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stainered Ā· 2 years
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Iā€™m not dead Iā€™m just dead you know
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stainered Ā· 2 years
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Crimson Peak is SO fucking funny when they first get to the house and Hiddles is like. Oh yeah forget to mention, giant hole in the roof. Also the floor is rotten, someday the whole foundation will collapse. And don't be alarmed if the pipes start bleeding! It's just that the very ground beneath our feet is oozing red liquid, absolutely drenched with it, as though the entire house is bleeding and bloodstained, as though the very earth our family legacy is built upon were one great open wound.
I fucking love Gothic settings. Don't worry about it Edith, welcome to your very normal and inhabitable house.
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stainered Ā· 2 years
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fortune, fortune ā€” smiling fate, I havenā€™t seen you much of late. I need you now & cannot wait but when I look, YOUā€™RE NOT AROUND. Never mind in what we do the nightā€™s still good for a gram or two, Iā€™ll be drinking late with you ā€˜til the MORNING COMES AROUND.
an independent & selective roleplaying blog for Anne BonnyĀ from Assassinā€™s Creed IV: Black Flag. Single-ship &Ā multiverse. As penned by Hannah, 28, Irish.Ā 21+ ONLY. Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā temp. queue run.
Down & out, & out of luck ā€” weā€™re spinning, but the needle ā€™s stuck, letā€™s go have some fun before they go & put us in the ground. Lions sit in solemn lines drinking gin & dropping lines; WASTING BEATS in this heart of mine ā€˜til the morning comes around. i must be good for something.
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stainered Ā· 2 years
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* Ā  Ā  Ā ā€• Ā  Ā ļ“¾ Ā ššœššŽšš—ššššŽšš—ššŒššŽ Ā ššœššššŠšš›ššššŽšš›ššœ Ā ļ“æ Ā  : Ā  Ā  Ā  šš„š€š”š“š˜ Ā šš„š‡šˆššƒ Ā š“š‡š„ Ā šŒš€šƒšš„š’š’.
the Ā following Ā has Ā been Ā taken Ā from Ā the Ā 2015Ā  album Ā byĀ Ā THE Ā WEEKND. Ā feel Ā free Ā to Ā change Ā and Ā adjust Ā anything Ā as Ā needed.Ā Ā CONTENT Ā WARNING: Ā drugs,Ā  some Ā nsfw.
ā€œ everyĀ  womanĀ  thatĀ  lovedĀ  me,Ā  iĀ  seemedĀ  toĀ  pushĀ  themĀ  away.Ā ā€œ
ā€œ donā€™tĀ  wasteĀ  preciousĀ  tearsĀ  onĀ  me.Ā  iā€™mĀ  notĀ  worthĀ  theĀ  misery.Ā ā€œ
ā€œ iā€™mĀ  betterĀ  offĀ  whenĀ  iā€™mĀ  alone.Ā ā€œ
ā€œ whatĀ  canĀ  youĀ  showĀ  meĀ  thatĀ  myĀ  heartĀ  donā€™tĀ  knowĀ  already ?Ā ā€œ
ā€œ nowĀ  thatĀ  weā€™reĀ  allĀ  grownĀ  up,Ā  whoĀ  doĀ  weĀ  oweĀ  itĀ  allĀ  to ?Ā ā€œ
ā€œ everyoneĀ  aroundĀ  youĀ  isĀ  soĀ  basic.Ā ā€œ
ā€œ giveĀ  meĀ  headĀ  allĀ  night.Ā ā€œ
ā€œ donā€™tĀ  believeĀ  theĀ  rumors,Ā  iā€™mĀ  stillĀ  aĀ  user.Ā ā€œ
ā€œ theyĀ  toldĀ  meĀ  notĀ  toĀ  fallĀ  inĀ  love.Ā  thatĀ  shitĀ  isĀ  useless.Ā ā€œ
ā€œ iĀ  usuallyĀ  loveĀ  sleepingĀ  allĀ  alone.Ā ā€œ
ā€œ iĀ  onlyĀ  loveĀ  itĀ  whenĀ  youĀ  touchĀ  me,Ā  notĀ  feelĀ  me.Ā ā€œ
ā€œ whenĀ  iā€™mĀ  fuckedĀ  up,Ā  thatā€™sĀ  theĀ  realĀ  me.Ā ā€œ
ā€œ drugsĀ  startedĀ  feelingĀ  likeĀ  decaf.Ā ā€œ
ā€œ whoĀ  areĀ  youĀ  toĀ  judge ?Ā ā€œ
ā€œ baby,Ā  youā€™reĀ  noĀ  good.Ā ā€œ
ā€œ theyĀ  warnedĀ  meĀ  aboutĀ  yourĀ  type.Ā ā€œ
ā€œ toĀ  sayĀ  thatĀ  weā€™reĀ  inĀ  loveĀ  isĀ  dangerous.Ā ā€œ
ā€œ ifĀ  iĀ  could,Ā  iā€™dĀ  forgetĀ  aboutĀ  you.Ā ā€œ
ā€œ girlsĀ  bornĀ  inĀ  theĀ Ā ā€˜90sĀ  areĀ  dangerous.Ā ā€œ
ā€œ iĀ  knowĀ  sheā€™llĀ  beĀ  theĀ  deathĀ  ofĀ  me.Ā ā€œ
ā€œ atĀ  leastĀ  weā€™llĀ  bothĀ  beĀ  numb.Ā ā€œ
ā€œ iĀ  canā€™tĀ  feelĀ  myĀ  faceĀ  whenĀ  iā€™mĀ  withĀ  you.Ā ā€œ
ā€œ whoā€™sĀ  gonnaĀ  loveĀ  youĀ  likeĀ  me ?Ā ā€œ
ā€œ whoā€™sĀ  gonnaĀ  touchĀ  youĀ  likeĀ  me ?Ā ā€œ
ā€œ whoā€™sĀ  gonnaĀ  fuckĀ  youĀ  likeĀ  me ?Ā ā€œ
ā€œ youĀ  wantĀ  meĀ  toĀ  fixĀ  youĀ  butĀ  itā€™sĀ  neverĀ  enough.Ā ā€œ
ā€œ iā€™llĀ  alwaysĀ  beĀ  thereĀ  forĀ  you.Ā ā€œ
ā€œ youĀ  saidĀ  youĀ  wannaĀ  beĀ  goodĀ  butĀ  youā€™reĀ  beggingĀ  meĀ  toĀ  comeĀ  over.Ā ā€œ
ā€œ iĀ  seeĀ  nobodyĀ  butĀ  you.Ā ā€œ
ā€œ iā€™mĀ  soĀ  usedĀ  toĀ  beingĀ  used.Ā ā€œ
ā€œ youā€™reĀ  theĀ  onlyĀ  oneĀ  iĀ  choose.Ā ā€œ
ā€œ evenĀ  thoughĀ  youĀ  breakĀ  myĀ  heart,Ā  iĀ  needĀ  you.Ā ā€œ
ā€œ showĀ  meĀ  yourĀ  brokenĀ  partsĀ  andĀ  yourĀ  flaws.Ā  iā€™llĀ  takeĀ  youĀ  asĀ  youĀ  are.Ā ā€œ
ā€œ maybeĀ  iā€™veĀ  alwaysĀ  beenĀ  destinedĀ  toĀ  endĀ  upĀ  inĀ  thisĀ  place.Ā ā€œ
ā€œ iĀ  hopeĀ  youĀ  findĀ  somebodyĀ  toĀ  love.Ā ā€œ
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stainered Ā· 2 years
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ā€” Ā ā›ā› Ā // Ā š™»š™øššƒš™“ššš™°ššƒšš„ššš™“ Ā š™µš™¾šš Ā ššƒš™·š™“ Ā š™¶š™»šš„ššƒššƒš™¾š™½šš‚. Ā ( Ā linesĀ  ofĀ  literatureĀ  thatĀ  willĀ  ripĀ  yourĀ  heartĀ  out. Ā please Ā substitute Ā pronouns Ā as Ā needed. )
ā› one of the cruellest things you can do to another person is pretend to care more than you do. āœ ā› i loved you and sometimes you loved me too. āœ ā› donā€™t tell anybody anything. if you do, you start missing everyone. āœ ā› you never know how much space you occupied in other peopleā€™s lives. āœ ā› beautiful things grow to a certain height and then they fall and fade out. āœ ā› i felt like destroying something beautiful. āœ ā› i have scars on my hands from touching certain people. āœ ā› you cannot protect yourself from sadness without protecting yourself from happiness. āœ ā› what can you do but hold your hand out in the dark ? āœ ā› you canā€™t make homes out of human beings. someone should have told you that. āœ ā› your only problem, perhaps, is that you scream without letting yourself cry. āœ ā› being surrounded by the wrong people is the loneliest thing in the world. āœ ā› i hid my deepest feelings so well i forgot where i placed them. āœ ā› i didnā€™t leave because i stopped loving you, i left because the longer i stayed the less i loved myself. āœ ā› at every moment of our lives, we all have one foot in a fairytale and the other in the abyss. āœ ā› some people turn sad awfully young. i know, for iā€™m one of them. āœ ā› nothing makes me happier and nothing makes me sadder than you. āœ ā› all great and precious things are lonely. āœ ā› someone can be madly in love with you and still not be ready. āœ ā› i felt less lonely when i didnā€™t know you. āœ ā› things change, friends leave. life doesnā€™t stop for anybody. āœ ā› i am deathly afraid of almosts. āœ ā› itā€™s such a secret place, the land of tears. āœ ā› what do we do now, now that we are happy ? āœ ā› when we first met i was lonely and you were pretty -Ā  now i am pretty lonely. āœ ā› i want you to know that iā€™m both happy and sad and iā€™m still figuring out how that could be. āœ ā› if you gave someone your heart and they died, did they take it with them ? āœ ā› the one you love and the one who loves you are never, ever the same person. āœ ā› you can never love people as much as you can miss them. āœ ā› i was too young to know how to love you. āœ ā› if anybody could have saved me it would have been you. āœ ā› sometimes i can hear my bones straining under the weight of all the lives iā€™m not living. āœ
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stainered Ā· 2 years
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iā€™m tired and battling a fierce cold so iā€™m just gonna reblog some memes, feel free to fill my inbox and iā€™ll get to things eventually :>
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stainered Ā· 2 years
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During an interview about her incredible costumes for the film Crimson Peak (2015), Kate Hawley mentioned two paintings that particularly inspired her design of the leading female castā€™s iconic attire. Proserpine by Dante Gabriel Rossetti (1874, top left) was taken into consideration for the character Lucille Sharpe, otherwise known as The Moth (top right). For Edith Cushing (bottom right), thought of as The Butterfly in contrast, The Bridesmaid by John Everett Millais (1851, bottom left) was said to have greatly influenced the characterā€™s hauntingly beautiful look of cascading hair and the bridal-esque nightgown attire.
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stainered Ā· 2 years
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sangcreoleā€‹:
Ā  Ā  Ā It isnā€™t unusual for mortals to take notice of his ghastly presence. Even with the masterful trickery handed down from his maker, itā€™s always the glint of emerald eyes that ensnares those few wayward souls brave enough to hold his gaze. Perhaps an older blood drinker would drain her and be done with it (perhaps that is the smart thing to do, after allā€” so rarely does discovery end in anything other than the demise of their kind) but there is something about her smoldering curiosity that thrills him. It is stubborn, defiant even, in the face of death incarnate. Foolish but endearing nonetheless.
Ā  Ā  (And perhaps there is a part of him that is just as desperate to be known in the first place, desperate for someone to quicken him and rid him of the numbness and despair that relentlessly thuds against the brittle bones of his ribcage).
Ā  Ā  Ā ā€œHorror is relative.ā€ He says with a diplomatic nod.Ā ā€œWhat is horror to a being whose baseline experience is embedded in death and carnal desires? Horror is the beauty in perfection. Horror is the gentle lull of sunlight we once took for granted.ā€
The thought has never occurred to her -- though, why would it? Even a girl who has lived through many tragedies could never imagine what simple things humanity takes for granted. The air she breathes, the light that shines down from the sky each day . . . things, it seems, only reserved for the purely human. Whatever else might exist, in this world or otherwise, left to fend for themselves, sometimes wander in eternal fear and misery. Itā€™s a punishment far worse than death itself, in her opinion. Edith often wonders what these poor souls do to deserve such a fate; to exist purely for some hellish, twisted plan of some invisible deity? To tell cautionary tales, perhaps? One can only wonder . . .
" Thatā€™s -- tragically poetic. ā€Ā  Precisely what she may have imagined someone of his persuasion might say, despite not having any reference at all to base such a notion off of. Thereā€™s almost a glint of envy, if only for the reason of Edith only dreaming of being so articulate.Ā  ā€œ Have you ever considered writing a novel? ā€Ā Ā 
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stainered Ā· 2 years
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paddyfuckā€‹:
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ā€œIā€™ve never understood the appealĀ of old houses. Far too drafty for my tastes.ā€Ā  //Ā  @staineredā€‹.
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ā€œ I think they have character. Old floors and old walls often tell old stories. ā€
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stainered Ā· 2 years
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Cathcart Cemetery, Glasgow
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stainered Ā· 2 years
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Crimson Peak (2015) + Edith Cushingā€™s yellow velvet robe with white flowered embellishments
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stainered Ā· 2 years
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@aworldofyouā€‹ : never. that word again. weā€™re going to work on that. - from Lucille Sharpe
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a locked gaze, expression settling to something fairly stoic -- edith knew when to shut her mouth. rather, she knew when her attempts at rebuttal, or standing up for herself were futile.Ā and even if it were an offense to the sort of smart, independent woman she so firmly expressed herself as, to this day she still struggled beneath lucilleā€™s heel. sheā€™s never known a woman so . . . cold, though cold to the world, and not necessarily edith herself. a world such as the one they live in can be so cruel, and so itā€™s understandable, but one would have thought things would be different now, being in each othersā€™ lives. still much to learn between the pair, clearly. thereā€™s a steady pause, before she regains some courage.Ā Ā ā€œ i suppose i am willing to try new things. ā€
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stainered Ā· 2 years
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iā€™ve definitely commented on it before but i have so much admiration for this film pretty accurately portraying the city of buffalo
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Anna Pavlova inĀ ā€œLa Nuitā€
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stainered Ā· 2 years
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i think itā€™s interesting that edith didnā€™t become absolutely obsessed with death after her mother passed. i mean - i suppose itā€™s because she was so young when it happened, and seeing her motherā€™s ghost frightened her to the point where her fear really silenced her feelings on the matter. edith is clearly a very forward, outspoken, opinionated person, but she still buried her traumas. itā€™s possible that thatā€™s what initially drew her to thomas, because she could really see that he shared those traumas and the morbidity regarding their parentsā€™ deaths (even though edithā€™s mother only died of disease, itā€™s still kind of morbid in the sense that edith was able to see her ghost, although she didnā€™t really die in an afwul way it was very tragic for edith and she looked like that as a ghost).Ā 
what iā€™m getting at is i think thereā€™s a lot of common narratives in the horror genre out there where a person experiences a tragic death in their life and becomes obsessed with it (lydia in the beetlejuice musical, sweeney todd with his wife, etc) and itā€™s cool to kind of see the opposite side of that. though honestly if sheā€™d tapped more in to herĀ ā€˜clairvoyanceā€™ she probably would have seen the ghosts in allerdale hall and noped out of there sooner LMAO. the sharpes really banked on edithā€™s naivety, and iā€™m glad in the end that she decided to finally embrace death in that way and how itā€™s affected her, and how it afflicts the sharpes.
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stainered Ā· 2 years
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i finally bought the crimson peak novelization šŸ‘€
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stainered Ā· 2 years
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@sangcreoleā€‹ : if you were smart, that should scare you.
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perhapsĀ at a certain point, edith might have trembled at the very thought. at a time where a young woman struggled to grasp some sort of an understanding of the world, thrown deep into tragedies she could hardly imagine -- the lesser woman would have perished. arguably the lesser woman did perish, a new individual dragging her oldest friend to safety through the snow, and in a mere nightgown nonetheless. after that day edith found she was not the timid young woman she once was.Ā  ā€œ there are far more frightening things in this world than the inhuman. ā€Ā  he does not scare her, no . . . well, perhaps a little bit, but her fear has become something well reserved. she has not encountered anything truly terrifying since that fateful day, although she may very well meet her match on this one. she continues, albeit treading carefully.Ā  ā€œ i believe you have likely seen many horrors in your . . extended lifetime. ā€
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