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star-flecked-soul · 1 day
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it will never hurt less, will it
love me dry
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a 'partners in crime' installment - luke castellan x dionysus!reader
words: 4.5k
summary: (post-TLT) The one where he meets you at his mother’s house, though both of you didn’t expect the other to be there. A glimpse into May Castellan’s perfect day (Luke Castellan x fem!Dionysus!reader)
a/n: sorry for the hiatus! been on the study grind and didn’t even notice, but i’ve been working on this for a bit! macbeth references (comment if you catch them/or ask and i’ll yap) and slight suggestive stuff under the cut—but anyways let’s just say the prophecy by taylor swift came out at the right time.
(posted 4/19/24, semi-edited)
—
The drive to Westport has become almost an afterthought in these past few years— in the way you unconsciously reach for your favorite hoodie on the way out the door or tuck in your chair before you leave a table, almost automatic but ingrained with a touch of care. With letters to May Castellan occupying your passenger seat instead of the boy who wrote them, you’d make the drive multiple times but stop short just before the property line. It took months of parking at the bottom of the hill and just watching the sun set on the little house, so clearly being able to imagine a smaller version of him running around and wreaking havoc. 
Little Luke, with bandaged knees and feet that move as fast as his motor mouth, amber eyes glinting like windchimes in the summer breeze. His mom must’ve watched him play by himself through the bay window before calling him home when the clouds covered the horizon, wispy tendrils stretching over the rain gutter like how lovers hold hands. It must’ve reminded her a lot of his father, leaving nothing but the open air in his wake. Still, all of this was familiar to you too—despite having never stepped foot in the white house.
But knowing Luke meant knowing his home like it was a part of you.
The old hatchback’s engine gently rumbled against the quiet of the property each time you visited, and May would wait for you to come near— waiting for you to be ready to walk into a mausoleum of the boy you both once knew. You were familiar to her too, even as a blurry figure hunched over the steering wheel. She’s seen your face in the small glimpses between the shattering earth of her reality and the hazy foresight she lets herself succumb to remember what her son looks like. In every vision of him since he’s left, you’ve been there; and something about that quells the pain and anguish that it brings to her body when she sees it. But May Castellan is ever an observant woman, gift of prophecy aside. A mother always knows.
It also turns out that she makes excellent conversation over a plate of slightly singed chocolate chip cookies.
—
Luke Castellan is years older than the version of him that last sat at this kitchen table. He doesn’t know if he’s any wiser for it—wondering if he’s made a mistake in coming back here after all this time as he watches his mom hustle around the kitchen that’s suspiciously sparkling clean. A silver spoon clinks against the glass pitcher that May stirs mixed berry Kool-Aid in, his favorite, he remembers, and it makes him squint against the light that filters through the gauzy curtains of the windowpane above the sink. Luke could’ve sworn that there used to be badly patched rips in the fabric, but he attributes it to the dark corner of his memory he still hides away like a secret. Sitting there and taking it all in, he wonders what it would’ve been like to actually grow up here—to stay, for once. 
But that’s something he doesn’t have the privilege of knowing. When his mom turns to hand him a glass with her shaking hands, wrinkles and laugh lines are mapped across the expanse of her face. He’ll never know how they got there. The wooden chair creaks under him, groaning under the weight that he carries and Luke once again feels uncomfortable in a place he once called home. 
“Knew you’d come back. A mother always knows,” May mutters, voice disembodied like she’s floating just out of reach. Her hands clasped over his, rubbing her thumbs over the veins as if she’s checking his pulse (or the possibility of him being an apparition) and the crack in her smile mirrors his. But this isn’t the home he remembers—his frontal lobe was underdeveloped back then and the only plan it could form was the one to get him the hell out of Westport, there’s something different in the details. Tiny things, like the patio swing chain reattached to its post, a mended table leg, and ceramic tiles on the countertop unbroken and smooth. This is a home and a mother he once longed for as a kid, along with the feeling of comfort and safety you can only attribute to a place like this. Calculating eyes scan the perimeter of the kitchen, but no one knows he’s made the trip to Westport, not even his own crew. Surely nothing could mess this up for him, not here. This was his last step before his quest for redemption eats away at his physical body, and then it will all be out of his hands. 
There’s not much left for me here, he thinks— there’s not much of me left here, either.
Then Luke hears you before he sees you—the sound of you humming under your breath mixed with the jingle of keys turning in the front door. With bags of groceries leaving marks on your arms and a soft smile he hasn’t seen you wear in ages, for once you look lighter again. For a moment, the thought crosses his mind that this must be what you look like when he’s not around. Nonetheless, he breathes easier when you’re near. Of course, you’re here, and the irony grips him by the neck almost as if to make it known why his home feels like home again.
“Yeah hon, I’ll have to call you back,” you laugh into your headphones before tapping them with one free finger to end the call. In a split second, your eyes meet. Staggering back at the sight of him sitting at the table and the absolute grin on May’s face, you decide to continue into the space ahead and start putting the groceries away like nothing is out of sorts. 
“I see you have a visitor, Miss May. Is he staying long?”
Luke sips at his glass, juice extra tart just how he likes it. His lips pucker at the taste it leaves in his mouth and when he opens his mouth there’s a hint of blue. You try not to look too long.
“For the night,” he answers, even if you weren’t talking to him, but it makes May so vibrant with the notion of him not running again that she instantly hops to her feet and rushes to make the bed in his old room. “I won’t be in your way,” he swallows. You gravitate towards him like a moth to a flame, but move around his chair without touching him—further proving that Luke is, in fact, an obstacle you must overcome. He’s a stranger in his own home and you’ve found yourself at ease in it. You wonder if any of that will make a difference in the long run.
“She’s
”
“More peaceful. I’ve been practicing with my dad, so I do what I can to ease her fits but I’m not exactly equipped to lift a curse from Hades,” you mutter through a bitten lip. Luke stares at you but it feels nostalgic, like someone on the outside looking in. Well, shit. He’s been leading demigods to their deaths every summer and you’ve been trying to cure his mentally ill mother in the time you don’t spend trying to stop him.
“I don’t think I even remember the last time she made sense while talking to me,” he laughs hollowly. You purse your lips and shrug, “I visit her every two weeks. She still has her triggers, and she gets confused but she’s not in pain. Your letters helped.”
“Is that why you came here then?”
“Don’t shoot the messenger,” you joke feebly. It falls flat and yet he still smiles, even when you say, “They weren’t for me.”
“They were about you. All of them were.”
You know that too. May makes you read them to her before bedtime as you stroke her hair and send her off to Hypnos. You’ve relived your relationship with Luke a million little times, and he’s written about you and all of your yesterdays like it was the only glimpse of Elysium he’d ever reach. In those letters, you get to remember the good parts of being in love—laughing in the empty amphitheater, holding hands under the dining table, sneaking kisses in the strawberry fields. 
You used to understand each other so well: every dream, every feeling. But there is nothing you understand about the man sitting across from you now. The both of you sit at the kitchen table and there is nothing more to say.
Luke doesn’t have to stay. While you were at the supermarket, he spent an hour trying to explain to his mother that he needed her blessing to swim in the River Styx. Through nuances and veiled simplicity in the words he weaved to convince her, there wasn’t much opposition in her half-empty, half-prophetic mind. May always knew that Luke loved to swim when she took him to the beach, and that was that.
There was nothing more to say.
—
He knows it’s too good to be true when moments later May’s screams carry through the halls of the little house, down the stairway you’re currently clambering up to reach her. By the time his boots reach the second landing, he finds the two women he loves most in a huddle against the linen closet, his mother’s glowing green eyes and empty groans rattling him to the bone. If he were any smaller, he’d be shaking. Even now he doesn’t know what to do— feet frozen as he watches you brush her curls away from her face and lull her to solace.
“Can’t find Luke’s sheets—he needs the Toy Story ones
” May mutters as she rocks on her heels, “My boy needs to be home
He’s meant to be home!” Her fingernails are cutting into your wrists and then she silences with a wave of your hand.
“He’s home, Miss May. He’s right there,” you whisper. When your eyes look at Luke, you watch him crumble—the cracks in his fortitude tumbling like fallen rocks at the sight of the two of you and then you see him. The boy you met at 14 who was angry at the world for making him run away from his mother and the hands of fate until it crept up to snuff him out for the sake of a prophecy foretold by deities who will never understand what it’s like to be human. But there are no second chances, and there is nowhere left to run. “He’s here for you. I’ll take care of him, don’t worry.”
“I see it, the two of you together. The worst will be over soon, and then it’ll all make sense,” she says breathily, licking her lips and straightening herself like nothing happened. Even after you send her off to prepare a basket for the beach, Luke doesn’t move when his mother pats his arm and walks around his body and towards the stairs. Neither of you speak until your fingers touch his jaw lightly, and Luke doesn’t know if you’re trying to help him or inspect him. He tilts down to look at you anyway.
“She thinks we’re still together.”
He blinks. Somehow that’s the most shocking thing he’s heard today. Fate is most definitely cruel and fucked up because he never expected it to be like this—once upon a time he hoped he could take you home to meet his mother when everything was said and done; no shackles from Titans or pressure from the gods. It was supposed to be different.
“The letters probably didn’t help as much as you thought they would then,” he mumbles, calloused hands guiding your hands over to his swiftly beating heart. You scoff, “Neither does bringing up my boyfriend. She thinks it’s you.” He’d believe anyone who’d say they watched you yank his heart out of his chest with that statement, everything bloody in your hands. It’s still yours, even if you don’t want it.
“Kit?”
You shake your head and shrug, “That was forever ago. But he treats me well.”
Luke wants to ask more but by the tension in your shoulders, he knows not to push. He’s not entitled to know anything more than what you give him. It’s not his place anymore. So his brow furrows at your next suggestion.
“Just pretend, Luke. For the day, so your mom doesn’t get agitated. I’m not asking for much here.”
It’s a terrible, terrible idea—even you know that. But you both have always been good pretenders. Liars, a voice corrects in the back of your mind. You reason that it’s for May and insist upon that fact, even if the heartbroken girl you left at Camp Half-Blood is raging at you from deep inside the recesses of your mind that you hide her in. What’s one day with him compared to the many you’ve gone without? You don’t need to know the rest of why he’s here, or what more he’s going to do— and you don’t ask. 
Not knowing has always hurt less.
—
You’ve forgotten how good Luke is at playing the part of a good boyfriend. He offers to drive to the beach, carries the picnic basket and blanket for you all to sit on, and listens intently when May asks about your college classes. There’s no discomfort in the way he holds your hand as you walk in the sand or dusts your feet off before laying them across his lap. It’s easy to laugh at his bad jokes, it’s easy to act like the boyfriend you describe is anything like him (even if he’s the complete opposite), and it’s too damn easy to fall into the familiar rhythm that is you and Luke. The three of you lay down as the spring breeze covers you from the rest of reality, hiding away from the truth of a broken woman and two ex-lovers. By late afternoon, you find yourself enjoying it, and it’s cruel how the guilt isn’t rolling off you in waves, instead longing for him to follow you anywhere. 
He meets you by the shoreline with both of you waist-deep in the water. May’s collecting seashells but she turns to look at you two every so often like she’s framing this memory in her fragile mind. Without saying it out loud, the both of you hope it will hold. 
“She always talks about you, you know? Even without trying,” you mutter as saltwater pours from your fingers to the valleys made by the veins in his forearms. It’s like initiating touch without the consequences of actually doing it, and he immerses himself in the feeling as it spills over him, feet rocking against the tide. 
“I do too. Can’t help it.”
When the sea ripples once more pushing you against the wall of his body, you end up holding on, and he doesn’t let go. You both smell like salt and sunshine, pressed together and nothing has made more sense. The silence goes on for a beat too long—he whispers, “You still talk about me? Your boyfriend must hate that.”
“Why wouldn’t I want to talk about you? For anyone to get to know me, they have to know you.”
Your shirt is stuck to your skin in the surf and Luke’s hands brush over the waistline of your underwear, daring to reacquaint himself with your touch and spur a reaction from you. You may be the best actress he’s ever known but anything is better than watching you be complacent with the false niceties of the day.
“There isn’t much worth knowing.”
“I’d never say that, Luke,” jaw tensing, you let out a breath when his hands encircle your hips, hidden in plain sight in the deep of the ocean. He chuckles and the sound tickles your brain to remind you it's the type of laugh he spits out when he’s hiding his anger, “There’s a lot we’re both not saying.” Your name slips past his lips, sneaking past your defenses and hitting you head-on like a bullet.
“Why?”
Why are you doing this? Why are you helping his mother, why aren’t you actively fighting and turning him in, why are you letting him hold you if he’s only going to leave again—there are too many questions and only one clear answer.
“Because it’s out of our hands, isn’t it, Luke? You love your mother but you wouldn’t have come here unless it’s too late. Annie told me you went to see her in San Francisco.”
He was never here to make amends or save face. There was no version of him that was going to ask you to run away with him because he knows you deserve more than always running from fate. He’d do it all over again as long as you got this— the life you’re living with your college degree, your boyfriend, and your happy family— and Luke has no place in that.
A dry laugh bubbles from his throat, sticking like seafoam when he says, “You hate San Francisco.” 
You wouldn’t have come. 
—
By the time you get home for dinner, your skin is sensitive and tingly from the heat of the sun. May’s tracing circles into the back of your hand as she leads you up the patio steps. There’s a sinking feeling in your stomach that makes you sway against the doorway.
“Too much time having fun,” she mumbles, patting your cheek, “Take a cold shower dear. Join us when you’re ready?” Luke’s eyes follow you all the way up the stairs and then again, he’s left to his own devices.
Most of the said shower was spent thinking about what your friends would say about you for playing house with the enemy. The guilt felt like ice along your spine, paralyzing you for wanting to be selfish, to choose what makes you happy even if it fucks the rest of the world. But looking in the mirror afterward was scarier—you recognized the girl that stared back at you as someone you thought you’d never see again. A version you left behind years ago, with her head held high and so sure of herself with your Luke by your side. 
Surely, there’s no harm in indulging in this vice for the rest of the night. Not when you haven’t felt this relaxed in years.
Dinner is being served by the time you make your way back downstairs. It’s a simple dish you taught Luke how to make back at camp when you raided the kitchens at midnight. Nothing special, reminding you of your own home—but the fact that he remembered makes your smile widen as you take a seat and promise to wash the dishes. Luke chuckles the type that makes his eyes crinkle in mirth once he watches you dig into your meal, knees brushing under the table like old times. 
Everything feels easier after that.
“Today was the best day,” his mother mutters as you tuck the covers under her chin. May kisses both of your cheeks before she shuts her eyes and you gently fold the letter she chose tonight back into her nightstand for safekeeping. This time, you read her the story of your first kiss with Luke sitting at the foot of her bed in the dim light of her room. It’s less scary here than he remembers, but maybe it’s because this time there’s no screaming and him running to hide in the closet. Your voice is much more pleasant than those suppressed memories, immersing you all in a more pleasant one— the both of you in the amphitheater kissing on the stage with his hands in your belt loops. Luke could recite every word on that page if it meant he could go back in time, not with Backbiter but with you, just to live through that moment again. I think I’m falling in love with her, is how the letter ended but by then he already knew. Writing it down to tell his mother always made it real. 
This, you, right here—everything is real.
He’s silent even as he watches you smoke through the cracked window of his childhood bedroom, and you’re surprised when he steals a puff. His hands are shaking under the moonlight and suddenly it’s clear that he’s scared. Everyone feels fear, but in all the years that you’ve known him, Luke Castellan has never let you see it.
“Those things will kill you one day,” you mumble, watching him lean against the windowpane. It’s what he used to always tell you so that you’d quit, but old habits die screaming. It’s another vice you refuse to let go of.
“Wanted to try something new before I
” his voice drops off. 
Lose myself. 
Lose you. 
Luke coughs as the smoke enters his lungs, a momentary rush hitting him brought by the nicotine. Your hands go to cup his jaw as you set your forehead against his, a silent plea for him to just be honest if there’s truly nothing left to lose.
“I’m out of time, trouble. It’s out of my hands.”
Shuddering at the feeling of him tracing every ridge of your spine, you think the way he says your nickname sounds like the way he used to say I love you. It’s raining outside now, the harsh pitter-patter of wet drops drowning out the sound of your voice, “What can I do? Is there anything left for me to do?” When his head shakes, your noses brush, and your breaths intermingle, almost magnetic. Perhaps the rain is getting in from the open window and you feel it hitting your cheek until you see the shine of his eyes.
“You think I did this because of you. I know you do, but you need to know I did all of this for you, trouble. I choose you and me. Every time,” Luke gasps, intertwining his fingers with yours, the both of you pushing and pulling in this embrace like the moon with the tide.
“Luke
” 
You’re pressing yourself against him, face hidden in his shirt as your brain catches up to your heart, hasty breaths and every atom of your being screaming to be held together by him and then you’re on him, through tears and clenched fists tumbling towards the tiny twin bed. The only way he likens himself to his father is his yearning to be a true traveler, but what he knows best out of anything in this entire world is you. He knew this body once too— every birthmark, scar, and dimple. Who else has had the privilege to navigate the ridges of your spine, to know the pressure of your kiss? A tattoo peeks out to say hello at your hip bone. There are new stories and new marks, there are parts of you unknown to him now. Luke thinks that must be what hurts most about each time he leaves you. 
But then why does this feel so good?
Warm palms caress your waist, nudging your shirt up in the hopes that this will be enough compensation for all his misdoings—the tears you’ve cried, the anger you’ve felt, the things you had to do and will have to do because of him. Luke is someone who’s gotten comfortable with manipulating time, but time has manipulated him and all of his plans for the both of you. Sleepy setback bedroom eyes meet his own that glow in the gentle light of the lamp on the nightstand. Maybe if you pretend again his childhood bedroom can turn into the star-speckled darkness of cabin 12. You can just lay down and tuck underneath his arms waiting for him to fall asleep. But he stays up this time, making you hiss at the feeling of his lips against your neck.
 “We can’t
 Angelface,” you say breathily, still leaning into the trail he marks across the valley of your collarbone, “We’re not together anymore.” 
A kiss is placed on your pulsepoint, knocking against the cord of your necklace.
“We shouldn’t
 I have a boyfriend.”
Another kiss rests against the warmth of your forehead.
“We’re on opposite sides of a war
 You’re my enemy.”
Finally, his lips meet yours, for a moment as if to test the waters.
“Not tonight,” he says, and there is no other option but to agree. There is a lifetime to make up for in a night, and fuck it—they’ll crucify you anyway. You were never meant to be a hero, that’s what he always wanted. You just wanted him. Your head hits the pillow and he looms over you until you’re pulling him in for more than what’s necessary to accept an apology.
There’s nothing left to lose.
—
Before your mind can wake up dreading the consequences of last night, your socked feet take you to the kitchen to clean up the mess you’ve both left behind. The old floorboards creak underfoot and there’s a method in the way you’re washing the dishes, hot water and soap starting to seep through your shirt sleeve but you choose not to notice. Scrubbing at the dirt and grime left behind on the porcelain until your fingers start to prune, a lump forms in your throat before you can stop it. Maybe if you scrub hard enough at the glass that Luke drank out of last night it can eventually be clean. But it’s taking you longer than you thought, jaw tensing and fingers turning white at how hard you’re holding on. May appears behind you, guiding your hands away from the scalding water, and though you resist— the glass drops into the sink and shatters with a loud crack.
“Damn spot wouldn’t get out,” you sniff, turning away to look out the window and think of anything but him, but he’s everywhere even when he’s not here, so much so that it suffocates you. Guilt lines every shaking breath you take until lavender eyes meet amber at the sensation of her clasping your red and raw palms with a dishtowel. 
You see him in her too.
“His fate is greater than the cards he’s been dealt with. You know that.” 
It’s the clearest and most sensible May’s spoken in days. Perhaps when it comes to Luke, she’ll always know better. Eyes darting elsewhere to fight the tears that brim at your lash line, you look down at your swollen hands, palm up towards the heavens almost imploring, “Why couldn’t it be me?” 
The question’s direction is unclear and you don’t expect to get an answer, turning away to grab some ice from the freezer and she remains standing there—staring at the windowsill at a compass that’s now found its home next to the faded picture of a man who’s left more times than there are reasons to stay. Just like his father, she thinks, a small smile quirking at the side of her lip where a scar would meet her son’s. Clicking it open delicately like how she used to hold his hand, there’s a photo of you and Luke resting against the cover ripped away from a memory frozen in time.
“It is you,” May says quietly, though you’ve already left the room.
A mother always knows, after all.
—
“Aphrodite,” I pleaded to the moon-drenched night sky. “Tell me; if love is meant to heal, then why does it destroy those who choose it?” From somewhere beyond the clouds, I heard the Goddess laugh. And I knew. -Nikita Gill
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star-flecked-soul · 18 days
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when annabeth falls in love, i know that boy will never be the same annabeth chase x speak now (taylor's version)
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star-flecked-soul · 18 days
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Do you guys ever think,
when Percy dies, Grover will die at the same time. But unlike the others, they'll never be reunited in Elysium because Grover's a satyr who never get into Elysium, they turn into a tree.
And, if Annabeth is outlives Percy, she won't just grieve the love of her life but one of her best friends as well, one of the first people who believed in her, outside of luke and thalia.
One more thing, When Percy dies at least Annabeth will know she gets to see him again in Elysium but she'll also have to live with the knowledge that she'll never see Grover again even in death.
And if you don't want to think abt this, then:
Then don't think about her throwing away the collection of tin cans she and Percy probably kept for Grover.
Don't think about her using something from a tin can and thinking "I'll save this for Grover" and then realizing she'll never get to give it to him.
Don't think about her never being able to eat blue food or enchiladas again.
Don't think about her and Juniper holding each other and crying.
Don't think about Juniper momentarily hating Annabeth for getting to see her husband after she dies before forgetting all about her anger because they both lost their loves, damn it!
Don't think about Annabeth "Always Six Foot Ahead" Chase knowing death is approaching and making a list of what she wants to be burnt with so that she can give them to everyone who she has ever cared about. Adding "Tin Cans and Enchiladas" in the list before breaking down again.
Don't think abt Percy reaching Elysium, being greeted by all of his friends, looking around for grover before registering why he wasn't there.
Don't think about him mourning his best friend, his brother even when in Eternal Paradise.
Don't think about it.
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star-flecked-soul · 20 days
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altan and rin
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star-flecked-soul · 22 days
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absolutely genius of rf kuang to elaborate on virtually nothing about speer's culture. the only things said about speer are "speerlies are mindless savages" and "speerlies are most definitely not mindless savages". there are no deep dives, no explanations of their way of life, nothing beyond the glimpses that disproves nikan's belief that they are nothing but a violent group. we saw that they had leaders that cared about their people and children. we saw that they are people who found joy in life. but that's really not much.
this emphasizes the horror of genocide. millenia of culture and history, individual lives filled with love, pain, and passion, just completely wiped away. there were only two surviving speerlies. one of them was too young when he was taken away, and probably doesn't remember much. the things he did remember was also probably buried under years of abuse and drugs people were plying him with. the other one didn't even know she was from speer until the last few months of her life, and there was really no one around to teach her about their culture. and if there was, life as she knows it was falling apart. learning about her dead people's culture probably didn't even cross her mind.
without saying any of these things and by intentionally leaving readers in the dark about what speer was truly like, rf kuang said so much about the horrors of genocide. by not saying anything, she said everything. she did the "show me, don't tell me" tip for writers and it was brilliant.
we will never learn most of speer's culture and history and that was the point.
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star-flecked-soul · 22 days
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[CHARACTER STUDY: luke castellan]
son of Hermes, fighter, friend, traitor, human vessel of Kronos, prisoner of time— hero of the prophecy, doomed by the narrative...
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[Ask Polly: Help, I'm The Loneliest Person In The World!, Heather Havrilesky; The Sacrifice of Isaac, Giovanni Battista Piazzetta; The Unabridged Journals of Sylvia Plath, Sylvia Plath; Dear Boy, Emily Berry; Herakles, Euripedes; The Fall of Icarus, RenĂ© Milot; The Letting, Cathrine Goldstein; The Burning/Oculus, Venetta Octavia; Ivan the Terrible and His Son Ivan, by Ilya Repin; Phaedra’s Love, Sarah Kane; On Earth We’re Briefly Gorgeous, Ocean Vuong]
(guys i fear this was so fun to make)
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star-flecked-soul · 22 days
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One thing which genuinely bothers me is Annabeth's perception in the fandom. How she's seen as this cold, stoic, emotionless, reserved and intimidating girl. When in reality, she's a character full of love.
Annabeth, who immediately cried and felt attached to Cerberus after playing with him for a few minutes because she wouldn't get to play with him again.
Annabeth, whose deepest desire, which the Sirens lured her with, is saving Luke and having a good relationship with both her parents.
Annabeth, who believed in Luke's goodness, even after all the countless terrible things he did simply because she had faith in his humanity.
Annabeth, who cried in Percy's arms before entering the labyrinth and refused to reveal the last line of the prophecy because it said to lose a love worse than death and the idea of losing any of her friends is too painful, heartbreaking and worse than dying.
Annabeth, who kissed Percy before parting with him in St. Helens because if he's going to die, she at least wants him to die knowing she loved him.
Annabeth, who took a poisoned knife for Percy during the war because she'd rather die herself than let him die.
Annabeth, who convinced Luke to switch sides by reminding him of the promise of family he gave her. Which in turn, influenced Luke's decision to end himself to destroy Kronos. Hello, she saved the world with the power of love.
Annabeth, who spent months after months losing sleep and searching desperately for Percy when he went missing.
Annabeth, who kissed Percy to eternity in public at their reunion, not caring what anyone is going to say or think. An asteroid could've hit the earth, and she wouldn't have cared.
Annabeth, who told Percy “I love you” when falling in Tartarus because if she was going to die, she wanted them to be her last words.
Annabeth Chase is a sweetheart, who has always felt things deeply and she's so full of love. And I think it's time we let go of the “cold-hearted annabeth” headcanon because it's not true, that's not her.
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star-flecked-soul · 23 days
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i needed this, thank you :<
the person reading this is going to survive the rough patch they’re going through
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star-flecked-soul · 23 days
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i love how in heroes of olympus, there’s a boat full of couples (+leoâ˜ș). and yet even if you didn’t know when each couple started dating, it’s so blatantly obvious that percy and annabeth have been together the longest, and are the most serious
cause frank and hazel are still pretty nervous/unsure with each other. they JUST started dating, and are so pure and adorable. they just haven’t quite figured out the romance part yet
and jason and piper have their moments, but they’re just so
 distant. like not physically, of course, but they just don’t really seem to connect on a deep level. and they aren’t super affectionate, at least not physically or openly. piper is constantly unsure about where they’re at, and while jason has thoughts about how great piper is, he doesn’t openly show his feelings too often.
but percabeth? they’re the oldest in age (physically), have known each other the longest, and have been romantically committed to each other for the most time. they act like they’ve been together for eternity, which is funny since they were technically only dating for 4 months before percy got abducted. but they just have such a deep history together and such an intense connection. they’re in it for the long run. there’s no doubt or uncertainty - and it shows. like
annabeth is so wife girlfriend. there are so many funny/cute little moments, like her scolding him for putting too much syrup on his pancakes, and telling him to take a shower when he smells bad. and when percy suggests him and jason should go on a dangerous quest instead of annabeth and piper, instead of being like “omg he cares so much about me😍” (which hazel and piper would have done) annabeth is like “what seaweed brain?? you think two guys can do better than two girls??” and percy is immediately like “uh uh NO nope i definitely do NOT think that!!” he knows better. the immediate fear is so husband boyfriend of him. they simultaneously have the most disagreements (remember when percy called annabeth out when she thought she should navigate through rome alone, and basically called her stupid for thinking it was a good idea, and then they argued and had a face-off, which percy won) - while also being the most lovey dovey (they’re constantly putting their hands on each other - annabeth putting her hand on his chest to calm him down, putting their hands on each other’s arms for support, percy having his arm around her when they’re at the edge of the ship, always giving each other a kiss on the mouth or the cheek when they separate, etc). and they have no issues sneaking off in the middle of the night to do some talking and kissing. and quite frankly, making out in front of piper in BoO (remember that? when piper got super uncomfortable at how long their kiss was lasting, and then annabeth let out, and i quote, “grunt-whimpers”). they are just so natural and comfortable with each other. piper says it herself.
i just think it’s so funny. little frazel being adorable and blushing when they hold hands, jiper is happy to be dating but they’re also a little angsty and uncertain, and then there’s percabeth just being the old married couple they are. (and leo is being cute and fixing stuff)
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star-flecked-soul · 23 days
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Gotta be honest, the popularity of blond Percy thanks to the pjo show is driving me insane because every time I see pjo fanart, I have a crisis over what little blond boy is being depicted
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star-flecked-soul · 23 days
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star-flecked-soul · 24 days
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they should invent a life that is liveable and a sleep that comes easy and a winter that doesn't feel like decay and a spring that doesn't feel like the past and a head that doesn't hurt and a heart that doesn't sit in your chest like a rock and a body that doesn't hate you and a hometown that doesn't make you lose your mind and a university that won't kill you they should invent a me that is normal I think that would be really neat. ok good night I love you
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star-flecked-soul · 24 days
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REBLOG IF THIS RELATES TO YOU:
AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!
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star-flecked-soul · 1 month
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rereading my own writing is just a constant fluctuation between "damn, girl, you wrote this? (affectionate)" and "damn, girl, you wrote this? (derogatory)"
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star-flecked-soul · 1 month
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star-flecked-soul · 1 month
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star-flecked-soul · 1 month
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