What makes me crazy about the Nightmares chapter/episode is that Marcille doesn’t just see Laios as a dog, she sees him as Dustrag. He’s Dustrag, his childhood dog. His childhood dog that was the unwanted, accidental mutt puppy of a village neighbor that his father begrudgingly took in. Guys he’s fucking Dustrag
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— Chariots of Steel v1.0 by @open-sketchbook, p. 72
This is very possibly the best explanation for lack of realism in a tabletop RPG I've ever read.
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Adding my thoughts to the collective brainrot of the locked tomb fandom. I literally couldn't wait more than a month before diving into the series again, having finished it at the beginning of April. I'm just starting act 3 of Htn and we'll, one thankfully it's much easier to follow now that I can kind of see the path ahead.
What struck me though is, I think I understand why Pal and Cam had to die instead of Magnus and Abigail in the Canaan House Au's. Harrow is healing herself of the damage done by the weird lobotomy she has given herself. I think she really tried to make sure it was permanent, but doesn't realise that as a lyctor all she would need is time, and given that she is in fact like 201 ghosts in one tiny frame, she doesn't even need a lot of time.
So when she's awake, it's the usual go and she's concerned with her physical body and she's dissociated enough from that, that even she can't see her eyes correctly in the mirror anymore. (Side note, I love how often everyone questions Ortus, when she mentions him and how subtle it is at first)
When Harrow's asleep though, she's healing her brain by recreating her memories from the ground up. Now maybe initially the plan was to rewrite all of those memories with Ortus to make sure it's as permanent as the physical tampering. But I don't think she planned or even anticipated that she's powerful enough to drag the actual ghosts back to puppet the story in full.
I believe she's powerful enough to have actually unintentionally brought Wake's ghost back with her through the River. That's why she's getting the bits of memories and notes from Wake (first about the eggs and then about killing the others)
But specifically in the rewrite of the memories, Harrow is trying to justify certain things that can't quite be changed. Gideon was very upset about Magnus and Abigail's death, she took it really hard and Harrow didn't understand it in the first book (now that's Gideon's pov and Gideon is so paranoid that it's possible that Harrow is reckoning with Gideon being treated like shit what a crumb of kindness did). So she transposes that pain and grief to the people who make sense. Thus rewriting their roles to be those who died and that leaves Magnus and Abigail taking over in Cam and Pal's shoes.
Another big reason is that Cam isn't dead and Pal isn't technically in the river so she can't drag them in to inhabit their puppets.
I also love that Gideon was so lovestruck by Dulcinea in Harrow's memories that she can't remove it from Ortus at all, so he's instantly developed feelings for Dulcie and doesn't care for Pro. Since we didn't get much from Pro in the first book (poor dead walking bodyguard) what we get might be real, or it could be Harrow giving Ortus some reason to not like him.
That's what I've pieced together so far, it seems to fit with what I remember, but let's face it the first read of Htn is generally a fever dream.
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You should be furious that people trying to escape genocide in Gaza, Sudan, Congo all need raise an absurd amount of money just to survive
You should be furious at how these people went through atrocity after atrocity and still need raise tens of thousands of dollars to get away
You should be furious at this insidious thing that completely encapsulates how capitalism feeds off of blood
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Was there an event that caused gideon to be bothered by nona? Surely it cant just be her [wonderful] personality (Assuming shes the one whos "annoying to be around")
strange first impressions with harrows doppleganger
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please don't bite my head off for this question but what are everyone's fursonas
gideon would be an orange cat. dulcinea would be a canary
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The thing about Microsoft shutting down Tango Gameworks and Arkane Austin is that it isn't really a case of finance bros not understanding how game development works. Sure, saying "we need smaller games that will win us awards" while shuttering studios which have a record of producing smaller, award-winning games looks dumb on paper, but you need to know how to parse corporate doublespeak.
In brief, they want the prestige of producing smaller, award-winning games, but not the risk. The way you get the former without the latter is by constantly buying up independent studios which already have successful titles in their portfolios, keeping them around long enough to provide post-launch support, crank out paid DLC for their already-proven properties, and finish development of whatever is currently in the pipeline, then dismantle them and shut them down before they get any funny ideas about risking your money on new, unproven projects.
If you're thinking "hey, that sounds a lot like a predatory business model", well, exactly.
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