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sheisadykewomon · 3 hours
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art in sheet music
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sheisadykewomon · 15 hours
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I was hoping to find some photos of her with flowers in her hair, and this one is beautiful ♡
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sheisadykewomon · 17 hours
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depressing post from a sub mainly about westerners naming their children kayleighgh nova and sephiroth uzumaki
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sheisadykewomon · 19 hours
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people record a woman having a mental health crisis or drug overdose in public and post it online like “world’s most insufferable đŸ€ź insane đŸ€Ș karen gets OWNED đŸ‘©đŸ„Šâ€ and everyone in the comments is like haha this right here is why women shouldn’t have rights feminists stay mad!!! but people record a man punching a woman after she turns him down and post it online like “the male mental health crisis is only getting worse as more and more men are forced to resort to crying out for help with their fists 😱 #sad #emotional” and everyone in the comments is like wow women have no idea how much men suffer inside this wouldn’t have happened if she’d only put out it’s probably because she’s just a gold digging whore people forget men’s mental health matters too 😔✊
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sheisadykewomon · 20 hours
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Fog Spirits dancing in the Moonlight by Kinko White
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sheisadykewomon · 20 hours
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“One of the most solid pieces of writing advice I know is in fact intended for dancers – you can find it in the choreographer Martha Graham’s biography. But it relaxes me in front of my laptop the same way I imagine it might induce a young dancer to breathe deeply and wiggle their fingers and toes. Graham writes: ‘There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open.’”
— Zadie Smith (via campaignagainstcliche)
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sheisadykewomon · 1 day
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Tasha Tudor's Garden
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sheisadykewomon · 2 days
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kate o’hare was a socialist + antiwar activist, jailed during WWI for promoting said views—and yeah this incident recorded in her journals is fucking me up
When her 14-year-old son visited, [Kate] O’Hare was upset that warders denied him permission to play his trumpet for her. But they had no control over what happened outside the prison’s walls. “Last night we were locked in our cells waiting for the lights to be turned out when suddenly I heard a sweet but wavering note that I instantly recognized as Dick’s cornet
 Nothing ever sounded sweeter than the noble strains of ‘Lead Kindly Light.’ Before the first bar was ended a dead silence reigned 
 From cell to cell a whisper ran ‘Be still and listen—it is Mrs. O’Hare’s son!’ No artist ever held an audience more breathless 
 When he played ‘Silver Threads among the Gold’ I could hear the women sobbing.”
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sheisadykewomon · 2 days
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So the most listened to (internationally) French artist happens to be a Black woman, her artist name is Aya Nakamura. She is the only woman in France in the top 20 of the most listened to artists. She was born in Mali (Bamako) came in France as a young child with her family and she now has the French citizenship.
She might be the one singing (a song from Edith Piaf) during the Olympics opening ceremony in France.
Again she is the most famous French artists right now internationally.
White people are putting signs saying “No way for Aya, this is Paris not the market of Bamako”. That’s how racist France is.
But wanna know the icing on the cake? The reaction of some politicians on the left. Sandrine Rousseau defending Aya by saying that it would give the image of a “tolerant and open” France. This is all about “image” they don’t want to stop being racists pieces of shit they want to be able to do it while still looking good and anti racists.
You say “this is Paris not Bamako” meanwhile when Black and Arabs undocumented workers went on strike the construction site of the Olympics had to fucking slow down and stop in some sites because there was enough undocumented workers on those construction sites that their absence meant not being able to continue.
You say “this is Paris not Bamako” meanwhile the only reason your health system hasn’t completely collapsed is because 1 doctor out of 4 is born abroad. Some of your hospitals would close without foreign doctors (Algerians represent almost 25% of the foreign doctors in France.
So you know what? This is Bamako. This is Algiers. This is Dakar. Without us you wouldn’t be a rich country. If you didn’t want us here you shouldn’t have colonized our people and shouldn’t keep looting our countries while financing corrupted governments, organizing assassinations of rulers who want to decolonize Africa and organizing uprising against them.
(P.S: Le premier qui vient dĂ©fendre Sandrine Rousseau je le bloque ici on soutient la gauche rĂ©volutionnaire et porteuse de valises pas la gauche avec des relents de paternalisme colonial qui bĂ©gaie dĂšs qu’il faut prendre position correctement contre le racisme)
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sheisadykewomon · 2 days
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Is it just me or is this comment insanely funny
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sheisadykewomon · 2 days
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"I would kill for you. I would die for you" would you take a break for me? Would you sit down and rest? For a day, a week, a year? Would you let others take care of your needs for me? Would you let yourself be held for me? By me?
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sheisadykewomon · 2 days
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oh yayyy I'm glad that some wim are interested :) I just say what I say and it's never gonna be what you expect LOL but ok I'm already working on what I wanna say & concepts to introduce so. It's happening
if I posted clips of myself talking 2 myself abt this detrans shit and music, female power etc. would anyone care to listen or. on the other hand anyone wanna do a podcast w me lol
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sheisadykewomon · 2 days
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thing is my mind works real fast and I talk fast so I feel like I need some1 to keep me on track so i don't go off into the willywacks of my mind but ON THE OTHER HAND maybe some of yall want to hear the willywacks adventures of my leaps in logic so. Up to you
if I posted clips of myself talking 2 myself abt this detrans shit and music, female power etc. would anyone care to listen or. on the other hand anyone wanna do a podcast w me lol
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sheisadykewomon · 2 days
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if I posted clips of myself talking 2 myself abt this detrans shit and music, female power etc. would anyone care to listen or. on the other hand anyone wanna do a podcast w me lol
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sheisadykewomon · 2 days
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watched a vid of three females who identify & present as men talking abt taking testosterone & how they feel abt singing and their voices... one said that she didn't sing much before taking exogenous hormones bc her voice was "too pretty" and didn't reflect how she felt like a "mean dude". I hate this shit so much bc I know exactly what she means... and I know that it doesn't solve the problem, doesn't reconcile the dissonance in your mind... and women would be more free could we realize that. When you say you feel like a "mean dude" I take it to mean you feel like an individual with personal power you aren't allowed to exercise & have to keep locked up, and no one hears it and denies that it exists so you think making yourself in the image of a male will make ppl see and acknowledge your power but it won't & you're still blaming your femaleness as the source of this problem. when claiming your power as a female does not actually require you to deny your fundamental composition of yourself. To truly claim your power you have to own it. To deny it is to disown it and to disempower yourself further. doing patriarchal dirty work. They put the needle in yer hands and tell you what to do with it and you do it. but you don't need it. Just none of it's necessary it doesn't fix things it makes me so mad I could scream
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sheisadykewomon · 2 days
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get ready for an exuberant summer
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sheisadykewomon · 3 days
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"This is the contralto/tenor/bass trio "Gloria Patri" from Dixit Dominus (RV 595) composed for the Figlie di Coro of the Ospedale della PietĂ . Here the voice of Anna dal Basso (1670-1742), a documented bass singer at the PietĂ , is sung by Margaret (centre), Cecilia dal Contralto (1679-1726) by Victoria, Paulina dal Tenor (1675-1748) by Penny. Vivaldi's Women challenge the cultural stereotype which assumes that female voices are naturally high and that it is wrong for them to sing low. At the end of the clip we see Micky White in the Venice archives where she has made so many remarkable discoveries about Vivaldi and the women he worked with."
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