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top 5 underrated books/tv shows

because “underrated” could be defined different ways I’m going to make this list specifically books that regardless of how well they do like, sales wise, on goodreads etc. specifically receive little to no attention in terms of like, book tumblr fandom here xd. 

the Daughter of Smoke and Bone trilogy by Laini Taylor

The Parasol Protecturate series by Gail Carriger and her Steampunk books in general

Libba Bray’s fantasy series both The Diviners and the Gemma Doyle trilogy

Riley Redgate’s contemporary books Seven Ways We Lie and Final Draft in particular

The Dead Queens Club by Hannah Capin side note: the other books I listed ik the people who love them really love them even if they’re not as popular as I think they deserve to be but this book is apparently really hated by the general public the reviews I’ve seen are sooo negative lmao but I’m speaking my truth I thought it was a lot of fun and also camp

I was going to elaborate on each one but it was taking too long and I got impatient xd. The first three are certified favorites of mine the other two I just really like

(ask me top 5/10 of anything)

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What books have you done this to?

Instagram / Shop

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i cannot be the first person to post this here but i am going so fucking insane about the gaia music collective's one day choir singing wait for me. the opening harmonies are you KIDDING me

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I turn to Ares.

Thanks to Tyler Miles Lockett who allowed me to draw inspiration from his ARES piece for page 2! Look at his etsy page it's SICK

⚔️ If you want to read some queer retelling of arturian legends have a look at my webtoon

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Knowing

I have just had the worst, or best, brainwave and I need to share it. 

Here is an AU for you.

Vader thinks that he killed his wife and child, right?

Right up until he meets little Leia Organa when she is 10 years old. Like his one brain cell woke the fuck up when he was confronted with a passionate, angry little girl with Padme’s eyes and his chin. This is maybe a month after she was kidnapped and returned to Alderaan. Leia decides that she would need to learn how to be a senator and insists that Bail takes her with him to the next session of the imperial senate.  

Bail does not want to bring her to the imperial senate. However he knows very well who her birth parents were, it is either Bail brings Leia to the Imperial Senate or Leia brings Leia to the Imperial Senate, probably bringing with her someone she really shouldn’t (Like actual Obi Wan Kenobi-I just want you to picture for a moment, because Bail certainly did, looking up and realizing that Leia is charging down the halls outside his office, dragging with her a bemused and sandy Obi Wan, both in badly conceived disguises).

Bail is super stressed as he tries to run a rebellion while riding herd on his well meaning but very direct 10 year old daughter on top of his normal duties as an imperial senator. Bail is also very afraid that the moment the Emperor sees Leia, he will make the connection between Leia and Padme Amidala (The emperor does not socialize with the senate any longer, thank the stars). He has no idea that Vader was once Anakin Skywalker, so has no cause to be more careful than normal (because Vader) about Vader seeing Leia. As such Bail does not even notice when Vader stops to consider them from the shadows. Leia is haranguing another planet’s senatorial aide who had chosen the wrong moment to make a bigoted joke. 

Vader is very abruptly, though mentally, thrown back to this very hallway 12 years earlier where he watched his wife do the same thing, for the same reason, possibly to this same aide. Though Leia is still a child and Padme was an adult, he can still see his wife in this little girl.

The realization that this is Padme’s child hits him with the force of a Ventanor. Followed immediately, before he even realized that this meant that his child was standing in front of him, by the soul deep knowledge that she must be protected from the Emperor at all costs. 

Vader had known for years that his suit had been designed to cause him more pain, he just thought he deserved it. The thought of Palpatine getting ahold of Padme’s daughter was abhorrent. Vader sticks to the shadows and watches, seeing how well Bail loved and protected Leia. 

While he is thinking(read Obsessing) about his daughter, the part of him that is always centered on Obi Wan points out that his old master had been one of the last people to see Padme after Vader choked her. But the little voice that spoke in Padme’s tones piped up, the shock of Leia living being enough to finally make this little voice loud enough to be heard, saying that until recently Obi Wan believed that Anakin Skywalker was all the way dead, he was protecting their child as best as he knew how. 

And Vader has issues with just about every choice Obi Wan Kenobi ever made. But he will admit that hiding Padme’s daughter was the best option. 

As Vader knows that paying too much attention to Leia would draw the Emperor’s attention, he would be willing to wait until the right moment to get his daughter back. His one concession to his need to protect her was taking one of his personal guard, one of the few units still made up almost entirely of clones, and assigning them to be Leia Organa’s bodyguard, her shadow (I also want you to take a moment to consider what that did for Bail’s stress level).  And then Vader gets to planning. 

With his one brain cell awake and focused on the Organa’s it takes Vader all of 15 minutes to realize that Bail Organa is running the Rebellion (I want it to be clear, this is not a slight on Bail at all, Anakin Skywalker was a war general, well educated through the Jedi on a number of subjects, and does have a fair measure of politics learning from both his former master and his dead wife).  However Vader is no more loyal to the Empire than Anakin was to the Republic.  In fact, upon realizing that Padme’s daughter had lived Vader firmly decided that he needed to find a way to kill Palpatine to crown Leia.  With the realization that Bail, and likely Leia (neither Vader nor Anakin have any idea what activities are appropriate for a 10 year old), are part of the Rebellion, Vader decides that The Rebellion would succeed (or everyone would die trying). 

Note: Vader only really gets away with no one realizing that he now supported the Rebellion because, well, no one can quite believe that Darth Vader supports the Rebellion. Most people think there is a new type of Space Madness, and that one of the symptoms is hallucinating Darth Vader giving you intel for the Rebellion.

By the time Leia was a teenager, rumors abound about the odd way that Vader acted around her. By sheer happenstance (and some judicial violence on Vader’s part) these rumors had never reached the Emperor. A good deal of these rumors implied that Vader was looking to the Princess of Alderaan as a wife.  The reaction Vader had, the only time it was brought up in front of him, was…impressive, even for the amount of violence he normally dealt out. Still there are members of Vader’s personal guard who watch over Leia whenever she is on Imperial Center, and no one wants to repeat the time when she was 12 when one of Bail enemies tried to kidnap her for ransom.  It took an entire corps of engineers to put those levels back to rights (after they scrubbed the blood off).  

So we get all the way up to the timeframe of ANH. The Death Star in this does not start out under the control of Darth Vader. It starts out under the control of Tarkin, it is important to note this. Leia still sends out R2D2 and C3P0 to find Obi Wan Kenobi, none of that part changes. 

It is after Leia is captured that Darth Vader shows up (does he lurk silently in any system that Leia is due to be in as often as he can get away with…why yes, yes he does). Tarkin had wanted Leia tortured, however no one wanted to find out how many decks Vader would spread their entrails across for touching her.  Vader arrives on the bridge just as Tarkin is threatening to blow up Alderaan. Tarkin orders the weapon to begin its charge. 

Leia, Leia who is so like her mother in that she will use every weapon in her arsenal, turns to Darth Vader and speaks to him for the first time. ‘Please’ she said, no effort to hide her distress, ‘please save my planet’

Something Leia had no cause to know-An angel who she resembled once thanked Anakin Skywalker for saving her planet. 

Tarkin is dead almost before she finishes speaking. Vader orders the DS weapons to power down and disengage, which is done post haste. Then announces that Leia Organa was now in control. 

So Leia now owns a Death Star (genuine article-never used). Leia is not sure if that is how this works, but no one is arguing with the tall man in black who has OPINIONS and will enforce them.  Leia manages to communicate this to her parents, who take a shuttle up to the space station to figure out what the fuck is going on, and what, if anything, they need to do next.

Two hours later: Obi Wan Kenobi, Luke Skywalker, Han Solo, R2D2, C3P0, and Chewbacca have just been caught trying to sneak onto the Death Star. The Organas are still on board, trying to get answers (In that time Vader has said precisely five words to them ‘You have raised her well’).  It is to this room that the troopers manning the station (who are deeply confused and a bit conflicted because it seems like they may have all been forcibly defected from the Empire, but no one is willing to disobey Lord Vader) bring Obi Wan and co. and present them to Leia, as she is considered in command.  Somehow Luke’s full name (I kind of picture him still dumbly introducing himself to Leia, followed with ‘we’re here to rescue you’) gets used before the situation deteriorates. Which naturally causes everything to deteriorate further and faster than before.  

Far away on Imperial Center, the Emperor pauses in the middle of a hallway ‘I feel’ he says to no one ‘a disturbance in the Force.’ another pause ‘like some shit has just hit the fan’

Far away on Dagobah Yoda looks up, ‘weird, shit just got’

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Ok it's very funny to laugh at Tuxedo Mask for showing up and doing nothing, but his job was never to actually fight the monsters.

His job was just to show up and believe in Sailor Moon so overwhelmingly resolutely that she remembers she's a fucking demigod long enough for HER to fight the monsters.

Because she's the only one strong enough to do it in the first place, and in this regard Tuxedo Mask is the first example of being "Kenough" in this essay I will

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dnd paladin character concept: a knight raised alongside a magic user, who loves his friend, considers them family — but the magic user through a twist of fate ascends to godhood, vanishing from normal human life. so the knight swears fealty to the fledgling god so he can have some connection to them even still & the god who loves him dearly in return blesses him with gifts and divine powers as a way to reach back toward him, back toward earth. this paladin’s vows are easy to keep, like second nature… and prayer is both automatic and personal

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I got to hold a 500,000 year old hand axe at the museum today.

It's right-handed

I am right-handed

There are grooves for the thumb and knuckle to grip that fit my hand perfectly

I have calluses there from holding my stylus and pencils and the gardening tools.

There are sharper and blunter parts of the edge, for different types of cutting, as well as a point for piercing.

I know exactly how to use this to butcher a carcass.

A homo erectus made it

Some ancestor of mine, three species ago, made a tool that fits my hand perfectly, and that I still know how to use.

Who were you

A man? A woman? Did you even use those words?

Did you craft alone or were you with friends? Did you sing while you worked?

Did you find this stone yourself, or did you trade for it? Was it a gift?

Did you make it for yourself, or someone else, or does the distinction of personal property not really apply here?

Who were you?

What would you think today, seeing your descendant hold your tool and sob because it fits her hands as well?

What about your other descendant, the docent and caretaker of your tool, holding her hands under it the way you hold your hands under your baby's head when a stranger holds them.

Is it bizarre to you, that your most utilitarian object is now revered as holy?

Or has it always been divine?

Or is the divine in how I am watching videos on how to knap stone made by your other descendants, learning by example the way you did?

Tomorrow morning I am going to the local riverbed in search of the appropriate stones, and I will follow your example.

The first blood spilled on it will almost certainly be my own, as I learn the textures and rhythm of how it's done.

Did you have cuss words back then? Gods to blaspheme when the rock slips and you almost take your thumbnail off instead? Or did you just scream?

I'm not religious.

But if spilling my own blood to connect with a stranger who shared it isn't partaking in the divine

I don't know what is.

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—The recounting of Shield Sheafson’s deeds from Beowulf, adapted for Ezra Bridger from Star Wars: Rebels

There was Shield Sheafson Ezra Bridger, scourge of many tribes the Empire A wrecker of mead-benches star-destroyers, rampaging among foes. This terror of the hall- storm-troops had come far. A foundling to start with, he would flourish later on As his powers waxed and his worth was proved In the end each clan sky-conquerer on the outlying coasts Beyond the whale-roads had to yield to him And begin to pay tribute. That was a good king.

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art by @BottlngSunshine

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"Fullmetal Alchemist"'s use of fantasy elements is interesting to me because of the way it... reduces... certain horrors to these unflinchingly direct basics. (Warning for spoilers and unorganized overview discussion of canon-typical violence.)

Like, the violence and pain is depicted in hideous, nightmarish detail, and/but the pursuit of power at the expense of other people's lives is simplified at the climax into an equation so straightforward that it hurts. All previous prizes of land and resources, which are forms of power, have been stolen by the Amestris military by way of terrible, hateful bloodshed. Father's Promised Day array then throws all that aside, throws it onto the fire, and takes a step further to directly exchange human lives for godlike power.

Another example is that Roy Mustang is not permitted the false distance of a bomb, but has the effect of one using his own two hands. The result is the same, but State Alchemists are not permitted separation from their tools: they ARE the weapons of war. A gun is nothing without someone to hold it. It really underlined to me that if Roy HAD used bombs instead of alchemy, it still would have been his hands that killed an unimaginable number of people.

I don't think FMA is above criticism, but this specific aspect felt to me an incredibly effective narrative tool, especially because things like "our military was created from the beginning to do evil" are accompanied by / backed up by normal humans knowingly going along with Father's plans out of greed and fear, as well as normal humans supporting the country's crimes out of idealism and fear and hatred and selfishness and confusion. It's not just "oh, it was inhuman monsters secretly manipulating everything from the shadows all along"; it's "oh, it was inhuman monsters secretly manipulating everything, appealing to our most selfish desires and basic fears, and we all WENT ALONG with it".

From the very first chapters, all of the friendly adult characters were directly saying things like, "Edward, you shouldn't be a part of the military. It's corrupt. I have killed innocent people for nothing and it haunts me." In the final battle, inside the command building, the Armstrong siblings and their allies are straight-up fighting against mindless, starving, created soldiers that kill everything they come up against and stop for nothing. The Amestris military, after years of violent, fabricated conquest and violent, inhumane research, is EATING ITSELF FROM THE INSIDE.

And, of course, the characters cannot use their magic system to escape reality: the Elric siblings cannot undo their mother's death. Life is so incredibly precious because some things cannot be undone. And grief and arrogance allowed to run rampant takes heavy tolls on Edward, Alphonse, and Izumi's bodies.

The only way to miss the messaging in FMA, to have the point go over your head, is to intentionally duck it, because the author is throwing it at your face like a brick. Repeatedly. There are so many bricks. It's not subtle. And I enjoyed it.

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This is a potential reading order from the Nine Worlds (Victoria Goddard) wiki, showing how the various sub-series all connect to one another. I haven't exactly been following it, but at this point, I've read everything that isn't blue, green, orange, or At the Feet of the Sun.

I think up next I'm gonna sit down and reread The Hands of the Emperor (all 900 pages of it!) before moving on to The Red Company Reformed or AtFotS. Both to refresh my memory and because I suspect I'll get even more out of it now, having read so much of the supplemental worldbuilding and character backstories in the other books.

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Hello! My webcomic is up on Webtoons! It is a very queer subversion of superhero comics and shounen manga that weaves humor, action, and romance together in anti-capitalist themes + the whole cast is canonically queer - all the casual misogyny woo!

A Flair of Fate follows teen superhero-in-training Javi Cabrera who, after the death of his dad in a tragic fire, pledges himself to joining the National League of Heroic Flairs to become a superhero even though he was born without a flair (or superpower). When he gets the chance to be the League's first flairless hero, he embarks on a journey to realize his dreams, but between first love, late stage capitalism, and an ongoing rivalry with his ex-best friend, Itsuki, Javi's got a long way to go before realizing his dreams, and soon he's going to learn the meaning behind the phrase "never meet your heroes".

It's free to read, so please check it out. I've got content warnings if you need them and you can find more about the story on the A Flair of Fate website.

And look, they're all holding plushies of themselves!!! Okay, that is all.

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On loving Anakin

“....the answer [to Anakin’s appeal] varies greatly depending on any one perceptive outlook, but has a similar core in each case of us wishing we could help change the outcome, even though we know we can’t, and of wanting to understand his actions and his pain, wanting to see his positive choices and his goodness validated, wanting to see him learn healthy strategies, wanting to see his love flourish, wanting to see him freed from the shackles he drags with him, from childhood to Jedi to Vader. The crush of the standards of society and expectation on him may speak to many. He is never liberated (until his final moments of free breath). His choices are either taken or horrifically tainted. His voice is drowned out by those more powerful around him. His talents and intelligence go largely unrecognized. His good, expansive heart is treated like a hindrance. The depth of his empathy and love is underestimated—and that, in the end, is important, because that underestimation, ending with Palpatine, becomes the Dark Side’s ultimate downfall and undoing. Vader may literally pick up an electric Palpatine and throw him down a reactor shaft, but that physical action is the final answer to a much more complete emotional and spiritual journey. He throws him down and the chains go with the slave master, and for the first time, certainly since before he lost Padme, his heart is unfettered, his love is reciprocated, and he is offered a true voice, a moment of his true self, a sliver of forgiveness, before being embraced again by the transcendence of the light. It is his act of rebellion, it is his own personal revolution, his final blow in the war. The entirety of the arc hinges upon him in that moment, Luke has been valorous and immeasurably valuable, but he’s done all he can do—the final choice is Anakin’s (and it’s such an interesting case because where else have we ever been able to fear and appreciate a villain, and then totally transform and re-contextualize him?). He is in that moment, indeed, the Chosen One.

All these facets are fascinating to watch unfold if you’re willing to be open-minded and heartfelt and sympathetic to the journey, if you’re willing to dig into the complex depth of his pathos.

[Anakin's] open emotions are an exquisite part of him, and it’s the Jedi who are wrong for trying to stamp that out, when his emotional abilities are part of what define him in his inherent goodness and his intellect and strength. He has an undying heart. For he and Luke both to stand as male heroes who represent such depth of feeling is really special, and vital to the story. Anakin is the most acutely human character in many respects, in his foibles and his inner strengths, in his losses and his longings and his ultimate return to his true self—that’s why we feel for him, that’s why we ache and fear for him, that’s why we rejoice for him in the end.”

—from @saferincages (you might say we are encouraged to love)

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my favorite scene in LotR as a kid was when Sam started miserably freestyling in the tower of Cirith Ungol and the only reason he ever found Frodo was because he deliriously tried to join in

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Fiction by Arab and Arab American Authors

🦇 Happy Friday to all my bookish bats, dragons, and babes! I hope you all have a wonderful weekend, whether it's spent cozying up with a good book, spring cleaning, or out with loved ones. 🦇

🌙 This month is Arab American Heritage Month; a celebration that too often falls behind the collective shadow of others. In an effort to remedy that, here are nine stories by voices in the Arab and Arab-American community that deserve a little light. These stories range from romances to suspenseful mysteries, so there's something for everyone! Consider adding a few to your ever-growing TBR in your effort to celebrate fresh voices and perspectives this year.

📖 Books Mentioned 📖

🌙 The Skin and Its Girl by Sarah Cypher 🌙 Between Two Moons by Aisha Abdel Gawad 🌙 Watch Us Dance by Leïla Slimani 🌙 This Is All Your Fault by Aminah Mae Safi 🌙 You Exist Too Much by Zaina Arafat 🌙 The Final Strife by Saara El-Arifi 🌙 Mother of Strangers by Suad Amiry 🌙 The Tale of Prince Fatima, Warrior Woman by Melanie Magidow 🌙 The Other Americans by Laila Lalami

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Opinions on fullmetal alchemist?

Brotherhood is the best anime ever made.

It's the most tightly-plotted slowburn mystery I've ever seen. Everything ties together. It makes more and more sense the more times I rewatch it, which in a mystery story is goddamn rare. In the very first episode, the filler villain at one point says "You don't understand the shape this country is in!" and that's a completely innocuous thing for this character to say except no it isn't

The magic system is a beautifully hard arrangement that never breaks its own rules, and it effortlessly explains everything you need to know to follow every alchemy-based twist just through the explanation of equivalent exchange and the question "what could equal the value of a human soul?" Alchemy follows equivalent exchange at all points and functions basically like Advanced Chemistry, and whenever it looks like the rules are being broken, it's just because somebody is burning human souls to do it.

The cast is massive, but never crowded. Everybody has a part to play. Even the seemingly-interchangeable minion characters all end up being unique contributers to the plot; there is truly no separation between Main Characters and Minor Characters because at any point anyone can turn out to be suddenly deeply important.

Contains a profound philosophical meditation on how even the most powerful person is not omnipotent, and the purposelessness of a power that can't be used to save the people they love, and this theme culminates in the only instance of the "extremely cool powerful badass sacrifices all their powers" trope that I actually 100% like.

Somehow this slowburn hard-magic mystery builds up to a massive anime confrontation about teenagers using the power of friendship to kill god and it never makes any buckwild leaps to get there. The resolution is emotionally satisfying and ridiculously kickass.

There are stories that I come back to more often, or hit me harder in the moment, or contain higher highs, or had more impact on their genres, but FMA:B is, pound for pound, the best anime ever made. 10s across the board.