna- I do. And that’s kind of been a big contribution from me for this band, I’m always getting everybody to do things out of their comfort zone. I’m like, “wear a costume” and it varies from playing a recorder or we’re gonna dance around and then lift me up and it’s all these weird…

Danny- It takes some convincing of some of the other guys.

Jenna- But then they do it, and they end up having fun! Now, they’re starting to get that it’s a part of having fun, and they’re having fun with it, letting go more. And everyone in our band is very good humoured.

And there is a lack of visual contribution in music, it isn’t as expected and that’s partly what drew me to you guys in addition to the performance itself, was the things going on in the background, it was immense and wonderful all at once.

Jenna- Oh, we love to ham it up. I’m just a natural born ham. *laughs*

Dennis- If we’re not counting rent, that’s what a lot of our resources go into. Dog leashes, collars…

Jenna- Flowers, fabric…

Dennis- We definitely spend a lot of our resources into making our entrance and the whole performance, something different.

Jenna- I love it.

Dennis- And that’s Jenna bringing that side of things. I sort of start the fire with the music, I come in here and start making music with a drum machine or a bass line. The building blocks of the music are my responsibility, and then we come in here, we collaborate. Jenna’s definitely in charge of that performance side, that recognition, because she is a performance artist.

Jenna- We did co-write a bassline. *smiling*

Dennis- *jokingly* ….Okay, alright.

Jenna- I’m never letting go of that, by the way. I think it’s special for me because I’m not playing instruments.

Dennis- ….Can I circle back to something regarding venues?

Of course.

Dennis- One of the issues I’ve found from talking with musicians, young and old, in different cities is that a lot of the times venues in Miami in particular, and probably all over the country- are not really taking care of the artists.

They don’t see the necessity of a live musician. Because right now, we really do live in a world where music is everywhere, at all times; it’s readily available and it’s pretty much expected to be free. Especially if you’re not watching musicians play, if you just wanna listen to it, the expectation is “Why should I have to pay for it? And I don’t disagree with that, I love music and I’m glad I don’t have to put a dollar into the radio everytime I turn it on.

But at the same time, it would be helpful for a band.

Dennis- Yeah! And I’m talking with other musicians, especially older ones from Miami, and they ask “You guys seem to be doing pretty good, what are you guys getting paid?” And I say, well, maybe $150-$200 for a show. And they kind of look at me like, well “I was in an 8 piece band in the 90’s and we were each getting $200” And it’s funny to me because, there’s got to be more money in the world. The price of things has certainly gone up and yet bands are getting paid like, a fifth of what they were years ago. And I get it, DJ’ing has become a lot easier with digital technology. You can hire a DJ that doesn’t have to bring 50lbs of records anymore, you can just show up with two USB drives and that’s okay. And they can play that one guy $300 to entertain your clientele. If you want to have a band that plays for an hour, the thinking is now, why not a DJ that can play for six hours? And I love DJ’s, this isn’t some anti-DJ campaign or diss. We just have to decide how we value music as a society, what we’re willing to pay for art. Art as a lifestyle, is that something we’re willing to contribute towards

And again, this isn’t a diss to the audience either, like a person who just has five bucks in their pocket. I have friends like that, like “The show’s $5 but I don’t even have cash right now” so I know those people too. I’m just speaking in general that venues should really step it up, and respect artists and pay them a livable wage. Especially when (a band) puts years of work and dedication, they invest in a year’s worth of equipment and even that goes back to the idea of people in bands really fine tuning themselves, which I think is something missing from Miami.

If we all critiqued each other in a way that was constructive, and weren’t taking things personally, we could have all these fined tuned bands and acts going on and then there’s no way that venues would be paying us what they are now. They would have to see that we live in a great city, with great talent. And we do.

Do you feel that it’s easier, or better to play with a small town mentality, or a big city mentality? In the sense of approach?

Jenna- I’m trying to go more bombastic. I’m trying not to sweat the little stuff as much and, big picture. That’s where I’m trying to be right now. And being from a small town, there’s people that I love but I don’t love their music because it’s not my type of thing. And I love them and I want to support them and my scene but you don’t want to dishonest and I realized recently, I’m not going to think about that anymore, because it was bringing me the fuck down. I just want to focus on being large, dressing crazy, having fun, giving people good energy; being my best self. Because I’m not in this to be a motherfucking “rock star” and all the negative excesses, that’s not me. I’m into nature and nice and kids and…I’m wild! And I just want to think big, like that. I want to get out of here, I want to play bigger shows.

To reciprocate that energy and to give someone that fire and realization that “I can do this too.”

Jenna- Exactly! “I can do it, I can perform.”

Dennis- It’s very interesting when you play a venue that’s much bigger, than you’re used to? It’s actually easier to perform, and to get-

Because you have the emotional response?

Dennis- Not only that, you definitely get that emotional response but everything is much more facilitated. If you need something, it’s there for you. Versus, a lot of the times you’re stuggling with sound issues or vibe issues, not enough people or the wrong kind of audience… And then you play these places that you’ve never played before and someone’s there to coordinate, knows what to do and it’s very quick, very easy and it sounds good. You get to focus a lot more. Some of the most stressful shows have been, some of the most smallest. Not even in Donzii, just in every band I’ve played in. There just can be so many external factors going on that don’t let me concentrate on my performance.

It also attributes to an artist struggle that I think everyone feels, I feel it as a writer. I’ll write six drafts and trash all of them even though someone else is saying that it’s good. As a creator, you only ever hear the fault in the art you did, versus other people just hear the recording or see what you made.

Jenna- It’s true. I’ve been suffering so much creating this new EP. We had a little record party of the test pressing, we didn’t make it a big deal, we’re just like hey, come by if you want to hear it. And I was just suffering the whole time. Everyone’s saying “Wow, I like this!” and I’m just like “I sound too much like a robot.” It’s crazy, it’s so intense.

With this record, was there any genre or direction you went into that you hadn’t covered before?

Dennis- I’d say the song we’re most excited about, is more of a darkwave track. The tracks we have released are a little bit more new wave/post punk style. They’re kind of edgy, that have that drum machine sound.

Jenna- One of the new tracks is kinda funky, and nothing like we’ve released before.

Like a tropical, Miami kind of funky?

Dennis- We’re definitely…not tropical. Ever. *laughs* We try to be?

Jenna- I don’t know how to describe it, cause it is funky!

Dennis- Tropi-goth.

That’s it, you’ve created a new genre!

Dennis- It sounds like if-if you wanna order everything black and brown at Pollo Tropical, get me the “Tropigoth”.

Just black beans, that’s all it is.

Dennis- Black beans, Coca-Cola-

Jenna- Oh gross, dude!

Dennis- That’s it! Just extra large Coke, extra large rice, extra large beans, that’s the Tropigoth. That’s what you order on a Sunday night, just before the new shipment comes in, it’s all they have left.

Is there any venue that you’d like to perform at, both in or out of Florida?

Dennis- Respectable Street. Definitely.

And is there a band you’d like to tour with, or like to collaborate with? If you had the opportunity, if someone gave you a kind of magic pass and said “Okay, you can use this to open for any band on their national touring cycle, who would it be?”

Dennis- You go first.

Jenna- Me?! …..I’d like to open for Geneva Jacuzzi. …John Maus would be cool. Maybe someone like Black Marble…

Dennis- Magazine is another one, that would be great.

Jenna- The Poptone band! That would be awesome!

Dennis-Yeah, definitely. I’d want to make it an interesting pairing, someone that doesn’t sound like us. It would have to be a sort of crossover.

The Cure did something similar when they came to Florida years back, they had 65daysofstatic open for them and that’s not a band that would immediately come to mind when you think The Cure but it was incredible.

Jenna- The Cure!

That would work! Robert Smith is a big supporter of new acts.

Jenna- How crazy would that be? That’s like the type of thing I wouldn’t even say because it’s so insane. That would be-

Dennis- That would be a dream.

Jenna- Yeah, that would be like, ultimate dream.

Dennis- ...The last car we had, as it died, we had to sell it for $200 and the last thing I had to get out of it was a Cure CD.

What album was it?

Dennis- The album was Wish.

Okay, that’s definitely a sign.

Dennis- I…would quit every job I ever had.

Jenna- Okay! New goal! Opening for The Cure!!

And to finish it off, I always like to do something with every band. If you could choose one lyric to sum up yourself, what would it be?

Dennis- “Nothing takes the place of you, because time is material”… I think is how it goes?

Jenna- “Nothing takes the place of you, because time is material and I’ve gone through you and back to me.”

Here’s to wishing, wherever you are.

-Jenelle DeGuzman

#donzii #post-punk #new wave #no wave #punk #miami #local #local music #local band #readable noise #jenna balfe #dennis fuller #music #interview

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me-ami-yearbook · 6 years

Photo

Yearbook Portraits at @manacontemporarymiami 777 International Mall Third Saturday Events

#nicolecombeau #beau_nicole #me-ami yearbook

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noirage · 5 years

Video

This is happening #miamiartweek (at 777 International Mall) https://www.instagram.com/p/Bq-UrbzD7TF/?utm_source=ig_tumblr_share&igshid=akk4pae5t7c4

#miamiartweek

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vogds · 5 years

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☀️ MIAMI!!! ☀️ I’m performing TODAY 2-4pm (one-on-one micro concerts/screenings) + 8-9pm actual pop-concert at the end of @lizferrari_ouch_official + @bowbowtyty ‘s “PlantiShopi” plant/human fashion show at @manacontemporary #777Mall for @miamiartbasel !!! —————————————— Photo by Vernon Hester from my @theburlingtonbar performance! 💞 Garment by me @vogds with help from @_mamuthone + @rebirthgarments 💞 #queerpopmusic #Vogds #radicalvisibility #queerfashion #queerpop #manacontemporary #artbasel #artbaselmiami #miamiartbasel (at 777 International Mall) https://www.instagram.com/p/BrDg15-liCH/?utm_source=ig_tumblr_share&igshid=1h1e9rk8a3qfu

#777mall #queerpopmusic #vogds #radicalvisibility #queerfashion #queerpop #manacontemporary #artbasel #artbaselmiami #miamiartbasel

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hushpuppiesaf · 2 years

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Hush Puppies® Bennet PT Oxford

Our PerfectFit Bennet is made with an internal stretch system that hugs your foot for all-day comfort. Also, don't worry about rainy days as the water resistant uppers makes it waterproof.

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Price: AFN 9,250.

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#SchoolShoes #LearningWithComfort #AnyPairEveryWear #NewArrivals

‎پته:

‎لمړی پوړ، مجید مال، شهرنو، کابل

B1 – 168 لمبر پلورنځی، لمړی پوړ، د داودزي سوداګریز مرکز، ملک اصغر څلور لارې، کابل

‎آدرس:

‎منزل اول، مجید مال، شهرنو، کابل

‎دوکان نمبر B1 – 168، منزل تحتانی اول، مرکز تجارتی داودزی، چهار راهی ملک اصغر، کابل

Address:

First Floor, Majid Mall, Shahr E Naw, Kabul

Shop No# B1 – 168, First Basement, Daudzai Business Center, Malik Asghar Square, Kabul

Mob# +93 777 000 701, +93 783 001 701

#ShopHappyWalkHappy #HushPuppies® #WeInventedCasual® #WalkOnTheBrightSide #WeatherSmart #WaterProofShoes #ShoeShopping #Casual #LifeStyle #TheWorldsMostComfortableShoes #Spring2022 #S22

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safdsdg · 3 years

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When the A/C is turned on, this system works nike air max thea atomic pink in the same manner as the cooling system for your engine

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