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Los Angeles Review of Books: An America That Could Explain: On Barack Obama’s “A Promised Land”
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Los Angeles Review of Books: Reclaiming Black Beaches: On Alison Rose Jefferson’s “Living the California Dream”
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Los Angeles Review of Books: Shells and Spheres of the Self: On Marilynne Robinson’s “Jack”
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Fund Women-Save the World | Catherine Gray | TEDxDelthorneWomen
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Los Angeles Review of Books: America Starts Here: On “When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry”
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Los Angeles Review of Books: Friending Thanatos: Richard Seymour's The Twittering Machine
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Ma Rainey's Black Bottom | Official Trailer | Netflix
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Los Angeles Review of Books: Sublimely Ugly: On Elena Ferrante’s “The Lying Life of Adults”
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Inspired by a private archive and featuring contemporary work by artists who acknowledge the continued relevance of Angela Davis’s experience and politics, the essays, interviews, and images in this book provide a compelling and layered narrative of her journey through the junctures of race, gender, economic, and political policy. Beginning in 1970 with her arrest in connection with a courtroom shootout, then moving through her trial and acquittal, the book traces Davis’s life and work during the subsequent decades and her influential career as a public intellectual. Profusely illustrated with materials found in the archive, including press coverage, photographs, court sketches, videos, music, writings, correspondence, and Davis’s political writings, the book also features interviews with Angela Davis and Lisbet Tellefsen, the archivist who collected those materials, as well as essays that touch on visibility and invisibility, history, memory, and the iconography of black radical feminism.
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Los Angeles Review of Books: “He Drank It Black”: On Dinah Lenney’s “Coffee”
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Los Angeles Review of Books: “Written into Life”: On Marianne Chan’s “All Heathens”
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Los Angeles Review of Books: A Constitution, If You Can Keep It
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Los Angeles Review of Books: Recuperating Humanity: On John Washington’s “The Dispossessed”
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Los Angeles Review of Books: A Voice from America’s Black Belt: On Bakari Sellers’s “My Vanishing Country”
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