seriously? youâre telling me the fanfiction i meticulously planned out in my head doesnât already exist and i have to write it myself? unbelievable.
one of the ways i know this culture has a massive issue with consent
is the sheer amount of people Iâve known that just lie & tell people theyâre deathly allergic to foods they dislike
because otherwise people will hound them, mock them, coax them, harass them, try to force them to eat it, or even trick them into eating it, and they will never hear the end of it
your coworkers will bake it into a fucking pie, call it something else, and wait til your birthday, gather everyone and their first cousins to sit around in a circle waiting for you to put a forkful into your mouth and then point rhythmically at you in a chanting, glaring, sweating, unholy circle like SWISS CHARD SWISS CHARD YOU JUST ATE SWISS CHARD HA HA HA SWISS CHARD NOW YOU LIKE SWISS CHARD
Because forcing someone into a situation where they donât feel safe declining putting something into their body theyâd rather not be there is totes 100% wholesome American fun
And this is something so known that itâs infinitely easier to just lie and tell people that youâll die if you eat that foodâŚwhich actually doesnât always stop it from happening
anyone else just kinda . put off hyperfixations. like yeah i havenât seen/read/listened to that yet but i will soon and i will become obsessed with it just give me another couple weeks lol
I think itâs worth looking at why bad endings ruin stories. This will be a big rambling thread Iâm gonna chip away at so feel free to mute if itâs not your cup of tea #storytalk
I was inspired to write this after @MagnoliaPearl posted something about the ending of Parks & Rec. Which was abysmal. To the point where when I rewatched the series, I stopped before the last season. Itâs an ending that felt like a betrayal even though it was a âhappyâ one
You canât just toss in good things happening to characters that they havenât earned. Everyone canât win the lottery in the last episode. Thatâs not a happy ending, itâs Deus ex machina that betrays all the things the characters actually struggled for
If you were to draw a story curve, in general a happy ending is one where the characters end up better than where they started but really not too much better. It really depends heavily on how wildly the rest of your graph swings during the rest of your book
Hereâs an entertaining clip of Kurt Vonnegut explaining a little tongue in cheek bit about graphing stories thatâs actually pretty helpful for explaining what Iâm getting at
youtube
If you look at P&R that way, itâd probably look a little something like this. Itâs easy enough to see where reality breaks
Itâs a bit of an exaggeration but not much. The point is, you probably shouldnât swing too far up from whatever was your highest point during the story. If your previous high was âcouple gets married,â then âcouple has babyâ is a realistic ending. âCouple win lotteryâ maybe not
Actually, never have anyone win the lottery after the first act. Unless itâs an inciting incident that forms the foundation of the entire storyâŚno lottery. Thatâs a good rule
But the thing that really got me thinking was why does it matter? The show is over, right? Itâs not like Iâm then forced to then watch a show about Leslie Knope being President. I think it matters for a few reasons and bear with me here cuz Iâm making this up as I goâŚ
One is what Iâll call the Evergreen Ending principle. Which is that even though the story has ended, you need to be able to imagine the characters are continuing to have similar adventures forever. Thatâs part of what makes an ending feel good, especially for serialized media
Obviously, things will be different because the Real Story already happened. But it needs to be easy to imagine how these characters go on doing essentially the same stuff forever. The only thing worse than the ending P&R gave us would be one where Leslie retires, for example
This is also why I hate epilogues. Like the ending of Harry Potter where they all old and have kids. Let the audience imagine what happens next. That part isnât for the creator to say. Back off and let your audience take over
If you change too much, even for the better, youâve also ruined any possibility of the Evergreen Ending. Youâve essentially created a whole new series where everything is different, which only works if youâre then planning to tell that new story
Bad endings can never be fixed. Every other story problem can potentially be resolved. Which I think is why those moments tend to pull back the curtain on a writerâs failings. Itâs why writing endings is so stressful
But hereâs what I think works. And this is obviously just my opinion and who the hell am I? But I think that when you reach the real end of your story, your plot should be on autopilot. If youâve done your job, the story will just fly home itself
Donât try to solve any more problems with plot. Unless you have a twist ending, accept that itâll be a somewhat predictable finish and thatâs okay. The only thing you need to tend to is the audienceâs emotional needs. And have those needs reflect themselves in the characters
A real happy ending is knowing the characters are going to be okay. That theyâve finally found a little bit of balance and ended up better than they started. That who they are is good enough and always has been. And that they can handle whatever comes next.
me when i get tagged by mutuals: oh my GOD my friend noticed me,, omg my bestie in the world wide web, my beautiful wonderful amazing fren whom i cherish dearly, JUST NOTICED ME,, I AM ABOUT TO C O M B U S T
me when tagging mutuals: oh no... i hope im not annoying you.. or anything.. if you want I'll never tag you again.. only if you want tho.. if you don't want to be tagged then that's okay.. i love you.. pls don't hate me,,,
Not me spiraling because I just realised the soundtrack thatâs used in Arthurâs second proposal is The Bond of Sacrifice, aka The Music of Angst and Drama, aka The Serenade Which Arthur Dies To. I know this track is generally played in emotional scenes, but they canât just use it for both events, and throw in these parallelsâ
I call upon the fan fic writing gods to bless you with the perseverance to finish one of your unfinished drafts.Â
May your fingers dance along the letters upon your device with ease, may the devil of distraction stay far from you, and may your work not need much editing.
I pass this blessing upon every fan fic writer out there.
we make fun of thorin getting lost in the shire but you know the nazgul also had to keep asking for directions to find bag end so maybe hobbitsâ city planning is just wack
thinking about how an anonymous group (WHO DOESNâT SEEM TO BE AFFILIATED W/ SESAME STREET!!!) found out where jon armond lived and made him swear he wouldnât show anyone cracks before they gave it to him
*heavy breathing* this is so hard đ. I've been asked this before and I think I answer something different every time too cause it depends on the day I guess
1. The "do you think I care so little" moment đ i just CANNOT. like helloooooo the doctor is just like yes you betrayed me in a moment of weakness but I love you and want whats best for you and I want you to be happy AND I DIE EVERY TIME I SEE THAT SCENE. its a Taylor Swift's Afterglow moment dammit.
2. The 4.5 billion years of torture and hell he went through for Clara. UGH
3. Any of there hugs. I'm not picky. Pick one. Okay but actually
This one. Or....
This one. Probs my top 2
4. Their banter. I mean, that's not an actual moment per se its just their entire relationship đ
5. Just how adventurous and entirely reckless they were together. They'd go to the ends of the earth for each other and you can just sense how much they cared for each other. That's not a moment either but its the essence of their time together
a comprehensive list of times the main cast of merlin gets thrown in camelotâs dungeons
Descending order by number of imprisonments. Italics represent any time they subsequently broke out/were broken out (or were released sneakily in the case of Lancelot).
Merlin: 7
1x01 for insulting Arthur
2x01 for fighting with Cedric/Cornelius Sigan
2x07 for sorcery (accused by Aredian)
2x09 for being suspected of harbouring Freya
3x03 for sorcery (specifically the Goblinâs various shenanigans)
3x10 for sorcery (confesses to enchanting Arthur and Gwen as Dragoon)
5x07 for being attempted regicide (accused by evil Gwen of poisoning Arthur)
Gwen: 2
1x03 for sorcery (supposedly healing her father)
3x10 for sorcery (supposedly enchanting Arthur)
Mordred: 2
1x08 for being a druid
5x11 for helping Kara
Gaius: 2
2x07 for sorcery (confesses to save Merlin)
4x12/13 for being loyal to Arthur (under Morgana)
Elyan: 2
4x10 for attempted regicide (under the influence of the druid boy)
4x12/13 for being loyal to Arthur (under Morgana)
Arthur: 1
1x04 for caring about Merlin/disobeying Uther
Lancelot: 1
1x05 for breaking the First Code
Morgana: 1
1x12 for treason (standing up to Uther about Tom)
Uther: 1
3x12/13 for being king (under Morgana and Morgause)
Leon: 1
3x13 for being loyal to Uther (under Morgana and Morgause)
Gwaine: 1
4x12/13 for being loyal to Arthur (under Morgana)
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