everything everywhere all at once (2022) // i remain in darkness, annie ernaux // poplar street, chen chen // original writing (@scorpiogays) // electra, sophocles (trans. anne carson)
Australian Federal Election 2001: Pranksters follow around Prime Ministerial contender Kim Beazley in an attempt to sneak fake microphones into news footage
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“The other [scene that stands out above the rest] involved a handsome man, asking a dancing couple if he could cut in. The female partner, expecting his attention, agrees, only to see him dance with her male partner. Jolson then flaps his wrist and says, “Boys will be boys. Woo!”. This scene almost caused the Production Code to reject the film, and was featured in the opening scenes of the documentary film The Celluloid Closet (1996).”
no because it’s not just who uses typewriters anyway. it’s why did you bring a typewriter to someone else’s apartment. how do you forget a typewriter at someone’s apartment. everything about this situation is strange
“That’s why high school, or a crappy job, or any other restrictive circumstance can be dangerous: They make dreams too painful to bear. To avoid longing, we hunker down, wait, and resolve to just survive. Great art becomes a reminder of the art you want to be making, and of the gigantic world outside of your small, seemingly inescapable one. We hide from great things because they inspire us, and in this state, inspiration hurts.”
— One of the best articles I’ve ever read. Rookie Mag. By Spencer Tweedy. (via wildyork)
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