#... and I hope my exploration of a much more negative Ursa is interesting at least

[akiizayoi4869]

Azula and Ursa: A Complicated Mother-Daughter Relationship

I've been meaning to do this one for a while now but kept on forgetting to do so. The relationship between these two is one that has always interested me because there is so much to it. Unfortunately though the writers have no interest in diving deeper into it because Azula isn't Zuko. It's a shame that they don't explore it further because this right here?

That is a whole lot to unpack. I really hope that these two can reconcile one day (seriously writers just do it already!) because Azula deserves to have a relationship with her mother. Ursa needs to own up to the fact that she wasn't a very good mother to Azula and make up for that. In this meta I will be explaining why Ursa wasn't a good mother to Azula.

Ursa failed to realize why Azula would act out

We all know that little kids do stupid stuff, right? It's a part of growing up. All of us were kids at one point, we all did stuff that we can look back on and think "Wow, that was pretty dumb. Why did I do that?" Sometimes we may have acted out in a way because we wanted attention from our parents or whoever our guardians were because we weren't getting enough attention. These actions could sometimes lead to a negative response from our parents, but that was fine because at least we had their attention.

In that scene in The Search where Azula burns that flower in the garden when she was walking behind Ursa and Zuko, that is exactly why she did it.

In the first panel we see Azula trailing behind Ursa and Zuko as they seem to be enjoying the conversation that they were having. Ursa was giving her full attention to Zuko and wasn't paying Azula any mind at all. So what does Azula do? She burns the first thing that she sees, which is a flower. Now going by what she did to Zuko, she didn't want him to say anything and most likely wanted Ursa to notice it on her own. Either way she got the desired result: Ursa was now taking notice of her. Yes, it was negative attention but it didn't matter. What did matter was that Azula was finally being seen by her mother. Even if it was only for a few short minutes. Ursa then shouts at Azula and tells her to go to her room, and then immediately her focus is back on Zuko.

Now, I don't necessarily blame Ursa for this, not at all. She was making sure that Zuko was ok since Azula just gave him a little burn. However, she failed to realize why Azula acted out that way. And no, Azula burning that flower doesn't mean that she is a sociopath. Keep in mind that this is the FIRE NATION, where people have magical fire powers. Azula was 8 or 9 years old here. What do you expect a kid who is that age with fire powers to do? What would you have done at that age with fire powers?

Ursa only scolded Azula but did not explain why what she was doing was wrong

Now this was something that I honestly found to be odd about Ursa's approach to parenting when I noticed it. If a child does something wrong, it's the parents job to tell them to stop and to explain why whatever it was that they did was wrong, and to not do it again. Now, Ursa does do this. But only with Zuko.

In this scene, Zuko throws a loaf of bread at the turtle ducks. Ursa is shocked at this and gently scolds him. However, she also explained to him why it was wrong. He more than likely did not do it again after this incident.

When Azula burns the flower and then gives Zuko a little burn, all she does is shout at Azula and tells her to go to her room and think about what she did. I really shouldn't need to explain why this is bad parenting right here. And this is what I find to be odd about Ursa's approach to discipline. In my experience as the youngest child, whenever I did something wrong, my parents would scold me obviously, and depending on how bad whatever I did was, I would get hit. However, they never failed to explain why what I did was wrong. By explaining it to me it ensured that I wouldn't do it again. It's assumed that the youngest child often needs things explained to them more than the oldest child since they are younger and don't understand things like the oldest child does. Not to say that the eldest one shouldn't get things explained to them, because they absolutely should. My parents did the same thing with my sister. Seeing as Azula is the youngest child, it's baffling that Ursa never seemed to do that with her.

I have no doubts that this looked a certain type of way to Azula and made her think that something was wrong with her. "Why is she only like that with Zuko? Why is it that whenever he gets into trouble, she's always gentle with him and explains why whatever he did was wrong? What makes him so special? What's so different about me that she can't do the same thing?" These were the thoughts that no doubt ran through her mind, and she most likely felt disconnected from her mother.

Ursa did not try hard enough to connect with Azula

Now before anyone goes "Azula was always with Ozai! He wouldn't let her be around her mother at all because he wanted Azula to train constantly!" I just want to say this: that's a load of shit. That man was not around her 24/7. He was a prince, I'm pretty sure that he had plenty of responsibilities to fulfill, none of which included his children. Azula also wasn't constantly training, there is literally proof in canon that says otherwise. Ursa could have spent time with Azula. And yet we don't get the sense that she did. She was always with Zuko. Which, to a certain point, is perfectly understandable. Ozai did not give Zuko the time of day and treated him like dirt because his firebending didn't reach his expectations. So Ursa wanted to make sure that Zuko knew that he was loved by one of his parents. Which is completely fine. What isn't fine though is how she pretty much neglected Azula. And I get that her situation was hard because she was in a abusive marriage with a man who was also abusive to his kids. But she still could have put in the extra effort for her daughter. She sure did for Zuko. It's obvious that she saw Azula as a difficult child, and thus leaned more towards Zuko, who was easier for her to deal with. I'm sure that she could have found something to bond with Azula. Asking your kids what their interests are can go a long way.

So in conclusion, I don't think that Ursa was a good mom to Azula. Her situation made it difficult, but she could have done more. This doesn't mean that Ursa can't do anything to make up for this though. Azula is only, what, 15? 16? She's still a kid. Ursa has all the time in the world to make up for her mistakes with her daughter. She just needs to put in the effort and realize where she fucked up at with Azula. Of course this all comes down to whether or not the writers ever actually let these two reconcile at some point. I really hope that they do, because I refuse to accept this as an end to they're relationship:

#atla #azula #ursa #complicated mother daughter relationship #akiizayoi4869 meta

[cryptoriawebb]

My Little Pony: the Movie (review)

I really wanted to love this movie. I really really did. 

I’ve been following along this series almost from the beginning; when I heard a proper animated film was in the works I was very excited. I had no idea what lay in store, of course, but it seemed like such a milestone, and rightly deserved. I can’t believe this series has come as far as it has, and still going after all these years. Not only that, but the characters have continued to grow organically, one-off characters return and develop as well, and story arcs went from episodic to partially serialized. It’s really inspiring for someone like me, to see a little show about colorful ponies evolve into quite frankly, a phenomenon I’ve never before seen. Nor have I seen a company/studio respond the way Hasbro did: they’ve really seemed to embrace their fanbase and both broadened and improved their merchandise along with it. I’ve said it before but I really hope one day I’m able to create something with half as much meaning and inspiration as I’ve seen My Little Pony give so many others, myself included.

So to walk away from their film with a mediocre “meh” hurts me to admit. It really does. I wanted something new, fresh and impressionable from this movie. Both the plot and characters felt standard, expected and honestly, tired because of that. The Storm King felt essentially like a rehashed Tirek, without half the same terror. While I maintain season four of MLP was essentially Dragonball’s Goku vs Freeza, it was still one heck of a finale. Tirek stands as my favorite villain in the series: he was threatening, powerful and quite honestly, terrifying in his own right. He straight up ate magic.  Changed physically because of it. Came very very close to destroying Equestria and my gosh I wanted to feel that same sense of dread in the movie. I didn’t. Instead, I saw a wannabe and less-impressive Tirek conquer Equestria in a less-impressive way.  He also received no backstory whatsoever. I suppose that’s the case with most MLP villains, I suppose I just hoped for something different in the first feature for this incarnation.

Likewise, I also hoped for a far more interesting backstory for Tempest. She had such a presence on-screen, and I’ve never seen the concept of a broken horn explored before. Her song, too, was by far the most powerful in the film…which is why I was so disappointed to learn she became the way she was through an Ursa Major attack. Ursa Majors are huge and intimidating, I get that, it just seemed a bit weak for such a powerful villain against friendship…and reminded me strongly of Starlight Glimmer’s origin. A pony turned against others due to feeling abandoned. Just like Tirek, Starlight’s conclusions and subsequent revenge against the mane six made for a much greater impact. I’m also not at all surprised she turned around when the Storm King (surprise surprise, I say sarcastically) betrayed her but Twilight saved her. How often has this happened in the series? I know friendship is Twilight’s title, and the focus of the series, but I wanted something stronger, something—as I said—unique to this movie. 

Honestly, Tempest embodies a lot of what I love about Zira from Simba’s Pride (the Lion King sequel, because there are some people who don’t know that.) The way she carries herself, speaks and sings…just with a lot less maniacal bloodlust. The murderous mania I can do without, I just wish Tempest felt more like a villain, a proper villain. The Storm King, too. They were caricatures, and I don’t think caricatures don’t always work well in a feature.

Villains aside, I also had a lot of problems with the behavior of the mane six. From what I’ve read, production for this movie began in 2014, which would explain why they act so different from the ponies we see in season 7, now. I don’t believe the Twilight of 2017 would angrily state it might’ve been better if she hadn’t been friends with Pinkie and the others. I also do not believe she would have tried to steal a magic pearl. Ever. Even in season one. That is not a Twilight thing to do, no matter the stakes. Of course, compared to the others she was the only one taking this entire threat seriously. I’d witness fear and dread in her friends but then they’d carelessly make a scene and draw attention to themselves, something that, again, did not work for a feature like this. I know this movie is primarily for children, but the balance between humor and darkness didn’t flow as well as it does in the series itself. With more time to carry out a story, it should have. (Also, didn’t Spike get over his Rarity-crush?) Most of the characters behaved like they might have in seasons three or four, not seven. It felt really out of place and at times took me out of the urgency.

On a more positive note, I adored the seapony sequence. Everything about it: the backstory, the design and visuals, and the characters! I will say I figured out pretty quick they held some kind of relation to the hippogriffs, but it was cool nonetheless! The princess’ introduction felt very “Little Mermaid.” Kind of a fun nod, although I’m not entirely sure if it was intentional. Definitely the best part of the movie. A friend of mine pointed out—and I agree, actually—a movie set almost entirely underwater would’ve been a lot more fun than what we got. It was so colorful, and the origin blurb has a lot of potential for deeper development. Pinkie Pie was by far my favorite of the mer-designs!

I’ll go back to visuals in a second: I want to talk about characters for a minute. I don’t for a second think there needed to be as many new characters as there were. Was it cool to see pirate-bird-creatures-seriously-what-were-they and an anthromorphic cat? Yes, yes it was. Did we need them? No. No we didn’t. Too many characters, not enough time to develop them beyond tropes seen time and again. I would’ve preferred the creative team use this opportunity to bring more minor characters to the forefront: a “Slice of life” combined with the mane cast for an epic adventure or something. Actually—and I was talking to the same friend about this—if this movie had been written even a year later, it might’ve been a great opportunity to throw Starlight at the forefront of the other mane ponies to rescue/stop a corrupted Twilight Sparkle. I know that’s not something done so easily in a kid’s movie: they want to root for their favorite princess to save the day. However…Midnight Sparkle made such a great impact, at least I think so, in Equestria Girls, and the older Tempest might very well have succeeded in corralling a disheartened Twilight to her side, even if she were reluctant. Maybe Twilight’s magic gained an explosive side when reacting to negative emotion: similar to Tempest and even Starlight. Or maybe she really felt like there was no other way out or that she hurt her friends beyond recovery or something… just something. Something better. I’m not sure how I felt about the series kind of making fun of itself, either. I liked that they were out of their element, that their streak of making friends and solving problems so easily wasn’t working and yet essentially did by the end. However, they’ve traveled to other kingdoms before, and made friends, solved problems in these kingdoms, despite not always seeing eye to eye with the locals. It seemed a little weird they’d grow frustrated with themselves over leaving equestrian and expecting the same results: they have left Equestria and gotten the same results. Makes enough sense to me they’d grow used to expectation.

Now to the visuals.

WOW. W-O-W. Absolutely stunning in every, and I do mean every, possible way. Fluid, colorful, sparkly, the very definition of eye candy. I can’t get over it. The added shadows and movement in their hair, eyelashes, everything…I wish the show were animated like that all the time. It was a tiny bit jarring, trying to adjust to so much more on a big screen but I’m not complaining. There were definitely a few shots in there I’m sure the studio put in to show off their animation but again, not complaining. They worked hard on this movie and deserve to show off.

It was also really wonderful to see an animated film reminisce the hand-drawn cel-animated look of old. I know that computer-generated look is cheaper and the next “big” step in animation, but I’m a little old school at heart. Disney, Don Bluth, Dreamworks, you name it: they created such wonderful, fluid work back in the day…I miss it. Some highlights that stood out to me: THE EYES. They were so big and sparkly. So expressive. My gosh. The hair/mane, especially on Celestia and Luna. Such volume! Really mystical. The sonic rainboom, however foolish of Rainbow Dash, might’ve been the most visually appealing moment in the film. So vibrant and rich. Wow. As I said, the seapony sequence. Although Tempest’s magic gets special mention because I definitely felt her rage and dazzling power whenever it went off. 

I can’t think of anything else to add…I think this about sums up my thoughts. If there’s anything else, it’s the jokes/references to Hungry Hungry Hippos and the Wizard of Oz. Not necessary, exactly, but done, at least I thought, with more taste than Moana’s attempt at pop culture. As much as I loved that movie. Setting them in the background, or split apart amongst a group made you do a doubletake: a ‘listen-close-or-you-might-miss-it’ sort of thing. I liked that.

So to sum up: Average movie, not good or bad, although disappointed with the storytelling. I’ve seen this team do so much more, pull off concepts that would otherwise come across dull and cliché. What happened?

#my little pony #my little pony friendship is magic #my little pony the movie #mlp fim #twilight sparkle #tempest shadow #the storm king #seaponies #apple jack #rarity #fluttershy #rainbow dash #pinkie pie #movie reviews #returnedtothecrypt