#*pushes my Sasha and Georgie becomes friends agenda* yeah.... (so this is like the concrete plot points from this au lol. i havent decided

[ghostbustermelanieking]

i'd like to hear some headcanons for your "georgie can see dead people" au! :0

oh thank you so much!! this is probably going to be a little messy, since i haven't actually started the fic, but!! here is something!! :) (also i am so sorry for all the sixth sense references. the actual fic will undoubtedly be worse.)

1. So the basic premise of this AU is that the end result of Georgie's encounter with the End is that, instead of losing her ability to feel fear, she gains the ability to see the dead. Everything goes the same otherwise: the protest, Alex, the dead woman, Georgie waking up days later at home, the months of strangeness and unfeeling. The difference is that when Georgie wakes up, she can see the dead woman, too. Never too close—only in corners, behind doors, in the window. And never always, but only in the moments that feel crucial. The moments where she's searching for something of herself. Her mother hugs her and she sees the dead woman over her mother's shoulder. 

Georgie sees Alex, too, sometimes. Closer and more head on; she is always looking back. But she never speaks, and neither does the dead woman from the room. It isn't until she begins to see other ghosts that she realizes they can talk, if they want to. If they choose. 

(Six months later is when Georgie figures out how to lock the dead woman out. She stops seeing Alex shortly after, except on occasion. Sometimes she'll see a flash of those familiar eyes in the mirror, over her shoulder, and they always seem to be apologetic. But Alex still never says anything. Georgie gets good at pretending that this doesn't hurt nearly as much as losing her.)

2. Jon is the first one that Georgie almost tells. Almost. They're honest with each other in a way that Georgie usually isn't, when they first meet, and she almost thinks he'd believe her. They talk about ghost stories all the time. 

She mostly thinks about it when she sees Jon's ghosts. It isn't often but she sees them. He'll talk about what little he remembers of his parents, or pull out some old, faded pictures, and she'll see the faces reflected in the kitchen, the bathroom mirror, Jon's bedroom. He never talks about the apparition of a strange teenager that appears, once, when they both wake up sweaty from frantic nightmares and he refuses to explain, and Georgie doesn't press. He doesn't tell her about Mr. Spider and she doesn't tell him about the ghosts. Much as they love each other, they do still have secrets. 

Georgie goes to his grandmother's funeral years later, even though they're barely talking at this point, and almost tells him then. Seeing him stand mostly alone at the grave, looking monumentally alone, and then a flicker of his grandmother behind him—she almost does. But still she doesn't. She's never told anyone before, and she and Jon aren't really in touch, so she just hugs him and tells him she's so sorry, and doesn't meet the eyes of the woman watching behind the fresh grave. 

3. Melanie is another person Georgie almost tells. They still meet through their connections—Ghost Hunt UK, What the Ghost, and Georgie's power is (probably unsurprisingly) very useful for the paranormal podcast business. (All her episodes aren't pulled from real life, from her own experiences—that would be irresponsible, and there's more clout in retelling familiar stories. But sometimes when Georgie runs out of episode ideas, she'll visit a spooky place, write down what she sees, do a deep dive on the history, and fill in the gaps by attributing her sightings to "unnamed" witnesses.) She's met a lot of people in the ghost hunting business, but Melanie stands out, because they hit it off so immediately. Start hanging out outside of work drinks, at parties or pubs or research stints. Melanie starts inviting Georgie to consult on the show, or to collaborate, and Georgie uses what she sees to point Melanie and her team towards real sightings. Why not? Might as well have the horrible power be useful for something. Haley Joel Osment solved his problem by helping people, and this isn't the same at all (and that's a movie, anyways), but it is something. 

So she and Melanie become fast friends, faster than Georgie is used to, and Georgie genuinely thinks about telling her. She trusts her, and she doesn't think Melanie would laugh, or call her a liar. (Melanie's got stories about not being believed, too; it's common in the paranormal business.) She thinks Melanie might be the right person, maybe. Just maybe. 

(She doesn't end up doing it. She's still a coward when it comes to that. But it isn't because she isn't tempted.)

(The idea to tell Melanie comes before she starts seeing Melanie's father. But that fact doesn't help her decision, either. In quiet moments with Melanie, Georgie starts seeing the man in Melanie's framed photos in the shadows, looking at Melanie with sad eyes, calling her little moth. But Melanie can still barely talk about her dad, and the accident, and it feels even more wrong after he starts showing up, to tell her. Georgie worries Melanie might think she's making fun, or making something up to make her feel better, and she doesn't see this going well.

Instead she says, sometimes, I know your dad loved you a lot. Melanie says, Yeah, I know, too. Georgie says, And I bet he misses you, even though it isn't a bet; she knows. But she can't tell Melanie, and that's as far as it can go.) 

4. The most significant time Georgie wants to tell Melanie, but doesn't, is the one she'll end up regretting the most in the end. When Melanie gets out of the hospital, first, and then when she comes back from India; when Georgie is basically the only friend Melanie has left from her old life, and therefore is probably the person Melanie goes to the most. The person Melanie confides in. 

So Georgie is there to see it all. She'll be sitting across from Melanie in a pub, or beside her on the couch; she'll brush Melanie's hand with hers, or their knees will knock together, and Georgie will see flashes of blood, violence. Hear screaming. She'll see haunted faces out of the corner of her eyes: soldiers, doctors. Muzzles of guns. Once, a stained hand gripping Melanie around the leg. 

She'll regret it, later, but Georgie doesn't say anything; she doesn't know what to say. She's never seen anything like this, even with over a decade of seeing ghosts. How is she supposed to explain it? She doesn't really know what it means. Melanie talks about war ghosts, and Georgie listens, and she rationalizes that Melanie will have to be okay. (She was okay, when it was her, and if—if this is something serious, something worse, than… then Georgie will be there. Melanie will have someone who understands.) 

5. One night in February of 2018, Jon shows up back in Georgie's life, looking shell-shocked on her doorstep. He stands in the hall looking mildly terrified, when Georgie opens the door, and behind him stands a dead woman, looking desperate and furious all at once. 

"Georgie," Jon says weakly. "I-I know it's been a while, but…" 

"Jon! Christ, what happened to you? Are you all right?" Georgie says, trying to take in Jon and the dead woman all at once. (She is new—Jon must have had someone else close to him die.) She focuses on Jon, puts a hand on his shoulder. "Are you hurt?"

"I… I'm fine." Jon's hands twist in front of him. "I… didn't know where else to go."

Georgie swallows hard and says, "Are you in trouble?" The dead woman is looking right at her. Georgie keeps looking at Jon. 

"I… yes." Jon chews on his lower lip. "If… I know it's a lot to ask, b-but I… could I… possibly stay here for a little while?"

Georgie swallows hard. She has a dozen questions—what's happened, why he needs somewhere to stay, why he looks like this—he looks like he's been through emotional turmoil, through hell—and worse, why a dead woman has followed him here. But she doesn't know how to ask these questions. And she can't just turn him away. Jon helped her heal during one of the worst periods of her life, even if he doesn't know it. And she can do the same. 

"Yeah," Georgie says, and leans forward to pull Jon into a hug—tentative at first, and then stronger, when Jon latches on like he needs it. "Y-yeah, Jon, of course."

Jon rambles out a frantic thank you, layered in with apologies and copious promises to pay rent, but it becomes harder to listen. Right over Jon's shoulder, the dead woman is staring right at her, her mouth hanging open. She's got long hair and glasses, and she looks exhausted, and it isn't immediately obvious how she has died, which is unusual. And she's looking right at Georgie. She says, suddenly, "Can you—can you see me?"

It isn't the first time a ghost has spoken to her, but it's a rare enough occasion to be shocking. Her throat is thick with surprise, and she can't say anything in front of Jon, so she just sort of imperceptibly nods. Holds the dead woman's gaze for a moment. 

"Fuck," says the dead woman. "Thank—thank god, thank Christ, I…" She pauses and looks at Jon, then back at Georgie, still numbly hugging Jon there in the hall. "My name is Sasha," she says, and Georgie thinks of the scene in The Sixth Sense where the sick little girl under the blanket asks for help. "Can you… can you help me?"

(send me an au and i'll give you 5+ headcanons)

#*pushes my Sasha and Georgie becomes friends agenda* yeah.... (so this is like the concrete plot points from this au lol. i havent decided #on an ending) #wtgfs #tma fic #sorta #tma au #jon & georgie #i wrote this #georgie barker sees dead people