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Alien Sketches by H.R. Giger

Sketch for Alien Book Title (1978)

Drawing for Alien 3 (1990)

Drawing for Species (1994)

Alien Studies (1998)

Alien Encounter (2005)

Aliens Beim Fondue (2006)

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From H.R. Giger’s

Baphomet: Tarot of the Underworld (1992)

0. Die Reise Des Narren (The Voyage of the Fool)

I. Der Magier (The Magician)

II. Die Hohepriesterin (The High Priestess)

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Taga Shin (Shin Taga), Dream

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Shin Taga

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Palm Trees of Intrigue: Architecture, Espionage, and Symbolism in Berlin and Vienna

The presence of palm trees, replicated outside the BND-Zentrale in Berlin and originating from Hollein's designs in Vienna, serves as a potent symbol that blurs the lines between art, architecture, and espionage. While the Berlin Senate confirmed them as art installations, suspicions lingered about their potential as covert listening devices, heightening the intrigue surrounding their presence in both cities.

Against the backdrop of Berlin's fraught history with secret-service agencies like the Gestapo and the Stasi, the unveiling of the BND-Zentrale as the world's largest intelligence headquarters is a stark reminder of the city's enduring legacy of surveillance and distrust. The colossal structure, often viewed as a "fort" that stands out in Berlin's urban landscape, challenges conventional architectural norms and raises questions about its integration into the city's fabric.

Kleihues' defense of the BND-Zentrale as a captivating fortress reflects a tension between architectural aesthetics and the functional demands of security infrastructure. Hollein's use of surreal elements, such as turning columns into palm trees, adds to the intrigue surrounding the building's design and purpose.

The palm trees' presence in both Berlin and Vienna creates a sense of continuity and connection between the two cities, while their replication outside an intelligence headquarters fuels speculation about their symbolic and practical significance. Whether as architectural adornments or potential surveillance tools, the palm trees embody the enigmatic intersections between art, architecture, and intelligence.

In this dialogue between the notion of the architect as spy; Hollein, Kleihues, and the palm trees serve as potent symbols of secrecy and surveillance, inviting speculation about the hidden forces that shape our built environment. Against the backdrop of Berlin's pseudo-Cold War atmosphere, where what cannot be spoken is often conveyed through architectural symbolism, the palm trees become focal points of intrigue and speculation, embodying the complexities of power, secrecy, and design in the modern age.

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Fredox

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André Masson

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sculptures by Alan Vega

Titles in order: Rogue (2013), Van Gogh (1992) and Dachau (1997)

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Fritz Wortruba / Wortruba Kirche Wien

#vienna #fritz wortruba #brutalism #brutalist #church #architecture #brutalist architecture

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Novovoronezh Nuclear Power Plant. Unnatural Beauty

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Alfred Kubin, The Dream of a Serpent, 1905

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Odilon Redon (1840-1916) - The Temptation of Saint Anthony ~ Oannes: I, the first consciousness of Chaos, rose from the abyss to compact matter to order forms, 1896