Iām not dead Iām just dead you know
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Crimson Peak is SO fucking funny when they first get to the house and Hiddles is like. Oh yeah forget to mention, giant hole in the roof. Also the floor is rotten, someday the whole foundation will collapse. And don't be alarmed if the pipes start bleeding! It's just that the very ground beneath our feet is oozing red liquid, absolutely drenched with it, as though the entire house is bleeding and bloodstained, as though the very earth our family legacy is built upon were one great open wound.
I fucking love Gothic settings. Don't worry about it Edith, welcome to your very normal and inhabitable house.
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fortune, fortune ā smiling fate, I havenāt seen you much of late. I need you now & cannot wait but when I look, YOUāRE NOT AROUND. Never mind in what we do the nightās still good for a gram or two, Iāll be drinking late with you ātil the MORNING COMES AROUND.
an independent & selective roleplaying blog for Anne BonnyĀ from Assassinās Creed IV: Black Flag. Single-ship &Ā multiverse. As penned by Hannah, 28, Irish.Ā 21+ ONLY.
Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā temp. queue run.
Down & out, & out of luck ā weāre spinning, but the needle ās stuck, letās go have some fun before they go & put us in the ground. Lions sit in solemn lines drinking gin & dropping lines; WASTING BEATS in this heart of mine ātil the morning comes around. i must be good for something.
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* Ā Ā Ā ā Ā Ā ļ“¾ Ā šššššššš Ā šššššššš Ā ļ“æ Ā : Ā Ā Ā šššššš Ā šššššš Ā ššš Ā ššššššš.
the Ā following Ā has Ā been Ā taken Ā from Ā the Ā 2015Ā album Ā byĀ Ā THE Ā WEEKND. Ā feel Ā free Ā to Ā change Ā and Ā adjust Ā anything Ā as Ā needed.Ā Ā CONTENT Ā WARNING: Ā drugs,Ā some Ā nsfw.
ā everyĀ womanĀ thatĀ lovedĀ me,Ā iĀ seemedĀ toĀ pushĀ themĀ away.Ā ā
ā donātĀ wasteĀ preciousĀ tearsĀ onĀ me.Ā iāmĀ notĀ worthĀ theĀ misery.Ā ā
ā iāmĀ betterĀ offĀ whenĀ iāmĀ alone.Ā ā
ā whatĀ canĀ youĀ showĀ meĀ thatĀ myĀ heartĀ donātĀ knowĀ already ?Ā ā
ā nowĀ thatĀ weāreĀ allĀ grownĀ up,Ā whoĀ doĀ weĀ oweĀ itĀ allĀ to ?Ā ā
ā everyoneĀ aroundĀ youĀ isĀ soĀ basic.Ā ā
ā giveĀ meĀ headĀ allĀ night.Ā ā
ā donātĀ believeĀ theĀ rumors,Ā iāmĀ stillĀ aĀ user.Ā ā
ā theyĀ toldĀ meĀ notĀ toĀ fallĀ inĀ love.Ā thatĀ shitĀ isĀ useless.Ā ā
ā iĀ usuallyĀ loveĀ sleepingĀ allĀ alone.Ā ā
ā iĀ onlyĀ loveĀ itĀ whenĀ youĀ touchĀ me,Ā notĀ feelĀ me.Ā ā
ā whenĀ iāmĀ fuckedĀ up,Ā thatāsĀ theĀ realĀ me.Ā ā
ā drugsĀ startedĀ feelingĀ likeĀ decaf.Ā ā
ā whoĀ areĀ youĀ toĀ judge ?Ā ā
ā baby,Ā youāreĀ noĀ good.Ā ā
ā theyĀ warnedĀ meĀ aboutĀ yourĀ type.Ā ā
ā toĀ sayĀ thatĀ weāreĀ inĀ loveĀ isĀ dangerous.Ā ā
ā ifĀ iĀ could,Ā iādĀ forgetĀ aboutĀ you.Ā ā
ā girlsĀ bornĀ inĀ theĀ Ā ā90sĀ areĀ dangerous.Ā ā
ā iĀ knowĀ sheāllĀ beĀ theĀ deathĀ ofĀ me.Ā ā
ā atĀ leastĀ weāllĀ bothĀ beĀ numb.Ā ā
ā iĀ canātĀ feelĀ myĀ faceĀ whenĀ iāmĀ withĀ you.Ā ā
ā whoāsĀ gonnaĀ loveĀ youĀ likeĀ me ?Ā ā
ā whoāsĀ gonnaĀ touchĀ youĀ likeĀ me ?Ā ā
ā whoāsĀ gonnaĀ fuckĀ youĀ likeĀ me ?Ā ā
ā youĀ wantĀ meĀ toĀ fixĀ youĀ butĀ itāsĀ neverĀ enough.Ā ā
ā iāllĀ alwaysĀ beĀ thereĀ forĀ you.Ā ā
ā youĀ saidĀ youĀ wannaĀ beĀ goodĀ butĀ youāreĀ beggingĀ meĀ toĀ comeĀ over.Ā ā
ā iĀ seeĀ nobodyĀ butĀ you.Ā ā
ā iāmĀ soĀ usedĀ toĀ beingĀ used.Ā ā
ā youāreĀ theĀ onlyĀ oneĀ iĀ choose.Ā ā
ā evenĀ thoughĀ youĀ breakĀ myĀ heart,Ā iĀ needĀ you.Ā ā
ā showĀ meĀ yourĀ brokenĀ partsĀ andĀ yourĀ flaws.Ā iāllĀ takeĀ youĀ asĀ youĀ are.Ā ā
ā maybeĀ iāveĀ alwaysĀ beenĀ destinedĀ toĀ endĀ upĀ inĀ thisĀ place.Ā ā
ā iĀ hopeĀ youĀ findĀ somebodyĀ toĀ love.Ā ā
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ā Ā āā Ā // Ā š»šøšš“šš°šššš“ Ā šµš¾š Ā šš·š“ Ā š¶š»šššš¾š½š. Ā ( Ā linesĀ ofĀ literatureĀ thatĀ willĀ ripĀ yourĀ heartĀ out. Ā please Ā substitute Ā pronouns Ā as Ā needed. )
ā one of the cruellest things you can do to another person is pretend to care more than you do. ā
ā i loved you and sometimes you loved me too. ā
ā donāt tell anybody anything. if you do, you start missing everyone. ā
ā you never know how much space you occupied in other peopleās lives. ā
ā beautiful things grow to a certain height and then they fall and fade out. ā
ā i felt like destroying something beautiful. ā
ā i have scars on my hands from touching certain people. ā
ā you cannot protect yourself from sadness without protecting yourself from happiness. ā
ā what can you do but hold your hand out in the dark ? ā
ā you canāt make homes out of human beings. someone should have told you that. ā
ā your only problem, perhaps, is that you scream without letting yourself cry. ā
ā being surrounded by the wrong people is the loneliest thing in the world. ā
ā i hid my deepest feelings so well i forgot where i placed them. ā
ā i didnāt leave because i stopped loving you, i left because the longer i stayed the less i loved myself. ā
ā at every moment of our lives, we all have one foot in a fairytale and the other in the abyss. ā
ā some people turn sad awfully young. i know, for iām one of them. ā
ā nothing makes me happier and nothing makes me sadder than you. ā
ā all great and precious things are lonely. ā
ā someone can be madly in love with you and still not be ready. ā
ā i felt less lonely when i didnāt know you. ā
ā things change, friends leave. life doesnāt stop for anybody. ā
ā i am deathly afraid of almosts. ā
ā itās such a secret place, the land of tears. ā
ā what do we do now, now that we are happy ? ā
ā when we first met i was lonely and you were pretty -Ā now i am pretty lonely. ā
ā i want you to know that iām both happy and sad and iām still figuring out how that could be. ā
ā if you gave someone your heart and they died, did they take it with them ? ā
ā the one you love and the one who loves you are never, ever the same person. ā
ā you can never love people as much as you can miss them. ā
ā i was too young to know how to love you. ā
ā if anybody could have saved me it would have been you. ā
ā sometimes i can hear my bones straining under the weight of all the lives iām not living. ā
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iām tired and battling a fierce cold so iām just gonna reblog some memes, feel free to fill my inbox and iāll get to things eventually :>
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sangcreoleā:
Ā Ā Ā It isnāt unusual for mortals to take notice of his ghastly presence. Even with the masterful trickery handed down from his maker, itās always the glint of emerald eyes that ensnares those few wayward souls brave enough to hold his gaze. Perhaps an older blood drinker would drain her and be done with it (perhaps that is the smart thing to do, after allā so rarely does discovery end in anything other than the demise of their kind) but there is something about her smoldering curiosity that thrills him. It is stubborn, defiant even, in the face of death incarnate. Foolish but endearing nonetheless.
Ā Ā (And perhaps there is a part of him that is just as desperate to be known in the first place, desperate for someone to quicken him and rid him of the numbness and despair that relentlessly thuds against the brittle bones of his ribcage).
Ā Ā Ā āHorror is relative.ā He says with a diplomatic nod.Ā āWhat is horror to a being whose baseline experience is embedded in death and carnal desires? Horror is the beauty in perfection. Horror is the gentle lull of sunlight we once took for granted.ā
The thought has never occurred to her -- though, why would it? Even a girl who has lived through many tragedies could never imagine what simple things humanity takes for granted. The air she breathes, the light that shines down from the sky each day . . . things, it seems, only reserved for the purely human. Whatever else might exist, in this world or otherwise, left to fend for themselves, sometimes wander in eternal fear and misery. Itās a punishment far worse than death itself, in her opinion. Edith often wonders what these poor souls do to deserve such a fate; to exist purely for some hellish, twisted plan of some invisible deity? To tell cautionary tales, perhaps? One can only wonder . . .
" Thatās -- tragically poetic. āĀ Precisely what she may have imagined someone of his persuasion might say, despite not having any reference at all to base such a notion off of. Thereās almost a glint of envy, if only for the reason of Edith only dreaming of being so articulate.Ā ā Have you ever considered writing a novel? āĀ Ā
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paddyfuckā:
āIāve never understood the appealĀ of old houses. Far too drafty for my tastes.āĀ //Ā @staineredā.
ā I think they have character. Old floors and old walls often tell old stories. ā
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Cathcart Cemetery, Glasgow
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@aworldofyouā : never. that word again. weāre going to work on that. - from Lucille Sharpe
a locked gaze, expression settling to something fairly stoic -- edith knew when to shut her mouth. rather, she knew when her attempts at rebuttal, or standing up for herself were futile.Ā and even if it were an offense to the sort of smart, independent woman she so firmly expressed herself as, to this day she still struggled beneath lucilleās heel. sheās never known a woman so . . . cold, though cold to the world, and not necessarily edith herself. a world such as the one they live in can be so cruel, and so itās understandable, but one would have thought things would be different now, being in each othersā lives. still much to learn between the pair, clearly. thereās a steady pause, before she regains some courage.Ā Ā ā i suppose i am willing to try new things. ā
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iāve definitely commented on it before but i have so much admiration for this film pretty accurately portraying the city of buffalo
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i think itās interesting that edith didnāt become absolutely obsessed with death after her mother passed. i mean - i suppose itās because she was so young when it happened, and seeing her motherās ghost frightened her to the point where her fear really silenced her feelings on the matter. edith is clearly a very forward, outspoken, opinionated person, but she still buried her traumas. itās possible that thatās what initially drew her to thomas, because she could really see that he shared those traumas and the morbidity regarding their parentsā deaths (even though edithās mother only died of disease, itās still kind of morbid in the sense that edith was able to see her ghost, although she didnāt really die in an afwul way it was very tragic for edith and she looked like that as a ghost).Ā
what iām getting at is i think thereās a lot of common narratives in the horror genre out there where a person experiences a tragic death in their life and becomes obsessed with it (lydia in the beetlejuice musical, sweeney todd with his wife, etc) and itās cool to kind of see the opposite side of that. though honestly if sheād tapped more in to herĀ āclairvoyanceā she probably would have seen the ghosts in allerdale hall and noped out of there sooner LMAO. the sharpes really banked on edithās naivety, and iām glad in the end that she decided to finally embrace death in that way and how itās affected her, and how it afflicts the sharpes.
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i finally bought the crimson peak novelization š
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@sangcreoleā : if you were smart, that should scare you.
perhapsĀ at a certain point, edith might have trembled at the very thought. at a time where a young woman struggled to grasp some sort of an understanding of the world, thrown deep into tragedies she could hardly imagine -- the lesser woman would have perished. arguably the lesser woman did perish, a new individual dragging her oldest friend to safety through the snow, and in a mere nightgown nonetheless. after that day edith found she was not the timid young woman she once was.Ā ā there are far more frightening things in this world than the inhuman. āĀ he does not scare her, no . . . well, perhaps a little bit, but her fear has become something well reserved. she has not encountered anything truly terrifying since that fateful day, although she may very well meet her match on this one. she continues, albeit treading carefully.Ā ā i believe you have likely seen many horrors in your . . extended lifetime. ā
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